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* ''Manga/BoysRunTheRiot'': After Itsuka [[spoiler:finds his treasured camera broken and blames Ryo and Jin for causing him to be targetted,]] he walks home in the rain without an umbrella.
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* ''VideoGame/GhostOfTsushima'' uses this trope liberally: fighting honorably (engaging enemies head-on, fighting only using your katana) makes the weather mild and pleasant, while using "[[{{Ninja}} Ghost]]" tactics (backstabs, using Ghost weapons) causes the weather to turn cloudy, rainy, and eventually, stormy.
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* The events of ''Literature/TheGoBetween'' unfold during a record-breaking heatwave, which is broken by a violent thunderstorm at the moment of climax.
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* Played with in ''Franchise/TouhouProject'' FightingGame ''Scarlet Weather Rhapsody'', where characters begin manifesting localized weather that represents a poetic interpretation of their personality.
to:
* Played with in ''Franchise/TouhouProject'' FightingGame ''Scarlet Weather Rhapsody'', where characters begin manifesting localized weather that represents a poetic interpretation of their personality.personality as a result of the incident.
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* The infamous sex scene of ''Jason's Lyric''. When the titular characters start having sex in the bayou, they roll over on a grassy ground. When they're getting intense, the ground magically turns into a flower field; reflecting their blooming love and unbridled passion (before it turns back to grassy again, despite they keep going until the sun sets).
to:
* The infamous sex scene of ''Jason's Lyric''. When the titular characters start having sex in the bayou, they roll over on a grassy ground. When As they're getting intense, the ground magically turns into a flower field; reflecting their blooming love and unbridled passion (before it turns back to grassy again, despite they keep going until the sun sets).
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Changed line(s) 101 (click to see context) from:
* The infamous sex scene of ''Jason's Lyric''. When the titular characters start having sex in the bayou, they roll around on a grassy ground. When they're getting intense, the ground magically turns into a flower field; reflecting their blooming love and unbridled passion (before it turns back to grassy again, despite they keep going until the sun sets).
to:
* The infamous sex scene of ''Jason's Lyric''. When the titular characters start having sex in the bayou, they roll around over on a grassy ground. When they're getting intense, the ground magically turns into a flower field; reflecting their blooming love and unbridled passion (before it turns back to grassy again, despite they keep going until the sun sets).
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Changed line(s) 101 (click to see context) from:
* The infamous sex scene in ''Jason's Lyric''. When the titular characters start having sex in the bayou, they roll around on a grassy ground. When they're getting intense, the ground magically turns into a flower field; reflecting their blooming love and unbridled passion (before it turns back to grassy again, despite they keep going until the sun sets).
to:
* The infamous sex scene in of ''Jason's Lyric''. When the titular characters start having sex in the bayou, they roll around on a grassy ground. When they're getting intense, the ground magically turns into a flower field; reflecting their blooming love and unbridled passion (before it turns back to grassy again, despite they keep going until the sun sets).
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Changed line(s) 101 (click to see context) from:
* In ''Jason's Lyric'', when the titular characters start having sex in the bayou, they roll around in a grassy ground. When they're getting intense, the ground magically turns into a flower field; reflecting their blooming love and unbridled passion (before it turns back to grassy again, despite they keep going until the sun sets).
to:
* In The infamous sex scene in ''Jason's Lyric'', when Lyric''. When the titular characters start having sex in the bayou, they roll around in on a grassy ground. When they're getting intense, the ground magically turns into a flower field; reflecting their blooming love and unbridled passion (before it turns back to grassy again, despite they keep going until the sun sets).
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* In ''Film/DeathBecomesHer'': When Madeleine just got dumped by her secret lover, Dakota, rain immediately starts pouring down.
to:
* In ''Film/DeathBecomesHer'': When ''Film/DeathBecomesHer'', when Madeleine just got dumped by her secret lover, Dakota, rain immediately starts pouring pours down.
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* In ''Jason's Lyric'', when the titular characters start having sex in the bayou, they roll around in a grassy ground. When they're getting intense and more passionate, the ground magically turns into a flower field; reflecting their blooming love and unbridled passion (before it turns back to grassy again, despite they keep going until the sun sets).
to:
* In ''Jason's Lyric'', when the titular characters start having sex in the bayou, they roll around in a grassy ground. When they're getting intense and more passionate, intense, the ground magically turns into a flower field; reflecting their blooming love and unbridled passion (before it turns back to grassy again, despite they keep going until the sun sets).
