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* In ''Film/{{Snowpiercer}}'', Minister Mason's heavy Yorkshire accent betrays her origins as a tail-dweller who managed to get promoted up-train; nearly everyone else up-train seems to have American or RP accents.
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** Then you have people like Senator John Kenedy of Louisiana. Educated at Vanderbilt, University of Virginia Law School, and Magdalen College, Oxford, he speaks in a very pronounced folksy backwoods Southern accent, suiting his image as a "man of the people" conservative. Videos from earlier in his career, when he was a liberal Democrat, sbow him speaking with a standard upper-class accent.

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** Then you have people like Senator John Kenedy of Louisiana. Educated at Vanderbilt, University of Virginia Law School, and Magdalen College, Oxford, he speaks in a very pronounced folksy backwoods Southern accent, suiting his image as a "man of the people" conservative. Videos from earlier in his career, when he was a liberal Democrat, sbow show him speaking with a standard upper-class accent.

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* Invoked in the 12th season episode of WesternAnimation/TheSimpsons "A Tale of Two Springfields". Springfield is divided into two separate area codes by the phone company, with the upper class side of town keeping their existing area code and the city's more blue collar region being changed to the new one. Homer leads the half of Springfield with the new area code in seceding to form the town of New Springfield and the class divide between the two towns is soon established:

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* Invoked ''WesternAnimation/AvatarTheLastAirbender'': Both lampshaded and mocked in ''[[Recap/AvatarTheLastAirbenderCityOfWallsAndSecrets City of Walls and Secrets]]''. When Toph declares that the 12th season episode rest of WesternAnimation/TheSimpsons "A Team Avatar doesn’t have the manners to blend in at a high-society party in Ba Sing Se, Aang and Sokka attempt to prove her wrong: They adopt what they assume to be dignified language and mannerisms, only to fail miserably and have Toph say they would be lucky to pass as busboys.
* ''WesternAnimation/TheSimpsons'': In ''[[Recap/TheSimpsonsS12E2ATaleOfTwoSpringfields A
Tale of Two Springfields". Springfields]]'', Springfield is divided into two separate area codes by the phone company, with the upper class side of town keeping their existing area code and the city's more blue collar region being changed to the new one. Homer leads the half of Springfield with the new area code in seceding to form the town of New Springfield and the class divide between the two towns is soon established:
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* {{UsefulNotes/Philippines}}:
** English is already considered a language of class among Filipinos—legacy of a century of American colonialism, neoimperialism and indirect cultural influence—and so, upper-class or at least aspirational English accents in the Philippines tend to follow American accents and intonation, particularly Los Angeles or at least California accents due to the Hollywood influence. Smooth American accents are also a standard taught to the many, many Filipino [[OperatorFromIndia call-centre workers]] and are also commonly heard among Filipino celebrities. Working-class Filipino English, of course, tends to have strong, hard accents influenced by the native languages of the speakers in question, like Tagalog, Bisaya, Kapampangan, Ilokano, etc.
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** At one time, an even higher-payload snob signifier was the British-influenced "Mid-Atlantic" accent made famous by the likes of Creator/KatharineHepburn, Creator/WilliamFBuckleyJr, George Plimpton, and [[Creator/MarxBrothers Margaret Dumont]]. This was an entirely artificial accent taught in prep schools; in the words of the professor and actor Dudley Knight, "its earliest advocates bragged that its chief quality was that no Americans actually spoke it unless educated to do so." The decline of the OldMoney WhiteAngloSaxonProtestant establishment after UsefulNotes/WorldWarII took the accent with it, even among the rich.

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** At one time, an even higher-payload snob signifier was the British-influenced "Mid-Atlantic" accent made famous by the likes of Creator/KatharineHepburn, Creator/WilliamFBuckleyJr, George Plimpton, and [[Creator/MarxBrothers Margaret Dumont]]. This was an entirely artificial accent taught in prep schools; in the words of the professor and actor Dudley Knight, "its earliest advocates bragged that its chief quality was that no Americans actually spoke it unless educated to do so." The decline of the OldMoney WhiteAngloSaxonProtestant establishment after UsefulNotes/WorldWarII took the accent with it, even among the rich. Part of the reason for its creation though was it apparently carried better over the then-new medium of radio.
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** Then you have people like Senator John Kenedy of Louisiana. Educated at Vanderbilt, University of Virginia Law School, and Magdalen College, Oxford, he speaks in a very pronounced folksy backwoods Southern accent, suiting his image as a "man of the people" conservative. Videos from earlier in his career, when he was a liberal Democrat, sbow him speaking with a standard upper-class accent.
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[[folder:Visual Novels]]
* In ''VisualNovel/DaughterForDessert'', Cecilia, Lainie, and Saul have dialogue that is significantly more polished than that used by, say, the protagonist or Mortelli.
[[/folder]]
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* Discussed in "Outfit" by [[AlternativeCountry the Drive-By Truckers]], for the sake of "authenticity." For best results, sing it with the thickest drawl you can muster.
-->''Don't call what you're wearing an outfit''\\
''Don't ever say your car is broke''\\
''Don't worry 'bout losing your accent''\\
'''Cause a Southern man tells better jokes''
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* Creator/TomScott, whose background is in linguistics, discusses this difference, at least in English, in his linguistics video [[https://youtu.be/wA2xRVMOThc "Why You Swear in Anglo-Saxon and Order Fancy Food in French: Registers"]].

