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* ContemptibleCover: Squatta's Paradise features a man hanging (whether it's a suicide or a lynching is unclear) from a tree.
** No Gods, No Managers features Mary and Joseph looking over the Choking Victim in the manger with an mash-up of items including inverted crosses, skulls, and a goat's head in a pentagram on the album's front cover; the back features two people with nooses around their necks.
** No Gods, No Managers features Mary and Joseph looking over the Choking Victim in the manger with an mash-up of items including inverted crosses, skulls, and a goat's head in a pentagram on the album's front cover; the back features two people with nooses around their necks.
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* MohsScaleOfLyricalHardness: Easily a 9-10, even if the band didn’t take themselves remotely seriously.
* MohsScaleOfRockAndMetalHardness: Rather hard to quantify due to randomly mixing ska and crust punk, but averaging somewhere around a 6-8.
* MohsScaleOfRockAndMetalHardness: Rather hard to quantify due to randomly mixing ska and crust punk, but averaging somewhere around a 6-8.
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MohsScaleOfLyricalHardness: Easily a 9-10, even if the band didn’t take themselves remotely seriously.
MohsScaleOfRockAndMetalHardness: Rather hard to quantify due to randomly mixing ska and crust punk, but averaging somewhere around a 6-8.
MohsScaleOfRockAndMetalHardness: Rather hard to quantify due to randomly mixing ska and crust punk, but averaging somewhere around a 6-8.
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MohsScaleOfLyricalHardness: Easily a 9-10, even if the band didn’t take themselves remotely seriously.
MohsScaleOfRockAndMetalHardness: Rather hard to quantify due to randomly mixing ska and crust punk, but averaging somewhere around a 6-8.
MohsScaleOfRockAndMetalHardness: Rather hard to quantify due to randomly mixing ska and crust punk, but averaging somewhere around a 6-8.
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* StylisticSuck: They segued into ska segments seemingly for the point of mocking the genre.
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** In My Grave samples the introductory riff to Music/{{Slayer}}'s Raining Blood and the "God is dead" bit from Film/RosemarysBaby.
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* CapitalismIsBad: The band openly endorsed policies that wouldn't be out of place in a more anarchistic circle, and even went so far as to include more "vagrant" themes in their lyrics, such as squatting, drug use, and shoplifting. The band even went so far as to have early copies of No Gods, No Managers ''not'' carry a barcode on the record and openly encouraged fans to copy their music and distribute it for free if they so desired.
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* CapitalismIsBad: The band openly endorsed policies that wouldn't be out of place far-left/anarchist principles in a more anarchistic circle, their lyrics and even went so far as to include more "vagrant" themes in their lyrics, such as squatting, drug use, and shoplifting. shoplifting among those themes. The band even went so far as to have also insisted that early copies of No Gods, No Managers ''not'' carry a barcode on the record and openly encouraged fans to copy their music and distribute it for free if they so desired.
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* CrapsackWorld: The band frequently portrays the United States (and living in its borders) as this; see MyCountryTisOfTheeISting below.
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* CrapsackWorld: The band frequently portrays the United States (and living in its borders) as this; see MyCountryTisOfTheeISting MyCountryTisOfTheeThatISting below.
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* MyCountryTisOfTheeISting: The band pulled no punches in their views on the United States' tendencies for misleading the masses via media and aggressive globalization ("Fuck America"), its police ("Crack Rock Steady"), prison practices ("Apple Pie and Police State"), making the masses complacent with television and drugs ("500 Channels"), and so on. Even before 9/11, the band were known to burn models of the World Trade Center in protest, and after the day in question, Stza went on to claim that he "wasn't exactly opposed to [the towers] falling down" and even kept burning models of the WTC for at least a couple of years afterward.
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* MyCountryTisOfTheeISting: MyCountryTisOfTheeThatISting: The band pulled no punches in their views on the United States' tendencies for misleading the masses via media and aggressive globalization ("Fuck America"), its police ("Crack Rock Steady"), prison practices ("Apple Pie and Police State"), making the masses complacent with television and drugs ("500 Channels"), and so on. Even before 9/11, the band were known to burn models of the World Trade Center in protest, and after the day in question, Stza went on to claim that he "wasn't exactly opposed to [the towers] falling down" and even kept burning models of the WTC for at least a couple of years afterward.
