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* NeverMyFault: This is the chief problem of the damned, as repentance is the first step one makes towards salvation.

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* NeverMyFault: This is the chief problem of the damned, as repentance is the first step one makes towards salvation. It's worth noting that the one and only ghost that ends up becoming a Person during the book recognizes and acknowledges that his flaw (lust) ''is'' a flaw, and permits [[WreathedInFlames an]] [[OurAngelsAreDifferent angel]] to correct it.
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* OurAngelsAreDifferent: Unsurprisingly, [[{{Heaven}} considering the setting]], we meet two angels: one is a ''sentient waterfall'', and another is a giant humanoid WreathedInFlames (which makes you wonder if they ''all'' have some kind of elemental affinity). Both are given to BrutalHonesty, and it's somewhat dangerous for the ghosts to get too near them, giving them a HolyIsNotSafe vibe. That said, they're both definitely on the side of good, and both tell the ghosts how they can get more solid.
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* NeverMyFault: This is the chief problem of the damned, as repentance is the first step one makes towards salvation.
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* AfterlifeTour: The narrator is lost and confused in Heaven until the spirit of Creator/GeorgeMacdonald takes him under his wing and explains what's going on. He shows to him the various types of souls whom their own heavenly guides try to convince to accept salvation, and explains why many still end up in Hell.
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* HellInvadesHeaven: Played with in a very strange way: the only things that ever come out of hell into heaven are ghosts, and ghosts are too unreal to do any damage. However, some of those ghosts, in one way or another, have the motivation (but never the ability) to bring Hell into Heaven in one way or another, ranging from explaining Hell to the Persons in Heaven, to trying to convince the Persons in Heaven to transform Heaven to look more like Hell, to simply [[RageAgainstTheHeavens screaming in hatred]] at anyone in Heaven.
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* TheShutIn: None of the hellish spirits want to venture outside their "dwelling places" when darkness falls. When 'They' arrive. Whether is a this is a case of OurAngelsAreDifferent or OurDemonsAreDifferent is not explicit mentioned, therefore left open to interpretation. If anything, ''sunrise'' ironically comes first, and hoo boy [[GoodIsNotNice the damned don't]] [[HolyBurnsEvil like that]] [[EvilCannotComprehendGood one bit.]]

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* TheShutIn: None of the hellish spirits want to venture outside their "dwelling places" when darkness falls. When falls and 'They' arrive. Whether is a this is a case of OurAngelsAreDifferent or OurDemonsAreDifferent is not explicit explicitly mentioned, therefore left open to interpretation. If anything, ''sunrise'' ironically comes first, and hoo boy [[GoodIsNotNice the damned don't]] [[HolyBurnsEvil like that]] [[EvilCannotComprehendGood one bit.]]



* SpiritAdvisor: Every visitor from Hell gets one; though the Heavenly Beings are all fully visible to one another, the Hellish ones can only perceive depending on certain circumstances.

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* SpiritAdvisor: Every visitor from Hell gets one; though is invited to Heaven by a saint assigned to them. Though the Heavenly Beings are all fully visible to one another, the Hellish ones ghosts from Hell can only perceive see them depending on certain circumstances.



* WasOnceAMan: Many of the Hellish spirits are so bitter that there's very little left of them.

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* WasOnceAMan: Many of the Hellish spirits are so bitter that there's very little left of them.them, leaving them looking more like a caricature of a human than the actual thing.
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* ShrineToTheFallen: One of the shades was an [[MyBelovedSmother overbearing mother]] who made the rest of her family miserable with her favoritism for her son. Part of her ExcessiveMourning after his death involved keeping his room completely untouched.

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Made Of Iron is a character trope.


* MadeOfIron: Everything in Heaven. From the people to the water to the sunlight, everything in Heaven is more solid (due simply to being more ''real'') than anything on Earth.



* TheMasochismTango: A husband and wife who leave the line for the bus quarreling. It is clear that they will go on trashing each other forever.

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* TheMasochismTango: A husband and wife who leave the line for the bus {{Heaven}} because they're too busy quarreling. It is clear that they will go on trashing each other forever.



* OurGhostsAreDifferent: We only see the Ghosts who decide to visit Heaven, but there's some discussion about Ghosts who take similar visits back to Earth.


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* OurGhostsAreDifferent: We only see the Ghosts who decide to visit Heaven, who are tiny, selfish creatures so insubstantial touching things outside of Hell hurts them. There's also a passing reference to some of these ghosts who have taken visits back to Earth.

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* IronicHell. It exists ''in Heaven'', but is no larger there than an atom. The beings that dwell there are subatomic. In fact it's so insignificant, it's shown to be more of a state of mind, rather than a state of reality itself.