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* In ''Film/TheIncredibleHulk'' (with Ed Norton), right as Betty gets knocked out by a helicopter crash, it starts raining.
to:
* In ''Film/TheIncredibleHulk'' ''Film/{{The Incredible Hulk|2008}}'' (with Ed Norton), right as Betty gets knocked out by a helicopter crash, it starts raining.
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* ''WesternAnimation/WanderOverYonder'':
** In "The Hat", the water from the giant mushrooms rain down on Sylvia when she has a DespairEventHorizon.
** In "The Heebie Jeebies", the dark forest and the area outside it are dull and grim colors to show [[DontGoIntoTheWoods just how scary it is.]] When Wander and Sylvia leave the forest in the end, it becomes bright, sunny and gold to show that they have [[FaceYourFears faced their fears.]]
** In "The Hat", the water from the giant mushrooms rain down on Sylvia when she has a DespairEventHorizon.
** In "The Heebie Jeebies", the dark forest and the area outside it are dull and grim colors to show [[DontGoIntoTheWoods just how scary it is.]] When Wander and Sylvia leave the forest in the end, it becomes bright, sunny and gold to show that they have [[FaceYourFears faced their fears.]]
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* In ''Film/DeathBecomesHer'': When Madeleine just got dumped by her secret lover, Dakota, rain immediately starts pouring down.
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* In ''Jason's Lyric'', when the titular characters start having sex in the bayou, they roll around in a grassy ground. When they're getting more intense and passionate, the ground magically turns into a flower field; reflecting their blooming love and unbridled passion (before it turns back to grassy again, despite they keep going until the sun sets).
to:
* In ''Jason's Lyric'', when the titular characters start having sex in the bayou, they roll around in a grassy ground. When they're getting more intense and more passionate, the ground magically turns into a flower field; reflecting their blooming love and unbridled passion (before it turns back to grassy again, despite they keep going until the sun sets).
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None
Changed line(s) 100 (click to see context) from:
* In ''Jason's Lyric'', when the titular characters start having sex in the bayou, they roll around in a grassland. When they're getting more intense and passionate, suddenly it magically turns into a flower field, before it turns back to grassland again.
to:
* In ''Jason's Lyric'', when the titular characters start having sex in the bayou, they roll around in a grassland. grassy ground. When they're getting more intense and passionate, suddenly it the ground magically turns into a flower field, before field; reflecting their blooming love and unbridled passion (before it turns back to grassland again.grassy again, despite they keep going until the sun sets).
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None
Changed line(s) 100 (click to see context) from:
* In ''Jason's Lyric'', when the titular characters start having sex in the bayou, they roll around in a grassland. When they're getting more intense passionate, suddenly it magically turns into a flower field, before it turns back to grassland again.
to:
* In ''Jason's Lyric'', when the titular characters start having sex in the bayou, they roll around in a grassland. When they're getting more intense and passionate, suddenly it magically turns into a flower field, before it turns back to grassland again.
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* In ''Jason's Lyric'', when the titular characters start having sex in the bayou, they roll around in a grassland. When they're getting more intense passionate, suddenly it magically turns into a flower field, before it turns back to grassland again.
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* Roy Batty's famous death scene in ''Film/BladeRunner''. For most of the movie, it's always night time in Los Angeles of 2019, the city is appropriately dark, grimy and rainy for a {{Cyberpunk}} setting. However, after Roy Batty's moving death speech, the clouds break open overhead and the rain stops, and the dove flies up into sunlight.
to:
* Roy Batty's famous death scene in ''Film/BladeRunner''. For most of the movie, it's always night time in Los Angeles of 2019, the city is appropriately dark, grimy and rainy for a {{Cyberpunk}} setting. However, after Roy Batty's moving death speech, the clouds break open overhead and the rain stops, and the dove flies up into sunlight.[[CueTheSun sunlight]].
