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* ''Bloodstained'': Koji Igarashi created the series as a successor to ''Franchise/{{Castlevania}}'' following his departure from Creator/{{Konami}} in response to their lack of interest in continuing the franchise. ''VideoGame/BloodstainedCurseOfTheMoon'' harkens back to the early "Classicvania" games that feature level-to-level, linear platforming, while ''VideoGame/BloodstainedRitualOfTheNight'' takes after the {{Metroidvania}} games that focus on non-linear exploration.

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* ''Bloodstained'': Koji Igarashi created the series as a successor to ''Franchise/{{Castlevania}}'' following his departure from Creator/{{Konami}} in response to their lack of interest in continuing the franchise. ''VideoGame/BloodstainedCurseOfTheMoon'' harkens back to the early "Classicvania" games that feature level-to-level, linear platforming, while ''VideoGame/BloodstainedRitualOfTheNight'' takes after the later {{Metroidvania}} games that focus on non-linear exploration.
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* ''Film/TaxiDriver'' (1976), ''Film/AmericanGigolo'' (1980) and ''Film/LightSleeper'' (1976). All written by Paul Schrader, all directed by him save for Taxi Driver, and all about turmoiled men navigating a sleazy urban setting in which they carve out a living, mostly a night(as a taxi driver, a male escort and a high-end drug dealer respectively). The three are considered a spritual trilogy of neo-noir classics(sometimes called the "God's Lonely Man" or "Lonely Man In A Room" trilogy) with their protagonists in different phases of life(20s, 30s, 40s) and numerous shared themes, tropes, actions and plot points.

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* ''Film/TaxiDriver'' (1976), ''Film/AmericanGigolo'' (1980) and ''Film/LightSleeper'' (1976).(1992). All written by Paul Schrader, all directed by him save for Taxi Driver, and all about turmoiled men navigating a sleazy urban setting in which they carve out a living, mostly a night(as a taxi driver, a male escort and a high-end drug dealer respectively). The three are considered a spritual trilogy of neo-noir classics(sometimes called the "God's Lonely Man" or "Lonely Man In A Room" trilogy) with their protagonists in different phases of life(20s, 30s, 40s) and numerous shared themes, tropes, actions and plot points.
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** For further irony, the "reboot", ''VideoGame/DMCDevilMayCry'', has combat and controls that owe more to developer Creator/{{Ninja Theory}}'s prior game: ''VideoGame/HeavenlySword''. Rather than earlier ''Devil May Cry'' titles. To the point that many fans jokingly called [=DmC=], ''Heavenly Sword 2''.

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** For further irony, the "reboot", ''VideoGame/DMCDevilMayCry'', has combat and controls that owe more to developer Creator/{{Ninja Theory}}'s prior game: ''VideoGame/HeavenlySword''. Rather than game ''VideoGame/HeavenlySword'' instead of earlier ''Devil May Cry'' titles. To the point that many fans jokingly called [=DmC=], ''Heavenly Sword 2''.
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** Ironically, after ''Dark Souls'' achieved critical acclaim, decent sales, and a large amount of influence on the video game industry, Sony approached From and Miyazaki with an offer to make a game together again, but rather than produce a sequel to ''Demon's Souls'', they chose to make yet another Creator-Driven Successor, ''VideoGame/{{Bloodborne}}''.

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** Ironically, after ''Dark Souls'' achieved critical acclaim, decent sales, and a large amount of influence on the video game industry, Sony approached From and Miyazaki with an offer to make a game together again, but rather than produce a sequel to ''Demon's Souls'', they chose to make yet another Creator-Driven Successor, one of these, ''VideoGame/{{Bloodborne}}''.
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** ''VideoGame/DarkSouls''. Director Hidetaka Miyazaki and his team at Creator/FromSoftware wanted to create a follow up to their CultClassic ''VideoGame/DemonsSouls'', but publisher {{Creator/Sony|InteractiveEntertainment}} felt that its sales were too low to greenlight a sequel. Thus, he went over to Creator/BandaiNamco and created his successor under a slightly different name.

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** ''VideoGame/DarkSouls''. Director Hidetaka Miyazaki and his team at Creator/FromSoftware wanted to create a follow up to their CultClassic ''VideoGame/DemonsSouls'', but publisher {{Creator/Sony|InteractiveEntertainment}} felt refused to greenlight a sequel, feeling that its sales were too low to greenlight a sequel. low. Thus, he they went over to Creator/BandaiNamco and created his a successor under a slightly different name.
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** ''VideoGame/PerfectDark'', in terms of game mechanics, is a successor/sequel to ''VideoGame/Goldeneye1997'', but without the James Bond license, which developer Creator/{{Rare}} didn't renew due to being outbid by Creator/ElectronicArts, and because they wanted to pursue different creative ideas such as a female protagonist and a science-fiction setting.

