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[[AC:{{Film}}]]
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[[folder: Film ]]
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[[AC:{{Music}}]]
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[[folder: Music ]]
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* The opening chorus of Music/JohannSebastianBach's ''Christmas Oratorio'', "Jauchzet, frohlocket, auf, preiset die Tage",[[note]] "Shout for joy, rejoice, rise up, praise these days"[[/note]] begins with an emphatic passage for solo timpani, occasionally punctuated by the ''basso continuo'' instruments. (The chorus was originally written as the opening chorus of the secular cantata ''Tönet, ihr Pauken! Erschallet, Trompeten!'', or "Resound, ye drums! Ring out, ye trumpets!" - so the drums, and shortly thereafter the trumpets, do as they are told.)
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* The opening chorus of Music/JohannSebastianBach's ''Christmas Oratorio'', "Jauchzet, frohlocket, auf, preiset die Tage",[[note]] "Shout for joy, rejoice, rise up, praise these days"[[/note]] begins with an emphatic passage for solo timpani, occasionally punctuated by the ''basso continuo'' instruments. (The chorus was originally written as the opening chorus of the secular cantata ''Tönet, ihr Pauken! Erschallet, Trompeten!'', or "Resound, ye drums! Ring out, ye trumpets!" - so the drums, and shortly thereafter the trumpets, do as they are told.)
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* Featured in the "Baccanele" from Saint-Saëns' ''Samson and Delilah''.
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* Featured in the "Baccanele" from Saint-Saëns' ''Samson and Delilah''.
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[[AC:Radio]]
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[[folder: Radio ]]
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[[AC:RealLife]]
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[[folder: Real Life ]]
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[[folder: Theatre ]]
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[[AC:VideoGames]]
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[[folder: Video Games ]]
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* ''[[VideoGame/PokemonDiamondAndPearl Pokémon Diamond/Pearl/Platinum]]'': [[http://www.youtube.com/watch?v=q6z_1cCvVjA The battle theme of Arceus]] is composed mostly out of Timpani and snare sounds, with trumpets and base backing up at certain parts. The song itself, though, is a MissingSecret due to the fact that it only plays when you battle a wild Arceus, for which the item required to do encounter one was never distributed during the games' lifetime. The song itself, however, can still be heard in ''[[VideoGame/PokemonGoldAndSilver Pokémon HeartGold/SoulSilver]]'' via a event Arceus that really was distributed, but in those games, it invokes LongSongShortScene.
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* ''[[VideoGame/PokemonDiamondAndPearl Pokémon Diamond/Pearl/Platinum]]'': [[http://www.youtube.com/watch?v=q6z_1cCvVjA The battle theme of Arceus]] is composed mostly out of Timpani and snare sounds, with trumpets and base backing up at certain parts. The song itself, though, is a MissingSecret due to the fact that it only plays when you battle a wild Arceus, for which the item required to do encounter one was never distributed during the games' lifetime. The song itself, however, can still be heard in ''[[VideoGame/PokemonGoldAndSilver Pokémon HeartGold/SoulSilver]]'' via a event Arceus that really was distributed, but in those games, it invokes LongSongShortScene.
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[[/folder]]
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* ''AmericanTop40'': Used before Casey Kasem announced the No. 1 song of the week.
* ''AmericanCountryCountdown'': To a lesser extent than sister program ''[=AT40=]'', as host Bob Kingsley would use it only on the year-end countdown programs before naming the No. 1 country song of the year. Kingsley has carried the timpani roll over to year-end ''BobKingsleysCountryTop40'' programs.
* ''AmericanCountryCountdown'': To a lesser extent than sister program ''[=AT40=]'', as host Bob Kingsley would use it only on the year-end countdown programs before naming the No. 1 country song of the year. Kingsley has carried the timpani roll over to year-end ''BobKingsleysCountryTop40'' programs.
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* ''AmericanTop40'': ''Radio/AmericanTop40'': Used before Casey Kasem announced the No. 1 song of the week.
*''AmericanCountryCountdown'': ''Radio/AmericanCountryCountdown'': To a lesser extent than sister program ''[=AT40=]'', as host Bob Kingsley would use it only on the year-end countdown programs before naming the No. 1 country song of the year. Kingsley has carried the timpani roll over to year-end ''BobKingsleysCountryTop40'' ''Radio/BobKingsleysCountryTop40'' programs.
