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* TamerAndChaster: While the ''Red Vixen Adventures'' has some mildly suggestive elements, two canon stories set in Foxen Prime's pre-spaceflight era, ''Prisoners of War'' and ''Prisoner of Midnight,'' are outright BDSM erotica.
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** [[SuspiciouslySpecificDenial There is no such thing]] as the Ministry of Assasination.
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!!The current novellas include:

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!!The [[AC:The current novellas include:include:]]
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The current novellas include:

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The !!The current novellas include:

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* AirVentEscape: Attempted by Rolas in "Captive", but he finds a note from the Red Vixen and a trap waiting at the grille above the lifeboats. Greycoat in "Claw" also tries it with slightly more success, but comes out in Ali's cabin.

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* AirVentEscape: Attempted by Rolas in "Captive", but he finds a note from the Red Vixen and a trap waiting at the grille above the lifeboats. Greycoat in "Claw" also tries it with slightly more success, but comes out in Ali's cabin.2


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* ScaryDogmaticAliens:
** The Kinis are CatFolk LibertariansInSpace who hold that the only law is contracts between individuals. WordOfGod states that while not outright evil, almost everyone else considers them unpleasant to deal with.
** Played straight with the Foxen themselves in ''The Visitors'', as Reg seriously considers imprisoning a human exploration crew for life, and launching an astronaut on a suicide mission to protect Foxen Prime after viewing a historical vid about the Holocaust.
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* {{Bookends}}:
** The first and last stories in the ''Complete Red Vixen Adventures'' end with Melanie and Rolas laughing as they step outside Darktail Manor for a walk.
** The first prequel novella set before FirstContact ends with Lord Rolas the First being rescued by Mother Country paratroopers. More darkly, the last prequel story ''The Visitors'' ends with paratroopers invading Rolas' holiday manor to try and capture the [[spoiler: escaped human explorers.]]
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* ItsRainingMen: Happens twice in the {{Steampunk}} prequel novella ''Prisoners of War''. At the climax of Mother Country special forces soldiers come to the rescue using the recently developed technique of High Altitude Low Opening parajumps from ''airships.''

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* ItsRainingMen: Happens twice in At the {{Steampunk}} climax of the prequel novella ''Prisoners of War''. At the climax of War'' Mother Country special forces soldiers come to the rescue using the recently developed technique of High Altitude Low Opening parajumps from ''airships.''
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* ItsRainingMen: Happens twice in the {{Steampunk}} prequel novella ''Prisoners of War''. At the climax of Mother Country special forces soldiers come to the rescue using the recently developed technique of High Altitude Low Opening parajumps from ''airships.''
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* [[SurprisinglyGoodForeignLanguage Surprisingly Good Arabic]]: Part of the background of the wazagans is that their world suffered a PrimeDirective failure, so much of their own religion and culture was dumped in favor of a oddball combination of Christian and Muslim. As a result, the wazagans tend to use a lot of Arabic for flavor. Fortunately one of Day's cover artists is a native of Saudi Arabia, ensuring the Arabic translations are authentic.

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* CanonWelding: A minor character in "Shadow of Her Sins" turns out to be from Gerwart, an expy of Germany from Day's earlier novella "Prisoners of War", implying that it was set in Foxen Prime's pre-spaceflight era.
** That and the Rolas Darktail in "POW" is the [[IdenticalGrandson ancestor]] of the one in this series.

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* CanonWelding: CanonWelding:
**
A minor character in "Shadow of Her Sins" turns out to be from Gerwart, an expy of Germany from Day's earlier novella "Prisoners of War", implying that it was set in Foxen Prime's pre-spaceflight era.
** That and Confirmed in “The Visitors”, where the RVA-era Rolas Darktail in "POW" is discovers a diary written by his ancestor, the [[IdenticalGrandson ancestor]] protagonist of the one in this series.“POW.”



* SecondaryCharacterTitle: The series as a whole and half the individual titles refer to the Red Vixen, a character with very little actual screen time except as her SecretIdentity Lady Melanie, and the story is only told once from her perspective.

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* SecondaryCharacterTitle: The series as a whole and half the individual titles refer to the Red Vixen, a character with very little actual screen time except as her SecretIdentity Lady Melanie, and the story is only isn’t told once from her perspective.perspective until “The Red Vixen at Sea”.

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* LoveTriangle: In ''The Red Vixen at Sea'' Melanie discovers that Rolas has a pair of lovers in his youth, one male, the other female. Both of them loved Rolas, but didn't love each other, so when he suggested they both marry him they turn him down flat.



* TriangRelations: In ''The Red Vixen at Sea'' Melanie discovers that Rolas has a pair of lovers in his youth, one male, the other female. Both of them loved Rolas, but didn't love each other, so when he suggested they both marry him they turn him down flat.
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* AllWomenAreDomsAllMenAreSubs: Seems to be the case with Rolas and the Red Vixen's interactions in the books, even if he's a bit reluctant to admit he likes it. However the various shorts on the author's Website/LiveJournal and other sites indicate that Melanie occasionally likes to be tied up and spanked too. Meanwhile Alinadar is unmistakably submissive, which Sallivera finds a bit disturbing [[MadeASlave considering her past.]]
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** The Red Vixen's self-given title of "The Scourge of the Spaceways"(tm) is from Creator/RobertHeinlein's book Literature/TheRollingStones, though there it's referring to a deliberately over the top fictional hero, not a space pirate.

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** The Red Vixen's self-given title of "The Scourge of the Spaceways"(tm) is from Creator/RobertHeinlein's book Literature/TheRollingStones, ''Literature/TheRollingStones1952'', though there it's referring to a deliberately over the top over-the-top fictional hero, not a space pirate.

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