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** Choking Victim (the song) samples [[Music/BlackSabbath Tony Iommi's famous cough from Sweet Leaf.
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** Choking Victim (the song) samples [[Music/BlackSabbath Tony Iommi's Iommi's]] famous cough from Sweet Leaf.
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* {{Backmasking}}: Hate Yer State opens with [[https://www.youtube.com/watch?v=jhs_xiOQThs a message]] from Stza.
** The line "fuck world trade" appears during Fuck America, five years before Leftover Crack released the album of the same name.
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** "Infested" - a faster tempo song about catching lice and scabies, and complaining about both their existence and treating the problem.
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** "Infested" - a faster tempo faster, catchy song about catching lice and scabies, and complaining about both their existence and treating the problem.scabies.
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* MyCountryTisOfTheeThatISting: The band pulled no punches in their views on the United States' tendencies for misleading the masses via media and aggressive globalization ("Fuck America"), its police ("Crack Rock Steady"), prison practices ("Apple Pie and Police State"), making the masses complacent with television and drugs ("500 Channels"), and so on. Even before 9/11, the band were known to burn models of the World Trade Center in protest, and after the day in question, Stza went on to claim that he "wasn't exactly opposed to [the towers] falling down" and even kept burning models of the WTC for at least a couple of years afterward.
to:
* MyCountryTisOfTheeThatISting: MyCountryTisOfTheeISting: The band pulled no punches in their views on the United States' tendencies for misleading the masses via media and aggressive globalization ("Fuck America"), its police ("Crack Rock Steady"), prison practices ("Apple Pie and Police State"), making the masses complacent with television and drugs ("500 Channels"), and so on. Even before 9/11, the band were known to burn models of the World Trade Center in protest, and after the day in question, Stza went on to claim that he "wasn't exactly opposed to [the towers] falling down" and even kept burning models of the WTC for at least a couple of years afterward.
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* SignatureSong: "500 Channels" and "Crack Rock Steady", followed by "Infested" and "Born to Die". These songs are still played live ''very'' frequently at Leftover Crack shows to the point where they could be considered constants in their setlist.
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* TitleOnlyChorus: Hate Yer State.
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Formed in New York City's Lower East Side (and notoriously taking residence in Alphabet City's C-Squat), Choking Victim were a punk band that were active between 1992 and 1999 that fused elements of ska, hardcore, and metal in a style that would eventually be known as "crack rocksteady", however they were also popular among the local anarcho-punk and crust punk circles. During those seven years, the band managed to release two EP's to local acclaim - 1993's "Crack Rock Steady 7" and 1995's "Squatta's Paradise" before heading into the studio to record their full-length album...for all of a day. Seriously; the band broke up immediately after day one of recording the album, however in an aversion of WhatCouldHaveBeen, the band had recorded enough material (a mix of re-recordings and brand new recordings of material that hadn't made it to any real medium outside of concert bootlegs) to compile together into 1999's "No Gods, No Managers" - and much like the Music/{{Ramones}}, the band quickly became more popular after breaking up. After breaking up, the former members went on to form separate bands (some of whom collaborated with each other back in the day) including Music/LeftoverCrack, Morning Glory, INDK, and The Crack Rock Steady 7. As of 2016, the band has reunited sporadically, but intend to tour/play for the last time throughout the month of November.
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Formed in New York City's Lower East Side (and notoriously taking residence in Alphabet City's C-Squat), Choking Victim were a punk band that were active between 1992 and 1999 that fused elements of ska, hardcore, and metal in a style that would eventually be known as "crack rocksteady", however they were also popular among the local anarcho-punk and crust punk circles. During those seven years, the band managed to release two EP's to local acclaim - 1993's 1994's "Crack Rock Steady 7" Steady" and 1995's "Squatta's Paradise" before heading into the studio to record their full-length album...for all of a day. Seriously; the band broke up immediately after day one of recording the album, however in an aversion of WhatCouldHaveBeen, the band had recorded enough material (a mix of re-recordings and brand new recordings of material that hadn't made it to any real medium outside of concert bootlegs) to compile together into 1999's "No Gods, No Managers" - and much like the Music/{{Ramones}}, the band quickly became more popular after breaking up. up, albeit this is arguably due to their association with Leftover Crack. After breaking splitting up, the former members went on to form separate bands (some of whom have collaborated with each other back in the day) other) including Music/LeftoverCrack, Morning Glory, INDK, and The Crack Rock Steady 7. As of 2016, the 7, most notably. The band has reunited sporadically, but intend to tour/play for played sporadic shows since they broke up, however Stza announced in the last time throughout fall of 2016 that Choking Victim would be performing their final tour in late October/early November with the month of November.