*
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* Most notably during the FinalBoss battle with the BigBad, [[spoiler: [[http://starmen.net/mother3/music/Mother%203%20-%20242%20Master%20Porky%27s%20Theme.ogg Master Porky's Theme]]]], ''VideoGame/{{MOTHER 3}}'' makes the timpani the accompanying background instrument, making his theme all the more bombastic.
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* Most notably ''VideoGame/{{MOTHER 3}}'': present during the FinalBoss battle with the BigBad, [[spoiler: [[http://starmen.net/mother3/music/Mother%203%20-%20242%20Master%20Porky%27s%20Theme.ogg Master Porky's Theme]]]], ''VideoGame/{{MOTHER 3}}'' makes the timpani the accompanying background instrument, making his theme all the more bombastic.Theme]]]]
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* ''VideoGame/PaperMarioColorSplash'': Present whenever Fan (or a replica) is used.
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* In Benjamin Britten's "Young Person's Guide to the Orchestra," the timpani get to lead the percussion section in their variation on Henry Purcell's theme after each of the wind, string and brass instruments have had their turn.
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* In the first movement of Music/LudwigVanBeethoven's Symphony No. 9, when the main subject returns after the development, it comes as a massive storm in the orchestra, with the timpani in particular hammering away long after the point when you think they could have stopped. The musicologist Susan [=McClary=] famously described this passage as having "the throttling murderous rage of a rapist incapable of attaining release", although she toned it down when she published the same paper in her book ''Feminine Endings'', by which time she'd received a shit-storm of criticism from people who were under the impression that she was comparing Beethoven to a rapist.
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* In the first movement of Music/LudwigVanBeethoven's Symphony No. 9, when the main subject returns after the development, it comes as a massive storm in the orchestra, with the timpani in particular hammering away long after the point when you think they could have stopped. The musicologist Susan [=McClary=] famously described this passage as having "the throttling murderous rage of a rapist incapable of attaining release", although she toned it down when she published the same paper in her book ''Feminine Endings'', by which time she'd received a shit-storm of criticism abuse from people who were under the impression that she was comparing Beethoven to a rapist.
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* In the first movement of Music/LudwigVanBeethoven's Symphony No. 9, when the main subject returns after the development, it comes as a massive storm in the orchestra, with the timpani in particular hammering away long after the point when you think they could have stopped. The musicologist Susan McClary famously described this passage as having "the throttling murderous rage of a rapist incapable of attaining release", although she toned it down when she published the same paper in her book ''Feminine Endings'', by which time she'd received a shit-storm of criticism from people who were under the impression that she was comparing Beethoven to a rapist.
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* In the first movement of Music/LudwigVanBeethoven's Symphony No. 9, when the main subject returns after the development, it comes as a massive storm in the orchestra, with the timpani in particular hammering away long after the point when you think they could have stopped. The musicologist Susan McClary [=McClary=] famously described this passage as having "the throttling murderous rage of a rapist incapable of attaining release", although she toned it down when she published the same paper in her book ''Feminine Endings'', by which time she'd received a shit-storm of criticism from people who were under the impression that she was comparing Beethoven to a rapist.
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** In the Scherzo of Music/LudwigVanBeethoven's Symphony No. 9, the timpani are tuned an octave apart from each other (an unconventional tuning, but also used in the finale of Symphony No. 8). The Scherzo's main theme begins with a descending octave, which the timpanist gets to play loud and unaccompanied several times.
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** In the Scherzo of Music/LudwigVanBeethoven's Symphony No. 9, the same symphony, the timpani are tuned an octave apart from each other (an unconventional tuning, but also used in the finale of Symphony No. 8). The Scherzo's main theme begins with a descending octave, which the timpanist gets to play loud and unaccompanied several times.
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* In the Scherzo of Music/LudwigVanBeethoven's Symphony No. 9, the timpani are tuned an octave apart from each other (an unconventional tuning, but also used in the finale of Symphony No. 8). The Scherzo's main theme begins with a descending octave, which the timpanist gets to play loud and unaccompanied several times.