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Changed line(s) 87 (click to see context) from:
* Roy Batty's famous death scene in ''Film/BladeRunner''. For most of the movie (a.k.a. the Director's Cut; let's [[FanonDisContinuity ignore]] the kitschy tacked-on happy ending of the cinematic version), it's always night time in Los Angeles of 2019, the city is appropriately dark, grimy and rainy for a CyberPunk setting. However, after Roy Batty's moving death speech, the clouds break open overhead and the rain stops, and the dove flies up into sunlight.
to:
* Roy Batty's famous death scene in ''Film/BladeRunner''. For most of the movie (a.k.a. the Director's Cut; let's [[FanonDisContinuity ignore]] the kitschy tacked-on happy ending of the cinematic version), movie, it's always night time in Los Angeles of 2019, the city is appropriately dark, grimy and rainy for a CyberPunk {{Cyberpunk}} setting. However, after Roy Batty's moving death speech, the clouds break open overhead and the rain stops, and the dove flies up into sunlight.
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* ''Film/SomeCameRunning'': When Dave takes Gwen into a passionate embrace in a cabin, the lighting goes dark for no reason at all.
* In ''[[Film/TheFallOfTheHouseOfUsher1928France The Fall of the House of Usher]]'', an epic thunderstorm arrives at the Usher mansion on the night that BuriedAlive Madeline rises from her tomb.
* In silent film ''Film/AFoolThereWas'', right after Schuyler leaves the house for his fateful trip that eventually lead to a very foolish affair that will utterly destroy him, the sky darkens and a thunderstorm breaks out.
--> "[[{{Anvilicious}} Storm and darkness! Is it an omen?]]
* In ''[[Film/TheFallOfTheHouseOfUsher1928France The Fall of the House of Usher]]'', an epic thunderstorm arrives at the Usher mansion on the night that BuriedAlive Madeline rises from her tomb.
* In silent film ''Film/AFoolThereWas'', right after Schuyler leaves the house for his fateful trip that eventually lead to a very foolish affair that will utterly destroy him, the sky darkens and a thunderstorm breaks out.
--> "[[{{Anvilicious}} Storm and darkness! Is it an omen?]]
to:
* ''Film/SomeCameRunning'': ''Film/AprilShowers'': When Dave takes Gwen into a passionate embrace [[spoiler:Sean finds out April died in a cabin, the lighting goes dark for no reason at all.
school shooting]], the next scene shows that it has started raining.
*In ''[[Film/TheFallOfTheHouseOfUsher1928France The Fall Roy Batty's famous death scene in ''Film/BladeRunner''. For most of the House of Usher]]'', an epic thunderstorm arrives at movie (a.k.a. the Usher mansion on Director's Cut; let's [[FanonDisContinuity ignore]] the kitschy tacked-on happy ending of the cinematic version), it's always night that BuriedAlive Madeline rises from her tomb.
* In silent film ''Film/AFoolThereWas'', righttime in Los Angeles of 2019, the city is appropriately dark, grimy and rainy for a CyberPunk setting. However, after Schuyler leaves Roy Batty's moving death speech, the house clouds break open overhead and the rain stops, and the dove flies up into sunlight.
* ''Film/BodyHeat'': The film takes place during an especially hot Florida summer, setting the perfect scenery for a plot centered around sexual desire for a woman leading a man to hisfateful trip that eventually lead to a very foolish affair that will utterly destroy him, the sky darkens and a thunderstorm breaks out.
--> "[[{{Anvilicious}} Storm and darkness! Is it an omen?]]doom.
*
* In silent film ''Film/AFoolThereWas'', right
* ''Film/BodyHeat'': The film takes place during an especially hot Florida summer, setting the perfect scenery for a plot centered around sexual desire for a woman leading a man to his
--> "[[{{Anvilicious}} Storm and darkness! Is it an omen?]]
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* When Kotpun's mother dies in ''Film/TheFlowerGirl'', the heavens let loose with a thunderstorm.
to:
* When Kotpun's mother dies in ''Film/TheFlowerGirl'', In the heavens let loose Creator/NicholasSparks film ''Film/TheChoice'', the heroine awakens from a coma the morning after a hurricane strikes, her recovery coinciding with a thunderstorm.the storm abating and the sun coming out.
Changed line(s) 93,95 (click to see context) from:
* Occurs in ''Film/PiratesOfTheCaribbeanAtWorldsEnd'', as a thunderstorm and maelstrom form during the battle between ''The Black Pearl'' and ''The Flying Dutchman''. Justified, because the sea-goddess Calypso had been freed from her human shell immediately beforehand, and everyone was expecting her to be angry over her imprisonment.
