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* CatchPhrase: Most of the things Vimes has the Ankh-Morpork characters say are their catchphrases, like Foul Ole Ron's "[[WordSaladHumor Buggrit! Millenium hand and shrimp]]!" or Lord Vetinari's "Don't let me detain you."
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* CatchPhrase: Most of the things Vimes has the Ankh-Morpork characters say are their catchphrases, like Foul Ole Ron's "[[WordSaladHumor Buggrit! Millenium Millennium hand and shrimp]]!" or Lord Vetinari's "Don't let me detain you."
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* BackgroundBodyPart: Just as described in ''Thud!'' the animals are all standing near things that create the illusion of horns and udders. For at least a second. If you'd never seen a cow before. Maybe.
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Not exactly the book mentioned in ''Literature/{{Thud}}'', ''Where's My Cow?'' uses [[ArtShift three distinct art styles]]. It tells the story of the time (mentioned in ''Thud!'') when Vimes changed the story to a more "city-appropriate" version, removing the animals and putting in city people. The first, most realistic, art style is the real world events. The second, highly simplistic, is for the ''Where's My Cow?'' book itself. The third is a cartoony style that anthropomorphises the toys and paintings, a visual description of young Sam's imagination. As young Sam gets more and more worked up the art styles blend together.
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Not exactly the book mentioned in the ''Literature/{{Discworld}}'' book ''Literature/{{Thud}}'', ''Where's My Cow?'' uses [[ArtShift three distinct art styles]]. It tells the story of the time (mentioned in ''Thud!'') when Vimes changed the story to a more "city-appropriate" version, removing the animals and putting in city people. The first, most realistic, art style is the real world events. The second, highly simplistic, is for the ''Where's My Cow?'' book itself. The third is a cartoony style that anthropomorphises the toys and paintings, a visual description of young Sam's imagination. As young Sam gets more and more worked up the art styles blend together.
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* PleaseKeepYourHatOn: In possibly the first ever illustration of him sans Watch helmet, Samuel Vimes is revealed to have greasy helmet hair.
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* PleaseKeepYourHatOn: In possibly the first ever illustration of him sans Watch helmet, Samuel Vimes is revealed to have greasy helmet hair. Young Sam's hair is no beautician's masterpiece, either.
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* [[WhenSheSmiles When He Smiles]]: This is also the first, and probably ''only'', Discworld illustration where Vimes is actually smiling. And not the mirthless, or [[SlasherSmile dangerous]], kind he's been known to give just before he cuffs someone, but an actual big goofy, and ''Happy'' smile.
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* [[WhenSheSmiles When He Smiles]]: This is also the first, and probably ''only'', Discworld illustration where Vimes is actually smiling. And not the mirthless, or [[SlasherSmile dangerous]], kind he's been known to give just before he cuffs someone, but an actual big goofy, and ''Happy'' ''happy'' smile.
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Changed line(s) 2,3 (click to see context) from:
Not exactly the book mentioned in ''Discworld/{{Thud}}'', ''Where's My Cow?'' uses [[ArtShift three distinct art styles]]. It tells the story of the time (mentioned in ''Thud!'') when Vimes changed the story to a more "city-appropriate" version, removing the animals and putting in city people. The first, most realistic, art style is the real world events. The second, highly simplistic, is for the ''Where's My Cow?'' book itself. The third is a cartoony style that anthropomorphises the toys and paintings, a visual description of young Sam's imagination. As young Sam gets more and more worked up the art styles blend together.
to:
Not exactly the book mentioned in ''Discworld/{{Thud}}'', ''Literature/{{Thud}}'', ''Where's My Cow?'' uses [[ArtShift three distinct art styles]]. It tells the story of the time (mentioned in ''Thud!'') when Vimes changed the story to a more "city-appropriate" version, removing the animals and putting in city people. The first, most realistic, art style is the real world events. The second, highly simplistic, is for the ''Where's My Cow?'' book itself. The third is a cartoony style that anthropomorphises the toys and paintings, a visual description of young Sam's imagination. As young Sam gets more and more worked up the art styles blend together.