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** ''VideoGame/PerfectDark'', in terms of game mechanics, is a successor/sequel to ''VideoGame/Goldeneye1997'', but without the James Bond license, which developer Creator/{{Rare}} didn't renew due to being outbid by Creator/ElectronicArts, and because they wanted to pursue different creative ideas such as a female protagonist and a science-fiction setting.
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* ''Film/LevyAndGoliath'' is another Creator/GerardOury film about [[UsefulNotes/{{Judaism}} Jewish people/culture]] and a protagonist who finds himself chased by antagonists following a random encounter that happened to him, after ''Film/TheMadAdventuresOfRabbiJacob'' and ''Film/AceOfAces''. In fact, it's a reverse of ''Rabbi Jacob'', in that a religious Jewish man has to disguise as a gentile/non-religious person to escape the villains instead of the other way. And Music/VladimirCosma composed the soundtrack once again.
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* ''Film/HorizonAnAmericanSaga'' is a new [[TheWestern Western]] set during (or immediately after) UsefulNotes/TheAmericanCivilWar directed by and starring Creator/KevinCostner after ''Film/DancesWithWolves'' and ''Film/OpenRange''.
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* ''Film/WhereHandsTouch'': This is now the third film from director Amma Asante to focus on a historical interracial love story (though this one is fictional, unlike the ''Film/{{Belle}}'' and ''Film/AUnitedKingdom'').

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* ''Film/WhereHandsTouch'': This is now the third film from director Amma Asante to focus on a historical interracial love story (though this one is fictional, unlike the ''Film/{{Belle}}'' ''Film/Belle2013'' and ''Film/AUnitedKingdom'').
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** ''VideoGame/DarkSouls''. Director Hidetaka Miyazaki and his team at Creator/FromSoftware wanted to create a follow up to their CultClassic ''VideoGame/DemonsSouls'', but publisher Creator/SonyInteractiveEntertainment felt that its sales were too low to greenlight a sequel. Thus, he went over to Creator/BandaiNamco and created his successor under a slightly different name.

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** ''VideoGame/DarkSouls''. Director Hidetaka Miyazaki and his team at Creator/FromSoftware wanted to create a follow up to their CultClassic ''VideoGame/DemonsSouls'', but publisher Creator/SonyInteractiveEntertainment {{Creator/Sony|InteractiveEntertainment}} felt that its sales were too low to greenlight a sequel. Thus, he went over to Creator/BandaiNamco and created his successor under a slightly different name.

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* ''Music/AngusMcSix'' definitely continues the adventures of the lead singer's character Angus [=McFife=] from ''Music/{{Gloryhammer}}'', just without directly saying so using probably copyrighted names. Thus, we have Prince Angus coming back as Angus [[PunnyName McSix]], without stating that he used to be Angus [=McFife=]. He doesn't mention having owned the Hammer of Glory but sings "Glory left my hammer." And the background story says that, before encountering the new BigBad, he was expecting to fight his old enemy (without saying it was Zargothrax). Secondly, the tone of the new band is basically the same as Gloryhammer's, ie. gleefully outrageous parody of PowerMetal.

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* ''Music/AngusMcSix'' definitely continues the adventures of the lead singer's character Angus [=McFife=] from ''Music/{{Gloryhammer}}'', just without directly saying so using probably copyrighted names. Thus, we have Prince Angus coming back as Angus [[PunnyName McSix]], without stating that he used to be Angus [=McFife=]. He doesn't mention having owned the Hammer of Glory but sings "Glory left my hammer." And the background story says that, before encountering the new BigBad, he was expecting to fight his old enemy (without saying it was Zargothrax). Secondly, the tone of the new band is basically the same as Gloryhammer's, ie. i.e., a gleefully outrageous parody of PowerMetal.PowerMetal.
* Thomas Gabriel Fischer of ''Music/CelticFrost'' fame formed Triptykon, aiming to make its music as close to Monotheist-era Celtic Frost as humanly as possible. Celtic Frost itself was also a successor to Hellhammer.
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* Monsignor Creator/HughBenson made his name with his Catholic End-Times novel ''Literature/LordOfTheWorld'', which was so dystopian that it depressed a lot of readers. Eventually enough of them wrote to him about this that he placated them by writing another End-Times novel with a different interpretation—that Christianity will become more dominant the closer the world gets to ending, instead of less. This book is ''Literature/TheDawnOfAll'', which ends with [[spoiler:it being all just a dream, because the writer truly believed the premise went against what the Bible teaches]].

