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* Alex Haley intended for ''Literature/{{Roots}}'' (and its better-known [[Series/Roots1977 1977 miniseries adaptation]]), an epic historical novel about generations of an African-American family from their ancestors in Africa to slavery in the DeepSouth to [[UsefulNotes/TheAmericanCivilWar the Civil War]] to Haley himself in the present day, to get Black people more interested in exploring their heritage and ancestry as a way of rediscovering what had been lost due to slavery. That message wound up resonating far beyond the Black community and led to a wave of White Americans doing the same. In the wake of both the book and the miniseries, various European countries that sent large numbers of immigrants to the US saw waves of tourism from the descendants of those immigrants seeking to reconnect with the homelands of their ancestors, often called "roots people" once the locals figured out what had influenced many of them to start coming over. Today, the show ''Series/FindingYourRoots'', whose connection to the legacy of ''Roots'' is visible in its very title, features celebrity guests of all races and ethnicities.
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* Creator/FrankMiller wrote the graphic novel ''Film/ThreeHundred'' before the 9/11 attacks and the resulting [[UsefulNotes/TheWarOnTerror War on Terror]], but by the time the [[TheFilmOfTheBook film adaptation]] came out, current events led to two radically different interpretations of the story becoming widespread, both of them related to the war: the Spartans as the Americans, and the Spartans as the Iraqis.
** On one hand, its story about heroic Greek warriors in the cradle of Western civilization battling an invading army from the Middle East was widely interpreted as a defense of American foreign policy in Afghanistan and Iraq, and by extension, a xenophobic treatment of Muslims. Miller's own hawkish politics and Islamophobic viewpoints were often used to lend credence to this view.
** On the other hand, the story was ''also'' read as a tale of outmatched but brave and ferocious fighters, bound by fanaticism, battling hopeless odds against an invasion by the decadent superpower of the ancient period. Many critics of American foreign policy at the time read it as a RomanAClef for the Iraqi insurgency fighting to [[OccupiersOutOfOurCountry kick the Americans out of their country]].
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* ''Series/TheBigBangTheory'' is a show that runs with nerd stereotypes but does so in such a way that they don't all fall into the exact same character mold. As a result a lot of people are able to find themselves in the characters despite being on the extreme end of "smart people." Sheldon's rampant ScheduleFanatic and ObsessivelyOrganized behavior lead many people to assume he is [[UsefulNotes/AspergerSyndrome autistic]], and there's much debate about whether he's a positive or negative portrayal of the condition. Leonard is timid and a pushover while trying to stay a NiceGuy. Howard is a CasanovaWannabe who has a hard time understanding why women aren't falling for [[ExtravertedNerd his excitable energy]]. Raj is painfully shy around women to the point [[ShrinkingViolet he can't even speak in their presence]], though he later gets somewhat better. And Penny, the only non-nerd/non-genius of the cast, is easily overwhelmed by the nerd topics and science talk and often ends up the odd one out. It's covering this wide spectrum of personalities that lead many reviewers to speculate this is the reason behind the show's success.

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* ''Series/TheBigBangTheory'' is a show that runs with nerd stereotypes but does so in such a way that they don't all fall into the exact same character mold. As a result a lot of people are able to find themselves in the characters despite being on the extreme end of "smart people." Sheldon's rampant ScheduleFanatic and ObsessivelyOrganized behavior lead many people to assume he is [[UsefulNotes/AspergerSyndrome autistic]], and there's much debate about whether he's a positive or negative portrayal of the condition. Leonard is timid and a pushover while trying to stay a NiceGuy. Howard is a CasanovaWannabe who has a hard time understanding why women aren't falling for [[ExtravertedNerd his excitable energy]].energy. Raj is painfully shy around women to the point [[ShrinkingViolet he can't even speak in their presence]], though he later gets somewhat better. And Penny, the only non-nerd/non-genius of the cast, is easily overwhelmed by the nerd topics and science talk and often ends up the odd one out. It's covering this wide spectrum of personalities that lead many reviewers to speculate this is the reason behind the show's success.
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Widget Series has been renamed to Quirky Work. Removing examples that do not fit the retooled trope.


-->'''[[https://www.vulture.com/2019/10/bong-joon-ho-parasite.html Bong:]]''' ''When directing the movie, I tried to express a sentiment specific to the Korean culture and I thought that [[WidgetSeries it was full of Koreanness]] if seen from an outsider's perspective, but upon screening the film after completion, all the responses from different audiences were pretty much the same, which made me realize that the topic was universal, in fact. Essentially, [[NotSoDifferentRemark we all live in the same country called capitalism]].''