Squatta's Paradise lineup.
Their albums include:
* ''Crack Rock Steady EP'', 1994
* ''Squatta's Paradise'', 1995
* ''Victim Comes Alive'', 1998
* ''No Gods, No Managers'', 1999
Their albums include:
* ''Crack Rock Steady EP'', 1994
* ''Squatta's Paradise'', 1995
* ''Victim Comes Alive'', 1998
* ''No Gods, No Managers'', 1999
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!! Choking Victim provides examples of the following tropes:
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* AlliterativeName: Scott "Stza" Sturgeon provides vocals for the band. As far as song titles, you also have "'''F'''ive '''F'''inger Discount" and "'''L'''iving the '''L'''aws".
* AntiPoliceSong: Crack Rock Steady, most notably, however criticism also appears in "Apple Pie and Police State" and "Suicide (A Better Way), among other songs.
* CapitalismIsBad: The band openly endorsed policies that wouldn't be out of place in a more radical anarchist circle - and even went so far as to have early copies of No Gods, No Managers ''not'' carry a barcode and openly encouraged fans to copy their music and distribute it for free if they so desired to enforce these beliefs.
* AntiPoliceSong: Crack Rock Steady, most notably, however criticism also appears in "Apple Pie and Police State" and "Suicide (A Better Way), among other songs.
* CapitalismIsBad: The band openly endorsed policies that wouldn't be out of place in a more radical anarchist circle - and even went so far as to have early copies of No Gods, No Managers ''not'' carry a barcode and openly encouraged fans to copy their music and distribute it for free if they so desired to enforce these beliefs.
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* AlliterativeName: Scott "Stza" Sturgeon provides vocals for the band. As far as song titles, titles go, you also have "'''F'''ive '''F'''inger Discount" and "'''L'''iving the '''L'''aws".
* AntiPoliceSong: Crack Rock Steady, most notably, however criticism also appears in "Apple Pie and Police State" and briefly in "Suicide (A BetterWay), among other songs.
Way)".
* CapitalismIsBad: The band openly endorsed policies that wouldn't be out of place in a moreradical anarchist circle - anarchistic circle, and even went so far as to include more "vagrant" themes in their lyrics, such as squatting, drug use, and shoplifting. The band even went so far as to have early copies of No Gods, No Managers ''not'' carry a barcode on the record and openly encouraged fans to copy their music and distribute it for free if they so desired to enforce these beliefs.desired.
* AntiPoliceSong: Crack Rock Steady, most notably, however criticism also appears in "Apple Pie and Police State" and briefly in "Suicide (A Better
* CapitalismIsBad: The band openly endorsed policies that wouldn't be out of place in a more
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** No Gods, No Managers takes this up to eleven and features Mary and Joseph looking over the Choking Victim in the manger with an mash-up of items including inverted crosses, skulls, and a goat's head in a pentagram on the album's front cover; the back features two deceased people with nooses around their necks.
* CrapsackWorld: Multiple songs paint the band's view of life in a manner similar to this one.
* CrapsackWorld: Multiple songs paint the band's view of life in a manner similar to this one.
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** No Gods, No Managers takes this up to eleven and features Mary and Joseph looking over the Choking Victim in the manger with an mash-up of items including inverted crosses, skulls, and a goat's head in a pentagram on the album's front cover; the back features two deceased people with nooses around their necks.
* CoverVersion: The band often played a cover of "Money Changes Everything" by ''Cindi Lauper'' of all people live, and rewrote/created a new version of "Sweet Dreams (Are Made of This)" by the Eurythmics for the ''Finding a Voice: A Benefit For Humans'' compilation.
* CrapsackWorld:Multiple songs paint The band frequently portrays the band's view of United States (and living in its borders) as this; see MyCountryTisOfTheeISting below.
