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Changed line(s) 122 (click to see context) from:
** Subverted in "The Keys of Marinus" in whichTheChooserOfTheOne informs them that they are the chosen people who must rescue the PlotCoupons and save their planet. GilliganCut to them walking off down the beach, Barbara remarking to Ian that "it's a shame we can't do anything for that poor man and his planet. Well, back to the TARDIS." Of course, the poor man has put the TARDIS behind a force field to blackmail them into doing it.
to:
** Subverted in "The Keys of Marinus" in whichTheChooserOfTheOne which TheChooserOfTheOne informs them that they are the chosen people who must rescue the PlotCoupons and save their planet. GilliganCut to them walking off down the beach, Barbara remarking to Ian that "it's a shame we can't do anything for that poor man and his planet. Well, back to the TARDIS." Of course, the poor man has put the TARDIS behind a force field to blackmail them into doing it.
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Changed line(s) 120,121 (click to see context) from:
* ''Series/DoctorWho'' fits the classical Odyssey structure early on, when the Doctor is trying to return the teachers home and they face temptation ("The Aztecs"), hard journeys ("Marco Polo"), tests of character ("The Keys of Marinus"), ScyllaAndCharybdis ("The Aztecs") monsters ("The Daleks", "The Web Planet", and [[MonsterOfTheWeek a lot more]]), and even a journey to the Underworld in "The Space Museum" when they are JustOneSecondOutOfSync, can't interact with anything or anyone and see their own corpses. Once the teachers get PutOnABus, these elements are discarded in favour of just a neverending story full of aliens.
** Subverted in "The Keys of Marinus" in which the ChooserOfTheOne informs them that they are the chosen people who must rescue the PlotCoupons and save their planet. GilliganCut to them walking off down the beach, Barbara remarking to Ian that "it's a shame we can't do anything for that poor man and his planet. Well, back to the TARDIS." Of course, the poor man has put the TARDIS behind a force field to blackmail them into doing it.
** Subverted in "The Keys of Marinus" in which the ChooserOfTheOne informs them that they are the chosen people who must rescue the PlotCoupons and save their planet. GilliganCut to them walking off down the beach, Barbara remarking to Ian that "it's a shame we can't do anything for that poor man and his planet. Well, back to the TARDIS." Of course, the poor man has put the TARDIS behind a force field to blackmail them into doing it.
to:
* ''Series/DoctorWho'' ''Series/DoctorWho'':
** ''Doctor Who'' fits the classical Odyssey structure early on, when the Doctor is trying to return the teachers home and they face temptation ("The Aztecs"), hard journeys ("Marco Polo"), tests of character ("The Keys of Marinus"), ScyllaAndCharybdis ("TheAztecs") Aztecs"), monsters ("The Daleks", "The Web Planet", and [[MonsterOfTheWeek a lot more]]), and even a journey to the Underworld in "The Space Museum" when they are JustOneSecondOutOfSync, can't interact with anything or anyone and see their own corpses. Once the teachers get PutOnABus, these elements are discarded in favour of just a neverending story full of aliens.
** Subverted in "The Keys of Marinus" inwhich the ChooserOfTheOne whichTheChooserOfTheOne informs them that they are the chosen people who must rescue the PlotCoupons and save their planet. GilliganCut to them walking off down the beach, Barbara remarking to Ian that "it's a shame we can't do anything for that poor man and his planet. Well, back to the TARDIS." Of course, the poor man has put the TARDIS behind a force field to blackmail them into doing it.