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-->'''[[https://www.vulture.com/2019/10/bong-joon-ho-parasite.html Bong:]]''' ''When directing the movie, I tried to express a sentiment specific to the Korean culture and I thought that [[WidgetSeries it was full of Koreanness]] Koreanness if seen from an outsider's perspective, but upon screening the film after completion, all the responses from different audiences were pretty much the same, which made me realize that the topic was universal, in fact. Essentially, [[NotSoDifferentRemark we all live in the same country called capitalism]].''
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* Creator/GeorgeOrwell wrote ''Literature/AnimalFarm'' as a RomanAClef of how [[UsefulNotes/RedOctober the Russian Revolution]] ended up [[FullCircleRevolution reestablishing the very same tyranny it fought to overthrow]] as its leaders grew increasingly self-centered, power-hungry, and hypocritical. However, because it masks that metaphor in a family-friendly story about TalkingAnimals and never ''directly'' comments on communism, it's become popular worldwide in many newly democratic and ex-colonial nations among critics of politicians who use their backgrounds as freedom fighters to shield themselves from criticism. In UsefulNotes/{{Zimbabwe}}, for instance, its serialization in a popular newspaper in 2000 saw it quickly embraced as [[https://www.bbc.com/news/world-africa-65947114 a metaphor]] for how their country's liberation from White minority rule turned sour during the subsequent dictatorship of Robert Mugabe, who many Zimbabweans saw as a real-life version of the book's pig dictator Napoleon, such that it eventually got an official Shona-language translation.

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* Creator/GeorgeOrwell wrote ''Literature/AnimalFarm'' as a RomanAClef of how [[UsefulNotes/RedOctober the Russian Revolution]] ended up [[FullCircleRevolution reestablishing the very same tyranny it fought to overthrow]] as its leaders grew increasingly self-centered, power-hungry, and hypocritical. However, because it masks that metaphor in a family-friendly story about TalkingAnimals {{Talking Animal}}s and never ''directly'' comments on communism, it's become popular worldwide in many newly democratic and ex-colonial nations among critics of politicians who use their backgrounds as freedom fighters to shield themselves from criticism. In UsefulNotes/{{Zimbabwe}}, for instance, its serialization in a popular newspaper in 2000 saw it quickly embraced as [[https://www.bbc.com/news/world-africa-65947114 a metaphor]] for how their country's liberation from White minority rule turned sour during the subsequent dictatorship of Robert Mugabe, who many Zimbabweans saw as a real-life version of the book's pig dictator Napoleon, such that it eventually got an official Shona-language translation.
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* Creator/GeorgeOrwell wrote ''Literature/AnimalFarm'' as a RomanAClef of how [[UsefulNotes/RedOctober the Russian Revolution]] ended up [[FullCircleRevolution reestablishing the very same tyranny it fought to overthrow]] as its leaders grew increasingly self-centered, power-hungry, and hypocritical. However, because it masks that metaphor in a family-friendly story about TalkingAnimals and never ''directly'' comments on communism, it's become popular worldwide in many newly democratic and ex-colonial nations among critics of politicians who use their backgrounds as freedom fighters to shield themselves from criticism. In UsefulNotes/{{Zimbabwe}}, for instance, its serialization in a popular newspaper in 2000 saw it quickly embraced as [[https://www.bbc.com/news/world-africa-65947114 a metaphor]] for how their country's liberation from White minority rule turned sour during the subsequent dictatorship of Robert Mugabe, who many Zimbabweans saw as a real-life version of the book's pig dictator Napoleon, such that it eventually got an official Shona-language translation.
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* Creator/GeorgeARomero didn't intend for ''Film/NightOfTheLivingDead1968'' to have a political message, but that was what many people read into it. [[AscendedFanon He rolled with it]], and his [[Film/LivingDeadSeries later films]] notably wound up more expressly political and satirical.
** Romero cast the Black actor Duane Jones as TheHero [[spoiler:and gave him a DownerEnding where, after winding up as the SoleSurvivor, he gets tragically mistaken for a zombie and killed by a White VigilanteMilitia, in a scene that reminded many viewers of both lynchings and the recent assassinations of UsefulNotes/MartinLutherKingJr and UsefulNotes/MalcolmX]]. While Romero insisted that the casting was colorblind, the interpretation that this was a commentary on the harm done by racism flowed easily from there.
** More broadly, its plot about [[ZombieApocalypse ordinary people turning into monsters and engaging in grisly violence]] was widely seen as commentary on UsefulNotes/TheVietnamWar by showing the brutality of the conflict "coming home" to Americans, as well as on the broader societal tensions opening up in the late '60s by showing Americans turning against each other.
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-->'''Bradbury:''' ''I wrote this book at a time when I was worried about the way things were going in this country four years ago. Too many people were afraid of their shadows; there was a threat of book burning. Many of the books were being taken off the shelves at that time. And of course, things have changed a lot in four years. Things are going back in a very healthy direction. But at the time I wanted to do some sort of story where I could comment on what would happen to a country if we let ourselves go too far in this direction, where then all thinking stops, and the dragon swallows his tail, and we sort of vanish into a limbo and we destroy ourselves by this sort of action.''

