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* ''Film/FerrisBuellersDayOff'': "This is the part where Cameron goes berserk." Also known as the part where [[HeroicBSOD Cameron's soul snaps]] [[WebVideo/TheSpoonyExperiment like a Twix bar.]]

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* ''Film/FerrisBuellersDayOff'': "This is the part "Here's where Cameron goes berserk." Also known as the part where [[HeroicBSOD Cameron's soul snaps]] [[WebVideo/TheSpoonyExperiment like a Twix bar.]]
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-->"This is where Film/DieHard comes through the window!"

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-->"This is where Film/DieHard comes jumps through the window!"
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** In a montage, with Bart in "Homer vs. Lisa and the 8th Commandment":
-->"This is where Film/{{Jaws}} eats the boat!"
-->"This is where Film/DieHard comes through the window!"
-->"This is where Film/WallStreet gets arrested!"
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* ''Literature/TheNightFire'': Laurie Lee Wells, an actress with some minor television credits, lets detectives Bosch and Ballard into her apartment.
--> '''Wells''': I hate to say this because I've actually played this part in a TV show, but "What's this about?"
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[[quoteright:289:[[Webcomic/TheTrenches https://static.tvtropes.org/pmwiki/pub/images/big_damn_kiss_denied.png]]]]
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* In the ''Franchise/StarTrek'' pilot episode "The Cage", Captain Pike is captured by the Talosians, who note that, after hurling himself in frustration at the glass, Pike will now threaten them with the power of his starship. Hearing this, Pike chooses a more diplomatic (but equally futile) approach.

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* In the ''Franchise/StarTrek'' pilot episode "The Cage", Captain Pike is captured by the Talosians, who note that, after hurling himself in frustration at the glass, [[GlassyPrison glass]], Pike will now [[AppealToForce threaten them with the power of his starship.starship]]. Hearing this, Pike chooses a more diplomatic (but equally futile) approach.
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** From "Benediction"
-->'''Cordelia:''' "Wait. Angel, before you go we have to do that thing."\\
'''Angel:''' "What thing?"\\
'''Cordelia:''' "That thing we do. You know that thing where I say 'Are you sure you know what you're doing, Angel, please think about this' and then you ignore me and rush head long into trouble?"

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* In the ''Franchise/StarTrek'' pilot episode "The Cage", Captain Pike is captured by the Talosians.
-->'''Pike:''' Unless you want my ship to consider your kidnapping me an unfriendly act...\\
'''Magistrate:''' You now see the primitive fear-threat reaction. The specimen is about to boast of his strength, the weaponry of his vessel, and so on.

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* In the ''Franchise/StarTrek'' pilot episode "The Cage", Captain Pike is captured by the Talosians.
-->'''Pike:''' Unless you want my ship to consider your kidnapping me an unfriendly act...\\
'''Magistrate:''' You
Talosians, who note that, after hurling himself in frustration at the glass, Pike will now see threaten them with the primitive fear-threat reaction. The specimen is about to boast power of his strength, the weaponry of his vessel, and so on.starship. Hearing this, Pike chooses a more diplomatic (but equally futile) approach.

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Removed: 46

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Quote consistency


'''Chapter 9''': The Part Where He Kills You\\
BGM: [[https://www.youtube.com/watch?v=hOXrgDDLpYw The Part Where He Kills You]]\\
''Achievement Unlocked'': The Part Where He Kills You\\
''Achievement Description'': This is that part

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'''Chapter 9''': '''On-screen text''': Chapter 9: The Part Where He Kills You\\
BGM: '''BGM''': [[https://www.youtube.com/watch?v=hOXrgDDLpYw The Part Where He Kills You]]\\
'''Popup window''': ''Achievement Unlocked'': The Part Where He Kills You\\
''Achievement Description'': This
You. (This is that partpart)
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* Creator/TimBurton's ''Film/{{Batman}}'':

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* Creator/TimBurton's ''Film/{{Batman}}'':''Film/Batman1989'':



* ''Film/AustinPowers'': In ''Goldmember'', Austin's father, superspy Nigel Powers, knows he's invincible, and says so to Dr. Evil's mooks, telling them to just hit the floor.

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* ''Film/AustinPowers'': In ''Goldmember'', ''Film/AustinPowersInGoldmember'': Austin's father, superspy Nigel Powers, knows he's invincible, and says so to Dr. Evil's mooks, telling them to just hit the floor.
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* ''VideoGame/{{Portal 2}}'' combines this with DepartmentOfRedundancyDepartment and OverlyLongGag.