** Lampshaded when a character observes "have you noticed on top of everything else, it's raining?"
* Popular in the {{Western}} genre, particularly ''Film/TheProposition''.
** Lampshaded when a character observes "have you noticed on top of everything else, it's raining?"
* Popular in the {{Western}} genre, particularly ''Film/TheProposition''.
to:
* Occurs Inverted with ''Film/DoctorZhivago''. All the scenes of war and despair are shot in ''Film/PiratesOfTheCaribbeanAtWorldsEnd'', as beautiful light and scenery (for example, [[spoiler: the scene where they shoot soldiers who turn out to be teenage students at a military school]]) while the love scenes are shot in really depressing settings.
* In ''[[Film/TheFallOfTheHouseOfUsher1928France The Fall of the House of Usher]]'', an epic thunderstorm arrives at the Usher mansion on the night that BuriedAlive Madeline rises from her tomb.
* When Kotpun's mother dies in ''Film/TheFlowerGirl'', the heavens let loose with a thunderstorm.
* In silent film ''Film/AFoolThereWas'', right after Schuyler leaves the house for his fateful trip that eventually lead to a very foolish affair that will utterly destroy him, the sky darkens and a thunderstorm breaks out.
--> "[[{{Anvilicious}} Storm andmaelstrom form during the battle between ''The Black Pearl'' and ''The Flying Dutchman''. Justified, because the sea-goddess Calypso had been freed from her human shell darkness! Is it an omen?]]
* In ''Film/HeartAndSouls'', it immediatelybeforehand, starts to rain on Julia and everyone was expecting her to be angry over her imprisonment.
** LampshadedThomas [[spoiler: when a character observes "have you noticed on top of everything else, it's raining?"
she discovers her long-lost fiancé John died years before her arrival.]]
*Popular When Rob is dumped by Charlie in the {{Western}} genre, particularly ''Film/TheProposition''.film version of ''Film/HighFidelity,'' he falls apart, and the weather matches his breakdown with heavy rain and thunder.
* In ''Film/TheIncredibleHulk'' (with Ed Norton), right as Betty gets knocked out by a helicopter crash, it starts raining.
* ''Film/LongWeekend'': As Peter and Marcia's efforts to salvage their marriage implode (leading them to take out their frustrations on nearby flora and fauna), their environmental surroundings become more hostile and inhospitable as well.
* In the film ''Film/MasterAndCommander'', as soon as Captain Aubrey finishes the ceremony to bury DrivenToSuicide Midshipman Hollom at sea, which concludes with asking both God and Hollom for forgiveness, the wind picks up and the ship can finally get going again.
* Justified in ''Film/TheMatrix'', where the final fight takes place in [[{{Cyberspace}} the Matrix]] taken over by [[TheVirus Agent Smith]], under a torrential, [[MoodLighting green-filtered]] thunderstorm. Once Agent Smith is destroyed, cue the Mega City awakening in a shiny, colorful dawn, painted by one of the resident "free programs".
* In ''[[Film/TheFallOfTheHouseOfUsher1928France The Fall of the House of Usher]]'', an epic thunderstorm arrives at the Usher mansion on the night that BuriedAlive Madeline rises from her tomb.
* When Kotpun's mother dies in ''Film/TheFlowerGirl'', the heavens let loose with a thunderstorm.
* In silent film ''Film/AFoolThereWas'', right after Schuyler leaves the house for his fateful trip that eventually lead to a very foolish affair that will utterly destroy him, the sky darkens and a thunderstorm breaks out.
--> "[[{{Anvilicious}} Storm and
* In ''Film/HeartAndSouls'', it immediately
** Lampshaded
*
* In ''Film/TheIncredibleHulk'' (with Ed Norton), right as Betty gets knocked out by a helicopter crash, it starts raining.
* ''Film/LongWeekend'': As Peter and Marcia's efforts to salvage their marriage implode (leading them to take out their frustrations on nearby flora and fauna), their environmental surroundings become more hostile and inhospitable as well.
* In the film ''Film/MasterAndCommander'', as soon as Captain Aubrey finishes the ceremony to bury DrivenToSuicide Midshipman Hollom at sea, which concludes with asking both God and Hollom for forgiveness, the wind picks up and the ship can finally get going again.