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* Monsignor Creator/HughBenson Creator/RobertHughBenson made his name with his Catholic End-Times novel ''Literature/LordOfTheWorld'', which was so dystopian that it depressed a lot of readers. Eventually Eventually, enough of them wrote to him about this that he placated them by writing another End-Times novel with a different interpretation—that Christianity will become more dominant the closer the world gets to ending, instead of less. This book is ''Literature/TheDawnOfAll'', which ends with [[spoiler:it being all just a dream, because the writer truly believed the premise went against what the Bible teaches]].
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* Creator/ShaneBlack has written, and sometimes directed, three broadly similar darkly comedic neo-noir films, about a little, depressed alcoholic and a kind-hearted big guy investigating the death of a beautiful woman in Los Angeles and ultimately uncovering a ''Film/{{Chinatown}}''-esque conspiracy: ''Film/LethalWeapon1987'', ''Film/KissKissBangBang'', ''Film/TheNiceGuys'', and that's not to mention the ''Film/LethalWeapon'' sequels.
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* The fundraising campaign for ''VideoGame/PennyBlood'' boasts that it's being headlined by Matsuzo Machida, one of the creative minds behind the ''VideoGame/ShadowHearts'' series. Similarly to that series, the game is a gothic RPG set in a LovecrafCountry AlternateHistory of real life. Its main character, a private detective investigating paranormal incidents in the wake of the first World War, shares ''Shadow Hearts'' protagonist Yuri's main trait of having a powerful EnemyWithin that he needs to fight back against the otherworldly horrors but threatens to consume him if not maintained.

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* The fundraising campaign for ''VideoGame/PennyBlood'' boasts that it's being headlined by Matsuzo Machida, one of the creative minds behind the ''VideoGame/ShadowHearts'' series. Similarly to that series, the game is a gothic RPG set in a LovecrafCountry LovecraftCountry AlternateHistory of real life. Its main character, a private detective investigating paranormal incidents in the wake of the first World War, shares ''Shadow Hearts'' protagonist Yuri's main trait of having a powerful EnemyWithin that he needs to fight back against the otherworldly horrors but threatens to consume him if not maintained.
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* The fundraising campaign for ''VideoGame/ArmedFantasia: To the End of the Wilderness'' boasts that it's being headlined by Akifumi Kaneko, one of the creative minds behind the ''VideoGame/WildArms'' series. Similarly to that series, the game is a CattlePunk RPG with vibrant, stylized characters. The campaign even refers to the main type of weapon as [=ARM=]s.


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* ''VideoGame/EiyudenChronicleHundredHeroes'' is an in-development role-playing game whose development team, Rabbit & Bear Studios, incluldes Yoshitaka Murayama, the lead writer for the original entries in the ''VideoGame/{{Suikoden}}'' series, and Junko Kawano, who worked on the first and fourth entries. Akin to ''Suikoden'', the game is set in a fantasy world besieged by war and political intrigue, and the player can recruit [[CastOfSnowflakes over a hundred unique characters]] to fight for their cause.


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* The fundraising campaign for ''VideoGame/PennyBlood'' boasts that it's being headlined by Matsuzo Machida, one of the creative minds behind the ''VideoGame/ShadowHearts'' series. Similarly to that series, the game is a gothic RPG set in a LovecrafCountry AlternateHistory of real life. Its main character, a private detective investigating paranormal incidents in the wake of the first World War, shares ''Shadow Hearts'' protagonist Yuri's main trait of having a powerful EnemyWithin that he needs to fight back against the otherworldly horrors but threatens to consume him if not maintained.
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* ''VideoGame/RatchetAndClank'' was Creator/InsomniacGames breaking away from the inherent limitations of ''Franchise/SpyroTheDragon'', particularly that he was a quadruped, meaning he couldn't pick anything up. Notably, [[VideoGame/Spyro2RiptosRage the second game]] had him spit and gave him various Powerups, while [[VideoGame/SpyroYearOfTheDragon the third game]] introduced four playable side-characters, all of whom were bipeds. Insomniac's first project after that? ''VideoGame/RatchetAndClank2002'', starring a biped whose main gimmick was holding weapons and gadgets that Spyro never could.

