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%% * GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.



* IAmSong: "Eagle" is sort-of like this, for the narrator has turned into a eagle...[[MaybeMagicMaybeMundane maybe.]]
** "Thank You For the Music".

to:

* IAmSong: IAmSong:
**
"Eagle" is sort-of like this, for the narrator (dreams that she) has turned into a eagle...eagle... [[MaybeMagicMaybeMundane maybe.]]
** "Thank You For the Music".Music" is this for the title character in "The Girl With The Golden Hair".



-->''They speak strangely, but I understand.''

to:

-->''They -->They speak strangely, but I understand.''


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* TitleDrop: "Thank You For The Music" in the mini-musical contains the line "I'm the girl with the golden hair".
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* GettingCrapPastTheRadar: "Take A Chance On Me" is about a crazy stalker, but due to the cheerful music, most people don't realize it.

to:

%% * GettingCrapPastTheRadar: "Take A Chance On Me" GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is about a crazy stalker, but due to on-page examples only until 01 June 2021. If you are reading this in the cheerful music, most people don't realize it.future, please check the trope page to make sure your example fits the current definition.
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You can think of this album as the official movie soundtrack for their [[FauxDocumentary mockumentary movie]] ''Film/ABBATheMovie'' that was released to cinemas throughout the two years as well, which documented how popular and well-received the band had become between this album and the ''Music/{{Arrival}}'' album two years before. Most of the songs on ''The Album'' made a cameo on the film, as well as a debut of a [[ShowWithinAShow mini-musical that Benny and Björn wrote]] when the band toured most of Europe and Australia; some of the musical's songs are featured on the album as well.

to:

You can think of this album as the official movie soundtrack for their [[FauxDocumentary mockumentary movie]] ''Film/ABBATheMovie'' that was released to cinemas throughout the two years as well, which documented how popular and well-received the band had become between this album and the ''Music/{{Arrival}}'' ''Music/{{Arrival|Album}}'' album two years before. Most of the songs on ''The Album'' made a cameo on the film, as well as a debut of a [[ShowWithinAShow mini-musical that Benny and Björn wrote]] when the band toured most of Europe and Australia; some of the musical's songs are featured on the album as well.
Is there an issue? Send a MessageReason:
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You can think of this album as the official movie soundtrack for their [[FauxDocumentary mockumentary movie]] ''ABBA: The Movie'' that was released to cinemas throughout the two years as well, which documented how popular and well-received the band had become between this album and the ''Music/{{Arrival}}'' album two years before. Most of the songs on ''The Album'' made a cameo on the film, as well as a debut of a [[ShowWithinAShow mini-musical that Benny and Björn wrote]] when the band toured most of Europe and Australia; some of the musical's songs are featured on the album as well.

to:

You can think of this album as the official movie soundtrack for their [[FauxDocumentary mockumentary movie]] ''ABBA: The Movie'' ''Film/ABBATheMovie'' that was released to cinemas throughout the two years as well, which documented how popular and well-received the band had become between this album and the ''Music/{{Arrival}}'' album two years before. Most of the songs on ''The Album'' made a cameo on the film, as well as a debut of a [[ShowWithinAShow mini-musical that Benny and Björn wrote]] when the band toured most of Europe and Australia; some of the musical's songs are featured on the album as well.
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* ProductionForeshadowing: The live mini-musical written by Benny and Björn, of which some of its songs are featured on this album, foreshadows their later foray toward musical theatre with ''Theatre/{{Chess}}''. Its themes of someone's reactions to celebrity, including feeling trapped in and strangled by a situation were people are only using them, are similar to ''Chess'', albeit the protagonist here seems more symphatetic than ''Chess''[='s=] Freddie.

to:

* ProductionForeshadowing: The live mini-musical written by Benny and Björn, of which some of its songs are featured on this album, foreshadows their later foray toward musical theatre with ''Theatre/{{Chess}}''. Its themes of someone's reactions to celebrity, including feeling trapped in and strangled by a situation were people are only using them, are similar to ''Chess'', albeit the protagonist here seems more symphatetic sympathetic than ''Chess''[='s=] Freddie.