** ''Doctor Who'' fits the classical Odyssey structure early on, when the Doctor is trying to return the teachers home and they face temptation ("The Aztecs"), hard journeys ("Marco Polo"), tests of character ("The Keys of Marinus"), ScyllaAndCharybdis ("The
** Subverted in "The Keys of Marinus" in
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Changed line(s) 120 (click to see context) from:
* In the ''Series/DoctorWho'' serial "[[Recap/DoctorWhoS15E5Underworld Underworld]]", the Minyan crew's guiding principle is "The quest is the quest." [[spoiler:They are rather stunned with success, but when they realize it will only take three centuries to get where they are going, they are delighted.]]
to:
* ''Series/DoctorWho'' fits the classical Odyssey structure early on, when the Doctor is trying to return the teachers home and they face temptation ("The Aztecs"), hard journeys ("Marco Polo"), tests of character ("The Keys of Marinus"), ScyllaAndCharybdis ("The Aztecs") monsters ("The Daleks", "The Web Planet", and [[MonsterOfTheWeek a lot more]]), and even a journey to the Underworld in "The Space Museum" when they are JustOneSecondOutOfSync, can't interact with anything or anyone and see their own corpses. Once the teachers get PutOnABus, these elements are discarded in favour of just a neverending story full of aliens.
** Subverted in "The Keys of Marinus" in which the ChooserOfTheOne informs them that they are the chosen people who must rescue the PlotCoupons and save their planet. GilliganCut to them walking off down the beach, Barbara remarking to Ian that "it's a shame we can't do anything for that poor man and his planet. Well, back to the TARDIS." Of course, the poor man has put the TARDIS behind a force field to blackmail them into doing it.
** In the ''Series/DoctorWho'' serial "[[Recap/DoctorWhoS15E5Underworld Underworld]]", the Minyan crew's guiding principle is "The quest is the quest." [[spoiler:They are rather stunned with success, but when they realize it will only take three centuries to get where they are going, they are delighted.]]
** Subverted in "The Keys of Marinus" in which the ChooserOfTheOne informs them that they are the chosen people who must rescue the PlotCoupons and save their planet. GilliganCut to them walking off down the beach, Barbara remarking to Ian that "it's a shame we can't do anything for that poor man and his planet. Well, back to the TARDIS." Of course, the poor man has put the TARDIS behind a force field to blackmail them into doing it.
** In the ''Series/DoctorWho'' serial "[[Recap/DoctorWhoS15E5Underworld Underworld]]", the Minyan crew's guiding principle is "The quest is the quest." [[spoiler:They are rather stunned with success, but when they realize it will only take three centuries to get where they are going, they are delighted.]]
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Changed line(s) 20,21 (click to see context) from:
The problem with such a story from a modern perspective is that they can actually tail off too ''much'' into the various side-stories and forget the main goal that the characters originally started out on. This was less of a problem before as Medieval writers often deliberately wrote a network of plots, subplots, and sub-subplots branching out like a tree. Examples of this are Spenser's ''Fairy Queen'', ''Arabian Nights'', and ''Romance of the Three Kingdoms''.
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The problem with such a story from a modern perspective is that they can actually tail off too ''much'' into the various side-stories and forget the main goal that the characters originally started out on. This was less of a problem before before, as Medieval writers often deliberately wrote a network of plots, subplots, and sub-subplots branching out like a tree. Examples of this are Spenser's ''Fairy Queen'', ''Arabian Nights'', and ''Romance of the Three Kingdoms''.
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* ''Manga/JoJosBizarreAdventure''
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* ''Manga/JoJosBizarreAdventure''''Manga/JoJosBizarreAdventure'' involves this in each of its [[StoryArc eight]] [[ArchivePanic parts]]. In Part 1, it is to kill Dio (who is an evil vampire) and destroy the [[ArtifactOfDoom Stone Mask]], which can create vampires such as him. In Part 2, it is to kill the Pillar Men, the creators of the Stone Mask, and to stop them from obtaining the Red Stone of Aja. In Part 3, it is to rescue Holly Joestar by killing Dio, who survived from Part 1. In Part 4, it is to find and stop Kira Yoshikage (a serial killer) before he can claim more victims. In Part 5, it is to find the Stand arrow and to stop Diavolo from obtaining it, or killing Trish. In Part 6 it is to stop Pucci from realizing his plans and resetting the entire world. Part 7 starts off with the Quest being an EpicRace, but as it goes on it becomes a matter of finding the Corpse Parts. Part 8 is so far a JigsawPuzzlePlot focusing on various mysteries relating to "Josuke".