* Justified in ''Film/TheMatrix'', where the final fight takes place in [[{{Cyberspace}} the Matrix]] taken over by [[TheVirus Agent Smith]], under a torrential, [[MoodLighting green-filtered]] thunderstorm. Once Agent Smith is destroyed, cue the Mega City awakening in a shiny, colorful dawn, painted by one of the resident "free programs".
Changed line(s) 100,104 (click to see context) from:
* Roy Batty's famous death scene in ''Film/BladeRunner''. For most of the movie (a.k.a. the Director's Cut; let's [[FanonDisContinuity ignore]] the kitschy tacked-on happy ending of the cinematic version), it's always night time in Los Angeles of 2019, the city is appropriately dark, grimy and rainy for a CyberPunk setting. However, after Roy Batty's moving death speech, the clouds break open overhead and the rain stops, and the dove flies up into sunlight.
* In ''Film/{{Shane}}'', during the confrontation between Shane and Star is a perfect example of this trope -- and all done without any special effects.
* In the film ''Film/MasterAndCommander'', as soon as Captain Aubrey finishes the ceremony to bury DrivenToSuicide Midshipman Hollom at sea, which concludes with asking both God and Hollom for forgiveness, the wind picks up and the ship can finally get going again.
* Justified in ''Film/TheMatrix'', where the final fight takes place in [[{{Cyberspace}} the Matrix]] taken over by [[TheVirus Agent Smith]], under a torrential, [[MoodLighting green-filtered]] thunderstorm. Once Agent Smith is destroyed, cue the Mega City awakening in a shiny, colorful dawn, painted by one of the resident "free programs".
* In ''Film/TheIncredibleHulk'' (with Ed Norton), right as Betty gets knocked out by a helicopter crash, it starts raining.
* In ''Film/{{Shane}}'', during the confrontation between Shane and Star is a perfect example of this trope -- and all done without any special effects.
* In the film ''Film/MasterAndCommander'', as soon as Captain Aubrey finishes the ceremony to bury DrivenToSuicide Midshipman Hollom at sea, which concludes with asking both God and Hollom for forgiveness, the wind picks up and the ship can finally get going again.
* Justified in ''Film/TheMatrix'', where the final fight takes place in [[{{Cyberspace}} the Matrix]] taken over by [[TheVirus Agent Smith]], under a torrential, [[MoodLighting green-filtered]] thunderstorm. Once Agent Smith is destroyed, cue the Mega City awakening in a shiny, colorful dawn, painted by one of the resident "free programs".
* In ''Film/TheIncredibleHulk'' (with Ed Norton), right as Betty gets knocked out by a helicopter crash, it starts raining.
to:
* Roy Batty's famous death scene ''Film/MrAndMrsSmith2005''. We're shown in ''Film/BladeRunner''. For most of a flashback how the movie (a.k.a. protagonists first fell in love. [[DramaticThunder Thunder sounds]] when things start heating up between the Director's Cut; let's [[FanonDisContinuity ignore]] protagonists during their MatingDance.
* Throughout ''Film/TheOthers2001'', thekitschy tacked-on happy ending of weather is gray, cloudy and incredibly foggy. At the cinematic version), conclusion, it's always night time in Los Angeles of 2019, the city is appropriately dark, grimy bright and rainy for a CyberPunk setting. However, after Roy Batty's moving death speech, the clouds break open overhead and the rain stops, and the dove flies up into sunlight.
* In ''Film/{{Shane}}'', during the confrontation between Shane and Star is a perfect example ofsunny. [[spoiler: While this trope -- and all done without any special effects.
* Inis mostly because we're now seeing things from the film ''Film/MasterAndCommander'', as soon as Captain Aubrey finishes living person's point of view (the foggy weather represented the ceremony to bury DrivenToSuicide Midshipman Hollom at sea, which concludes with asking both God and Hollom for forgiveness, the wind picks up and the ship can finally get going again.
* Justified in ''Film/TheMatrix'', where the final fight takes place in [[{{Cyberspace}} the Matrix]] taken over by [[TheVirus Agent Smith]], under a torrential, [[MoodLighting green-filtered]] thunderstorm. Once Agent Smith is destroyed, cue the Mega City awakening in a shiny, colorful dawn, painted by oneland of the resident "free programs".
dead), it's also possible that it represents the ghostly characters' acceptance of their situation.]]