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* The movies Music/{{Eminem}} has been involved in are spiritually linked but have different characters and subject matter. ''Film/EightMile'' is based on his life, featuring a young white rapper struggling in Detroit's battle scene. ''Film/{{Southpaw}}'' is also based on Eminem's life, but as it was later, as a fading superstar struggling to overcome a prescription pill addiction, and changes the setting from music to boxing. ''Film/{{Bodied}}'' is another rap battle movie about a white rapper, but the protagonist has little in common with Eminem beyond race and is something of a DenserAndWackier version of ''8 Mile'', focusing on themes of freedom of censorship, CulturalCringe, and [[PrettyFlyForAWhiteGuy white involvement in Black culture]] that are themes of Eminem's best-loved music.

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* The movies Music/{{Eminem}} has been involved in are spiritually linked but have different characters and subject matter. ''Film/EightMile'' is based on his life, featuring a young white rapper struggling in Detroit's battle scene. ''Film/{{Southpaw}}'' is also based on Eminem's life, but as it was later, as a fading superstar struggling to overcome a prescription pill addiction, and changes the setting from music to boxing. ''Film/{{Bodied}}'' is another rap battle movie about a white rapper, but the protagonist has little in common with Eminem beyond race and is something of a DenserAndWackier version of ''8 Mile'', focusing focuses on themes of freedom of censorship, CulturalCringe, and speech, [[PrettyFlyForAWhiteGuy white involvement people in Black culture]] and regrets over [[JustJokingJustification going too far]] that are themes of parallel the cultural response to Eminem's best-loved music.music and the themes of his most admired work.
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* The movies Music/{{Eminem}} has been involved in are spiritually linked but have different characters and subject matter. ''Film/EightMile'' is based on his life, featuring a young white rapper struggling in Detroit's battle scene. ''Film/{{Southpaw}}'' is also based on Eminem's life, but as it was later, as a fading superstar struggling to overcome a prescription pill addiction, and changes the setting from music to boxing. ''Film/{{Bodied}}'' is another rap battle movie about a white rapper, but the protagonist has little in common with Eminem beyond race and is something of a DenserAndWackier version of ''8 Mile'', focusing on themes of freedom of obscene speech and [[PrettyFlyForAWhiteGuy cringey white appropriation of Black culture]] that are themes of his best-loved work.

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* The movies Music/{{Eminem}} has been involved in are spiritually linked but have different characters and subject matter. ''Film/EightMile'' is based on his life, featuring a young white rapper struggling in Detroit's battle scene. ''Film/{{Southpaw}}'' is also based on Eminem's life, but as it was later, as a fading superstar struggling to overcome a prescription pill addiction, and changes the setting from music to boxing. ''Film/{{Bodied}}'' is another rap battle movie about a white rapper, but the protagonist has little in common with Eminem beyond race and is something of a DenserAndWackier version of ''8 Mile'', focusing on themes of freedom of obscene speech censorship, CulturalCringe, and [[PrettyFlyForAWhiteGuy cringey white appropriation of involvement in Black culture]] that are themes of his Eminem's best-loved work.music.
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* The movies Music/{{Eminem}} has been involved in are spiritually linked but have different characters and subject matter. ''Film/EightMile'' is based on his life, featuring a young white rapper struggling in Detroit's battle scene. ''Film/{{Southpaw}}'' is also based on Eminem's life, but as it was later, as a fading superstar struggling to overcome a prescription pill addiction, and changes the setting from music to boxing. ''Film/{{Bodied}}'' is another rap battle movie about a white rapper, but the protagonist has little in common with Eminem beyond race and is something of a DenserAndWackier version of ''8 Mile'', focusing on themes of freedom of obscene speech and [[PrettyFlyForAWhiteGuy cringey white appropriation of Black culture]] that are themes of his best-loved work.
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* ''[[Film/Taxi Driver]]''(1976), ''[[Film/American Gigolo]]''(1980) and ''[[Film/Light Sleeper]]''(1976). All written by Paul Schrader, all directed by him save for Taxi Driver, and all about turmoiled men navigating a sleazy urban setting in which they carve out a living, mostly a night(as a taxi driver, a male escort and a high-end drug dealer respectively). The three are considered a spritual trilogy of neo-noir classics(sometimes called the "God's Lonely Man" or "Lonely Man In A Room" trilogy) with their protagonists in different phases of life(20s, 30s, 40s) and numerous shared themes, tropes, actions and plot points.