** They also consider lifein a manner similar itself to this one.be living through one of these, if the lyrics to "In My Grave", "Suicide (A Better Way)", and "In Hell" are anything to go by.
* CoverVersion: The band often played a cover of "Money Changes Everything" by ''Cindi Lauper'' of all people live, and rewrote/created a new version of "Sweet Dreams (Are Made of This)" by the Eurythmics for the ''Finding a Voice: A Benefit For Humans'' compilation.
* CrapsackWorld:
** They also consider life
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* FadingIntoTheNextSong: Fuck America segues into War Story so flawlessly that if one were to not carefully observe the track listing or only hear the album in passing, it could be confused as being one song.
** Same with Praise to the Sinners and Living the Laws.
* {{Foreshadowing}}: Stza is said in the liner notes to appear from "the LeftoverCrack" corporation" and even mentions "the good leftover crizzack" in 500 Channels.
* LyricalDissonance: Crack Rock Steady is an upbeat ska song written about killing police officers, burning down churches, and "killing some rich, important people".
* MyCountryTisOfTheeThatISting: The band pulled no punches in their views on the United States' tendencies for misleading the masses via media and aggressive globalization ("Fuck America"), its police ("Crack Rock Steady"), prison practices ("Apple Pie and Police State") and so on. Even before 9/11, the band were known to burn models of the World Trade Center in protest, and after the day in question, Stza went on to claim that he "wasn't exactly opposed to [them] falling down" and even kept burning models of the WTC for at least a couple of years afterward.
** Same with Praise to the Sinners and Living the Laws.
* {{Foreshadowing}}: Stza is said in the liner notes to appear from "the LeftoverCrack" corporation" and even mentions "the good leftover crizzack" in 500 Channels.
* LyricalDissonance: Crack Rock Steady is an upbeat ska song written about killing police officers, burning down churches, and "killing some rich, important people".
* MyCountryTisOfTheeThatISting: The band pulled no punches in their views on the United States' tendencies for misleading the masses via media and aggressive globalization ("Fuck America"), its police ("Crack Rock Steady"), prison practices ("Apple Pie and Police State") and so on. Even before 9/11, the band were known to burn models of the World Trade Center in protest, and after the day in question, Stza went on to claim that he "wasn't exactly opposed to [them] falling down" and even kept burning models of the WTC for at least a couple of years afterward.
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* FadingIntoTheNextSong: Fuck America "Fuck America" segues into War Story "War Story" so flawlessly that if one were to not carefully observe the track listing or only hear the album in passing, it could be confused as being one song.
** Same with Praise to theSinners and Living Sinners/Living the Laws.
* {{Foreshadowing}}: Stza is said in the liner notes to appear from "the LeftoverCrack" corporation" and even mentions "the good leftovercrizzack" crizack" in 500 Channels.
* LyricalDissonance: Crack Rock Steady is an upbeat ska songwritten with lyrics about killing police officers, burning down churches, and "killing some executing "some rich, important people".
people".
** "Infested" - a faster tempo song about catching lice and scabies, and complaining about both their existence and treating the problem.
* MoodWhiplash: A new listener might be caught off-guard by the band's fondness of going from a hardcore/metal influenced sound into a very stereotypical ska section and then back again.
* MyCountryTisOfTheeThatISting: The band pulled no punches in their views on the United States' tendencies for misleading the masses via media and aggressive globalization ("Fuck America"), its police ("Crack Rock Steady"), prison practices ("Apple Pie and PoliceState") State"), making the masses complacent with television and drugs ("500 Channels"), and so on. Even before 9/11, the band were known to burn models of the World Trade Center in protest, and after the day in question, Stza went on to claim that he "wasn't exactly opposed to [them] [the towers] falling down" and even kept burning models of the WTC for at least a couple of years afterward.afterward.
* ProtestSong: The band's done enough of these that listing proper examples would take up quite a hefty section of this article by itself. As a good rule of thumb, if their songs aren't about a bleak, misanthropic world view (e.g., "In Hell"), it's going to be this.
** Same with Praise to the
* {{Foreshadowing}}: Stza is said in the liner notes to appear from "the LeftoverCrack" corporation" and even mentions "the good leftover
* LyricalDissonance: Crack Rock Steady is an upbeat ska song
** "Infested" - a faster tempo song about catching lice and scabies, and complaining about both their existence and treating the problem.