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-->'''Bradbury:''' --->'''Bradbury:''' ''I wrote this book at a time when I was worried about the way things were going in this country four years ago. Too many people were afraid of their shadows; there was a threat of book burning. Many of the books were being taken off the shelves at that time. And of course, things have changed a lot in four years. Things are going back in a very healthy direction. But at the time I wanted to do some sort of story where I could comment on what would happen to a country if we let ourselves go too far in this direction, where then all thinking stops, and the dragon swallows his tail, and we sort of vanish into a limbo and we destroy ourselves by this sort of action.''



-->'''Bradbury:''' ''It works even better because we have political correctness now. Political correctness is the real enemy these days. The black groups want to control our thinking and you can’t say certain things. The homosexual groups don’t want you to criticize them. It’s thought control and freedom of speech control.''

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-->'''Bradbury:''' --->'''Bradbury:''' ''It works even better because we have political correctness now. Political correctness is the real enemy these days. The black groups want to control our thinking and you can’t say certain things. The homosexual groups don’t want you to criticize them. It’s thought control and freedom of speech control.''

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* Creator/RayBradbury famously felt that many fans of ''Literature/Fahrenheit451'' focused too much on its anti-censorship message, when his main intention was to criticize [[NewMediaAreEvil the growth of mass media (especially television)]] in the postwar years, which he felt was dumbing down the public and creating a culture of AntiIntellectualism where the kind of MoralGuardians and mass censorship portrayed in the story were able to run amok in the first place. However, the use of BookBurning, one of the most notorious and blunt methods of censorship, as a major motif throughout the story means that it often winds up as the first thing everybody notices. It has also been interpreted as a tale about holding onto one's individuality in a conformist society that rejects those who step out of line.

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* Creator/RayBradbury famously felt ''Literature/Fahrenheit451'', a story of a society that [[BookBurning burns all books]], has seen many fans interpretations as to what Creator/RayBradbury's main satirical target was, especially since Bradbury himself has [[FlipFlopOfGod lent credence to all of ''Literature/Fahrenheit451'' focused too much on its anti-censorship message, them]].
** The first and most obvious, given the history of book burning as one of the most notorious and blunt methods of censorship, is that Bradbury was criticizing censorship. This was Bradbury's [[https://web.archive.org/web/20210209110704/https://oldradioprograms.us/My%20Old%20Radio%20Shows/B/Biographies%20In%20Sound/Biographies%20In%20Sound%20(NBC)-1956-12-04-Ticket%20To%20The%20Moon%20-%20Tribute%20To%20Scifi.mp3 original interpretation,]] specifically citing the repressive intellectual climate of both the RedScare in the US and Stalinism in the USSR.
-->'''Bradbury:''' ''I wrote this book at a time
when I was worried about the way things were going in this country four years ago. Too many people were afraid of their shadows; there was a threat of book burning. Many of the books were being taken off the shelves at that time. And of course, things have changed a lot in four years. Things are going back in a very healthy direction. But at the time I wanted to do some sort of story where I could comment on what would happen to a country if we let ourselves go too far in this direction, where then all thinking stops, and the dragon swallows his main intention was to criticize tail, and we sort of vanish into a limbo and we destroy ourselves by this sort of action.''
** It has also been read as a critique of
[[NewMediaAreEvil the growth of mass media (especially television)]] in the postwar years, which he its critics felt was dumbing down the public and creating a culture of AntiIntellectualism where the kind of MoralGuardians and mass censorship portrayed in the story were able to run amok in the first place. However, This was the use of BookBurning, one of interpretation that Bradbury himself eventually [[https://web.archive.org/web/20190709154603/https://www.laweekly.com/ray-bradbury-fahrenheit-451-misinterpreted/ gravitated to,]] to the most notorious point of pushing back against readers and blunt methods of censorship, critics who focused on the anti-censorship message.
** In more recent years, it's also been embraced by conservatives
as a major motif throughout the story means that it often winds up critique of PoliticalOvercorrectness, thanks to its depiction of its society's book ban as the first thing everybody notices. It logical conclusion of attempts to sanitize all culture so it was no longer offensive to any of its many small special interests. Here, too, Bradbury [[http://diginole.lib.fsu.edu/islandora/object/fsu:168044/datastream/PDF/view voiced his approval.]]
-->'''Bradbury:''' ''It works even better because we have political correctness now. Political correctness is the real enemy these days. The black groups want to control our thinking and you can’t say certain things. The homosexual groups don’t want you to criticize them. It’s thought control and freedom of speech control.''
** Beyond all that, it
has also been interpreted as a tale about holding onto one's individuality in a conformist society that rejects those who step out of line.