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# "Thank You For the Music ({{Creator/Doris Day}} version)" (4:03)

to:

# "Thank You For the Music ({{Creator/Doris Day}} (Creator/DorisDay version)" (4:03)



* LyricalDissonance: "One Man One Woman". An uplifting and joyous song with a cheerful chorus - a story of a woman who lives in a heavily abusive relationship and cannot escape from it, forgiving her man every time in the name of love 'worth the pain and the suffering'.
** 'Move On' is a song trying to deter someone from committing suicide.
** 'Hole in your Soul' cheerfully states that we all have an emptiness inside that must be filled by rock'n roll.
** 'Thank you for the Music' doesn't sound terribly grateful. The tone of it is that of someone dutifully writing a thank-you note.
** 'I Wonder' is the calmest tone you'll ever hear the phrase and message "it's frightening" in.
** 'I'm A Marionette' sounds upbeat, but is about someone feeling trapped in and strangled by a situation were people are only using her.
* NoPlotNoProblem: "The Name Of The Game" has literally no plot; doesn't stop it from being one of ABBA's best videos.

to:

* LyricalDissonance: LyricalDissonance:
**
"One Man Man, One Woman". An uplifting and joyous song with a cheerful chorus - a story of a woman who lives in a heavily abusive relationship and cannot escape from it, forgiving her man every time in the name of love 'worth the pain and the suffering'.
** 'Move On' "Move On" is a song trying to deter someone from committing suicide.
** 'Hole "Hole in your Soul' Your Soul" cheerfully states that we all have an emptiness inside that must be filled by rock'n roll.
** 'Thank you "Thank You for the Music' Music" doesn't sound terribly grateful. The tone of it is that of someone dutifully writing a thank-you note.
** 'I Wonder' "I Wonder" is the calmest tone you'll ever hear the phrase and message "it's frightening" in.
** 'I'm "I'm A Marionette' Marionette" sounds upbeat, but is about someone feeling trapped in and strangled by a situation were people are only using her.
* NoPlotNoProblem: "The Name Of The of the Game" has literally no plot; doesn't stop it from being one of ABBA's best videos.


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* ProductionForeshadowing: The live mini-musical written by Benny and Björn, of which some of its songs are featured on this album, foreshadows their later foray toward musical theatre with ''Theatre/{{Chess}}''. Its themes of someone's reactions to celebrity, including feeling trapped in and strangled by a situation were people are only using them, are similar to ''Chess'', albeit the protagonist here seems more symphatetic than ''Chess''[='s=] Freddie.
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''ABBA: The Album'' (or just ''The Album'') is the fifth studio album by the Swedish pop group ''Music/{{ABBA}}'', and was released sporadically between 1977 and '78.

to:

''ABBA: The Album'' (or just ''The Album'') is the fifth studio album by the Swedish pop group ''Music/{{ABBA}}'', Music/{{ABBA}}, and was released sporadically between 1977 and '78.
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'''ABBA: The Album''' (or just ''The Album'') is the fifth studio album by the Swedish pop group ''Music/{{ABBA}}'', and was released sporadically between 1977 and '78.

to:

\n'''ABBA: ''ABBA: The Album''' Album'' (or just ''The Album'') is the fifth studio album by the Swedish pop group ''Music/{{ABBA}}'', and was released sporadically between 1977 and '78.



It's arguably the last album that was well-received (until ''{{Music/The Visitors}}'') before ABBA began to be influenced by {{disco}}. The next album they made was ''Music/VoulezVous''.

to:

It's arguably the last album that was well-received (until ''{{Music/The Visitors}}'') ''Music/TheVisitors'') before ABBA began to be influenced by {{disco}}. The next album they made was ''Music/VoulezVous''.
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Added DiffLines:

** 'Hole in your Soul' cheerfully states that we all have an emptiness inside that must be filled by rock'n roll.
** 'Thank you for the Music' doesn't sound terribly grateful. The tone of it is that of someone dutifully writing a thank-you note.
** 'I Wonder' is the calmest tone you'll ever hear the phrase and message "it's frightening" in.
** 'I'm A Marionette' sounds upbeat, but is about someone feeling trapped in and strangled by a situation were people are only using her.
Is there an issue? Send a MessageReason:
None


* DayInTheLife: The voice describes what their friends like to do in "Hole In Your Soul".

to:

* DayInTheLife: The voice narrator of "Hole in Your Soul" describes what their her friends like to do in "Hole In Your Soul".do.



** "Move On" can be seen as this, seeming how it's '''heavily''' implied that the voice is [[UsefulNotes/{{Depression}} depressed]] and having suicidal thoughts.

to:

** "Move On" can be seen as this, seeming how it's '''heavily''' implied that the voice narrator is [[UsefulNotes/{{Depression}} depressed]] and having suicidal thoughts.