* In''Film/TheIncredibleHulk'' (with Ed Norton), right as Betty ''Film/PacificRim'', the weather is grey and nasty through the entire film and gets knocked out by worse as things look worse for mankind, but once the good guys score a helicopter crash, it starts raining.decisive victory, the next time we get a look up, the sky is blue.
* Throughout ''Film/TheOthers2001'', the
* In ''Film/{{Shane}}'', during the confrontation between Shane and Star is a perfect example of
* In
* Justified in ''Film/TheMatrix'', where the final fight takes place in [[{{Cyberspace}} the Matrix]] taken over by [[TheVirus Agent Smith]], under a torrential, [[MoodLighting green-filtered]] thunderstorm. Once Agent Smith is destroyed, cue the Mega City awakening in a shiny, colorful dawn, painted by one
* In
Changed line(s) 106,107 (click to see context) from:
* When Rob is dumped by Charlie in the film version of ''Film/HighFidelity,'' he falls apart, and the weather matches his breakdown with heavy rain and thunder.
* The lights in the Facebook office in ''Film/TheSocialNetwork'' began to go out when Mark [[spoiler: found out about Sean's arrest.]]
* The lights in the Facebook office in ''Film/TheSocialNetwork'' began to go out when Mark [[spoiler: found out about Sean's arrest.]]
to:
* Occurs in ''Film/PiratesOfTheCaribbeanAtWorldsEnd'', as a thunderstorm and maelstrom form during the battle between ''The Black Pearl'' and ''The Flying Dutchman''. Justified, because the sea-goddess Calypso had been freed from her human shell immediately beforehand, and everyone was expecting her to be angry over her imprisonment. Lampshaded when a character observes "have you noticed on top of everything else, it's raining?"
%%* Popular in the {{Western}} genre, particularly ''Film/TheProposition''.
* WhenRob is dumped by Charlie the bandits start going ''too'' far in ''Film/{{Purgatory}}'', there are rainstorms and tremors.
* The films in the ''Film/{{Pusher}}'' trilogy start in light settings, usually in the morning, when the protagonist still has a relatively bright life to live. They then end in the dead of night, with the climax of the filmversion of ''Film/HighFidelity,'' he falls apart, and the weather matches his breakdown usually in a place with heavy rain little lighting and thunder.
* The lights in the Facebook office in ''Film/TheSocialNetwork'' began to go outdeep shadows, when Mark [[spoiler: found out about Sean's arrest.]]everything has gone to hell.
%%* Popular in the {{Western}} genre, particularly ''Film/TheProposition''.
* When
* The films in the ''Film/{{Pusher}}'' trilogy start in light settings, usually in the morning, when the protagonist still has a relatively bright life to live. They then end in the dead of night, with the climax of the film
* The lights in the Facebook office in ''Film/TheSocialNetwork'' began to go out
Changed line(s) 109,113 (click to see context) from:
* ''Film/MrAndMrsSmith2005''. We're shown in a flashback how the protagonists first fell in love. [[DramaticThunder Thunder sounds]] when things start heating up between the protagonists during their MatingDance.
* The films in the ''Film/{{Pusher}}'' trilogy start in light settings, usually in the morning, when the protagonist still has a relatively bright life to live. They then end in the dead of night, with the climax of the film usually in a place with little lighting and deep shadows, when everything has gone to hell.
* In ''Film/PacificRim'', the weather is grey and nasty through the entire film and gets worse as things look worse for mankind, but once the good guys score a decisive victory, the next time we get a look up, the sky is blue.
* In ''Film/HeartAndSouls'', it immediately starts to rain on Julia and Thomas [[spoiler: when she discovers her long-lost fiancé John died years before her arrival.]]
* Inverted with ''Film/DoctorZhivago''. All the scenes of war and despair are shot in beautiful light and scenery (for example, [[spoiler: the scene where they shoot soldiers who turn out to be teenage students at a military school]]) while the love scenes are shot in really depressing settings.
* The films in the ''Film/{{Pusher}}'' trilogy start in light settings, usually in the morning, when the protagonist still has a relatively bright life to live. They then end in the dead of night, with the climax of the film usually in a place with little lighting and deep shadows, when everything has gone to hell.
* In ''Film/PacificRim'', the weather is grey and nasty through the entire film and gets worse as things look worse for mankind, but once the good guys score a decisive victory, the next time we get a look up, the sky is blue.
* In ''Film/HeartAndSouls'', it immediately starts to rain on Julia and Thomas [[spoiler: when she discovers her long-lost fiancé John died years before her arrival.]]