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* In the first movement of Music/LudwigVanBeethoven's Symphony No. 9, when the main subject returns after the development, it comes as a massive storm in the orchestra, with the timpani in particular hammering away long after the point when you think they could have stopped. The musicologist Susan McClary famously described this passage as having "the throttling murderous rage of a rapist incapable of attaining release", although she toned it down when she published the same paper in her book ''Feminine Endings'', by which time she'd received a shit-storm of criticism from people who were under the impression that she was comparing Beethoven to a rapist.
** In the Scherzo of Music/LudwigVanBeethoven's Symphony No. 9, the timpani are tuned an octave apart from each other (an unconventional tuning, but also used in the finale of Symphony No. 8). The Scherzo's main theme begins with a descending octave, which the timpanist gets to play loud and unaccompanied several times.
** In the Scherzo of Music/LudwigVanBeethoven's Symphony No. 9, the timpani are tuned an octave apart from each other (an unconventional tuning, but also used in the finale of Symphony No. 8). The Scherzo's main theme begins with a descending octave, which the timpanist gets to play loud and unaccompanied several times.
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* AFunnyThingHappenedOnTheWayToTheForum: Miles Gloriosus enters the scene to dramatic timpani flourishes; in most showings, his entourage reflects this by having several drummers.
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* AFunnyThingHappenedOnTheWayToTheForum: ''Theatre/AFunnyThingHappenedOnTheWayToTheForum'': Miles Gloriosus enters the scene to dramatic timpani flourishes; in most showings, his entourage reflects this by having several drummers.
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* Featured in the "Baccanele" from Saint-Saëns' ''Samson and Delilah''.
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* [[http://youtu.be/IizWc4cJwbw Bugler's Dream]], the most famous theme of the OlympicGames.
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* [[http://youtu.be/IizWc4cJwbw Bugler's Dream]], the most famous theme of the OlympicGames.
UsefulNotes/OlympicGames.
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* ''VideoGame/PokemonBlackAndWhite'': The battle between Reshiram and Zekrom has music that heavily features timpani.
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* ''VideoGame/PokemonBlackAndWhite'': ''VideoGame/PokemonBlackAndWhite'':
** The battle between Reshiram and Zekrom has music that heavily features timpani.
** The battle between Reshiram and Zekrom has music that heavily features timpani.
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*** Same holds true for Pokemon Black 2 and White 2
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**Also, the battle against Ghetsis.
***Same holds true for Pokemon Black 2 and White 2
***Same holds true for Pokemon Black 2 and White 2
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* ''VideoGame/PokemonBlackAndWhite'': The battle between Reshiram and Zekrom has music that heavily features timpani.
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* Parodied in Film/WaitingForGuffman: the overture from [[ShowWithinAShow "Red White And Blaine"]] features a dramatic timpani... but the dude who's playing it is also hitting an absurdly high trumpet note at the same time.
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* [[http://www.youtube.com/watch?v=Zfd9krEsr-k Liberi Fatali]], the opening theme of ''VideoGame/FinalFantasyVIII''.
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* In Music/PeterAndTheWolf, when the hunters enter, there are intermittent menacing timpani outbursts.
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* In Music/PeterAndTheWolf, when the hunters enter, there are intermittent menacing timpani outbursts.outbursts, representing their gunfire.
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* The first bar of Music/GeorgeGershwin's "Concerto in F" is a three-timpani flourish that forms half of the percussive ostinato of the opening section and becomes a recurring motif thereafter.
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*** Bongo drums on the daytime show; timpani on the 1974-75 syndicated nighttime edition.
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*** That was bongo drums, not a timpani.
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*** That was bongo drums, not a timpani.Bongo drums on the daytime show; timpani on the 1974-75 syndicated nighttime edition.
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*** That was bongo drums, not a timpani.
* Used after the opening of ''{{Concentration}}'', and before contestant introductions.
* Used after the opening of ''{{Concentration}}'', and before contestant introductions.
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* Music/GustavMahler was well-known for writing spectacular timpani flourishes into his symphonies; his Symphonies Nos. 1, 5 and 6 all provide dramatic timpani at one climactic moment. The finale of Symphony No. 7 begins with a bravura flourish played on four timpani. A minimalistic but attention-getting timpani volley opens the third movement of Symphony No. 2.
