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Bad Religion's current lineup consists of Graffin (vocals), Gurewitz (guitars), Bentley (bass), Greg Hetson--formerly of The Circle Jerks (guitars), Brian Baker (guitars), and Brooks Wackerman (drums). Bobby Schayer was their drummer for much of their Atlantic period, but left the band after suffering a shoulder injury.
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As of 2001, Bad Religion's current lineup consists consisted of Graffin (vocals), Gurewitz (guitars), Bentley (bass), Greg Hetson--formerly of The Circle Jerks (guitars), Brian Baker (guitars), and Brooks Wackerman (drums). Bobby Schayer was their drummer for much of their Atlantic period, but left the band after suffering a shoulder injury.
injury. In 2013 Hetson left due to personal problems (divorce) and was replaced by Mike Dimkich.
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* TakeThat: "Hate You" by Gurewitz's brief solo project Daredevils is sometimes considered to be about Jay Bentley.
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* AlbumTitleDrop: Most of their albums are named after one of the songs on it.
** One exception, ''The Process of Belief'', is named for a line from the song "Materialist".
** One exception, ''The Process of Belief'', is named for a line from the song "Materialist".
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* AlbumTitleDrop: Most of their albums are named after one of the songs ''How Could Hell Be Any Worse?'' on it.
** One exception,"Fuck Armageddon... This is Hell" and ''The Process of Belief'', is named for a line from the song Belief'' on "Materialist".
** One exception,
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* DualMeaningChorus: [[WordOfGod Gurewitz himself]] gives two explanation to "Anesthesia". One particular lyric in that song goes: "I got a little gun, here comes oblivion." It could be about a guy killing his girlfriend named Anesthesia, but it could also be a metaphore about taking drugs (the little gun here reffering to a syringe).
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* TitleTrack: Most of their albums.
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added few \"New Sound Albums\" albums
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** While most of their albums tended to have their trademark sound, various added elements throughout (mostly based on the time)
*** ''Generator'' featured experimentation (epically with songs like ''Two Babies in the Dark'')
*** ''Recipe for Hate'' added AlternativeRock and grunge elements (that got refined in their next few albums)
*** ''The New America'' feature far more personal lyrics and somewhat more poppy sound
*** ''New Maps of Hell'' is by far their heaviest albums, bordering on AlternativeMetal
*** ''Generator'' featured experimentation (epically with songs like ''Two Babies in the Dark'')
*** ''Recipe for Hate'' added AlternativeRock and grunge elements (that got refined in their next few albums)
*** ''The New America'' feature far more personal lyrics and somewhat more poppy sound
*** ''New Maps of Hell'' is by far their heaviest albums, bordering on AlternativeMetal
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* ''True North'' (2013)
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* AuthorTract: Although not in a bad way.
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* DeadpanSnarker: Graffin's lyrics are usually this. Which is strange, because in-person, he's actually pretty laid back and mellowed-out.
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* DeadpanSnarker: Graffin's lyrics are usually this.this (Brett's not so much). Which is strange, because in-person, he's actually pretty laid back and mellowed-out.
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** On the other hand, it may just be a sarcastic reply to people who constantly complain about living in a CrapsackWorld.
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** On the other hand, it may just also be a sarcastic reply to people who constantly complain about living in a CrapsackWorld.
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** On the other hand, it may just be a sarcastic reply to people who constantly complain about living in a CrapsackWorld.
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* DeadpanSnarker: Graffin's lyrics are usually this. Which is strange, because in-person, he's actually pretty laid back and mellowed-out.
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*** Apparently, sometime after Mr. Brett left the band, he'd mock the band for being "the rotting corpse of thesaurus rock" (which was definitely classier than Greg Graffin changing a lyric in Mr. Brett's song Stranger than Fiction to make fun of Guerwitz's struggle with drug addiction whenever it was performed live).
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* GratuitousGerman: "[[https://www.youtube.com/watch?v=TiBKFHJnSUI Punk Rock Song]]"
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* AWildRapperAppears: Sage Francis, making a guest appearance on "Let Them Eat War".
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* MohsScaleOfRockAndMetalHardness: Generally a 5 or 6. With a couple songs (such as Slumber) being a 4.
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* MohsScaleOfRockAndMetalHardness: Generally a 5 or 6. With a couple songs (such as Slumber) "Slumber" and "Sorrow") being a 4.
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Says \"culprits.\"
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* EatTheRich: In the song "I Want To Conquer The World," one of the things the singer says he'll do to establish his {{Utopia}} is "expose the corporates and feed them to the children."
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* CrapsackWorld: "Leaders and Followers", among others.