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* ''[[Film/Taxi Driver]]''(1976), ''[[Film/American Gigolo]]''(1980) ''Film/TaxiDriver'' (1976), ''Film/AmericanGigolo'' (1980) and ''[[Film/Light Sleeper]]''(1976).''Film/LightSleeper'' (1976). All written by Paul Schrader, all directed by him save for Taxi Driver, and all about turmoiled men navigating a sleazy urban setting in which they carve out a living, mostly a night(as a taxi driver, a male escort and a high-end drug dealer respectively). The three are considered a spritual trilogy of neo-noir classics(sometimes called the "God's Lonely Man" or "Lonely Man In A Room" trilogy) with their protagonists in different phases of life(20s, 30s, 40s) and numerous shared themes, tropes, actions and plot points.
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* ''VideoGame/{{Bodycount}}'' is widely considered this to ''VideoGame/{{Black}}'', but as is often the case this does require an asterisk. While the project lead of ''Bodycount'' was the co-lead of ''Black'' (and also happened to be named Black, further cementing the association), by his own admission he was primarily responsible for the game's foundational structure rather than how it played, and also left ''Bodycount'' midway through development due to its TroubledProduction, being listed in the credits only under "special thanks". Besides him, the major overlaps in the dev teams for ''Bodycount'' and ''Black'' seem to be the graphics programmer and the two A.I. programmers, rather than anyone associated with level design or gameplay.

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* ''VideoGame/{{Bodycount}}'' ''VideoGame/Bodycount2011'' is widely considered this to ''VideoGame/{{Black}}'', but as is often the case this does require an asterisk. While the project lead of ''Bodycount'' was the co-lead of ''Black'' (and also happened to be named Black, further cementing the association), by his own admission he was primarily responsible for the game's foundational structure rather than how it played, and also left ''Bodycount'' midway through development due to its TroubledProduction, being listed in the credits only under "special thanks". Besides him, the major overlaps in the dev teams for ''Bodycount'' and ''Black'' seem to be the graphics programmer and the two A.I. programmers, rather than anyone associated with level design or gameplay.
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* ''VideoGame/{{Bodycount}}'' is widely considered this to ''VideoGame/{{Black}}'', but as is often the case this does require an asterisk. While the project lead of ''Bodycount'' was the co-lead of ''Black'' (and also happened to be named Black, further cementing the association), by his own admission he was primarily responsible for the game's foundational structure rather than how it played, and also left ''Bodycount'' midway through development due to its TroubledProduction, being listed in the credits only under "special thanks". Besides him, the major overlaps in the dev teams for ''Bodycount'' and ''Black'' seem to be the graphics programmer and the two A.I. programmers, rather than anyone associated with level design or gameplay.
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added the Paul Schrader Lonely Man trilogy

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* ''[[Film/Taxi Driver]]''(1976), ''[[Film/American Gigolo]]''(1980) and ''[[Film/Light Sleeper]]''(1976). All written by Paul Schrader, all directed by him save for Taxi Driver, and all about turmoiled men navigating a sleazy urban setting in which they carve out a living, mostly a night(as a taxi driver, a male escort and a high-end drug dealer respectively). The three are considered a spritual trilogy of neo-noir classics(sometimes called the "God's Lonely Man" or "Lonely Man In A Room" trilogy) with their protagonists in different phases of life(20s, 30s, 40s) and numerous shared themes, tropes, actions and plot points.
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* ''VideoGame/{{Strider}}''
** ''VideoGame/CannonDancer'' is one to the original ''[[VideoGame/StriderArcade Strider]]'', created by the same planner (Kouichi Yotsui) after he left Capcom and was asked to do a "Strider-like" game by his new company (Mitchell Corporation). The similarities in gameplay, style and story are so big even the staff referred to it as "Strider Hiryu Part II", and while Yotsui is adamant to call it a sequel, in later years he has relented somewhat and called it "his" version of ''Strider 2''.
** 2011's Square-Enix title ''VideoGame/MoonDiver'' was also directed by Yotsui, and this time he came out right away stating that it can be considered "a sequel to the action games [he has] made in the past", and sure enough it plays and controls very closely to both ''Strider'' and ''Cannon Dancer''.
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* ''WebAnimation/MurderDrones'' is this to Creator/LiamVickers' original series ''WebAnimation/InternecionCube'', as the latter was an exercise in storyboarding practice. Both share similar main characters - Max and N as the nervous NiceGuy characters contrasting their more murderous associates, [=IC-0n=] and V as CardCarryingVillain death robots, and Kirie and Uzi as the snarky goth schoolgirls who were transformed into [[MechanicalAbomination something]] [[BodyHorror abnormal]] after an encounter with a MechanicalAbomination that tried to kill them.
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* ''VideoGame/Back4Blood'' was heavily advertised as this, often with tagline "by the creators of ''VideoGame/Left4Dead'', both being CoOpMultiplayer zombie shooters with emphasis on teamwork and procedural level design honed by an AI "Game Director". Both ''Left 4 Dead'' and ''Back 4 Blood'' were created by the same studio, first as indie studio Turtle Rock Studios before ''Left 4 Dead'' was picked up by Creator/{{Valve|Corporation}} as a parent company/publisher that rechristened them "Valve South", though after the release of ''VideoGame/Left4Dead2'', they split with Valve retaining the ''Left 4 Dead'' IP, returning to Turtle Rock and producing ''Back 4 Blood'' as themselves.