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* Creator/TomScott, whose background is in linguistics, discusses this difference, at least in English, in his linguistics video [[https://youtu.be/wA2xRVMOThc "Why You Swear in Anglo-Saxon and Order Fancy Food in French: Registers"]].Registers".]]



--->'''Kent Brockman (On a TV Broadcast):''' As expected, New Springfield's bold experiment with slob rule is a disaster.\\

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--->'''Kent Brockman (On -->'''Kent Brockman:''' ''[On a TV Broadcast):''' broadcast]'' As expected, New Springfield's bold experiment with slob rule is a disaster.\\



'''Homer [shakes fist]:''' Oh yeah?

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'''Homer [shakes fist]:''' '''Homer:''' ''[shakes fist]'' Oh yeah?
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* In the ''Series/{{Friends}}'' episode "The One With Ross's Inappopriate Song", where Pheobe learns that Mike's parents are rich, they have New England accents. Phoebe attempts one to fit in, until Mike asks her to stop.
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'''Arthur''': '''Posh'' Welsh. They sound like us.

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'''Arthur''': '''Posh'' ''Posh'' Welsh. They sound like us.
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[[folder: Radio]]
* ''Radio/CabinPressure'':
** In "Edinburgh", Mr Birling's poshness conceals his Welshness, which has plot significance.
--->'''Martin''': He's not Welsh, how can he be Welsh? He's English. He sounds more English than the Queen!\\
'''Arthur''': '''Posh'' Welsh. They sound like us.
** In "Helsinki", Carolyn's sister Ruth has a strong OopNorth accent in contrast to Carolyn's milder accent. As Carolyn breaks down under Ruth's constant criticism, her accent starts to revert.
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* ''Series/Loki2021:'' Loki grew up as a prince and speaks "upper-class" posh English like all Asgardians from previous films. Unlike him, Sylvie speaks with a less prestigious local British accent (Nottingham, to be precise) to reflect her relative lack of education and life on the run.

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** Nationally, the most common upper-class accent is the Prep accent associated with New York City, particularly among socialites and the financial class. Almost any regional American accent can be pitched as the lower-class counterpart to this. Newscasters favor "neutral," Upper Midwest-style accents.
** At one time, an even higher-payload snob signifier was the British-influenced "Mid-Atlantic" accent made famous by the likes of Creator/KatharineHepburn, Creator/WilliamFBuckleyJr, George Plimpton, and [[Creator/MarxBrothers Margaret Dumont]].

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** Nationally, the most common upper-class accent is the Prep accent associated with [[BigApplesauce New York City, City]] and [[HollywoodNewEngland New England]] (especially Connecticut), particularly among socialites and the financial class. Almost any regional American accent can be pitched as the lower-class counterpart to this. Newscasters favor "neutral," Upper Midwest-style accents.
** At one time, an even higher-payload snob signifier was the British-influenced "Mid-Atlantic" accent made famous by the likes of Creator/KatharineHepburn, Creator/WilliamFBuckleyJr, George Plimpton, and [[Creator/MarxBrothers Margaret Dumont]]. This was an entirely artificial accent taught in prep schools; in the words of the professor and actor Dudley Knight, "its earliest advocates bragged that its chief quality was that no Americans actually spoke it unless educated to do so." The decline of the OldMoney WhiteAngloSaxonProtestant establishment after UsefulNotes/WorldWarII took the accent with it, even among the rich.



** Given the prominence of racial issues in the U.S., the "lower class" accents are particularly associated with people of color, especially African-Americans, Hispanic people, and recent immigrants, as well as the accents of poor white Southerners and rural whites.

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** Given the prominence of racial issues in the U.S., the "lower class" accents are particularly associated with people of color, especially African-Americans, Hispanic people, and recent immigrants, as well as immigrants. In works with mostly white casts, the accents of [[DeepSouth poor white Southerners Southerners]] and [[DownOnTheFarm rural whites.whites]] in general hold very similar connotations.