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** "Literature/EastOfTheSunWestOfTheMoon": a quest for a lost husband
** [[http://www.surlalunefairytales.com/swanmaiden/stories/lang.html "The Nine Pea-Hens and the Golden Apples"]]: a quest for a lost wife
** [[http://www.surlalunefairytales.com/swanmaiden/stories/lang.html "The Nine Pea-Hens and the Golden Apples"]]: a quest for a lost wife
to:
** "Literature/EastOfTheSunWestOfTheMoon": a quest for a lost husband
husband.
** [[http://www.surlalunefairytales.com/swanmaiden/stories/lang.html "The Nine Pea-Hens and the Golden Apples"]]: a quest for a lostwifewife.
** [[http://www.surlalunefairytales.com/swanmaiden/stories/lang.html "The Nine Pea-Hens and the Golden Apples"]]: a quest for a lost
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** "Literature/{{Catskin}}": an escape from an ArrangedMarriage
** [[http://www.surlalunefairytales.com/firebird/stories/greekprincess.html "The Greek Princess and the Young Gardener"]]: a quest for a magical bird
** [[http://www.surlalunefairytales.com/firebird/stories/greekprincess.html "The Greek Princess and the Young Gardener"]]: a quest for a magical bird
to:
** "Literature/{{Catskin}}": an escape from an ArrangedMarriage
ArrangedMarriage.
** [[http://www.surlalunefairytales.com/firebird/stories/greekprincess.html "The Greek Princess and the Young Gardener"]]: a quest for a magicalbirdbird.
** [[http://www.surlalunefairytales.com/firebird/stories/greekprincess.html "The Greek Princess and the Young Gardener"]]: a quest for a magical
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* The last book of ''Literature/SongOfTheLioness'' has Alanna meeting several new companions as she goes on a quest for the Dominion Jewel so she can return to Tortall as a hero rather than a disgrace or a curiosity. It was added at the behest of Pierce's editor because "fantasy books always have quests," although the Jewel is mentioned in the subsequent series.
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Changed line(s) 141 (click to see context) from:
** In fact if you want to get technical, it was kicked off by Roy's ''father's'' quest to defeat Xykon. Eugene swore a Blood Oath to defeat Xykon, but eventually decided it was more effort than it was worth, and ended up dying of natural causes before anything was done about it; the end result being that Roy didn't really have much choice in the matter since, as Eugene's blood, he was beholden to the oath as well.
to:
** In fact if you want to get technical, it was kicked off by Roy's ''father's'' quest to defeat Xykon. Eugene swore a Blood Oath to defeat Xykon, but eventually decided it was more effort than it was worth, and ended up dying of natural causes before anything was done about it; ''Overcoming the end result being that Roy didn't really Monster'' turned out to be only the first Act; just finding out they have much choice in a Quest, to protect or destroy the matter since, as Eugene's blood, he Gates, was beholden to one of the oath obstacles they had to overcome. The Act I Monster, NotQuiteDead, is still there as well.an obstacle, so the final Act could easily turn back into ''Overcoming the Monster''.
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Changed line(s) 130 (click to see context) from:
* Every single hero myth ever, across any culture, relies on this. The Greeks and Romans had stories like Jason and the Argonauts, Hercules, and the Aeneid, with heroes being sent on quests by a god or a king. In later Europe many legends were based around knights going in search of holy objects or to save a kingdom or a damsel or something to that effect. I'm not to familiar with myths of other cultures, but I know other mythologies relied heavily on it as well.