* MoodWhiplash: A new listener might be caught off-guard by the band's fondness of going from a hardcore/metal influenced sound into a very stereotypical ska section and then back again.
* MyCountryTisOfTheeThatISting: The band pulled no punches in their views on the United States' tendencies for misleading the masses via media and aggressive globalization ("Fuck America"), its police ("Crack Rock Steady"), prison practices ("Apple Pie and Police
* ProtestSong: The band's done enough of these that listing proper examples would take up quite a hefty section of this article by itself. As a good rule of thumb, if their songs aren't about a bleak, misanthropic world view (e.g., "In Hell"), it's going to be this.
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* RefugeInAudacity: The band openly endorsed the murder of police officers, squatting, drug use, shoplifting, suicide, and used Satanic imagery - all to intentionally piss off those who "weren't in" on the joke.
* {{Sampling}}: The band uses an unidentified (possibly original) sample to begin "In Hell", and "Money", "Fuck America", and "Praise to the Sinners" all feature sampled speeches from political scientist Michael Parenti.
* SignatureSong: "500 Channels", "Crack Rock Steady", and "Infested" to a lesser extent seem to hold this role, especially since they're still played very frequently at Leftover Crack shows.
* TropeNamer: For the ska-punk offshoot known as "crack rocksteady", which includes bands like No Cops for Miles, Stupid Stupid Henchmen, Morning Glory, No Commercial Value, and Star Fucking Hipsters. Unsurprisingly, most of these bands also include Stza in them.
* {{Sampling}}: The band uses an unidentified (possibly original) sample to begin "In Hell", and "Money", "Fuck America", and "Praise to the Sinners" all feature sampled speeches from political scientist Michael Parenti.
* SignatureSong: "500 Channels", "Crack Rock Steady", and "Infested" to a lesser extent seem to hold this role, especially since they're still played very frequently at Leftover Crack shows.
* TropeNamer: For the ska-punk offshoot known as "crack rocksteady", which includes bands like No Cops for Miles, Stupid Stupid Henchmen, Morning Glory, No Commercial Value, and Star Fucking Hipsters. Unsurprisingly, most of these bands also include Stza in them.
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* RefugeInAudacity: The band openly endorsed the murder of police officers, squatting, drug use, shoplifting, suicide, and used Satanic imagery - all imagery, both in a serious manner and to intentionally piss off those who "weren't in" on the joke.
* {{Sampling}}: The band uses an unidentified (possibly original) sample to begin "InHell", and Hell". "Money", "Fuck America", and "Praise to the Sinners" all feature sampled clips from speeches from by political scientist Michael Parenti.
* SignatureSong: "500Channels", Channels" and "Crack Rock Steady", and followed by "Infested" and "Born to a lesser extent seem to hold this role, especially since they're Die". These songs are still played very live ''very'' frequently at Leftover Crack shows.
shows to the point where they could be considered constants in their setlist.
* TakeThat: Usually directed at the United States government (or the idea of government as a whole), but the band has also directed jabs towards apathetic masses and the police.
* ThreeChordsAndTheTruth: Subverted. While some songs (or sections of songs) stick to this formula, the members themselves have also come up with material that would be considered a little more "advanced" than one would expect from a punk band - usually in their more ska influenced songs.
* TropeNamer: For the ska-punk offshoot known as "crack rocksteady", which includes bands like NoCops for Miles, Cash, Stupid Stupid Henchmen, Morning Glory, No Commercial Value, Value (the UrExample), INDK, No Cops for Miles, and Star Fucking Hipsters. Unsurprisingly, most of these bands also include Stza in them.them or have collaborated with him.
* {{Sampling}}: The band uses an unidentified (possibly original) sample to begin "In
* SignatureSong: "500
* TakeThat: Usually directed at the United States government (or the idea of government as a whole), but the band has also directed jabs towards apathetic masses and the police.
* ThreeChordsAndTheTruth: Subverted. While some songs (or sections of songs) stick to this formula, the members themselves have also come up with material that would be considered a little more "advanced" than one would expect from a punk band - usually in their more ska influenced songs.