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* Music/HarryChapin's "Cat's in the Cradle" is a song about a [[WhenYouComingHomeDad neglectful father]] whose son grows up to [[IronicEcho abandon him in his old age]] in turn. In UsefulNotes/NorthernIreland, however, the song is most associated with the 1993 anti-terrorism PublicServiceAnnouncement [[https://www.youtube.com/watch?v=5x-m2YPcIZg "Don't Suffer It, Change It",]] which puts a ''much'' darker twist on the lyrics. In it, a father in Belfast neglects his family to fight in UsefulNotes/TheTroubles, gets sent to prison, watches his son [[LikeFatherLikeSon follow in his footsteps]], and eventually [[OutlivingOnesOffspring buries his son]] after he gets killed by a terrorist.



* Music/SheilaOn7: "Lapang Dada" was written by Eross with his late father in mind, but it was purposefully written to be applicable to any kind of acceptance, which led to most interpreting it as IWantMyBelovedToBeHappy, including the official music video.



* Music/SheilaOn7: "Lapang Dada" was written by Eross with his late father in mind, but it was purposefully written to be applicable to any kind of acceptance, which led to most interpreting it as IWantMyBelovedToBeHappy, including the official music video.
* Music/HarryChapin's "Cat's in the Cradle" is a song about a [[WhenYouComingHomeDad neglectful father]] whose son grows up to [[IronicEcho abandon him in his old age]] in turn. In UsefulNotes/NorthernIreland, however, the song is most associated with the 1993 anti-terrorism PublicServiceAnnouncement [[https://www.youtube.com/watch?v=5x-m2YPcIZg "Don't Suffer It, Change It",]] which puts a ''much'' darker twist on the lyrics. In it, a father in Belfast neglects his family to fight in UsefulNotes/TheTroubles, gets sent to prison, watches his son [[LikeFatherLikeSon follow in his footsteps]], and eventually [[OutlivingOnesOffspring buries his son]] after he gets killed by a terrorist.
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* Music/HarryChapin's "Cat's in the Cradle" is a song about a [[WhenYouComingHomeDad neglectful father]] whose son grows up to [[IronicEcho abandon him in his old age]] in turn. In UsefulNotes/NorthernIreland, however, the song is most associated with the 1993 anti-terrorism PublicServiceAnnouncement [[https://www.youtube.com/watch?v=5x-m2YPcIZg "Don't Suffer It, Change It",]] which puts a ''much'' darker twist on the lyrics. In it, a father in Belfast neglects his family to fight in UsefulNotes/TheTroubles, gets sent to prison, watches his son [[LikeFatherLikeSon follow in his footsteps]], and eventually [[OutlivingOnesOffspring buries his son]] after he gets killed by a terrorist.
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* Anti-mutant prejudice in ''ComicBook/XMen'' can stand in for a metaphor for any number of RealLife prejudices. Fans have tended to take this very literally and argue about what the "original meaning" was and how it has changed. WordOfGod has confirmed, upon occasion, that individual writers have used it for a specific metaphorical purpose; Creator/GrantMorrison, for one, has said that he used his run to comment to the {{demonization}} of young people. Not even this squares completely with his comics, but it makes a lot more sense if you [[DracoInLeatherPants sympathize way too much with Quentin Quire]]. But that does not mean that every writer has used it as a metaphor, or has used it for the same one every time. That it has been so readily used as allegory for such diverging issues as racial tensions, LGBT struggles, [=McCarthyism=], the Cold War, and generational conflict is proof enough of this. Interestingly, the movie series takes it at face-value: [[ApocalypseHow normal humans are terrified of going extinct]], and the prospect of actually siring the species that will replace us is unthinkable, thus the fear and hatred. Analogies are also drawn in the film with the debate over UsefulNotes/AmericanGunPolitics, with some mutant powers seen as threats to society by their very nature due to how useful they are for killing people.