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* Music/GustavMahler was well-known for writing spectacular timpani flourishes into his symphonies; his Symphonies Nos. 1, 5 and 6 all provide dramatic timpani at one climactic moment.moments. The finale of Symphony No. 3 has the final cadence underlined by two timpanists pounding out "not with brute force--full, noble tones." The finale of Symphony No. 7 begins with a bravura flourish played on four timpani. A minimalistic but attention-getting timpani volley opens the third movement of Symphony No. 2.
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* The "Tuba mirum" in Creator/HectorBerlioz's Grande Messe des morts (the French title for the Requiem mass) and BenjaminBritten's War Requiem has loud fanfares accompanied by overpowering drum rolls. "Be slowly lifted up" in the War Requiem is accompanied by timpani volleys played on three drums.
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* The "Tuba mirum" in Creator/HectorBerlioz's Music/HectorBerlioz's Grande Messe des morts (the French title for the Requiem mass) and BenjaminBritten's War Requiem Music/BenjaminBritten's "War Requiem" has loud fanfares accompanied by overpowering drum rolls. "Be slowly lifted up" in the War Requiem is accompanied by timpani volleys played on three drums.
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* In Creator/EdwardElgar's Enigma Variations, Variation VII (Troyte) begins with a dramatic timpani crescendo played on three drums.
* The opening chorus of Creator/JohannSebastianBach's ''Christmas Oratorio'', "Jauchzet, frohlocket, auf, preiset die Tage",[[note]] "Shout for joy, rejoice, rise up, praise these days"[[/note]] begins with an emphatic passage for solo timpani, occasionally punctuated by the ''basso continuo'' instruments. (The chorus was originally written as the opening chorus of the secular cantata ''Tönet, ihr Pauken! Erschallet, Trompeten!'', or "Resound, ye drums! Ring out, ye trumpets!" - so the drums, and shortly thereafter the trumpets, do as they are told.)
* In Creator/AaronCopland's Symphony for Organ and Orchestra, the timpani pounding out the work's motto theme in the final movement would be more impressive were they not overshadowed by the organ playing at full power.
* The opening chorus of Creator/JohannSebastianBach's ''Christmas Oratorio'', "Jauchzet, frohlocket, auf, preiset die Tage",[[note]] "Shout for joy, rejoice, rise up, praise these days"[[/note]] begins with an emphatic passage for solo timpani, occasionally punctuated by the ''basso continuo'' instruments. (The chorus was originally written as the opening chorus of the secular cantata ''Tönet, ihr Pauken! Erschallet, Trompeten!'', or "Resound, ye drums! Ring out, ye trumpets!" - so the drums, and shortly thereafter the trumpets, do as they are told.)
* In Creator/AaronCopland's Symphony for Organ and Orchestra, the timpani pounding out the work's motto theme in the final movement would be more impressive were they not overshadowed by the organ playing at full power.
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* In Creator/EdwardElgar's Music/EdwardElgar's Enigma Variations, Variation VII (Troyte) begins with a dramatic timpani crescendo played on three drums.
* The opening chorus ofCreator/JohannSebastianBach's Music/JohannSebastianBach's ''Christmas Oratorio'', "Jauchzet, frohlocket, auf, preiset die Tage",[[note]] "Shout for joy, rejoice, rise up, praise these days"[[/note]] begins with an emphatic passage for solo timpani, occasionally punctuated by the ''basso continuo'' instruments. (The chorus was originally written as the opening chorus of the secular cantata ''Tönet, ihr Pauken! Erschallet, Trompeten!'', or "Resound, ye drums! Ring out, ye trumpets!" - so the drums, and shortly thereafter the trumpets, do as they are told.)
* InCreator/AaronCopland's Music/AaronCopland's Symphony for Organ and Orchestra, the timpani pounding out the work's motto theme in the final movement would be more impressive were they not overshadowed by the organ playing at full power.
* The opening chorus of
* In
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* In the Scherzo of Creator/LudwigVanBeethoven's Symphony No. 9, the timpani are tuned an octave apart from each other (an unconventional tuning, but also used in the finale of Symphony No. 8). The Scherzo's main theme begins with a descending octave, which the timpanist gets to play loud and unaccompanied several times.
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* In the Scherzo of Creator/LudwigVanBeethoven's Music/LudwigVanBeethoven's Symphony No. 9, the timpani are tuned an octave apart from each other (an unconventional tuning, but also used in the finale of Symphony No. 8). The Scherzo's main theme begins with a descending octave, which the timpanist gets to play loud and unaccompanied several times.