* TropeNamer: For the ska-punk offshoot known as "crack rocksteady", which includes bands like No
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-->'''"Unauthorized duplication of this record is worshipped [sic] and even celebrated in some third-world countries, and it is the expressed opinion of the members of Choking V. that it is in fact punk to bootleg records, and the fact that it is looked down upon as "illegal" makes it all the more exciting, so by all means do whatcha like and make a copy for a more disadvantaged music lover. 666"'''
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-->'''"Unauthorized duplication of this record is worshipped [sic] and even celebrated in some third-world countries, and it is the expressed opinion of the members of Choking V. that it is in fact punk to bootleg records, and the fact that it is looked down upon as "illegal" makes it all the more exciting, so by all means do whatcha like and make a copy for a more disadvantaged music lover. 666"
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-->'''"Unauthorized duplication of this record is worshipped [sic] and even celebrated in some third-world countries, and it is the expressed opinion of the members of Choking V. that it is in fact punk to bootleg records, and the fact that it is looked down upon as "illegal" makes it all the more exciting, so by all means do whatcha like and make a copy for a more disadvantaged music lover. 666"666"'''
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Fixing a mild formatting issue - will make better repairs in the morning when I'm not dead tired.
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* Foreshadowing: Stza is said in the liner notes to appear from "the LeftoverCrack" corporation" and even mentions "the good leftover crizzack" in 500 Channels.
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* Foreshadowing: {{Foreshadowing}}: Stza is said in the liner notes to appear from "the LeftoverCrack" corporation" and even mentions "the good leftover crizzack" in 500 Channels.
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* MyCountryTisOfTheeISting: The band pulled no punches in their views on the United States' tendencies for misleading the masses via media and aggressive globalization ("Fuck America"), its police ("Crack Rock Steady"), prison practices ("Apple Pie and Police State") and so on. Even before 9/11, the band were known to burn models of the World Trade Center in protest, and after the day in question, Stza went on to claim that he "wasn't exactly opposed to [them] falling down" and even kept burning models of the WTC for at least a couple of years afterward.
to:
* MyCountryTisOfTheeISting: MyCountryTisOfTheeThatISting: The band pulled no punches in their views on the United States' tendencies for misleading the masses via media and aggressive globalization ("Fuck America"), its police ("Crack Rock Steady"), prison practices ("Apple Pie and Police State") and so on. Even before 9/11, the band were known to burn models of the World Trade Center in protest, and after the day in question, Stza went on to claim that he "wasn't exactly opposed to [them] falling down" and even kept burning models of the WTC for at least a couple of years afterward.
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* ContemptableCover: Squatta's Paradise features a man hanging (whether it's a suicide or a lynching is unclear) from a tree.
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* ContemptableCover: ContemptibleCover: Squatta's Paradise features a man hanging (whether it's a suicide or a lynching is unclear) from a tree.
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* MyCountryOfTheeISting: The band pulled no punches in their views on the United States' tendencies for misleading the masses via media and aggressive globalization ("Fuck America"), its police ("Crack Rock Steady"), prison practices ("Apple Pie and Police State") and so on. Even before 9/11, the band were known to burn models of the World Trade Center in protest, and after the day in question, Stza went on to claim that he "wasn't exactly opposed to [them] falling down" and even kept burning models of the WTC for at least a couple of years afterward.
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* MyCountryOfTheeISting: MyCountryTisOfTheeISting: The band pulled no punches in their views on the United States' tendencies for misleading the masses via media and aggressive globalization ("Fuck America"), its police ("Crack Rock Steady"), prison practices ("Apple Pie and Police State") and so on. Even before 9/11, the band were known to burn models of the World Trade Center in protest, and after the day in question, Stza went on to claim that he "wasn't exactly opposed to [them] falling down" and even kept burning models of the WTC for at least a couple of years afterward.
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Formed in New York City's Lower East Side (and notoriously taking residence in Alphabet City's C-Squat), Choking Victim were a punk band that were active between 1992 and 1999 that fused elements of ska, hardcore, and metal in a style that would eventually be known as "crack rocksteady", however they were also popular among the local anarcho-punk and crust punk circles. During those seven years, the band managed to release two EP's to local acclaim - 1993's "Crack Rock Steady 7" and 1995's "Squatta's Paradise" before heading into the studio to record their full-length album...for all of a day. Seriously; the band broke up immediately after day one of recording the album, however in an aversion of WhatCouldHaveBeen, the band had recorded enough material (a mix of re-recordings and brand new recordings of material that hadn't made it to any real medium outside of concert bootlegs) to compile together into 1999's "No Gods, No Managers" - and much like the Music/{{Ramones}}, the band quickly became more popular after breaking up. After breaking up, the former members went on to form separate bands (some of whom collaborated with each other back in the day) including Music/LeftoverCrack, Morning Glory, INDK, and The Crack Rock Steady 7. As of 2016, the band has reunited sporadically, but intend to tour/play for the last time throughout the month of November.