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* Anti-mutant prejudice in ''ComicBook/XMen'' can stand in for a metaphor for any number of RealLife prejudices. Fans have tended to take this very literally and argue about what the "original meaning" was and how it has changed. WordOfGod has confirmed, upon occasion, that individual writers have used it for a specific metaphorical purpose; Creator/GrantMorrison, for one, has said that he they used his their run to comment to the {{demonization}} of young people. Not even this squares completely with his comics, but it makes a lot more sense if you [[DracoInLeatherPants sympathize way too much with Quentin Quire]]. But that does not mean that every writer has used it as a metaphor, or has used it for the same one every time. That it has been so readily used as allegory for such diverging issues as racial tensions, LGBT struggles, [=McCarthyism=], the Cold War, and generational conflict is proof enough of this. Interestingly, the movie series takes it at face-value: [[ApocalypseHow normal humans are terrified of going extinct]], and the prospect of actually siring the species that will replace us is unthinkable, thus the fear and hatred. Analogies are also drawn in the film with the debate over UsefulNotes/AmericanGunPolitics, with some mutant powers seen as threats to society by their very nature due to how useful they are for killing people.
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* Music/TheKink's "Days" has two different interpretations, both from its writer Ray Davies. The first one is that Davies wrote it as a way of saying goodbye to his sister whom had moved to Australia. The second is that he was aware that the band would eventually break up and for all he knew, the song would be their finale. "Days" is a bittersweet song where the singer is bidding someone farewell and acknowledging that they must move on without them. It is a very common choice for a funeral for this reason.

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* Music/TheKink's "Days" by Music/TheKinks has two different interpretations, both from its writer Ray Davies. The first one is that Davies wrote it as a way of saying goodbye to his sister whom had moved to Australia. The second is that he was aware that the band would eventually break up and for all he knew, the song would be their finale. "Days" is a bittersweet song where the singer is bidding someone farewell and acknowledging that they must move on without them. It is a very common choice for a funeral for this reason.
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* Music/TheKink's "Days" has two different interpretations, both from its writer Ray Davies. The first one is that Davies wrote it as a way of saying goodbye to his sister whom had moved to Australia. The second is that he was aware that the band would eventually break up and for all he knew, the song would be their finale. "Days" is a bittersweet song where the singer is bidding someone farewell and acknowledging that they must move on without them. It is a very common choice for a funeral for this reason.
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** This was parodied by Creator/JorgeLuisBorges in "Pierre Menard, Author of the Quixote." The story is about a man who attempts to write a novel ''identical'' to ''Literature/DonQuixote'', from a modern perspective.

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** This was parodied by Creator/JorgeLuisBorges in "Pierre Menard, Author of the Quixote." The story is about a man who attempts to write a novel ''identical'' to ''Literature/DonQuixote'', from a modern perspective. Borges deadpan explains that, while Menard might use exactly the same words as Cervantes, the fact he's writing in the 20th century means he must mean something subtly different by them.
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* The (rather infamous) ending of ''VisualNovel/DanganronpaV3KillingHarmony'' sparked a lot of discussion about its intent and meaning, leading to various different interpretations: [[spoiler:Is the entire ending the author effectively torching the franchise by making it as alienating as possible, venting out his frustrations at feeling 'stuck' in writing the same type of story over and over? Is it a critique of the shallow consumption of violent fiction? Is it poking fun at the series' fanbase specifically? Is it none or all of the above? The fact that Kodaka, the main director of the series, went on to leave Spike Chunsoft after the release of the game to pursue his own projects only threw fuel to the fire.]]
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* Bobby Alcid Rubio wrote the WesternAnimation/{{Pixar short|s}} ''Float'' as an {{allegory}} for his struggle to accept his son's autism diagnosis, but the son's ability to fly can be easily symbolic of any sort of difference that would set a child apart from other children and their parents' struggle to accept it.

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* Bobby Alcid Rubio wrote the WesternAnimation/{{Pixar short|s}} ''Float'' as an {{allegory}} for his struggle to accept his son's autism diagnosis, but diagnosis. However, the son's ability to fly can be easily symbolic of any sort of difference that would set a child apart from other children and their parents' struggle to accept it.that their child doesn’t fall into the norm.
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* Creator/CoryDoctorow argues in [[https://doctorow.medium.com/how-to-leave-dying-social-media-platforms-9fc550fe5abf this article]] that the village of Anatevka in ''Theatre/FiddlerOnTheRoof'' can easily serve today as a metaphor for a dying social media platform. Just as the Jewish community in Anatevka is trapped there by their own social ties to each other, so are the users on many social media platforms, for the same reason. They long for someplace better than where they currently are where they don't have to put up with daily indignities, but if they leave, they risk losing the social ties that they've spent years cultivating as everybody goes their separate ways (to different American and European cities for the Jews, to other platforms for social media users). Only when things get unbearable do they finally pack up and leave, dissolving their community in the process because they can't agree on where to go.
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** [[Series/TheLordOfTheRingsTheRingsOfPower The Amazon show]] struggles with the FlipFlopOfGod about Middle-earth being and not being a representation of modern-day world, or simply a fantasy world without ulterior parallelisms. Both lines of argumentation can be found regarding the casting choices, the usage of [[DoesThisRemindYouOfAnything political allegory in the case of Numenorians fearing that the Elves are there to steal their trades and lands]], and the debate around [[https://www.irishtimes.com/culture/tv-radio/2022/09/13/rings-of-power-why-are-the-harfoots-hungry-simpletons-with-stage-irish-accents-we-ask-the-showrunners/ the perceived Irish stereotypes in the hobbits]].

