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*** Although things actually ''happen'' in that spot in the book version, which was much slower paced overall anyway.
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** If you aren't doing any trades in this section, you're playing it wrong.
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** Be grateful, the ending is still SHORTER than the book version.
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* Akira Kurosawa's ''{{Ran}}'' has this problem. About 90 minutes into the film, it looks like it's about to reach a satisfying conclusion: Lord Hidetora is cornered, under siege by his own remaining sons' armies and left to commit seppuku in a burning building. But instead of killing himself or suffocating as he should, he loses his mind and walks out of the building, ''and they let him go'', and we get 90 ''more'' minutes of movie. [[WallBanger Much of the rest of the movie is driven by the search for Hidetora by the very people who let him go in the first place.]]

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* Akira Kurosawa's ''{{Ran}}'' has this problem. About 90 minutes into the film, it looks like it's about to reach a satisfying conclusion: Lord Hidetora is cornered, under siege by his own remaining sons' armies and left to commit seppuku in a burning building. But instead of killing himself or [[ConvectionSchmonvection burning or suffocating to death as he should, should]], he loses his mind and walks out of the building, ''and they let him go'', and we get 90 ''more'' minutes of movie. [[WallBanger Much of the rest of the movie is driven by the search for Hidetora by the very people who let him go in the first place.]]
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** Then why were they attacking the castle?
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Some songs that employ EpicRocking can lead to this.

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Some songs that employ EpicRocking can lead to this.
this. Many songs mentioned here are Live versions. Worth mentioning is that when playing live, you often loose the perception of time. Also, it is often common for songs live to be longer.
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-> ''"EEEEEEEEEEEEEEEEEEND! EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEND!"''
-->-- Tom Servo, {{MST3K}} episode ''The Wild Wild World of Batwoman''
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** Well, when you put it that way, [[CrowningMomentOfAwesome Ending Fatigue's not so bad after all.]]
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* ''HappyFeet'' had multiple false endings.
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-> ''"END ALREADY, DAMN IT! END!"''
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* Late in ''AoiHouse'', the story transforms into little more than disjointed scenes with minimal context. This manages to create the whole "Just end already!" feeling while simultaneously getting a kind of "What the hell is going on now?" It doesn't so much ''end'', it just ceases to produce any more scenes.

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* Done deliberately in the MontyPython song ''I'm So Worried''. Ending of third to last verse: "I'm so worried about whether I should go on, or whether I should just stop." Beginning of second to last verse: "I'm so worried about whether I ought to have stopped. And I'm so worried 'cause it's the sort of thing I ought to know." Beginning of final verse: "I'm so worried about whether I should have stopped then. I'm so worried that I'm driving everyone round the bend."

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* Done deliberately in the MontyPython song ''I'm So Worried''. Ending of third to last verse: "I'm so worried about whether I should go on, or whether I should just stop." Beginning of second to last verse: "I'm so worried about whether I ought to have stopped. And I'm so worried 'cause it's the sort of thing I ought to know." Beginning of final verse: "I'm so worried about whether I should have stopped then. I'm so worried that I'm driving everyone round the bend." "
* [=CDs=] vs. [=LPs=]. They both have their advantages and disadvantages as far as sound quality goes, but [=CDs=] can hold 80 minutes of music, while it's difficult to find an LP that can hold more than 50. Musicians feel compelled to fill up the entire CD so the listener can get their money's worth, which leads to lots and lots of filler. Rather have 40 minutes of quality than 80 minutes of could-have-been.



* CDs vs. LPs. They both have their advantages and disadvantages as far as sound quality goes, but CDs can hold 80 minutes of music, while it's difficult to find an LP that can hold more than 50. Musicians feel compelled to fill up the entire cd so the listener can get their money's worth, which leads to lots and lots of filler. Rather have 40 minutes of quality than 80 minutes of could-have-been.

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* CDs vs. LPs. They both have their advantages and disadvantages as far as sound quality goes, but CDs can hold 80 minutes of music, while it's difficult to find an LP that can hold more than 50. Musicians feel compelled to fill up the entire cd so the listener can get their money's worth, which leads to lots and lots of filler. Rather have 40 minutes of quality than 80 minutes of could-have-been.
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**CompletelyMissingThePoint. It's based on/inspired by King Lear, which didn't end conveniently just because two of his daughters had already sold him out. And they let him go because killing the Emperor was frowned upon. As in, "punishable by death" frowned upon.
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*** If they've been shooting for 30 minutes in a highly enclosed area such as a hospital, and one or both sides haven't been mowed down completely by then, you're ''fucking doing it wrong.''
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* Also, "I'm Your Captain" by Grand Funk Railroad. The song isn't that bad. Then you get to the halfway point and the singer keeps saying "I'm getting closer to my home." over and over again.