* ICantBelieveAGuyLikeYouWouldNoticeMe: The voice throughout the "The Name Of The Game".

to:

* ICantBelieveAGuyLikeYouWouldNoticeMe: The voice narrator throughout the "The Name Of The Game".



* InformedLoner: The voice in "The Name Of The Game", long before the other person came along.

to:

* InformedLoner: The voice narrator in "The Name Of The Game", long before the other person came along.



* PowerOfRock: The voice in "Hole In Your Soul" is highly convinced that the reason the person they're talking to is moody is because they're listening to boring music, like {{silly love songs}}, whereas rock music will cure them of the lowliness.

to:

* PowerOfRock: The voice narrator in "Hole In Your Soul" is highly convinced that the reason the person they're talking to is moody is because they're listening to boring music, like {{silly love songs}}, whereas rock music will cure them of the lowliness.



* SpeaksFluentAnimal: Even though the voice in "Eagle" doesn't show signs of this, they understand other eagles.

to:

* SpeaksFluentAnimal: Even though the voice in narrator of "Eagle" doesn't show signs of this, they understand other eagles.
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* RearrangeTheSong: The live version of "I'm a Marionette", performed on their 1977 tour of Europe, the UK and Australia, is starkly different to the version recorded later on for ''ABBA: The Album''. The tempo is much faster (probably closer to 200 BPM while the album version is around 110), Benny's piano is more prominent, Agnetha and Frida's singing conveys more strain and panic, and the whole song has a more urgent feel.

to:

* RearrangeTheSong: The live version of "I'm a Marionette", performed on their 1977 tour of Europe, the UK and Australia, is starkly different to the version recorded later on for ''ABBA: The Album''.this album. The tempo is much faster (probably closer to 200 BPM while the album version is around 110), Benny's piano is more prominent, Agnetha and Frida's singing conveys more strain and panic, and the whole song has a more urgent feel.

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* IAmSong: "Eagle" is sort-of like this, for the voice has turned into a eagle.

to:

* IAmSong: "Eagle" is sort-of like this, for the voice narrator has turned into a eagle.eagle...[[MaybeMagicMaybeMundane maybe.]]
** "Thank You For the Music".
* IAmBecomingSong: "I Wonder".



* LightIsNotGood: The girls donning white clothes and blonde wigs while singing "I'm A Marionette".



* LyricalDissonance: "One Man One Woman". An uplifting and joyous song with a cheerful chorus - a story of a woman who lives in a heavily abusive relationship and cannot escape from it, forgiving her man every time in the name of love 'worth the pain and the suffering'.
** 'Move On' is a song trying to deter someone from committing suicide.
* NoPlotNoProblem: "The Name Of The Game" has literally no plot; doesn't stop it from being one of ABBA's best videos.



* RearrangeTheSong: The live version of "I'm a Marionette", performed on their 1977 tour of Europe, the UK and Australia, is starkly different to the version recorded later on for ''ABBA: The Album''. The tempo is much faster (probably closer to 200 BPM while the album version is around 110), Benny's piano is more prominent, Agnetha and Frida's singing conveys more strain and panic, and the whole song has a more urgent feel.



* SanitySlippageSong: "I'm A Marionette".



* SpokenWordInMusic: The opening of "Move On".

to:

* SpokenWordInMusic: The opening of "Move On".On", in which Björn tries to tell the suicidal person that things will get better.

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* GaussianGirl: Agnetha and Frida during the "Take a Chance on Me" video.
* GettingCrapPastTheRadar: "Take A Chance On Me" is about a crazy stalker, but due to the cheerful music, most people don't realize it.



* StalkerWithACrush: The voice in "Take A Chance On Me".

to:

* StalkerWithACrush: The voice in "Take A a Chance On Me".Me" is about a female stalker telling the object of her adoration that she has the patience to wait for him while he sees other women. ([[http://www.azlyrics.com/lyrics/abba/takeachanceonme.html Read the lyrics.]]) Agnetha and Frida sing the chorus together, but alternate singing solos in the verses. [[http://www.youtube.com/watch?v=-crgQGdpZR0&ob=av2e In the video,]] Agnetha plays it straight while Frida occasionally mugs and gyrates, possibly with the intent of portraying mental instability.