* Inverted with ''Film/DoctorZhivago''. All the scenes of war and despair are shot in beautiful light and scenery (for example, [[spoiler: the scene where they shoot soldiers who turn out to be teenage students at a military school]]) while the love scenes are shot in really depressing settings.
to:
* ''Film/MrAndMrsSmith2005''. We're shown in a flashback how In ''Film/{{Shane}}'', during the protagonists first fell in love. [[DramaticThunder Thunder sounds]] when things start heating up confrontation between the protagonists during their MatingDance.
Shane and Star is a perfect example of this trope -- and all done without any special effects.
* Thefilms lights in the ''Film/{{Pusher}}'' trilogy start Facebook office in light settings, usually in the morning, ''Film/TheSocialNetwork'' began to go out when the protagonist still has a relatively bright life to live. They then end in the dead of night, with the climax of the film usually in a place with little lighting and deep shadows, when everything has gone to hell.
* In ''Film/PacificRim'', the weather is grey and nasty through the entire film and gets worse as things look worse for mankind, but once the good guys score a decisive victory, the next time we get a look up, the sky is blue.
* In ''Film/HeartAndSouls'', it immediately starts to rain on Julia and ThomasMark [[spoiler: when she discovers her long-lost fiancé John died years before her arrival.found out about Sean's arrest.]]
*Inverted with ''Film/DoctorZhivago''. All ''Film/SomeCameRunning'': When Dave takes Gwen into a passionate embrace in a cabin, the scenes of war and despair are shot in beautiful light and scenery (for example, [[spoiler: the scene where they shoot soldiers who turn out to be teenage students lighting goes dark for no reason at a military school]]) while the love scenes are shot in really depressing settings.all.
* The
* In ''Film/PacificRim'', the weather is grey and nasty through the entire film and gets worse as things look worse for mankind, but once the good guys score a decisive victory, the next time we get a look up, the sky is blue.
* In ''Film/HeartAndSouls'', it immediately starts to rain on Julia and Thomas
*
Deleted line(s) 115,119 (click to see context) :
* When the bandits start going ''too'' far in ''Film/{{Purgatory}}'', there are rainstorms and tremors.
* ''Film/AprilShowers'': When [[spoiler:Sean finds out April died in the school shooting]], the next scene shows that it has started raining.
* ''Film/BodyHeat'': The film takes place during an especially hot Florida summer, setting the perfect scenery for a plot centered around sexual desire for a woman leading a man to his doom.
* Throughout ''Film/TheOthers2001'', the weather is gray, cloudy and incredibly foggy. At the conclusion, it's bright and sunny. [[spoiler: While this is mostly because we're now seeing things from the living person's point of view (the foggy weather represented the land of the dead), it's also possible that it represents the ghostly characters' acceptance of their situation.]]
* ''Film/LongWeekend'': As Peter and Marcia's efforts to salvage their marriage implode (leading them to take out their frustrations on nearby flora and fauna), their environmental surroundings become more hostile and inhospitable as well.
* ''Film/AprilShowers'': When [[spoiler:Sean finds out April died in the school shooting]], the next scene shows that it has started raining.
* ''Film/BodyHeat'': The film takes place during an especially hot Florida summer, setting the perfect scenery for a plot centered around sexual desire for a woman leading a man to his doom.
* Throughout ''Film/TheOthers2001'', the weather is gray, cloudy and incredibly foggy. At the conclusion, it's bright and sunny. [[spoiler: While this is mostly because we're now seeing things from the living person's point of view (the foggy weather represented the land of the dead), it's also possible that it represents the ghostly characters' acceptance of their situation.]]
* ''Film/LongWeekend'': As Peter and Marcia's efforts to salvage their marriage implode (leading them to take out their frustrations on nearby flora and fauna), their environmental surroundings become more hostile and inhospitable as well.
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* In the Creator/NicholasSparks film ''Film/TheChoice'', the heroine awakens from a coma the morning after a hurricane strikes, her recovery coinciding with the storm abating and the sun coming out.
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* In ''Film/{{Vertigo}}'':
** As Pop Liebel tells theCreator/NicholasSparks film ''Film/TheChoice'', story of Carlotta at the heroine awakens from a coma Argosy Book Shop, it gets noticeably darker both inside and outside the morning store.