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* Every single hero myth ever, across any culture, relies on this. The Greeks and Romans had stories like Jason and the Argonauts, Hercules, and the Aeneid, with heroes being sent on quests by a god or a king. In later Europe The Middle Ages had many legends were based around knights going in search of holy objects or to save a kingdom or a damsel or something to that effect. I'm not to familiar with myths of other cultures, but I know other mythologies relied heavily on it as well.effect.
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** Literature/KateCrackernuts: a quest for her fortune, and her stepsister's (although getting away from her mother, who was a WickedStepmother to her beloved stepsister was a major factor).
to:
** Literature/KateCrackernuts: "Literature/KateCrackernuts": a quest for her fortune, and her stepsister's (although getting away from her mother, who was a WickedStepmother to her beloved stepsister was a major factor).
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** ''Literature/TheLoveOfThreeOranges'': To find a bride, in most variants, often the one he's cursed to have to find.
** ''Literature/SoriaMoriaCastle'', the search for the lost wife.
** ''Literature/TheFireBirdTheHorseOfPowerAndThePrincessVasilissa'': to get the princess, and then her wedding gown.
** ''Literature/TsarevichPetrAndTheWizard'': To find the MissingMom.
** ''Literature/TheBrownBearOfTheGreenGlen'': To find a cure for the king.
** ''Literature/SoriaMoriaCastle'', the search for the lost wife.
** ''Literature/TheFireBirdTheHorseOfPowerAndThePrincessVasilissa'': to get the princess, and then her wedding gown.
** ''Literature/TsarevichPetrAndTheWizard'': To find the MissingMom.
** ''Literature/TheBrownBearOfTheGreenGlen'': To find a cure for the king.
to:
** ''Literature/TheLoveOfThreeOranges'': "Literature/TheLoveOfThreeOranges": To find a bride, in most variants, often the one he's cursed to have to find.
**''Literature/SoriaMoriaCastle'', "Literature/SoriaMoriaCastle", the search for the lost wife.
**''Literature/TheFireBirdTheHorseOfPowerAndThePrincessVasilissa'': "Literature/TheFireBirdTheHorseOfPowerAndThePrincessVasilissa": to get the princess, and then her wedding gown.
**''Literature/TsarevichPetrAndTheWizard'': "Literature/TsarevichPetrAndTheWizard": To find the MissingMom.
**''Literature/TheBrownBearOfTheGreenGlen'': "Literature/TheBrownBearOfTheGreenGlen": To find a cure for the king.
**
**
**
**
Changed line(s) 87 (click to see context) from:
** According to ''ArthurKingOfTimeAndSpace'', [[OscarBait they did that too]].
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** According to ''ArthurKingOfTimeAndSpace'', ''Webcomic/ArthurKingOfTimeAndSpace'', [[OscarBait they did that too]].
Changed line(s) 90,92 (click to see context) from:
* In ''WatershipDown'', somewhat unusually, the protagonists' quest is simply to find a new home where they can live in peace.
* During the {{denouement}} of JamesSwallow's ''TabletopGame/{{Warhammer 40000}} Literature/BloodAngels'' novel ''Red Fury'', Rafen is told that Fabius Bile got away with some "sacred vitae" and is charged with preparing a ship and going after him. [[SequelHook The book ends there.]]
* In GrahamMcNeill's ''TabletopGame/{{Warhammer 40000}} Literature/{{Ultramarines}}'' novel ''Dead Sky Black Sun'', Uriel is sent, as punishment, on a quest to find and deal with a vision that a Chapter Librarian had. The vision contained neither locations nor names for him to identify.
* During the {{denouement}} of JamesSwallow's ''TabletopGame/{{Warhammer 40000}} Literature/BloodAngels'' novel ''Red Fury'', Rafen is told that Fabius Bile got away with some "sacred vitae" and is charged with preparing a ship and going after him. [[SequelHook The book ends there.]]
