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Changed line(s) 198 (click to see context) from:
*** The Anthology tracks end with "Manuscript," where Swift looks back on her previous relationships but acknowledges that their time has long since past and that her songs will be all that's left of what she once felt about them.
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*** The Anthology tracks end with "Manuscript," "The Manuscript," where Swift looks back on her previous relationships but acknowledges that their time has long since past and that her songs will be all that's left of what she once felt about them.
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** ''Music/TheTorturedPoetsDepartment'', being a double album, has two:
*** The standard edition tracks end with "Clara Bow," a reflection on how the entertainment industry pits younger generations of female entertainers against their predecessors.
*** The Anthology tracks end with "Manuscript," where Swift looks back on her previous relationships but acknowledges that their time has long since past and that her songs will be all that's left of what she once felt about them.
*** The standard edition tracks end with "Clara Bow," a reflection on how the entertainment industry pits younger generations of female entertainers against their predecessors.
*** The Anthology tracks end with "Manuscript," where Swift looks back on her previous relationships but acknowledges that their time has long since past and that her songs will be all that's left of what she once felt about them.
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** ''Music/BornToDie'' ends with "This Is What Makes Us Girls", a deeply personal song remembering the fun times she had before her parents sent her off to boarding school for rowdy behavior.
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* In contrast to the IndustrialMetal of the rest of the album, Music/Powerman5000's ''Tonight The Stars Revolt!'' closes with "Watch The Stars For Me", a {{retraux}} lounge song featuring [[Music/MarilynManson Ginger Fish]] on piano. It does still fit into the album's loose science fiction concept due to its outer-space-themed lyrics, and the fact that it might be an extended homage to Vangelis' "One More Kiss, Dear", a similar unexpectedly retraux song from the ''Film/BladeRunner'' soundtrack.
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* Creator/{{Gooseworx}}:
** The last song on ''[=Pir8s=]'' is a {{Medley}} of various songs from the album.
** "Supernova Shakedown", the last song in the space girl series, includes bits from the two preceding songs.
** The last song on ''[=Pir8s=]'' is a {{Medley}} of various songs from the album.
** "Supernova Shakedown", the last song in the space girl series, includes bits from the two preceding songs.
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Changed line(s) 189 (click to see context) from:
** ''Music/Evermore2020'' ends with the title track, another downer song about struggling with depression, but one with a RayOfHope ending as the narrator starts to heal and move on to a better mental state.
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** ''Music/Evermore2020'' ends with the title track, another downer song about struggling with depression, but one with a RayOfHope ending RayOfHopeEnding as the narrator starts to heal and move on to a better mental state.
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Changed line(s) 189 (click to see context) from:
** ''Music/Evermore2020'' returns to form by ending with "it's time to go," a song about letting go of past relationships that also works as a metaphor for Swift "letting go" of the masters for her first six albums.
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** ''Music/Evermore2020'' returns to form by ending ends with "it's time to go," a the title track, another downer song about letting go of past relationships that also works struggling with depression, but one with a RayOfHope ending as a metaphor for Swift "letting go" of the masters for her first six albums.narrator starts to heal and move on to a better mental state.