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* Also, "I'm Your Captain" by Grand Funk Railroad. The song isn't [[strike:isn't that bad.bad]] [[YourMileageMayVary is pretty fantastic]]. Then you get to the halfway point and the singer keeps saying "I'm getting closer to my home." over and over again.
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* The recent ''Scott Pilgrim vs. the World'' film is otherwise quite good but suffers from this a bit. In the climax, Scott Pilgrim confronts the antagonist, resolves a subplot, then [[spoiler: he dies and has to repeat the climax all over again. He defeats the antagonist two more times, resolves the subplot again, then has to face his evil doppleganger, and THEN chooses which girl he wants to end up with.]]

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I hope whoever wrote this about Wagner


** ''Die Walküre'' has Wotan's endless farewell and the Magic Fire Music.
** ''Siegfried'''s finale -- let's say it begins when Siegfried finds the sleeping Brünnhilde --- lasts for about 35-40 minutes.
** ''Götterdämmerung''. Brünnhilde's Immolation is the basis of the "Fat Lady Sings" joke. 'Nuff said.

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** In ''[[DerRingDesNibelungen Der Ring des Nibelungen]]'':
***
''Die Walküre'' has Wotan's endless farewell and the Magic Fire Music.
** *** ''Siegfried'''s finale -- let's say it begins when Siegfried finds the sleeping Brünnhilde --- lasts for about 35-40 minutes.
** *** ''Götterdämmerung''. Brünnhilde's Immolation is the basis of the "Fat Lady Sings" joke. 'Nuff said.
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* As pointed out quite humorously by [[ThatGuyWithTheGlasses the Nostalgia Chick]] the PilotMovie of ''HeMan'''s quite literal sister series ''SheRa'' ends and then promptly moves onto a previously unmentioned plot point, several times.

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* As pointed out quite humorously by [[ThatGuyWithTheGlasses the Nostalgia Chick]] TheNostalgiaChick the PilotMovie of ''HeMan'''s quite literal sister series ''SheRa'' ends and then promptly moves onto a previously unmentioned plot point, several times.
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* CDs vs. LPs. They both have their advantages and disadvantages as far as sound quality goes, but CDs can hold 80 minutes of music, while it's difficult to find an LP that can hold more than 50. Musicians feel compelled to fill up the entire cd so the listener can get their money's worth, which leads to lots and lots of filler. Rather have 40 minutes of quality than 80 minutes of could-have-been.
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* "''TrappedInTheCloset''" Trapped In the Closet Trapped in the Closet Trapped in the Closet Trapped in the Closet Trapped in the Closet Trapped in the Closet Trapped in the Closet Trapped in the Closet Trapped in the Closet Trapped in the Closet Trapped in the Closet
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** The album "Layla" itself could be a lot shorter. Arguably Clapton's masterpiece, every inch of it is worth listening to, but it does seem to go on forever.


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* ''YoLaTengo'' has a tendency to tack on 10-20 minutes of repetative, anxiety-enducing noise-symphonies to the end of albums that in no way enhance the tone of the album, possibly in an effort to never make a perfect album. Most notorious examples: "I Can Feel The Heart Beating As One" and "Popular Songs."
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* ''Memory'' by Lois [=McMaster=] Bujold, one of her VorkosiganSaga novels, has three endings. First, the main detective plot wraps up; then, Miles makes a decision about whether to take up Gregor's offer; and then he goes off to sort things out with Quinn. The two later endings are necessary to the continuing story, though, so if they hadn't been wrapped up in this one they would have needed to be explained in the next book.
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I added a maybe-too-personal viewpoint.

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** Speaking of [[JoeQuesada the man himself]], we're still waiting to see [[OneMoreDay his "oh-so-awesome" storyline]] - and all its related consequences - [[CanonDiscontinuity to end]].
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BoringReturnJourney is usually a deliberate attempt to defy this phenomenon.
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Mmmm...yea. Since Arc Fatigue is subjective, so is this one.


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<<|SubjectiveTropes|>>
<<|{{Fan-Speak}}|>>
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* Half of the premise of this [[http://www.youtube.com/watch?v=GazlqD4mLvw old Dudley Moore pastiche]] of a Beethoven piano sonata.

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* Half of the premise of this [[http://www.youtube.com/watch?v=GazlqD4mLvw old Dudley Moore pastiche]] of a Beethoven piano sonata. Even the pianist eventually can't hide his frustration.



* Done deliberately in the MontyPython song ''I'm So Worried''. Ending of third to last verse: "I'm so worried about whether I should go on, or whether I should just stop." Beginning of second to last verse: "I'm so worried about whether I ought to have stopped. And I'm so worried 'cause it's the sort of thing I ought to know." Beginning of final verse: "I'm so worried about whether I should have stopped then. I'm so worried that I'm driving everyone round the bend."