** Upper-class characters speak with [[AhPea Received Pronunciation]] or a UsefulNotes/HomeCounties accent. Working-class characters speak with Cockney accents, or with increasingly rougher accents the farther away they grew up from London and its environs.
** In Scotland, upper-class characters will probably sound the same as upper-class English (with perhaps a slight lilt), but sometimes have Morningside (Edinburgh) or Kelvinside (Glasgow) accents (although these are often coded as "social climber, doesn't really talk like that"). What most people think of as a Glaswegian accent is definitely working class, while a rural West Highland accent almost certainly marks you as a crofter whose family have been farming this land for generations.

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** Upper-class characters speak with [[AhPea [[IAmVeryBritish Received Pronunciation]] or a UsefulNotes/HomeCounties accent. Working-class characters speak with Cockney accents, or with increasingly rougher accents the farther away they grew up from London and its environs.
** In Scotland, upper-class characters will probably sound the same as upper-class English (with perhaps a slight lilt), but lilt). They sometimes have Morningside (Edinburgh) or Kelvinside (Glasgow) accents (although accents, though these are often coded as "social climber, doesn't really talk like that").that". What most people think of as a Glaswegian accent is definitely working class, while a rural West Highland accent almost certainly marks you as a crofter whose family have been farming this land for generations.


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** Historically, "Canadian dainty" had the same connotations that the Mid-Atlantic accent did in the US, with a very similar British-inspired sound, and declined in the latter half of the 20th century for the same reasons.
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** Something of a running joke throughout the series involves Ser Davos Seaworth; born a peasant and rising up through service to various nobles, he is frequently corrected on his improper uses of grammar (to the point where he actually starts doing the same to others in later seasons).
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** Zigzagged in the Israeli version, Gvirti HaNava. The sound Higgins teaches Eliza to make properly is a uvular r, which is used in two contexts: on stage and by Israelis whose native language is Arabic and whose speech is considered low-class. A possibly apocryphal story has a child at the theatre, hearing Eliza finally get the sound --"Yarad barad bidrom Sfarad ba'arev" [Ha]il fell in the south of Spain in the evening--asking why Eliza is speaking like a cleaning lady.

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** Zigzagged in the Israeli version, Gvirti HaNava.Hanava. The sound Higgins teaches Eliza to make properly is a uvular r, which is used in two contexts: on stage and by Israelis whose native language is Arabic and whose speech is considered low-class. A possibly apocryphal story has a child at the theatre, hearing Eliza finally get the sound --"Yarad barad bidrom Sfarad ba'arev" [Ha]il [Hail fell in the south of Spain in the evening--asking evening]--asking why Eliza is speaking like a cleaning lady.
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None

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**Zigzagged in the Israeli version, Gvirti HaNava. The sound Higgins teaches Eliza to make properly is a uvular r, which is used in two contexts: on stage and by Israelis whose native language is Arabic and whose speech is considered low-class. A possibly apocryphal story has a child at the theatre, hearing Eliza finally get the sound --"Yarad barad bidrom Sfarad ba'arev" [Ha]il fell in the south of Spain in the evening--asking why Eliza is speaking like a cleaning lady.
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** Given the prominence of racial issues in the U.S., the "lower class" accents are particularly associated with people of color, especially African-Americans, Hispanic people, and recent Asian immigrants, as well as the accents of poor white Southerners and rural whites.

to:

** Given the prominence of racial issues in the U.S., the "lower class" accents are particularly associated with people of color, especially African-Americans, Hispanic people, and recent Asian immigrants, as well as the accents of poor white Southerners and rural whites.
Is there an issue? Send a MessageReason:
None


** Given the prominence of racial issues in the U.S., the "lower class" accents are particularly associated with people of color, especially African-Americans and Hispanic people, as well as the accents of poor white Southerners and rural whites.

to:

** Given the prominence of racial issues in the U.S., the "lower class" accents are particularly associated with people of color, especially African-Americans and African-Americans, Hispanic people, and recent Asian immigrants, as well as the accents of poor white Southerners and rural whites.
Is there an issue? Send a MessageReason:
None


** Given the prominence of racial issues in the U.S., the "lower class" accents are particularly associated with people of color, especially African-Americans and Hispanic people, as well as the accents of poor white southerners and rural whites.

to:

** Given the prominence of racial issues in the U.S., the "lower class" accents are particularly associated with people of color, especially African-Americans and Hispanic people, as well as the accents of poor white southerners Southerners and rural whites.
Is there an issue? Send a MessageReason:
None


** Regarding the first item, in some epochs there has been a strong migration from the southern to the northern regions.
At present, the demographic trend is changing (due to increased immigration from abroad).