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* ''VideoGame/{{Portal 2}}'' combines this with DepartmentOfRedundancyDepartment ParrotExposition, DepartmentOfRedundancyDepartment, and OverlyLongGag.

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* ''Film/GeorgeOfTheJungle'' has this line when the villain Lyle suffers some ToiletHumor slapstick with some [[RoadApples elephant dung]]:
-->'''Guide 1:''' Bad guy falls in poop! ''Classic'' element of physical comedy! Now comes the part where we throw our heads back and laugh! Ready?\\
'''Other guides:''' Ready!\\
'''All:''' AHAHAHAHAHAHAHAHAHAHAHAHAHA!

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* ''Film/GeorgeOfTheJungle'' has this line the porters' reaction when the villain Lyle suffers some ToiletHumor slapstick with some [[RoadApples elephant dung]]:
-->'''Guide 1:''' Bad
dung]]: "Bad guy falls in poop! ''Classic'' element of physical comedy! Now comes the part where we throw our heads back and laugh! Ready?\\
'''Other guides:''' Ready!\\
'''All:''' AHAHAHAHAHAHAHAHAHAHAHAHAHA!
Ready?"
**Ready!
***AHAHAHAHAHAHAHAHAHAHAHAHAHA!
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[[folder:Anime & Manga (This is the part where shows are animated in Japan)]]

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[[folder:Anime & Manga (This is the part where shows are animated in Japan)]]Japan.)]]
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[[folder:Anime & Manga]]

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[[folder:Anime & Manga]]Manga (This is the part where shows are animated in Japan)]]



[[folder:Comic Books]]

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[[folder:Comic Books]]Books (This is the part where characters are drawn with their own dialogue in speech bubbles in a book.)]]



[[folder:Fan Works]]

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[[folder:Fan Works]]Works (This is the part where we write our own stories of canon media.)]]



[[folder:Films -- Animation]]

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[[folder:Films -- Animation]]Animation (This is the part where we animate movies.)]]



[[folder:Films -- Live-Action]]

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[[folder:Films -- Live-Action]]Live-Action (This is the part where actors act out their parts live for movies.)]]



[[folder:Literature]]

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[[folder:Literature]][[folder:Literature (This is the part where we print stories in books, with or without pictures.)]]



[[folder:Live-Action TV]]

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[[folder:Live-Action TV]]TV (This is the part where actors act out their parts live on television.)]]



[[folder:Music]]

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[[folder:Music]][[folder:Music (This is the part where people play songs.)]]



[[folder:Theater]]

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[[folder:Theater]][[folder:Theater (This is the part where actors perform on stage.)]]



[[folder:Video Games]]

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[[folder:Video Games]]Games (This is the part where games are played on consoles.)]]



[[folder:Web Animation]]

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[[folder:Web Animation]]Animation (This is the part where animation is done online.)]]



[[folder:Web Comics]]

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[[folder:Web Comics]]Comics (This is the part where comics are dubbed online.)]]



[[folder:Web Original]]

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[[folder:Web Original]]Original (This is the part where work originates online.)]]



[[folder:Western Animation]]

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[[folder:Western Animation]]Animation (This is the part where shows are animated.)]]
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** In "Lie to Me" Buffy's old school crush Ford comes to town, and he uses this trope constantly while putting his EvilPlan into action (which rather annoys Spike) -- toward the end we see [[spoiler: this is his way of imposing some control on a world that has made him terminally ill at a young age.]]
** The trope is PlayedForLaughs in "Killed by Death".

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** In "Lie to Me" "[[{{Recap/BuffyTheVampireSlayerS2E7LieToMe}} Lie To Me]]" Buffy's old school crush Ford comes to town, and he uses this trope constantly while putting his EvilPlan into action (which rather annoys Spike) -- toward the end we see [[spoiler: this is his way of imposing some control on a world that has made him terminally ill at a young age.]]
** The trope is PlayedForLaughs in "Killed by Death"."[[{{Recap/BuffyTheVampireSlayerS2E18KilledByDeath}} Killed By Death]]".