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* Done deliberately in the MontyPython song ''I'm So Worried''. Ending of third to last verse: "I'm so worried about whether I should go on, or whether I should just stop." Beginning of second to last verse: "I'm so worried about whether I ought to have stopped. And I'm so worried 'cause it's the sort of thing I ought to know." Beginning of final verse: "I'm so worried about whether I should have stopped then. I'm so worried that I'm driving everyone round the bend.""
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Note that this isn't simply "the story is too long/goes too slowly," but it actually appears if it's going to end but doesn't several times. The effect of this is a frustratingly jarring experience which eventually has the viewer thinking something along the lines of "Just ''end'' already!" This is, [[TropesAreTools for the most part]], ''not'' a reaction you want to provoke in the reader, or the theater goer who [[PottyEmergency badly wants to run the the restroom]] but doesn't want to miss the end of the movie that they paid good money to see.

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Note that this isn't simply "the story is too long/goes too slowly," but it actually appears if it's going to end but doesn't several times. The effect of this is a frustratingly jarring experience which eventually has the viewer thinking something along the lines of "Just ''end'' already!" This is, [[TropesAreTools for the most part]], ''not'' a reaction you want to provoke in the reader, or the theater goer who [[PottyEmergency badly wants to run the to the restroom]] but doesn't want to miss the end of the movie that they paid good money to see.



* At the begining of ''{{Bakugan}}'''': New Vestroia'', the brawlers joined a resistance group that's trying to free the Bakugan enslaved by the Vestals. Then they had to stop the Vexos from destroying all the Bakugan on New Vestroia. ''Then'' they had to [[spoiler:stop the Vexos from ''[[OmnicidalManiac destroying the whole universe]]'']]. By the time the brawlers are [[spoiler:stopping Zenoheld's plan to end the whole universe]], it feels like the climax had past a long time ago.

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* At the begining beginning of ''{{Bakugan}}'''': New Vestroia'', the brawlers joined a resistance group that's trying to free the Bakugan enslaved by the Vestals. Then they had to stop the Vexos from destroying all the Bakugan on New Vestroia. ''Then'' they had to [[spoiler:stop the Vexos from ''[[OmnicidalManiac destroying the whole universe]]'']]. By the time the brawlers are [[spoiler:stopping Zenoheld's plan to end the whole universe]], it feels like the climax had past a long time ago.



* TheFountainhead as well. Around page 350, when Harold Roark gets his grand-standing speech in court describing his motives and his view on humanity (pretty much dropping Rand's anvil, if you haven't been awake long enough to get what she was aiming at the whole book). To this Troper, it seems when you've got your character in a position to monologue for three pages about everything that he did since the beginning of the book to society at a whole, this is a good place to say, "climax! Now for the denoument!" Apparently, Rand knew that her personal philosiphy wouldn't go down quite as easy, so Roark ends up in prison and he doesn't get his moment as "revolutionary genious" until ''another'' 350 pages.

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* TheFountainhead as well. Around page 350, when Harold Roark gets his grand-standing speech in court describing his motives and his view on humanity (pretty much dropping Rand's anvil, if you haven't been awake long enough to get what she was aiming at the whole book). To this Troper, it seems when you've got your character in a position to monologue for three pages about everything that he did since the beginning of the book to society at a whole, this is a good place to say, "climax! Now for the denoument!" denouement!" Apparently, Rand knew that her personal philosiphy philosophy wouldn't go down quite as easy, so Roark ends up in prison and he doesn't get his moment as "revolutionary genious" genius" until ''another'' 350 pages.



* Averted quite noticably in late-70s/early-80s British TV show TheProfessionals, where the credits often ran straight after the scene in which the bad guy was caught or shot (or the objective achieved). In such cases there were just a few seconds of terse post-action dialogue or banter before things finished. Where epilogue scenes did exist, they were still fairly short and no-nonsense.

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* Averted quite noticably noticeably in late-70s/early-80s British TV show TheProfessionals, where the credits often ran straight after the scene in which the bad guy was caught or shot (or the objective achieved). In such cases there were just a few seconds of terse post-action dialogue or banter before things finished. Where epilogue scenes did exist, they were still fairly short and no-nonsense.



* ''TheLongestJourney'' became a bit to long in the tooth at the end. The developers actually seems to be aware of this, as April (the protagonist) is around midways outright given a PlotCoupon, instead of having to do the usual fulfilling of ancient prophecy ballyhoo (April {{lampshades}} this).

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* ''TheLongestJourney'' became a bit to long in the tooth at the end. The developers actually seems to be aware of this, as April (the protagonist) is around midways midway outright given a PlotCoupon, instead of having to do the usual fulfilling of ancient prophecy ballyhoo (April {{lampshades}} this).



** Some feel the game was already reaching EndingFatigue throughout the whole World of Ruin segement of the game.

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** Some feel the game was already reaching EndingFatigue throughout the whole World of Ruin segement segment of the game.
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ArcFatigue is a small-scale version.
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** It gets fixed a bit in the {{PS3}} UpdatedRerelease, as [[spoiler:the BigBad doesn't die straight away and instead accompanies his right-hand-man to the final dungeon]]. Everything else is the same though.
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** Fittingly, the movie ends with the eponymous President standing in the outfield of his team's stadium, waiting to catch a fly ball....waiting....waiting....

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