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* IronicHell. It exists ''in Heaven'', but is no larger there than an atom. The beings ghosts of Hell were all selfish souls obsessed with themselves, so in Hell they're allowed to go out on their own and build their own houses. Of course, these leaves them totally alone in buildings that dwell there are subatomic. In fact it's so insignificant, it's shown to be more as tiny and false as they are. So tiny, in fact, that the entirety of a state of mind, rather Hell is smaller than a state blade of reality itself. grass in Heaven, torturing the damned with the knowledge of how little they are.


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* ItsTheJourneyThatCounts: DiscussedTrope: the (apostate) bishop believes that "to travel hopefully is better than to arrive," while his more heavenly-minded friend disagrees--if the destination isn't worth traveling to, then how could anyone go anywhere in hope?
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Idiot Ball is about characters who act stupidly to advance the plot, not characters who are idiots as part of their personality.


* IdiotBall: The plot centers around a busload of idiots so self-centered that they are completely unable to accept a Paradise where they have to care about others.
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Realizing now this just doesn't fit the trope.


* HopeSpot: The Ghost With the Lizard permitting the Angel to kill his lizard and subsequently being reborn as a Person, thus proving that the Ghosts actually ''can'' be reborn.

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* FriendToAllLivingThings: Sarah Smith has won over practically every person and every living creature she's ever met, which is why we learn her name. The only person she couldn't win over was her husband [[spoiler:and cannot even in the afterlife]].

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* FriendToAllLivingThings: Sarah Smith has won over practically every person and every living creature she's ever met, which is why we learn her name. The only person she couldn't win over was her husband [[spoiler:and cannot husband, not even in the afterlife]].{{Heaven}}.


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* GoodFeelsGood: People in Heaven are vibrant and happy, while denizens of Hell are bored and full of themselves - or, at the very best, tend to chase trivial things (like attempts of one of them to smuggle one of Heaven's apples back to Hell).

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* DomesticAbuse: We see two not-very-good spouses in Hell. Robert's Wife is a control freak who forced him into what ''she'' considered success, and Frank Smith emotionally manipulated his wife Sarah using pity. Both of them try their shtick with the Bright Ones, but it doesn't work.



* DomesticAbuse: We see two not-very-good spouses in Hell. Robert's Wife is a control freak who forced him into what ''she'' considered success, and Frank Smith emotionally manipulated his wife Sarah using pity. Both of them try their shtick with the Bright Ones, but it doesn't work.

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* AnAesop: The moral of the story is that Heaven and Hell are incompatible and that it is ultimately up to the preference of an individual whether they end up in one or the other.



* AHellOfATime: DownplayedTrope. The Grey Town doesn't contain the expected sights associated with Hell: devils with pitchforks, sinners being tortured on flaming racks, etc. It's just a depressing, rainy place where constant squabbling causes residents to spread out from everyone else and become TheAloner. However, it's hinted that this is just the antechamber to Hell -- things are about to get much worse once the sun sets and the full darkness sets in for the rest of time.
* AnAesop: The intended aesop is that Heaven and Hell are incompatible, though you can change sides.



* TheAloner: Pretty much every resident of Hell, because they can't stop quarreling with their neighbors. Every time someone settles near another person, within a week they've fought so badly that someone decides to move farther out, eventually moving to the outskirts and building a new house.

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* TheAloner: Pretty much every resident of Hell, Hell ends up alone, because they can't stop quarreling with their neighbors. Every time someone settles near another person, within a week they've fought so badly that someone decides to move farther out, eventually moving to the outskirts and building a new house.



* AnythingThatMoves: One of the Ghosts appears to have grown so obsessed with sex that she is unable to conceive of any purpose for interaction other than seduction, and actually tries to seduce the Bright Ones who are trying to talk to her.

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* AnswersToTheNameOfGod:
** One of the ghosts makes an off-hand remark about charity, only for the saint they're talking to respond as if charity was the name of {{God}}.
---> '''A Ghost:''' I just want my deserts, see? I'm not asking for anyone's bleeding charity.\\
'''A Person:''' Then do so at once. Ask for the Bleeding Charity. Everything is here for the asking and nothing can be bought.
** There's also an exchange where a Ghost exclaims "God!" to the confusion of one of the Bright Ones, who only uses the word "God" as [[{{God}} a noun]]. The Ghost has to embarrassingly explain that he meant something like "[[GoshDangItToHeck By gum]]."
* AnythingThatMoves: One of the Ghosts appears to have grown so obsessed with sex that she is unable to conceive of any purpose for interaction other than seduction, and seduction. She actually tries to seduce the Bright Ones who are trying to talk to her. her into entering Heavem.



* AnswersToTheNameOfGod:
--> '''A Ghost:''' I just want my deserts, see? I'm not asking for anyone's bleeding charity.\\
'''A Person:''' Then do so at once. Ask for the Bleeding Charity. Everything is here for the asking and nothing can be bought.
** There's also an exchange where a Ghost exclaims "God!" to the confusion of one of the Bright Ones, who only uses the word "God" as [[{{God}} a noun]]. The Ghost has to embarrassedly explain that he meant something like "[[GoshDangItToHeck By gum]]."