* In GrahamMcNeill's ''TabletopGame/{{Warhammer 40000}} Literature/{{Ultramarines}}'' novel ''Dead Sky Black Sun'', Uriel is sent, as punishment, on a quest to find and deal with a vision that a Chapter Librarian had. The vision contained neither locations nor names for him to identify.
to:
* In ''WatershipDown'', ''Literature/WatershipDown'', somewhat unusually, the protagonists' quest is simply to find a new home where they can live in peace.
* During the {{denouement}} ofJamesSwallow's Creatot/JamesSwallow's ''TabletopGame/{{Warhammer 40000}} Literature/BloodAngels'' novel ''Red Fury'', Rafen is told that Fabius Bile got away with some "sacred vitae" and is charged with preparing a ship and going after him. [[SequelHook The book ends there.]]
* InGrahamMcNeill's Creator/GrahamMcNeill's ''TabletopGame/{{Warhammer 40000}} Literature/{{Ultramarines}}'' novel ''Dead Sky Black Sun'', Uriel is sent, as punishment, on a quest to find and deal with a vision that a Chapter Librarian had. The vision contained neither locations nor names for him to identify.
* During the {{denouement}} of
* In
Changed line(s) 95 (click to see context) from:
* ''JourneyToTheCentreOfTheEarth''
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* ''JourneyToTheCentreOfTheEarth''''Literature/JourneyToTheCenterOfTheEarth''
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* ''AroundTheWorldIn80Days'' -- a quest to do [[ExactlyWhatItSaysOnTheTin exactly that]].
* ''{{Belgariad}}''
* ''{{Belgariad}}''
to:
* ''AroundTheWorldIn80Days'' ''Literature/AroundTheWorldIn80Days'' -- a quest to do [[ExactlyWhatItSaysOnTheTin exactly that]].
*''{{Belgariad}}''''Literature/TheBelgariad''
*
Changed line(s) 103,106 (click to see context) from:
* The first few ''{{Shannara}}'' books.
* In the ''PercyJacksonAndTheOlympians'' books, the occasional quest is standard for the demigods being trained at Camp Half-Blood. The books themselves follow the various quests of [[TheHero Percy Jackson]], with the quests heavily influenced by ones undertaken in ClassicalMythology.
* All {{Redwall}} books will include a quest as one of their TwoLinesNoWaiting.
* In MichaelFlynn's ''[[Literature/SpiralArm The January Dancer]]'', the harper claims that the quest is not important, since the object must be a MacGuffin: it's Jason and Medea that matter, not the Golden Fleece. Donovan disagrees; the qualities of the object matter and affect the nature of the quest.
* In the ''PercyJacksonAndTheOlympians'' books, the occasional quest is standard for the demigods being trained at Camp Half-Blood. The books themselves follow the various quests of [[TheHero Percy Jackson]], with the quests heavily influenced by ones undertaken in ClassicalMythology.
* All {{Redwall}} books will include a quest as one of their TwoLinesNoWaiting.
* In MichaelFlynn's ''[[Literature/SpiralArm The January Dancer]]'', the harper claims that the quest is not important, since the object must be a MacGuffin: it's Jason and Medea that matter, not the Golden Fleece. Donovan disagrees; the qualities of the object matter and affect the nature of the quest.
to:
* The first few ''{{Shannara}}'' ''Literature/{{Shannara}}'' books.
* In the''PercyJacksonAndTheOlympians'' ''Literature/PercyJacksonAndTheOlympians'' books, the occasional quest is standard for the demigods being trained at Camp Half-Blood. The books themselves follow the various quests of [[TheHero Percy Jackson]], with the quests heavily influenced by ones undertaken in ClassicalMythology.
* All{{Redwall}} Literature/{{Redwall}} books will include a quest as one of their TwoLinesNoWaiting.
* InMichaelFlynn's Creator/MichaelFlynn's ''[[Literature/SpiralArm The January Dancer]]'', the harper claims that the quest is not important, since the object must be a MacGuffin: it's Jason and Medea that matter, not the Golden Fleece. Donovan disagrees; the qualities of the object matter and affect the nature of the quest.