---
* AerithAndBob: The final lineup in the No Gods, No Managers era - Stza, Skwert, Erza, and...Shane.
* AllThereInTheManual: Choking Victim's lyrics are available online, however the growled lyrics for some songs ("Fuck America", for instance) are only available in the liner notes for No Gods, No Managers.
* AlliterativeName: Scott "Stza" Sturgeon provides vocals for the band. As far as song titles, you also have "'''F'''ive '''F'''inger Discount" and "'''L'''iving the '''L'''aws".
* AntiPoliceSong: Crack Rock Steady, most notably, however criticism also appears in "Apple Pie and Police State" and "Suicide (A Better Way), among other songs.
* CapitalismIsBad: The band openly endorsed policies that wouldn't be out of place in a more radical anarchist circle - and even went so far as to have early copies of No Gods, No Managers ''not'' carry a barcode and openly encouraged fans to copy their music and distribute it for free if they so desired to enforce these beliefs.
* ContemptableCover: Squatta's Paradise features a man hanging (whether it's a suicide or a lynching is unclear) from a tree.
** No Gods, No Managers takes this up to eleven and features Mary and Joseph looking over the Choking Victim in the manger with an mash-up of items including inverted crosses, skulls, and a goat's head in a pentagram on the album's front cover; the back features two deceased people with nooses around their necks.
* CrapsackWorld: Multiple songs paint the band's view of life in a manner similar to this one.
* DigitalPiracyIsEvil: Averted. Choking Victim openly printed a parody of the standard FBI Anti-Piracy Warning on the back cover of No Gods, No Managers:
-->'''"Unauthorized duplication of this record is worshipped [sic] and even celebrated in some third-world countries, and it is the expressed opinion of the members of Choking V. that it is in fact punk to bootleg records, and the fact that it is looked down upon as "illegal" makes it all the more exciting, so by all means do whatcha like and make a copy for a more disadvantaged music lover. 666"
* FadingIntoTheNextSong: Fuck America segues into War Story so flawlessly that if one were to not carefully observe the track listing or only hear the album in passing, it could be confused as being one song.
** Same with Praise to the Sinners and Living the Laws.
* Foreshadowing: Stza is said in the liner notes to appear from "the LeftoverCrack" corporation" and even mentions "the good leftover crizzack" in 500 Channels.
* LyricalDissonance: Crack Rock Steady is an upbeat ska song written about killing police officers, burning down churches, and "killing some rich, important people".
* MyCountryOfTheeISting: The band pulled no punches in their views on the United States' tendencies for misleading the masses via media and aggressive globalization ("Fuck America"), its police ("Crack Rock Steady"), prison practices ("Apple Pie and Police State") and so on. Even before 9/11, the band were known to burn models of the World Trade Center in protest, and after the day in question, Stza went on to claim that he "wasn't exactly opposed to [them] falling down" and even kept burning models of the WTC for at least a couple of years afterward.
* PunnyName: ''No Gods, No Managers'' - a play off the famous anarchist slogan "no gods, no masters".
** The song "Crack Rock Steady" is an amalgamation of the phrase 'crack rock' and the ska offshoot known as rocksteady.
* RefugeInAudacity: The band openly endorsed the murder of police officers, squatting, drug use, shoplifting, suicide, and used Satanic imagery - all to intentionally piss off those who "weren't in" on the joke.
* {{Sampling}}: The band uses an unidentified (possibly original) sample to begin "In Hell", and "Money", "Fuck America", and "Praise to the Sinners" all feature sampled speeches from political scientist Michael Parenti.
* SignatureSong: "500 Channels", "Crack Rock Steady", and "Infested" to a lesser extent seem to hold this role, especially since they're still played very frequently at Leftover Crack shows.