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[[folder:Anime and Manga]]

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[[folder:Anime and & Manga]]



[[folder:Films -- Animated]]

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[[folder:Films -- Animated]]Animation]]



** Mirabel can be seen as an allegory for somebody born with a disability, as she doesn't have any magical powers unlike the rest of her family [[note]]Except for her abuela, father and Uncle Felix, the latter two whom married into the family[[/note]] and as a result feels unaccepted by and excluded from her family, even though this is unintentional on the Madrigals' part. Indeed, many disabled viewers found that Mirabel's struggle with self-worth and acceptance resonated strongly with their own experiences.
*** Adding onto this is a few InnocentlyInsensitive comments - such as being given an "Extra special gift basket" for an "Extra special" person (her) because she didn't get any gift. Many people who had disabilities grew up with such InnocentlyInsensitive comments.

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** Mirabel can be seen as an allegory for somebody born with a disability, as she doesn't have any magical powers unlike the rest of her family [[note]]Except for her abuela, father father, and Uncle Felix, the latter two whom married into the family[[/note]] and as a result feels unaccepted by and excluded from her family, even though this is unintentional on the Madrigals' part. Indeed, many disabled viewers found that Mirabel's struggle with self-worth and acceptance resonated strongly with their own experiences.
*** Adding onto this is are a few InnocentlyInsensitive comments - such as being given an "Extra special gift basket" for an "Extra special" person (her) because she didn't get any gift. Many people who had disabilities grew up with such InnocentlyInsensitive comments.



** It's either a fighting game which stars as many Creator/{{Nintendo}} characters as possible (and a few 3rd-party guests), or it's one of the most interactive and wacky cartoons of all time.

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** It's either a fighting game which that stars as many Creator/{{Nintendo}} characters as possible (and a few 3rd-party guests), or it's one of the most interactive and wacky cartoons of all time.


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* ''VideoGame/WorldOfWarcraft'': Sylvanas comes off as a rape/abuse survivor to many people, particularly women, with the way her being raised into undeath is often framed as a particularly obscene act. This is often reinforced by the way Sylvanas' treatment is so different from most Undead.
** Arthas raised her entirely out of spite for putting up a fight against him, and [[AndIMustScream kept her self-awareness in tact]] so that she could witness his destruction of her people and to torment her further. The narrative even frames it as if his decision to wipe out the elves is a supposed punishment for her defiance. Her body is even kept in an iron coffin for the specific purpose of preserving it so it can be used to further torture her. Arthas even went as far as to keep a vial of her blood among all of his supposedly "sentimental" trinkets.
** Arthas' line "After all you've put me through woman, the ''last'' thing I'll give you is the peace of death" is delivered in an especially creepy way for many people.
** Sylvanas is not only profoundly affected by what has happened to her, she is frequently [[UsefulNotes/VictimBlaming blamed and looked down on]] for what happened to her, with many people claiming that she is simply an obscene mockery of who she once was and people who were her friends, family or colleagues in life treating her with disdain even before ''Battle for Azeroth.'' Many people, especially women, see the way she is treated by others and even her own sisters as being frighteningly similar to victim-blaming and gaslighting tactics used on victims of rape or abuse.
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* In the US, thanks to the English-language dub [[{{Bowdlerise}} glossing over]] some of [[ValuesDissonance the less family-friendly parts]] of penguin behavior, ''Film/MarchOfThePenguins'' proved oddly popular with [[MoralGuardians religious conservatives]], who saw in it lessons for humans about monogamy and family values and even suggested that the penguins were an argument for "intelligent design" against UsefulNotes/{{evolution}}. Director Luc Jacquet found this interpretation amusing and strongly criticized it, noting that, in real life (and as the original French-language version pointed out), penguin pairings only last a single mating season, meaning that they have an astronomical "divorce rate". ''National Review'' editor Rich Lowry invoked the MST3KMantra, claiming in the conservative magazine's blog that Creator/TheBBC had been bugging him to make a statement about the film as a political statement about rescuing America.
-->"As politely as I could I told her, 'Lady, they're just birds.'"
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The RainbowLens and the TransAudienceInterpretation are particularly common versions of this. Since stories that are explicitly about LGBTQ+ people and issues were rare in the past and, to a lesser extent, still are today, LGBTQ+ fans would often gravitate to stories that could be read as metaphors for their own experiences even if the characters were canonically straight.
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* ''Series/ManSeekingWoman'' is a surrealist show that initially presents itself as a relationship drama but quickly goes down the path of AncientConspiracy, AlienInvasion, AllMythsAreTrue and other fantastical events which shifts [[GenreMashup multiple times in a single episode]], all treated with at best [[UnusuallyUninterestingSight mild surprise]]. But there is a through-line that anchors all of these things into something relatable and comprehensible, instead of being absurd for its own sake there is an analogy at the heart of it all. Josh's [[MyBelovedSmother mother]] inquiring about his love life is treated as ''actual'' ElectricTorture, after being drugged and shackled to a chair with clamps to his nipples and testicles (in his childhood room, no less).