* In the
* All
* In
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* In Creator/SusanDexter's ''The True Knight'', Wren and her master are forcibly recruited to help retrieve the prince in swan form. After they escape the attack and realize that the queen will have Galvin killed for failure, Wren and Titch go to retrieve him.
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* In ''Saint-Jacques… La Mecque'', a group of siblings has to walk the Way of St. James together in order to inherit their mother's money, facing mostly mental and social obstacles.
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Changed line(s) 71,72 (click to see context) from:
** ToyStory: Two toys are whisked from their home and attempt to find their way back.
** ToyStory2: Buzz Lightyear goes to rescue his friend Woody from the kidnapping hands of a toy collecter.
** ToyStory2: Buzz Lightyear goes to rescue his friend Woody from the kidnapping hands of a toy collecter.
to:
** ToyStory: ''WesternAnimation/ToyStory'': Two toys are whisked from their home and attempt to find their way back.
**ToyStory2: ''WesternAnimation/ToyStory2'': Buzz Lightyear goes to rescue his friend Woody from the kidnapping hands of a toy collecter.
**
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** WallE: A waste management robot falls in love and follows her into space.
** {{UP}}: An old widower travels to South America to fulfill a promise he made to his deceased wife... by tying eighty balloons to his house and making it fly.
** {{UP}}: An old widower travels to South America to fulfill a promise he made to his deceased wife... by tying eighty balloons to his house and making it fly.
to:
** WallE: ''WesternAnimation/WallE'': A waste management robot falls in love and follows her into space.
**{{UP}}: ''WesternAnimation/{{Up}}'': An old widower travels to South America to fulfill a promise he made to his deceased wife... by tying eighty balloons to his house and making it fly.
**
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Changed line(s) 7,9 (click to see context) from:
->''"Where the gun is cocked and the bullet's cold''
->''"Where the miles are marked in the blood and gold''
->''"I'll meet you further on up the road"''
->''"Where the miles are marked in the blood and gold''
->''"I'll meet you further on up the road"''
to:
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Changed line(s) 6,8 (click to see context) from:
->''"Where the road is dark and the seed is sowed"''
->''"Where the gun is cocked and the bullet's cold"''
->''"Where the miles are marked in the blood and gold"''
->''"Where the gun is cocked and the bullet's cold"''
->''"Where the miles are marked in the blood and gold"''
to:
->''"Where the road is dark and the seed is sowed"''
sowed''
->''"Where the gun is cocked and the bullet'scold"''
cold''
->''"Where the miles are marked in the blood andgold"''gold''
->''"Where the gun is cocked and the bullet's
->''"Where the miles are marked in the blood and
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* The titular character Zahrah of ''Literature/ZahrahTheWindseeker'' ventures into the [[DontGoInTheWoods Forbidden]] [[HungryJungle Greeny Jungle]] for an unfertilized elgort egg because it's the only thing that will cure her friend of a venomous snake bite.
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Changed line(s) 70 (click to see context) from:
* ''WesternAnimation/FindingNemo'': A clownfish goes to find his kidnapped son.
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* {{Pixar}} does this often:
** ToyStory: Two toys are whisked from their home and attempt to find their way back.
** ToyStory2: Buzz Lightyear goes to rescue his friend Woody from the kidnapping hands of a toy collecter.
** ''WesternAnimation/FindingNemo'': A clownfish goes to find his kidnappedson.son.
** WallE: A waste management robot falls in love and follows her into space.
** {{UP}}: An old widower travels to South America to fulfill a promise he made to his deceased wife... by tying eighty balloons to his house and making it fly.
** ToyStory: Two toys are whisked from their home and attempt to find their way back.
** ToyStory2: Buzz Lightyear goes to rescue his friend Woody from the kidnapping hands of a toy collecter.
** ''WesternAnimation/FindingNemo'': A clownfish goes to find his kidnapped
** WallE: A waste management robot falls in love and follows her into space.
** {{UP}}: An old widower travels to South America to fulfill a promise he made to his deceased wife... by tying eighty balloons to his house and making it fly.