** When Judy leaves the bathroom aftera hurricane strikes, getting her recovery coinciding with hair done in Madeleine's style, there is an intense fog around her as though Madeleine has "come back from the storm abating dead." Which she technically ''has''.
** When Scottie and Madeleine kiss for thesun coming out.first time on a beach, a huge wave hits the shore at the exact same moment underlining the culmination of their feelings.
** As Pop Liebel tells the
** When Judy leaves the bathroom after
** When Scottie and Madeleine kiss for the
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* Sand from Bruno's room has a weird habit of winding up all over the house in ''Fanfic/ThroughTheCrackInTheWall'', this being a clue that he never actually left.
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* In ''WesternAnimation/{{Sing}}'', the Moon Theatre's signature prop in its prime was a full moon but by the time Buster purchased the theatre, it was changed to a crescent moon, which was handily kicked down, misused and destroyed over the course of the movie. While Buster was able to repair it, Meena's performance caused the prop to give way again ... only to be replaced by a ''real'' full moon overlooking the stage. Meena's performance is what ultimately saved the theatre from being sold out. It is as if nature itself has given consent for the Moon Theatre to flourish once again.
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* Played with in ''Fanfic/APosseAdEsse'; rather than the whole environment, Dolly's superpower involves only the air or ground in a select radius around her changing to fit her mood. Played conventionally straight in Chapter 8 when Kroko is alone, when the sky is beset by rainclouds just minutes after he had an aquaphobic scare.
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* Played with in ''Fanfic/APosseAdEsse'; ''Fanfic/APosseAdEsse''; rather than the whole environment, Dolly's superpower involves only the air or ground in a select radius around her changing to fit her mood. Played conventionally straight in Chapter 8 when Kroko is alone, when the sky is beset by rainclouds just minutes after he had an aquaphobic scare.
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* Throughout ''Film/TheOthers'', the weather is gray, cloudy and incredibly foggy. At the conclusion, it's bright and sunny. [[spoiler: While this is mostly because we're now seeing things from the living persons point of view (the foggy weather represented the land of the dead), it's also possible that it represents the ghostly characters acceptance of their situation]]
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* Throughout ''Film/TheOthers'', ''Film/TheOthers2001'', the weather is gray, cloudy and incredibly foggy. At the conclusion, it's bright and sunny. [[spoiler: While this is mostly because we're now seeing things from the living persons person's point of view (the foggy weather represented the land of the dead), it's also possible that it represents the ghostly characters characters' acceptance of their situation]]situation.]]
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* In ''VideoGame/CrashTagTeamRacing'', during Tyrannosaurus Wrecks, there is an activated glacier at the snow part of T Wrecks.
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* In an episode of 2009 series of ''{{WesternAnimation/StrawberryShortcake}}'', The Berry Best Vacation features the summer-themes, but at the final scene when Mavis wave goodbye, the girls starts cheers happily and it starting rain at the sunset.
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* ''Webcomic/TheInexplicableAdventuresOfBob:'' Galatea experiences her [[VillainousBreakdown lowest emotional point]] and [[PowerOfLove eventual redemption]] while caught outside [[http://bobadventures.comicgenesis.com/d/20080902.html in the rain at night.]]
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* ''Webcomic/TheInexplicableAdventuresOfBob:'' Galatea experiences her [[VillainousBreakdown lowest emotional point]] and [[PowerOfLove eventual redemption]] while caught outside [[http://bobadventures.comicgenesis.com/d/20080902.html [[https://bobadventures.thecomicseries.com/comics/280 in the rain at night.]]
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** Lampshaded by Marv the Pumpkinhead when he says "And here comes the rain, right on cue."
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** Lampshaded by Marv the Merv Pumpkinhead when he says "And here comes the rain, right on cue."
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* In ''VideoGame/NoMoreHeroesIII'', this is used as foreshadowing, when Santa Destroy becomes completely covered with fog prior to the tragic title defense battle against [[spoiler:Henry]].
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* In the Creator/NicholasSparks film ''Film/TheChoice'', the heroine awakens froFim a coma the morning after a hurricane strikes, her recovery coinciding with the storm abating and the sun coming out.
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* In the Creator/NicholasSparks film ''Film/TheChoice'', the heroine awakens froFim from a coma the morning after a hurricane strikes, her recovery coinciding with the storm abating and the sun coming out.