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* ''Series/ManSeekingWoman'' is a surrealist show that initially presents itself as a relationship drama but quickly goes down the path of AncientConspiracy, AlienInvasion, AllMythsAreTrue and other fantastical events which shifts [[GenreMashup [[GenreRoulette multiple times in a single episode]], all treated with at best [[UnusuallyUninterestingSight mild surprise]]. But there is a through-line that anchors all of these things into something relatable and comprehensible, instead of being absurd for its own sake there is an analogy at the heart of it all. Josh's [[MyBelovedSmother mother]] inquiring about his love life is treated as ''actual'' ElectricTorture, after being drugged and shackled to a chair with clamps to his nipples and testicles (in his childhood room, no less).
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* ''Series/ManSeekingWoman'' is a surrealist show that initially presents itself as a relationship drama but quickly goes down the path of AncientConspiracy, AlienInvasion, AllMythsAreReal and other fantastical events which shifts [[GenreMashup multiple times in a single episode]], all treated with at best [[UnusuallyUninterestingSight mild surprise]]. But there is a through-line that anchors all of these things into something relatable and comprehensible, instead of being absurd for its own sake there is an analogy at the heart of it all. Josh's [[MyBelovedSmother mother]] inquiring about his love life is treated as ''actual'' ElectricTorture, after being drugged and shackled to a chair with clamps to his nipples and testicles (in his childhood room, no less).

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* ''Series/ManSeekingWoman'' is a surrealist show that initially presents itself as a relationship drama but quickly goes down the path of AncientConspiracy, AlienInvasion, AllMythsAreReal AllMythsAreTrue and other fantastical events which shifts [[GenreMashup multiple times in a single episode]], all treated with at best [[UnusuallyUninterestingSight mild surprise]]. But there is a through-line that anchors all of these things into something relatable and comprehensible, instead of being absurd for its own sake there is an analogy at the heart of it all. Josh's [[MyBelovedSmother mother]] inquiring about his love life is treated as ''actual'' ElectricTorture, after being drugged and shackled to a chair with clamps to his nipples and testicles (in his childhood room, no less).
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* ''Series/ManSeekingWoman'' is a surrealist show that initially presents itself as a relationship drama but quickly goes down the path of AncientConspiracy, AlienInvasion, AllMythsAreReal and other fantastical events which shifts [[GenreMashup multiple times in a single episode]], all treated with at best [[UnusuallyUninterestingSight mild surprise]]. But there is a through-line that anchors all of these things into something relatable and comprehensible, instead of being absurd for its own sake there is an analogy at the heart of it all. Josh's [[MyBelovedSmother mother]] inquiring about his love life is treated as ''actual'' ElectricTorture, after being drugged and shackled to a chair with clamps to his nipples and testicles (in his childhood room, no less).
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* Music/SheilaOn7: "Lapang Dada" was written by Eross with his late father in mind, but it was purposefully written to be applicable to any kind of acceptance, which led to most interpreting it as IWantMyBelovedToBeHappy, including the official music video.
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* ''WesternAnimation/TurningRed'':
** Some fans have related to Mei's struggles as being a metaphor for being closeted and LGBT by how Mei initially sees herself as a "freak" and is terrified what everyone will think of her when they find out. Her friends ultimately showing they still love Mei for who she is and how she gradually gets accepted by everyone else is even more heartwarming in that context.
** This has also struck a chord with those in the UsefulNotes/FurryFandom who see Mei's story being parallel to that of a young teen who is a furry and struggling to grow up as one while trying to come to terms with it and seeking acceptance from friends and family.
** Disabled, neurodivergent, and mentally ill viewers, especially those who are also female or AFAB, and even more so if they're East Asian (or from cultures with similar ideals about conformity, achievement/perfection, emotional control, and normality in general), have seen parallels with the transformation also being a genetic thing that is an intrinsic part of them, to be managed and coexisted alongside, not "cured" or repressed until the point of a meltdown that may endanger themselves and/or others.