** Used dramatically in "All the Way" when Giles saves Dawn and her friend from teenage vampires they snuck out to meet.

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** Used dramatically in "All the Way" "[[{{Recap/BuffyTheVampireSlayerS6E6AllTheWay}} All The Way]]" when Giles saves Dawn and her friend from teenage vampires they snuck out to meet.
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** In series 3, the Master taunts the Doctor whilst stealing his TARDIS: "Now, why don't we stop and have a nice little chat while [[JustBetweenYouAndMe I tell you all my plans]] and you can work out a way to stop me, [[{{NOT}} I]] ''[[{{NOT}} don't]]'' [[{{NOT}} think!]]"
** In series 5, Rory isn't surprised the TARDIS is bigger on the inside, because he's been reading up. The Doctor isn't happy: "I like the bit where they say it's bigger on the inside. I always look forward to that."
** During the "Time of Angels" cliffhanger, River tells the Doctor "No pressure, but this is usually when you have a really good idea."
** In "The Doctor's Wife" the TARDIS, temporarily given humanoid form, but still possessing trans-temporal knowledge of its entire past and future, remarks to the Doctor that "I'll always be here, ''but this is when we talked'', and now even that has come to an end."
** In "Flatline", the Doctor is trapped inside the TARDIS so his companion Clara has to take on his role, with the Doctor talking her through it. As a result, this trope happens a lot.

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** In series 3, "[[Recap/DoctorWhoS29E11Utopia Utopia]]", the Master taunts the Doctor whilst stealing his TARDIS: "Now, why don't we stop and have a nice little chat while [[JustBetweenYouAndMe I tell you all my plans]] and you can work out a way to stop me, [[{{NOT}} I]] ''[[{{NOT}} don't]]'' [[{{NOT}} think!]]"
** In series 5, "[[Recap/DoctorWhoS31E6TheVampiresOfVenice The Vampires of Venice]]", Rory isn't surprised the TARDIS is bigger on the inside, because he's been reading up. The Doctor isn't happy: "I like the bit where they say it's bigger on the inside. I always look forward to that."
** During the "Time "[[Recap/DoctorWhoS31E4TheTimeOfAngels The Time of Angels" Angels]]" cliffhanger, River tells the Doctor "No pressure, but this is usually when you have a really good idea."
** In "The "[[Recap/DoctorWhoS32E4TheDoctorsWife The Doctor's Wife" Wife]]" the TARDIS, temporarily given humanoid form, but still possessing trans-temporal knowledge of its entire past and future, remarks to the Doctor that "I'll always be here, ''but this is when we talked'', and now even that has come to an end."
** In "Flatline", "[[Recap/DoctorWhoS34E9Flatline Flatline]]", the Doctor is trapped inside the TARDIS so his companion Clara has to take on his role, with the Doctor talking her through it. As a result, this trope happens a lot.
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-->'''Mal:''' ''[to [[spoiler:the Operative]]]'' I guess this is the part where you say your famous last words. Only one problem. ''I'm not gonna kill you.''

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-->'''Mal:''' ''[to [[spoiler:the Operative]]]'' I guess this is the part where you say your famous last words. Only one problem. ''I'm ''[[CruelMercy I'm not gonna kill you.you]].''
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And [[SelfDemonstratingArticle this is the part where]] [[TheStinger we add a stinger.]]

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And [[SelfDemonstratingArticle this is the part where]] [[TheStinger we add a stinger.]]]]
----
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* ''Film/DoctorStrange''. Dr Strange doesn't cope well with the loss of fine motor function in his hands, and lashes out at his former girlfriend Christine when she argues that he should stop chasing after a miracle cure and accept his disability.

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* ''Film/DoctorStrange''.''Film/{{Doctor Strange|2016}}''. Dr Strange doesn't cope well with the loss of fine motor function in his hands, and lashes out at his former girlfriend Christine when she argues that he should stop chasing after a miracle cure and accept his disability.
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* ''Film/DoctorStrange''. Dr Strange doesn't cope well with the loss of fine motor function in his hands, and lashes out at his former girlfriend Christine when she argues that he should stop chasing after a miracle cure and accept his disability.
-->'''Christine:''' There are other things that can give your life meaning.\\
'''Dr. Stephen Strange:''' Like what? Like you?\\
'''Christine:''' This is the part where you apologize.\\
'''Dr. Stephen Strange:''' [[GetOut This is the part where you leave.]]
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----

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--------
And [[SelfDemonstratingArticle this is the part where]] [[TheStinger we add a stinger.]]
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** In the first film, after Shrek growls at some would-be ogre hunters, he prompts them to retreat with "This is the part where you run away." This gets an apt CallBack in ''Shrek Forever After''.