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** In his ballet "Billy The Kid," the timpani are used to depict the sounds of a gun battle.
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* Played with in ''FinalFantasyVI'': The battle in the opera house against Ultros features a dramatic timpani...because the music is being provided by the orchestra.
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* Played with in ''FinalFantasyVI'': ''VideoGame/FinalFantasyVI'': The battle in the opera house against Ultros features a dramatic timpani...because the music is being provided by the orchestra.
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* The opening drum roll in "Opus 17 (Don't You Worry 'Bout Me)" by Music/FrankieValliAndTheFourSeasons.
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* ''[[VideoGame/PokemonDiamondAndPearl Pokémon Diamond/Pearl/Platinum]]'': [[http://www.youtube.com/watch?v=q6z_1cCvVjA The battle theme of Arceus]] is composed mostly out of Timpani and snare sounds, with trumpets and base backing up at certain parts. The song itself, though, is a MissingSecret due to the fact that it only plays when you battle a wild Arceus, for which the item required to do encounter one was never distributed during the games' lifetime. The song itself, however, can still be heard in ''[[VideoGame/PokemonGoldAndSilver Pokemon HeartGold/SoulSilver]]'' via a event Arceus that really was distributed, but in those games, it invokes LongSongShortScene.
* All the battle themes in VideoGame/PokemonRubyAndSapphire (and, by extension, almost all the battle themes in Emerald) have a timpani accompanying the melody of the respective songs.
* All the battle themes in VideoGame/PokemonRubyAndSapphire (and, by extension, almost all the battle themes in Emerald) have a timpani accompanying the melody of the respective songs.
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* ''[[VideoGame/PokemonDiamondAndPearl Pokémon Diamond/Pearl/Platinum]]'': [[http://www.youtube.com/watch?v=q6z_1cCvVjA The battle theme of Arceus]] is composed mostly out of Timpani and snare sounds, with trumpets and base backing up at certain parts. The song itself, though, is a MissingSecret due to the fact that it only plays when you battle a wild Arceus, for which the item required to do encounter one was never distributed during the games' lifetime. The song itself, however, can still be heard in ''[[VideoGame/PokemonGoldAndSilver Pokemon Pokémon HeartGold/SoulSilver]]'' via a event Arceus that really was distributed, but in those games, it invokes LongSongShortScene.
* All the battle themes inVideoGame/PokemonRubyAndSapphire ''VideoGame/PokemonRubyAndSapphire'' (and, by extension, almost all the battle themes in Emerald) have a timpani accompanying the melody of the respective songs.
* All the battle themes in
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* ''[[VideoGame/PokemonDiamondAndPearl Pokémon Diamond/Pearl/Platinum]]'': [[http://www.youtube.com/watch?v=q6z_1cCvVjA Vs. Arceus]].
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* ''[[VideoGame/PokemonDiamondAndPearl Pokémon Diamond/Pearl/Platinum]]'': [[http://www.youtube.com/watch?v=q6z_1cCvVjA Vs. Arceus]].The battle theme of Arceus]] is composed mostly out of Timpani and snare sounds, with trumpets and base backing up at certain parts. The song itself, though, is a MissingSecret due to the fact that it only plays when you battle a wild Arceus, for which the item required to do encounter one was never distributed during the games' lifetime. The song itself, however, can still be heard in ''[[VideoGame/PokemonGoldAndSilver Pokemon HeartGold/SoulSilver]]'' via a event Arceus that really was distributed, but in those games, it invokes LongSongShortScene.
* All the battle themes in VideoGame/PokemonRubyAndSapphire (and, by extension, almost all the battle themes in Emerald) have a timpani accompanying the melody of the respective songs.
* All the battle themes in VideoGame/PokemonRubyAndSapphire (and, by extension, almost all the battle themes in Emerald) have a timpani accompanying the melody of the respective songs.
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* Accompanies the one-up fanfare in ''VideoGame/SonicTheHedgehog''.
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no aversions, please, or we\'d be here all day
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* "One Foot, Other Foot" from ''Allegro'' averts what would otherwise be a classic example only because the orchestration doesn't include a timpani part.
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