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** A more minor example regards Theatre/{{Macbeth}}’s “tomorrow and tomorrow and tomorrow” monologue. In context it’s a DespairSpeech in which the eponymous character says that [[StrawNihilist life is meaningless]] and [[CessationOfExistence we’ll all cease to exist anyway]], but since the final line happens to be, “It is a tale told by an idiot, full of sound and fury, signifying nothing,” in the current age of [[SturgeonsLaw completely justified]] {{Caustic Critic}}ism on the Internet, those in the MSTing community like to quote the line to describe the prose they are making fun of.

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** A more minor example regards Theatre/{{Macbeth}}’s “tomorrow and tomorrow and tomorrow” monologue. In context it’s a DespairSpeech in which the eponymous character says that [[StrawNihilist life is meaningless]] and [[CessationOfExistence we’ll all cease to exist anyway]], but since the final line happens to be, “It is a tale told by an idiot, full of sound and fury, signifying nothing,” in the current age of [[SturgeonsLaw completely justified]] justified {{Caustic Critic}}ism on the Internet, those in the MSTing community like to quote the line to describe the prose they are making fun of.
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* [[DiscussedTrope Discussed]] in Masahiro Imamura's debut novel ''Death Among The Undead'', as every character in the book discusses at one point or another what the [[OurZombiesAreDifferent zombies]] "mean" or "represent" in their own minds, always influenced by their own worldviews or prejudices: TheCasanova compares them to people who believe in love because [[TheCynic they're both stupid and ruled by their base impulses]], [[ExperiencedProtagonist the detective]] views them as a particularly difficult puzzle to solve, [[TheWatson the narrator]], who had previously lost his home to an earthquake, interprets them as a reminder of mankind's powerlessness before disasters, and [[GenreSavvy the obligatory zombie movie fanboy]], while admitting that [[MST3KMantra he personally just views them as a source of excitement]], is the first one to observe the way zombies are only ever "discussed" as reflections of the speaker's own ego, a view the narrator agrees with after the culprit submits their own view: [[LeaningOnTheFourthWall the zombies were a convenient plot device to enable them to commit an unprecedented crime.]]
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Super OCD is no longer a trope


* ''Series/TheBigBangTheory'' is a show that runs with nerd stereotypes but does so in such a way that they don't all fall into the exact same character mold. As a result a lot of people are able to find themselves in the characters despite being on the extreme end of "smart people." Sheldon's rampant ScheduleFanatic and SuperOCD behavior lead many people to assume he is [[UsefulNotes/AspergerSyndrome autistic]], and there's much debate about whether he's a positive or negative portrayal of the condition. Leonard is timid and a pushover while trying to stay a NiceGuy. Howard is a CasanovaWannabe who has a hard time understanding why women aren't falling for [[ExtravertedNerd his excitable energy]]. Raj is painfully shy around women to the point [[ShrinkingViolet he can't even speak in their presence]], though he later gets somewhat better. And Penny, the only non-nerd/non-genius of the cast, is easily overwhelmed by the nerd topics and science talk and often ends up the odd one out. It's covering this wide spectrum of personalities that lead many reviewers to speculate this is the reason behind the show's success.

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* ''Series/TheBigBangTheory'' is a show that runs with nerd stereotypes but does so in such a way that they don't all fall into the exact same character mold. As a result a lot of people are able to find themselves in the characters despite being on the extreme end of "smart people." Sheldon's rampant ScheduleFanatic and SuperOCD ObsessivelyOrganized behavior lead many people to assume he is [[UsefulNotes/AspergerSyndrome autistic]], and there's much debate about whether he's a positive or negative portrayal of the condition. Leonard is timid and a pushover while trying to stay a NiceGuy. Howard is a CasanovaWannabe who has a hard time understanding why women aren't falling for [[ExtravertedNerd his excitable energy]]. Raj is painfully shy around women to the point [[ShrinkingViolet he can't even speak in their presence]], though he later gets somewhat better. And Penny, the only non-nerd/non-genius of the cast, is easily overwhelmed by the nerd topics and science talk and often ends up the odd one out. It's covering this wide spectrum of personalities that lead many reviewers to speculate this is the reason behind the show's success.

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