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** In the first film, after Shrek growls roars at some would-be ogre hunters, he prompts them to retreat with "This is the part where you run away." This gets an apt CallBack in ''Shrek Forever After''.
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* ''WesternAnimation/JusticeLeagueUnlimited'': "I was mistaken earlier... I think ''this'' is the part where you kill me." Said by a defeated Lex Luthor facing an angry Superman [[spoiler:who thinks he's just seen TheFlash die]].

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* ''WesternAnimation/JusticeLeagueUnlimited'': "I was mistaken earlier... I think ''this'' is the part where you kill me." Said by a defeated Lex Luthor facing an angry Superman [[spoiler:who thinks he's just seen TheFlash Franchise/TheFlash die]].
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* Happens many times in ''The Book of Masters'', but special mention goes to the scene where Ivan comes to Literature/BabaYaga for advice. They quote the usual "Baba-Yaga-meets-hero" text from Russian fairytales word-to-word, until they get to the part where the witch is supposed to feed him and put him to bed.
-->'''Baba Yaga''': You scoundrel. Are we going through the whole procedure or what? But bear in mind: I don't have any food!
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* In ''Film/NobodysFool'', Sully (Creator/PaulNewman) is [[ItMakesSenseInContext driving on the sidewalk in order to get Rub (Pruitt Taylor Vince) to come back]]. When Officer Raymer (Philip Seymour Hoffman) sees this, he orders Sully to stop and get out of the car. Sully's response: "This is where a smart person would get out of the car." He doesn't.

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* In ''Film/NobodysFool'', Sully (Creator/PaulNewman) is [[ItMakesSenseInContext driving on the sidewalk in order to get Rub (Pruitt Taylor Vince) to come back]]. When Officer Raymer (Philip Seymour Hoffman) (Creator/PhilipSeymourHoffman) sees this, he orders Sully to stop and get out of the car. Sully's response: "This is where a smart person would get out of the car." He doesn't.
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* In ''Film/TheFaculty'', after the group's harrowing first experience with an alien we get this gem
-->'''Stokely:''' This usually the point where someone says "Let's get the fuck outta here".
-->'''Stan:''' Let's get the fuck outta here.
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-->'''Dr. Kelso:''' Well, I haven't had my coffee yet so I'm finding it hard coming up with a more colorful way to say "who gives a crap?" [''{{Beat}}''] Actually that wasn't half bad.

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-->'''Dr. Kelso:''' Well, I haven't had my coffee yet so I'm finding it hard coming up with a more colorful way to say "who gives a crap?" [''{{Beat}}''] ''({{beat}})'' Actually that wasn't half bad.



-->'''Rhesus II''': "This is the part where I say something clever, then kill you. ''({{Beat}})'' Sorry. Nothing clever comes to mind." ''(opens fire; cut to commercial)''

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-->'''Rhesus II''': "This is the part where I say something clever, then kill you. ''({{Beat}})'' ''({{beat}})'' Sorry. Nothing clever comes to mind." ''(opens fire; cut to commercial)''
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-->'''Dr. Kelso:''' Well, I haven't had my coffee yet so I'm finding it hard coming up with a more colorful way to say "who gives a crap?" <pause> Actually that wasn't half bad.

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-->'''Dr. Kelso:''' Well, I haven't had my coffee yet so I'm finding it hard coming up with a more colorful way to say "who gives a crap?" <pause> [''{{Beat}}''] Actually that wasn't half bad.



-->'''Rhesus II''': "This is the part where I say something clever, then kill you. (pause) Sorry. Nothing clever comes to mind." ''(opens fire; cut to commercial)''

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-->'''Rhesus II''': "This is the part where I say something clever, then kill you. (pause) ''({{Beat}})'' Sorry. Nothing clever comes to mind." ''(opens fire; cut to commercial)''
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* "The Song That Goes Like This" from ''Theatre/Spamalot'' has it right there in the title. And the chorus.

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* "The Song That Goes Like This" from ''Theatre/Spamalot'' ''Theatre/{{Spamalot}}'' has it right there in the title. And the chorus.
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* The historian in ''Film/MontyPythonAndTheHolyGrail'':
-->Defeat at the castle seemed to have totally disheartened King Arthur. The ferocity of the French taunting took him completely by surprise, and Arthur was convinced that a new strategy was required if the quest for the Holy Grail was to be brought to a successful conclusion. Arthur, having consulted his closest knights, felt that they should separate and search for the Grail individually. This now is what they did. No sooner---(''he is cut down by a knight's sword passing through'')

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