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Changed line(s) 63 (click to see context) from:
** ''Literature/TheBrownBearOfTheGreenGlen'': To find a cure for the king
to:
** ''Literature/TheBrownBearOfTheGreenGlen'': To find a cure for the kingking.
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* [[Literature/{{Dragons}} The Last Dragon Chronicles]]: Essentially, how Agawin's story begins: a pilgrimage to see a dragon leads to a quest to save a girl.
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Changed line(s) 6,8 (click to see context) from:
->''"Where the road is dark and the seed is sowed''
->''"Where the gun is cocked and the bullet's cold''
->''"Where the miles are marked in the blood and gold''
->''"Where the gun is cocked and the bullet's cold''
->''"Where the miles are marked in the blood and gold''
to:
->''"Where the road is dark and the seed is sowed''
sowed"''
->''"Where the gun is cocked and the bullet'scold''
cold"''
->''"Where the miles are marked in the blood andgold''gold"''
->''"Where the gun is cocked and the bullet's
->''"Where the miles are marked in the blood and
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Changed line(s) 6,8 (click to see context) from:
->''"Where the road is dark and the seed is sowed"''
->''"Where the gun is cocked and the bullet's cold"''
->''"Where the miles are marked in the blood and gold"''
->''"Where the gun is cocked and the bullet's cold"''
->''"Where the miles are marked in the blood and gold"''
to:
->''"Where the road is dark and the seed is sowed"''
sowed''
->''"Where the gun is cocked and the bullet'scold"''
cold''
->''"Where the miles are marked in the blood andgold"''gold''
->''"Where the gun is cocked and the bullet's
->''"Where the miles are marked in the blood and
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->''"Where the road is dark and the seed is sowed"''
->''"Where the gun is cocked and the bullet's cold"''
->''"Where the miles are marked in the blood and gold"''
->''"I'll meet you further on up the road"''
-->-- '''BruceSpringsteen,''' ''Further On Up The Road''
->''"Where the gun is cocked and the bullet's cold"''
->''"Where the miles are marked in the blood and gold"''
->''"I'll meet you further on up the road"''
-->-- '''BruceSpringsteen,''' ''Further On Up The Road''
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* As its title indicates, this is the main plot of ''[[{{Deryni}} The Quest for Saint Camber]]''.
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* In Creator/JulieKagawa's ''Literature/TheIronKnight'', Ash is on a quest for a soul.
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* In Creator/SusannaClarke's ''Literature/JonathanStrangeAndMrNorrell'', Mr. Honeyfoot and Mr. Segundus go looking for Mr. Norrell in part because of the tales of medieval magicians who would go looking for things and return after AYearAndADay.
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* In Creator/RuthFrancesLong's ''Literature/TheTreacheryOfBeautifulThings'', Jenny tells Jack that she's looking for her brother Tom. That invokes his promise to help those on a quest.
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** The narration at the opening of ''On the Razor's Edge'' describes it as a quest.
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Changed line(s) 86 (click to see context) from:
* ''Literature/JourneyToTheWest'' and its many adaptations, including ''Manga/DragonBall'' and ''{{Saiyuki}}''.
to:
* ''Literature/JourneyToTheWest'' and its many adaptations, including ''Manga/DragonBall'' and ''{{Saiyuki}}''.''Manga/{{Saiyuki}}''.
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Changed line(s) 86 (click to see context) from:
* ''JourneyToTheWest'' and its many adaptations, including ''DragonBall'' and ''{{Saiyuki}}''.
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* ''JourneyToTheWest'' ''Literature/JourneyToTheWest'' and its many adaptations, including ''DragonBall'' ''Manga/DragonBall'' and ''{{Saiyuki}}''.
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* Stephen King's ''TheDarkTower''. (The protagonist is such a {{Determinator}} that we're never really allowed to forget the main thrust of the quest, no matter what tangents he falls afoul of.)