* TropeNamer: For the ska-punk offshoot known as "crack rocksteady", which includes bands like No Cops for Miles, Stupid Stupid Henchmen, Morning Glory, No Commercial Value, and Star Fucking Hipsters. Unsurprisingly, most of these bands also include Stza in them.
---
* AerithAndBob: The final lineup in the No Gods, No Managers era - Stza, Skwert, Erza, and...Shane.
* AllThereInTheManual: Choking Victim's lyrics are available online, however the growled lyrics for some songs ("Fuck America", for instance) are only available in the liner notes for No Gods, No Managers.
* AlliterativeName: Scott "Stza" Sturgeon provides vocals for the band. As far as song titles, you also have "'''F'''ive '''F'''inger Discount" and "'''L'''iving the '''L'''aws".
* AntiPoliceSong: Crack Rock Steady, most notably, however criticism also appears in "Apple Pie and Police State" and "Suicide (A Better Way), among other songs.
* CapitalismIsBad: The band openly endorsed policies that wouldn't be out of place in a more radical anarchist circle - and even went so far as to have early copies of No Gods, No Managers ''not'' carry a barcode and openly encouraged fans to copy their music and distribute it for free if they so desired to enforce these beliefs.
* ContemptableCover: Squatta's Paradise features a man hanging (whether it's a suicide or a lynching is unclear) from a tree.
** No Gods, No Managers takes this up to eleven and features Mary and Joseph looking over the Choking Victim in the manger with an mash-up of items including inverted crosses, skulls, and a goat's head in a pentagram on the album's front cover; the back features two deceased people with nooses around their necks.
* CrapsackWorld: Multiple songs paint the band's view of life in a manner similar to this one.
* DigitalPiracyIsEvil: Averted. Choking Victim openly printed a parody of the standard FBI Anti-Piracy Warning on the back cover of No Gods, No Managers:
-->'''"Unauthorized duplication of this record is worshipped [sic] and even celebrated in some third-world countries, and it is the expressed opinion of the members of Choking V. that it is in fact punk to bootleg records, and the fact that it is looked down upon as "illegal" makes it all the more exciting, so by all means do whatcha like and make a copy for a more disadvantaged music lover. 666"
* FadingIntoTheNextSong: Fuck America segues into War Story so flawlessly that if one were to not carefully observe the track listing or only hear the album in passing, it could be confused as being one song.
** Same with Praise to the Sinners and Living the Laws.
* Foreshadowing: Stza is said in the liner notes to appear from "the LeftoverCrack" corporation" and even mentions "the good leftover crizzack" in 500 Channels.
* LyricalDissonance: Crack Rock Steady is an upbeat ska song written about killing police officers, burning down churches, and "killing some rich, important people".
* MyCountryOfTheeISting: The band pulled no punches in their views on the United States' tendencies for misleading the masses via media and aggressive globalization ("Fuck America"), its police ("Crack Rock Steady"), prison practices ("Apple Pie and Police State") and so on. Even before 9/11, the band were known to burn models of the World Trade Center in protest, and after the day in question, Stza went on to claim that he "wasn't exactly opposed to [them] falling down" and even kept burning models of the WTC for at least a couple of years afterward.
* PunnyName: ''No Gods, No Managers'' - a play off the famous anarchist slogan "no gods, no masters".
** The song "Crack Rock Steady" is an amalgamation of the phrase 'crack rock' and the ska offshoot known as rocksteady.
* RefugeInAudacity: The band openly endorsed the murder of police officers, squatting, drug use, shoplifting, suicide, and used Satanic imagery - all to intentionally piss off those who "weren't in" on the joke.
* {{Sampling}}: The band uses an unidentified (possibly original) sample to begin "In Hell", and "Money", "Fuck America", and "Praise to the Sinners" all feature sampled speeches from political scientist Michael Parenti.
* SignatureSong: "500 Channels", "Crack Rock Steady", and "Infested" to a lesser extent seem to hold this role, especially since they're still played very frequently at Leftover Crack shows.
* TropeNamer: For the ska-punk offshoot known as "crack rocksteady", which includes bands like No Cops for Miles, Stupid Stupid Henchmen, Morning Glory, No Commercial Value, and Star Fucking Hipsters. Unsurprisingly, most of these bands also include Stza in them.