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* The Creator/{{IMAX}} 3D versions of ''Film/TransformersAgeOfExtinction'' and ''Film/TransformersTheLastKnight'' are notorious for doing this to the point where the aspect ratio will often radically change during mundane conversations, with little rhyme or reason. It switches between 1.90:1 (Digital IMAX), 2.00:1 (Univisium), and 2.39:1 (Widescreen)
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* The Creator/{{IMAX}} 3D versions of ''Film/TransformersAgeOfExtinction'' and ''especially'' ''Film/TransformersTheLastKnight'' are notorious for doing this to the point where the aspect ratio will often radically change during mundane conversations, with little rhyme or reason. It switches between 1.90:1 (Digital IMAX), 2.00:1 (Univisium), and 2.39:1 (Widescreen)
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* Creator/MartinScorsese uses this for ''Film/TheWolfOfWallStreet'' and ''Film/KillersOfTheFlowerMoon'', which are both shot in 2.35:1 widescreen but switch to 4:3 fullscreen and 16:9 widesceen for video footage and photographs at the time periods of the films, such as the commericals (including the Stratton Oakmont commerical at the begining and the Benihana commerical near the end), video footage (such as the intro for ''Series/TheEqualizer'', Jordan and Naomi's wedding videos, and Jordan's infomercial near the end), and photographs in The Wolf of Wall Street and a montage in Killers of the Flower Moon.
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* Creator/MartinScorsese uses this for ''Film/TheWolfOfWallStreet'' and ''Film/KillersOfTheFlowerMoon'', ''Film/TheWolfOfWallStreet'', which are both was shot in 2.35:1 widescreen but switch switches to 4:3 fullscreen and 16:9 widesceen for video footage and photographs at the time periods of the films, time, such as the commericals (including the Stratton Oakmont commerical at the begining and the Benihana commerical near the end), video footage (such as the intro for ''Series/TheEqualizer'', Jordan and Naomi's wedding videos, video, and Jordan's infomercial near the end), end, 16:9 widesceen for the commercials for Stratton Oakmont and Benihana at the very beginning and near the end respectively, and both for photographs in The Wolf of Wall Street and a montage in Killers of throughout the Flower Moon.film.
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* Creator/MartinScorsese uses this for ''Film/{{Casino}}''', ''Film/TheAviator'', ''Film/TheWolfOfWallStreet'' and ''Film/KillersOfTheFlowerMoon'', which are all shot in 2.35:1 widescreen but switch to 4:3 fullscreen and 16:9 widesceen for video footage and photographs at the time, such as footage of an episode of Sam "Ace" Rothstein's television show "Ace's High" in Casino, footage of Howard Hughes' movies in The Aviator, the commericals (including the Stratton Oakmont commerical at the begining and the Benihana commerical near the end), video footage (such as the intro for ''Series/TheEqualizer'', Jordan and Naomi's wedding videos, and Jordan's infomercial near the end), and photographs in The Wolf of Wall Street, and pictures and a video montage in Killers of the Flower Moon.
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* Creator/MartinScorsese uses this for ''Film/{{Casino}}''', ''Film/TheAviator'', ''Film/TheWolfOfWallStreet'' and ''Film/KillersOfTheFlowerMoon'', which are all both shot in 2.35:1 widescreen but switch to 4:3 fullscreen and 16:9 widesceen for video footage and photographs at the time, time periods of the films, such as footage of an episode of Sam "Ace" Rothstein's television show "Ace's High" in Casino, footage of Howard Hughes' movies in The Aviator, the commericals (including the Stratton Oakmont commerical at the begining and the Benihana commerical near the end), video footage (such as the intro for ''Series/TheEqualizer'', Jordan and Naomi's wedding videos, and Jordan's infomercial near the end), and photographs in The Wolf of Wall Street, and pictures Street and a video montage in Killers of the Flower Moon.
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* Creator/MartinScorsese uses this for ''Film/{{Casino}}''', ''Film/TheAviator'', ''Film/TheWolfOfWallStreet'' and ''Film/KillersOfTheFlowerMoon'', which are all shot in 2.35:1 widescreen but switch to 4:3 fullscreen and 16:9 widesceen for video footage and photographs at the time, such as footage of an episode of Sam "Ace" Rothstein's television show "Ace's High" in Casino, footage of Howard Hughes' movies in The Aviator, the commericals (including the Stratton Oakmont commerical at the begining and the Benihana commerical near the end), video footage (such as the intro for ''Series/TheEqualizer'', Jordan and Naomi's wedding videos, and Jordan's infomercial near the end), and photographs in The Wolf of Wall Street, and pictures and a video montage in Killers of the Flower Moon.
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[[folder:Films -- Animated]]
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[[folder:Films -- Animated]]Animation]]
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* ''Film/{{Enchanted}}'' begins in a 1.85:1 ratio and switches to a wider one once the story takes off.
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* ''Film/{{Enchanted}}'' ''Film/{{Enchanted}}'': The first animated segment in Andalasia begins in a 1.85:1 ratio and ratio. It switches to a wider one once 2.35:1 when Giselle arrives in New York City and the story takes off.movie changes to live action, and stays that way the rest of the movie, even when going back to animated segments.