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* ''VideoGame/Back4Blood'' was heavily advertised as this, often with tagline "by the creators of ''VideoGame/Left4Dead'', ''VideoGame/Left4Dead''", both being CoOpMultiplayer zombie shooters with emphasis on teamwork and procedural level design honed by an AI "Game Director". Both ''Left 4 Dead'' and ''Back 4 Blood'' were created by the same studio, first as indie studio Turtle Rock Studios before ''Left 4 Dead'' was picked up by Creator/{{Valve|Corporation}} as a parent company/publisher that rechristened them "Valve South", though after the release of ''VideoGame/Left4Dead2'', they split with Valve retaining the ''Left 4 Dead'' IP, returning to Turtle Rock and producing ''Back 4 Blood'' as themselves.
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* ''VideoGame/Back4Blood'' was heavily advertised as this, often with tagline "by the creators of ''VideoGame/Left4Dead'', both being CoOpMultiplayer zombie shooters with emphasis on teamwork and procedural level design honed by an AI "Game Director". Both ''Left 4 Dead'' and ''Back 4 Blood'' were created by the same studio, first as indie studio Turtle Rock Studios before ''Left 4 Dead'' was picked up by Creator/{{Valve|Corporation}} as a parent company/publisher that rechristened them "Valve South", though after the release of ''VideoGame/Left4Dead2'', they split with Valve retaining the ''Left 4 Dead'' IP, returning to Turtle Rock and producing ''Back 4 Blood'' as themselves.
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* The [[RealTimeStrategy RTS]] ''VideoGame/AmericanConquest'' has a lot in common with ''VideoGame/{{Cossacks}}: [[VideoGame/CossacksEuropeanWars European Wars]]'' (set in the 17th/18th centuries -- in the Americas instead of Europe -- and the possibility of building ''big'' armies especially) and was made by the same studio, Creator/GSCGameWorld.
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I made a mistake when I wrote the original entry. Comic Fuz is an online site which carries all of Houbunsha's works, as well as a few online-only works like Ix IS and Laidback Camp.


* ''Manga/NewGame'', Creator/ShotaroTokuno's previous manga, was published in Magazine/MangaTimeKirara (which is best known for its ''{{iyashikei}}'' works), yet it got some flack for having ''iyashikei''-unfriendly story arcs where ''{{moe}}'' girls are pitted against each other in competition and have to suffer emotional losses. His next series, ''Manga/IdolXIdolStory'', moves away from the ''Kirara'' brand and on to ''Comic Fuz'', another Hobunsha AnthologyComic, with a premise that is '''nothing but''' ''moe'' girls being pitted against each other and forced to suffer emotional losses.

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* ''Manga/NewGame'', Creator/ShotaroTokuno's previous manga, was published in Magazine/MangaTimeKirara (which is best known for its ''{{iyashikei}}'' works), yet it got some flack for having ''iyashikei''-unfriendly story arcs where ''{{moe}}'' girls are pitted against each other in competition and have to suffer emotional losses. His next series, ''Manga/IdolXIdolStory'', moves away from the ''Kirara'' brand and ''Manga/IdolXIdolStory'' (published on to ''Comic Fuz'', another Hobunsha AnthologyComic, with Kirara's online-only sister site Comic Fuz) has a premise that is '''nothing but''' ''moe'' girls being pitted against each other and forced to suffer emotional losses.losses. In retrospect, the competition arcs in ''New Game!'' seem like a dry run for ''IDOL x IDOL STORY!''

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