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** Regarding the first item, in some epochs there has been a strong migration from the southern to the northern regions.
regions. At present, the demographic trend is changing (due to increased immigration from abroad).

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demographics.



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** Regarding the first item, in some epochs there has been a strong migration from the southern to the northern regions.
At present, the demographic trend is changing (due to increased immigration from abroad).
Is there an issue? Send a MessageReason:
link to page of tvtropes


** Moreover, in the Commedia dell'arte, servants as Zanni, Arlecchino are northern and with very strong accents.

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** Moreover, in the Commedia dell'arte, CommediaDellArte, servants as Zanni, Arlecchino are northern and with very strong accents.

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The Zanni! See Goldoni, Dario Fo, ...



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** More complicated, depending on times and regions. For instance, there are at least two specific accents of Naples: one popular and dialectal (if not spoken dialect tout court), one cultured, in Italian but characteristic (and elegant).
** Moreover, in the Commedia dell'arte, servants as Zanni, Arlecchino are northern and with very strong accents.
** In general, the main idea is that lower-class characters are speaking vernacular (one of the many ones; there are more than 30, with local variations) while Italian is associated with the upper class. Mostly.
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* Creator/TomScott discusses this difference, at least in English, in his linguistics video [[https://youtu.be/wA2xRVMOThc "Why You Swear in Anglo-Saxon and Order Fancy Food in French: Registers"]].

to:

* Creator/TomScott Creator/TomScott, whose background is in linguistics, discusses this difference, at least in English, in his linguistics video [[https://youtu.be/wA2xRVMOThc "Why You Swear in Anglo-Saxon and Order Fancy Food in French: Registers"]].
Is there an issue? Send a MessageReason:
None

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* In ''Theatre/LesMiserables'', the lower-class characters tend to speak with rough, slang-filled speech patterns (in British productions usually enhanced by actual Cockney accents) while the upper-class characters use more refined poetic language. Even single word choices reflect this difference: for example, in "Attack on Rue Plumet," the street characters refer to Éponine's scream as a "scream," while Marius, Cosette and Valjean call it a "cry." This is difference is also used in the characterization of Fantine, who is initially refined and well-spoken, but whose grammar declines ("I never did no wrong!") after she turns to prostitution.
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* In ''Film/SilenceOfTheLambs'' Hannibal Lecter notices FBI agent Clarisse tries to conceal her West Virginia redneck accent.

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* In ''Film/SilenceOfTheLambs'' Hannibal Lecter notices FBI agent Clarisse Clarice tries to conceal her West Virginia redneck accent.
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* Invoked in 12th season episode of WesternAnimation/TheSimpsons "A Tale of Two Springfields". Springfield is divided into two separate area codes by the phone company, with the upper class side of town keeping their existing area code and the city's more blue collar region being changed to the new one. Homer leads the half of Springfield with the new area code in seceding to form the town of New Springfield and the class divide between the two towns is soon established:

to:

* Invoked in the 12th season episode of WesternAnimation/TheSimpsons "A Tale of Two Springfields". Springfield is divided into two separate area codes by the phone company, with the upper class side of town keeping their existing area code and the city's more blue collar region being changed to the new one. Homer leads the half of Springfield with the new area code in seceding to form the town of New Springfield and the class divide between the two towns is soon established:
Is there an issue? Send a MessageReason:
None



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[[/folder]]
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[[folder:Western Animation]]
* Invoked in 12th season episode of WesternAnimation/TheSimpsons "A Tale of Two Springfields". Springfield is divided into two separate area codes by the phone company, with the upper class side of town keeping their existing area code and the city's more blue collar region being changed to the new one. Homer leads the half of Springfield with the new area code in seceding to form the town of New Springfield and the class divide between the two towns is soon established:
--->'''Kent Brockman (On a TV Broadcast):''' As expected, New Springfield's bold experiment with slob rule is a disaster.\\
'''Homer:''' Hey! The TV man is talking about us.\\
'''Brockman:''' A study shows their crumbling economy is due to their lazy attitude and shoddy work.\\
'''Homer:''' How the hell did they find that out?\\
'''Brockman:''' Scientists say they're also less attractive physically, and while we speak in a well-educated manner, they tend to use lowbrow expressions like, "Oh, yeah?" and "C'mere a minute."\\
'''Homer:''' Oh yeah? They think they're better than us, huh? Bart, c'mere a minute.\\
'''Bart:''' You c'mere a minute!\\
'''Homer [shakes fist]:''' Oh yeah?

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