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* Stephen King's ''TheDarkTower''.''Franchise/TheDarkTower''. (The protagonist is such a {{Determinator}} that we're never really allowed to forget the main thrust of the quest, no matter what tangents he falls afoul of.)
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[[quoteright:320:http://static.tvtropes.org/pmwiki/pub/images/crane3.jpg]]
[[caption-width-right:320:KnightInShiningArmor, on one.[[hottip:*:Not the horse, you idiot]]]]
[[caption-width-right:320:KnightInShiningArmor, on one.[[hottip:*:Not the horse, you idiot]]]]
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%% Please do not replace or remove without starting a new thread.
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[[quoteright:350:[[Film/TheLordOfTheRings http://static.tvtropes.
[[caption-width-right:320:KnightInShiningArmor, on one.[[hottip:*:Not the horse, you idiot]]]]
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* ''OnePiece'': A ragtag pirate crew seek out a massive treasure horde.
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* ''OnePiece'': ''Manga/OnePiece'': A ragtag pirate crew seek out a massive treasure horde.
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* ''{{Berserk}}'', which started out as a RoaringRampageOfRevenge plot, has turned into one of these, as Guts and his companions seek the land of Elfheim in search of a cure for Casca's post-Eclipse insanity.
* ''DragonBall'' started out as one of these, with Goku originally leaving is home with Bulma to find the titular PlotCoupons.
* ''DragonBall'' started out as one of these, with Goku originally leaving is home with Bulma to find the titular PlotCoupons.
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* ''{{Berserk}}'', ''Manga/{{Berserk}}'', which started out as a RoaringRampageOfRevenge plot, has turned into one of these, as Guts and his companions seek the land of Elfheim in search of a cure for Casca's post-Eclipse insanity.
*''DragonBall'' ''Manga/DragonBall'' started out as one of these, with Goku originally leaving is home with Bulma to find the titular PlotCoupons.
*
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* ''StarWars''
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* ''StarWars''''Franchise/StarWars''
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** [[spoiler: Even with that, WordOfGod states that Frodo failed in his quest when he was on the verge of completing the quest. The ring is only destroyed when Gollum takes the item in question.]]
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** [[spoiler: Even [[spoiler:Even with that, WordOfGod states that Frodo failed in his quest when he was on the verge of completing the quest. The ring is only destroyed when Gollum takes the item in question.]]
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* During the {{Denouement}} of JamesSwallow's ''TabletopGame/{{Warhammer 40000}} Literature/BloodAngels'' novel ''Red Fury'', Rafen is told that Fabius Bile got away with some "sacred vitae" and is charged with preparing a ship and going after him. [[SequelHook The book ends there.]]
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* During the {{Denouement}} {{denouement}} of JamesSwallow's ''TabletopGame/{{Warhammer 40000}} Literature/BloodAngels'' novel ''Red Fury'', Rafen is told that Fabius Bile got away with some "sacred vitae" and is charged with preparing a ship and going after him. [[SequelHook The book ends there.]]
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* In a two-parter on ''CriminalMinds'', "The Fisher King", the unsub frames his crime in the pattern of a quest, including macabre clues and even a damsel in distress...one chained to a bed and scheduled to die if the team doesn't find her.
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* In a two-parter on ''CriminalMinds'', ''Series/CriminalMinds'', "The Fisher King", the unsub frames his crime in the pattern of a quest, including macabre clues and even a damsel in distress...one chained to a bed and scheduled to die if the team doesn't find her.
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* In ''{{Sinfest}}'', [[http://www.sinfest.net/archive_page.php?comicID=3522 Slick's laptop goes searching for him while he's missing.]]
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* In ''{{Sinfest}}'', ''Webcomic/{{Sinfest}}'', [[http://www.sinfest.net/archive_page.php?comicID=3522 Slick's laptop goes searching for him while he's missing.]]