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* [[WhenSheSmiles When He Smiles]]: This is also the first, and probably ''only'', Discworld illustration where Vimes is actually smiling. And not the mirthless, or [[SlasherSmile dangerous]], kind he's been known to give just before he cuffs someone, but an actual big goofy, and ''Happy'' smile.
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* ComicBookFantasyCasting: Vimes looks like Creator/PetePostlethwaite in this book, reflecting what was said to be Pratchett's personal HypotheticalCasting.
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* QuestioningTitle: ''Where's My Cow?''
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* CatchPhrase: Most of the things Vimes has the Ankh-Morpork characters say are their catchphrases, like Foul Ole Ron's "Buggrit! Millenium hand and shrimp!" or Lord Vetinari's "Don't let me detain you."
to:
* CatchPhrase: Most of the things Vimes has the Ankh-Morpork characters say are their catchphrases, like Foul Ole Ron's "Buggrit! "[[WordSaladHumor Buggrit! Millenium hand and shrimp!" shrimp]]!" or Lord Vetinari's "Don't let me detain you."
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* InherentlyFunnyWords: Both "hippopotamus" and the sound that it's given to make. It goes HRUUGH!
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/where_s_my_cow.jpg]]
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* CreatorCameo: There's a portrait of Terry Pratchett in Young Sam's room
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* CreatorCameo: There's a portrait of Terry Pratchett in Young Sam's room.
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* {{Defictionalization}}: The book in this book was just a [[ShowWithinAShow Book in a Book]] until it was made for real. Seeing as both books were released concurrently in Britain, more of a tie-in. There was barely any delay in America, as well, and they were marketed as a tie-in during Pratchett's signing tour.
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How To Create A Works Page explicitly says "No bolding is used for work titles."
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Not exactly the book mentioned in ''Discworld/{{Thud}}'', '''''Where's My Cow?''''' uses [[ArtShift three distinct art styles]]. It tells the story of the time (mentioned in ''Thud!'') when Vimes changed the story to a more "city-appropriate" version, removing the animals and putting in city people. The first, most realistic, art style is the real world events. The second, highly simplistic, is for the ''Where's My Cow?'' book itself. The third is a cartoony style that anthropomorphises the toys and paintings, a visual description of young Sam's imagination. As young Sam gets more and more worked up the art styles blend together.
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Not exactly the book mentioned in ''Discworld/{{Thud}}'', '''''Where's ''Where's My Cow?''''' Cow?'' uses [[ArtShift three distinct art styles]]. It tells the story of the time (mentioned in ''Thud!'') when Vimes changed the story to a more "city-appropriate" version, removing the animals and putting in city people. The first, most realistic, art style is the real world events. The second, highly simplistic, is for the ''Where's My Cow?'' book itself. The third is a cartoony style that anthropomorphises the toys and paintings, a visual description of young Sam's imagination. As young Sam gets more and more worked up the art styles blend together.
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* DependingOnTheArtist: Most characters that were illustrated here were also drawn by Paul Kidby in ''The Art of Discworld'' and look rather different in the two books.
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Spelling
Changed line(s) 1,2 (click to see context) from:
Not exactly the book mentioned in ''Discworld/{{Thud}}'', '''''Where's My Cow?''''' uses [[ArtShift three distinct art styles]]. It tells the story of the time (mentioned in ''Thud!'') when Vimes changed the story to a more "city-appropriate" version, removing the animals and putting in city people. The first, most realistic, art style is the real world events. The second, highly simplistic, is for the ''Where's My Cow?'' book itself. The third is a cartoony style that anthropomorphesises the toys and paintings, a visual description of young Sam's imagination. As young Sam gets more and more worked up the art styles blend together.
to:
Not exactly the book mentioned in ''Discworld/{{Thud}}'', '''''Where's My Cow?''''' uses [[ArtShift three distinct art styles]]. It tells the story of the time (mentioned in ''Thud!'') when Vimes changed the story to a more "city-appropriate" version, removing the animals and putting in city people. The first, most realistic, art style is the real world events. The second, highly simplistic, is for the ''Where's My Cow?'' book itself. The third is a cartoony style that anthropomorphesises anthropomorphises the toys and paintings, a visual description of young Sam's imagination. As young Sam gets more and more worked up the art styles blend together.