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* AccentUponTheWrongSyllable: Lots. A few examples from "Parallel": "Phony [=COLLective progess=], [=ACCepting=] that it's all such a mess", and in the background, "our lives are [=paralLEL=]"... later, "watching as our [=FOUNdations=] crumble away"
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* AccentUponTheWrongSyllable: AcCENTUponTheWrongSylLABle: Lots. A few examples from "Parallel": "Phony [=COLLective progess=], [=ACCepting=] that it's all such a mess", and in the background, "our lives are [=paralLEL=]"... later, "watching as our [=FOUNdations=] crumble away"
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* AccentUponTheWrongSyllable: Lots. A few examples from "Parallel": "Phony COLLective progess, ACCepting that it's all such a mess", and in the background, "our lives are paralLEL"... later, "watching as our FOUNdations crumble away"
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* AccentUponTheWrongSyllable: Lots. A few examples from "Parallel": "Phony COLLective progess, ACCepting [=COLLective progess=], [=ACCepting=] that it's all such a mess", and in the background, "our lives are paralLEL"... [=paralLEL=]"... later, "watching as our FOUNdations [=FOUNdations=] crumble away"
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* AccentUponTheWrongSyllable: Lots. A few examples from "Parallel": "Phony COLLective progess, ACCepting that it's all such a mess", and in the background, "our lives are paralLEL"... later, "watching as our FOUNdations crumble away"
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* CanonDiscontinuity: ''Into The Unknown'' -- after disappointing sales, it wasn't acknowledged or reissued until it was included in a compilation 27 years later.
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The band is known for its particulary clever use of metaphor, style and vocabulary in the lyrics, as well as their peculiar vocal harmonies. Lyrics are often about philosophical, social or political concerns and tend to be critical, sarcastic, and often times harsh. Song writing is usually done between Graffin and Gurewitz, except for the period of time when the band left Epitaph for the major label Atlantic Records (1993 - 2001). During this period, Graffin took on sole song writing duties (excluding their major label debut ''Stranger than Fiction", which was the last album Guerwitz appeared on until 2002). For the album ''No Substance'', generally considered among the band's weakest entries, song writing responsibilities were shared among the other band members. Since Gurewitz's return, he and Graffin have resumed their original song writing duties.
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The band is known for its particulary clever use of metaphor, style and vocabulary in the lyrics, as well as their peculiar vocal harmonies. Lyrics are often about philosophical, social or political concerns and tend to be critical, sarcastic, and often times harsh. Song writing is usually done between Graffin and Gurewitz, except for the period of time when the band left Epitaph for the major label Atlantic Records (1993 - 2001). During this period, Graffin took on sole song writing duties (excluding their major label debut ''Stranger than Fiction", Fiction'', which was the last album Guerwitz appeared on until 2002). For the album ''No Substance'', generally considered among the band's weakest entries, song writing responsibilities were shared among the other band members. Since Gurewitz's return, he and Graffin have resumed their original song writing duties.
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The band is known for its particulary clever use of metaphor, style and vocabulary in the lyrics, as well as their peculiar vocal harmonies. Lyrics are often about philosophical, social or political concerns and tend to be critical, sarcastic, and often times harsh. Song writing is usually done between Graffin and Gurewitz, except for the period of time when the band left Epitaph for the major label Atlantic Records (1993 - 2001). During this period, Graffin took on sole song writing duties. For the album ''No Substance'', generally considered among the band's weakest entries, song writing responsibilities were shared among the other band members. Since Gurewitz's return, he and Graffin have resumed their original song writing duties.
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The band is known for its particulary clever use of metaphor, style and vocabulary in the lyrics, as well as their peculiar vocal harmonies. Lyrics are often about philosophical, social or political concerns and tend to be critical, sarcastic, and often times harsh. Song writing is usually done between Graffin and Gurewitz, except for the period of time when the band left Epitaph for the major label Atlantic Records (1993 - 2001). During this period, Graffin took on sole song writing duties.duties (excluding their major label debut ''Stranger than Fiction", which was the last album Guerwitz appeared on until 2002). For the album ''No Substance'', generally considered among the band's weakest entries, song writing responsibilities were shared among the other band members. Since Gurewitz's return, he and Graffin have resumed their original song writing duties.
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*BadassTeacher: Graffin. He's taught university classes at Cornell and UCLA
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* ShoutOut: Lots of them. For example, in the song "You," the line "there's no time for fussing and fighting, my friend" is taken from "[[TheBeatles We Can Work It Out]]".
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* ShoutOut: Lots of them. For example, in the song "You," the line "there's no time for fussing and fighting, my friend" is taken from "[[TheBeatles "[[Music/TheBeatles We Can Work It Out]]".
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Edited a trope.
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** It's really easier to list the Bad Religion songs this trope doesn't apply to.
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** It's really easier to list the Bad Religion songs this trope doesn't apply to. The quality of their lyrics is often half attributed to the fact that they pull out interesting vocabulary and find a way to work it into conventional pop rhyme schemes.
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Moved a YMMV trope.
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* AuthorTract: Although not in a bad way.
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natter
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** YourMileageMayVary. I've always interpreted the song as a sarcastic response to people who constantly complain about how terrible life is.
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** YourMileageMayVary. I've always interpreted the song as a sarcastic response to people who constantly complain about how terrible life is.
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* MohsScaleOfRockAndMetalHardness: Generally a 5 or 6. With a couple songs (such as Slumber) being a 4.
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renamed trope
* TheSomethingSong: "God Song", "Punk Rock Song"
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* TheTropeSong: "God Song", "Punk Rock Song"