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* WhiteVoidRoom: The music video for "Take a Chance on Me".
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It's arguably the last album that was well-received (until ''{{Music/The Visitors}}'')before ABBA began to be influenced by {{disco}}. The next album they made was ''Music/VoulezVous''.

to:

It's arguably the last album that was well-received (until ''{{Music/The Visitors}}'')before Visitors}}'') before ABBA began to be influenced by {{disco}}. The next album they made was ''Music/VoulezVous''.
Is there an issue? Send a MessageReason:
None


It's arguably the last album that was well-received, before ABBA began to be influenced by {{disco}}. The next album they made was ''Music/VoulezVous''.

to:

It's arguably the last album that was well-received, before well-received (until ''{{Music/The Visitors}}'')before ABBA began to be influenced by {{disco}}. The next album they made was ''Music/VoulezVous''.
Is there an issue? Send a MessageReason:
None

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[[AC: 2001 CD re-release bonus track]]
# "Thank You For the Music ({{Creator/Doris Day}} version)" (4:03)
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[[caption-width-right:''[[IAmA I'm an eagle that rides on the breeze...]]'']]


to:

[[caption-width-right:''[[IAmA [[caption-width-right:350:''[[IAmSong I'm an eagle that rides on the breeze...]]'']]

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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/r_6660460_1424082202_8688jpeg.jpg]]
[[caption-width-right:''[[IAmA I'm an eagle that rides on the breeze...]]'']]

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Added DiffLines:

* AllJustADream: "Eagle"
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''ABBA: The Album''' (or just ''The Album'') is the fifth studio album by the Swedish pop group ''Music/{{ABBA}}'', and was released sporadically between 1977 and '78.

to:

''ABBA: '''ABBA: The Album''' (or just ''The Album'') is the fifth studio album by the Swedish pop group ''Music/{{ABBA}}'', and was released sporadically between 1977 and '78.
Is there an issue? Send a MessageReason:
None


'''''ABBA: The Album''''' (or just '''''The Album''''') is the fifth studio album by the Swedish pop group Music/{{ABBA}}, and was released sporadically between 1977 and '78.

to:

'''''ABBA: ''ABBA: The Album''''' Album''' (or just '''''The Album''''') ''The Album'') is the fifth studio album by the Swedish pop group Music/{{ABBA}}, ''Music/{{ABBA}}'', and was released sporadically between 1977 and '78.
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* ThankingTheViewer: "Thank You For The Music" wasn't originally supposed to be this, but it did when it was re-released as a single in 1983 to thank the fans for sticking by them.

to:

* ThankingTheViewer: "Thank You For The Music" wasn't originally supposed to be this, but it did when it was re-released as a single in 1983 to promote the label's cash-in compilation of the same name. It's erroneously thought to have been released to thank the fans for sticking by them.
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* FifteenMinutesOfFame: The premise of the mini-musical on the concert/arena tours.


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* SlaveToPR: "I'm A Marionette".
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Added DiffLines:

** "Move On" can be seen as this, seeming how it's '''heavily''' implied that the voice is [[UsefulNotes/{{Depression}} depressed]] and having suicidal thoughts.
-->''What really makes the difference between all dead and living things?''
-->''The will to stay alive?''


Added DiffLines:

* SpokenWordInMusic: The opening of "Move On".
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Added DiffLines:

* ThankingTheViewer: "Thank You For The Music" wasn't originally supposed to be this, but it did when it was re-released as a single in 1983 to thank the fans for sticking by them.

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Changed: 18

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You can think of this album as the official movie soundtrack for their mockumentary movie ''ABBA: The Movie'' that was released to cinemas throughout the two years as well, which documented how popular and well-received the band had become between this album and the ''Music/{{Arrival}}'' album two years before. Most of the songs on ''The Album'' made a cameo on the film, as well as a debut of a [[ShowWithinAShow mini-musical that Benny and Björn wrote]] when the band toured most of Europe and Australia; some of the musical's songs are featured on the album as well.

to:

You can think of this album as the official movie soundtrack for their [[FauxDocumentary mockumentary movie movie]] ''ABBA: The Movie'' that was released to cinemas throughout the two years as well, which documented how popular and well-received the band had become between this album and the ''Music/{{Arrival}}'' album two years before. Most of the songs on ''The Album'' made a cameo on the film, as well as a debut of a [[ShowWithinAShow mini-musical that Benny and Björn wrote]] when the band toured most of Europe and Australia; some of the musical's songs are featured on the album as well.