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spelling
Changed line(s) 7 (click to see context) from:
* {{Defictionalization}}: The book in this book was just a [[ShowWithinAShow Book in a Book]] until it was made for real. Seeing as both books were released concurrently in Britain, more of a tie-in. There was barely any delay in America, as well, and they were marketed as a tie-in during Pterry's signing tour.
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* {{Defictionalization}}: The book in this book was just a [[ShowWithinAShow Book in a Book]] until it was made for real. Seeing as both books were released concurrently in Britain, more of a tie-in. There was barely any delay in America, as well, and they were marketed as a tie-in during Pterry's Pratchett's signing tour.
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* CreatorCameo: There's a portrait of Terry Pratchett in Young Sam's room
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Changed line(s) 1 (click to see context) from:
Not exactly the book mentioned in ''Discworld/{{Thud}}'', this book uses [[ArtShift three distinct art styles]]. It tells the story of the time (mentioned in ''Discworld/{{Thud}}'') when Vimes changed the story to a more "city appropriate" version, removing the animals and putting in city people. The first, most realistic, art style is the real world events. The second, highly simplistic, is for the ''Where's My Cow?'' book itself. The third is a cartoony style that anthropomorphesises the toys and paintings, a visual description of young Sam's imagination. As young Sam gets more and more worked up the art styles blend together.
to:
Not exactly the book mentioned in ''Discworld/{{Thud}}'', this book '''''Where's My Cow?''''' uses [[ArtShift three distinct art styles]]. It tells the story of the time (mentioned in ''Discworld/{{Thud}}'') ''Thud!'') when Vimes changed the story to a more "city appropriate" "city-appropriate" version, removing the animals and putting in city people. The first, most realistic, art style is the real world events. The second, highly simplistic, is for the ''Where's My Cow?'' book itself. The third is a cartoony style that anthropomorphesises the toys and paintings, a visual description of young Sam's imagination. As young Sam gets more and more worked up the art styles blend together.together.
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!!This work shows examples of:
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* {{Defictionalization}}: The book in this book was just a [[ShowWithinAShow Book In A Book]] until it was made for real.
** And try say everything before "until" ten times!
** Seeing as both books were released concurrently in Britain, more of a tie-in.
*** There was barely any delay in America, as well, and they were marketed as a tie-in during Pterry's signing tour.
** And try say everything before "until" ten times!
** Seeing as both books were released concurrently in Britain, more of a tie-in.
*** There was barely any delay in America, as well, and they were marketed as a tie-in during Pterry's signing tour.
to:
* {{Defictionalization}}: The book in this book was just a [[ShowWithinAShow Book In A in a Book]] until it was made for real.
** And try say everything before "until" ten times!
**real. Seeing as both books were released concurrently in Britain, more of a tie-in.
***tie-in. There was barely any delay in America, as well, and they were marketed as a tie-in during Pterry's signing tour.
** And try say everything before "until" ten times!
**
***
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<<|{{Discworld}}|>>
<<|{{Discworld}}|>>
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<<|{{Discworld}}|>>
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* CatchPhrase: Most of the things Vimes has the Ankh-Morpork characters say are their catchphrases, like Foul Ole Ron's "Buggrit! Millenium hand and shrimp!" or Lord Vetinari's "Don't let me detain you."
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[[redirect:Discworld/ptitleuzqe5td1]]
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!!This work shows examples of:
* {{Defictionalization}}: The book in this book was just a [[ShowWithinAShow Book In A Book]] until it was made for real.
** And try say everything before "until" ten times!
** Seeing as both books were released concurrently in Britain, more of a tie-in.
*** There was barely any delay in America, as well, and they were marketed as a tie-in during Pterry's signing tour.
* PleaseKeepYourHatOn: In possibly the first ever illustration of him sans Watch helmet, Samuel Vimes is revealed to have greasy helmet hair.
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<<|{{Discworld}}|>>