* {{Animorphism}}: Implied in "Eagle".
* CerebusSyndrome: "I Wonder" and "I'm A Marionette". Considering the mini-musical was about a singer struggling to stay calm in the height of her fame, it's not surprising.
* DayInTheLife: The voice describes what their friends like to do in "Hole In Your Soul".
-->''My friend Sam is a chauffeur, Annie goes to school''
-->''Jerry works at the office, Sue lies by the pool''
* HeroicBSOD: "I Wonder".



* ICantBelieveAGuyLikeYouWouldNoticeMe: The voice throughout the "The Name Of The Game".
-->''But I am here talking to you,''
-->''No wonder I get excited!''
* InformedLoner: The voice in "The Name Of The Game", long before the other person came along.
-->''I have no friends -- no one to see,''
-->''And I am never invited...''
* LoveTriangle: Implied in "Take A Chance On Me".
-->''If you change your mind, I'm the first in line.''
* PowerOfRock: The voice in "Hole In Your Soul" is highly convinced that the reason the person they're talking to is moody is because they're listening to boring music, like {{silly love songs}}, whereas rock music will cure them of the lowliness.
* RockAndRoll: Apparently, ''"it's gotta be rock 'n' roll to fill the'' Hole In Your Soul''"''.
* SpeaksFluentAnimal: Even though the voice in "Eagle" doesn't show signs of this, they understand other eagles.
-->''They speak strangely, but I understand.''



* UnresolvedSexualTension: "One Man, One Woman", in which the man leaves the house for work in anger (presumably after an argument with his lover), and he returns to the house and they both realise that they need to change their ways.

to:

* UnresolvedSexualTension: "One Man, One Woman", in which the man leaves the house for work in anger (presumably after an argument with his lover), and he returns to the house and they both realise that they need to change their ways.ways.
----
Is there an issue? Send a MessageReason:
None

Added DiffLines:

'''''ABBA: The Album''''' (or just '''''The Album''''') is the fifth studio album by the Swedish pop group Music/{{ABBA}}, and was released sporadically between 1977 and '78.

You can think of this album as the official movie soundtrack for their mockumentary movie ''ABBA: The Movie'' that was released to cinemas throughout the two years as well, which documented how popular and well-received the band had become between this album and the ''Music/{{Arrival}}'' album two years before. Most of the songs on ''The Album'' made a cameo on the film, as well as a debut of a [[ShowWithinAShow mini-musical that Benny and Björn wrote]] when the band toured most of Europe and Australia; some of the musical's songs are featured on the album as well.

It's arguably the last album that was well-received, before ABBA began to be influenced by {{disco}}. The next album they made was ''Music/VoulezVous''.
----
!!Tracklist
[[AC:Side One]]
# "Eagle" (5:51)
# "Take A Chance On Me" (4:05)
# "One Man, One Woman" (4:25)
# "The Name Of The Game" (4:54)

[[AC:Side Two]]
# "Move On" (4:42)
# "Hole in Your Soul" (3:41)
# "Thank You For The Music" (3:48)
# "I Wonder (Departure)" (4:33)
# "I'm A Marionette" (3:54)

[[folder:Personnel]]
* Benny Andersson – keyboards, vocals, backing vocals, composer and songwriter
* Agnetha Fältskog – vocals, backing vocals
* Anni-Frid Lyngstad – vocals, backing vocals
* Björn Ulvaeus – acoustic guitar, electric guitar, vocals, backing vocals, composer and songwriter
* Ola Brunkert – drums
* Lars O. Carlsson – flute and saxophone
* Malando Gassama – percussion
* Rutger Gunnarsson – bass
* Roger Palm – drums
* Janne Schaffer – lead guitar
* Lasse Wellander – lead guitar
* Michael B. Tretow – engineer
* Rutger Gunnarsson – string arrangements
* Rune Söderqvist – design
* Barry Levine – photography
* Björn Andersson and Rune Söderqvist – illustrations
[[/folder]]
----
!!Tropes Included
* IAmSong: "Eagle" is sort-of like this, for the voice has turned into a eagle.
* StalkerWithACrush: The voice in "Take A Chance On Me".
* UnresolvedSexualTension: "One Man, One Woman", in which the man leaves the house for work in anger (presumably after an argument with his lover), and he returns to the house and they both realise that they need to change their ways.

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