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* AHellOfATime: DownplayedTrope. The Grey Town doesn't contain the expected sights associated with Hell: devils with pitchforks, sinners being tortured on flaming racks, etc. It's just a depressing, rainy place where constant squabbling causes residents to spread out from everyone else and become TheAloner. However, it's hinted that this is just the antechamber to Hell -- things are about to get much worse once the sun sets and the full darkness sets in for the rest of time.

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* AFormYouAreComfortableWith: [=MacDonald=] states that all our choices, and even Time itself, are essentially a kind of image through which we can perceive eternal reality.


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* AFormYouAreComfortableWith: [=MacDonald=] states that all our choices, and even Time itself, are essentially a kind of image through which we can perceive eternal reality.
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* EldritchLocation: Heaven is this to all Hellish ghosts. Everything is alive, or an incarnation of an Angel. Creatures real and mythological live there. People act like they're GettingSmiliesPaintedOnYourSoul. Everything hurts and disorients them as they find they are less-than-real.

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* EldritchLocation: Heaven is this a terrifying, incomprehensible nightmare to all Hellish ghosts. Everything is alive, or an incarnation of an Angel. Creatures real and mythological live there. People act like they're GettingSmiliesPaintedOnYourSoul. Everything hurts and disorients them as they find out that they are less-than-real.
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* EldritchLocation: Heaven is this to all Hellish ghosts. Everything is alive, or an incarnation of an Angel. Creatures real and mythological live there. People act like they're GettingSmiliesPaintedOnYourSoul. Everything hurts and disorientates them as they find they are less-than-real.

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* EldritchLocation: Heaven is this to all Hellish ghosts. Everything is alive, or an incarnation of an Angel. Creatures real and mythological live there. People act like they're GettingSmiliesPaintedOnYourSoul. Everything hurts and disorientates disorients them as they find they are less-than-real.
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* StarsAreSouls: Subverted. In Hell, the distance of one's house from the Heavenly Bus stop is measured in the ammount of time it would take to walk the distance, similar to how our Sun's closest neighbors are measured in light years. "Old ones" including famous (or infamous) people from history such as Tamberlaine, Genghis Khan and Julius Caesar keep moving away across the plain of nothingness indefinitely. They ''could'' go all the way back to the bus stop... but it would take a very long time. At 15,000 years away, Napoleon's the nearest "star".

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* StarsAreSouls: Subverted. In Hell, the distance of one's house from the Heavenly Bus stop is measured in the ammount amount of time it would take to walk the distance, similar to how our Sun's closest neighbors are measured in light years. "Old ones" including famous (or infamous) people from history such as Tamberlaine, Genghis Khan and Julius Caesar keep moving away across the plain of nothingness indefinitely. They ''could'' go all the way back to the bus stop... but it would take a very long time. At 15,000 years away, Napoleon's the nearest "star".
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* TragicIntangibility: The souls of {{Hell}} are so insubstantial that even the blades of grass in {{Heaven}} pass through their form. We see several ghosts fail to lift apples, dawdle on one side of the river they can't swim in, and slowly realize that each time they they feel excruciating pain whenever anything passes through them, including light.

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* TragicIntangibility: The souls of {{Hell}} are so insubstantial that even the blades of grass in {{Heaven}} pass through their form. We see several ghosts fail to lift apples, dawdle on one side of the river they can't swim in, and slowly realize that each time they they feel excruciating pain whenever anything passes through them, including light. What's worse, the pain they experience is enough to convince them to abandon the loved ones they'll meet in Heaven and retreat back to the tiny shadows of Hell.
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* TragicIntangibility: The souls of {{Hell}} are so insubstantial that even the blades of grass in {{Heaven}} pass through their form. We see several ghosts fail to lift apples, dawdle on one side of the river they can't swim in, and slowly realize that each time they they feel excruciating pain whenever anything passes through them, including light.

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* ConversationHog: The grumbling old woman. [=MacDonald=] predicts that if she eventually gives the person with her a chance to talk, she'll be saved; but if not, she'll just go on until there's no personality left any more, only a perpetual stream of complaints.



%%* DrivenToSuicide: The Tousle-Headed Poet. According to him, all the bad things that happened to him were [[NeverMyFault Never His Fault]].%%What does this have to do with suicide?

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%%* * DrivenToSuicide: The By his own account the Tousle-Headed Poet. According Poet was driven to him, all the bad things kill himself. Presumably he did kill himself, but since he's insistent that happened to him were [[NeverMyFault Never His Fault]].%%What does this have to do with suicide?nothing is ever his fault]], it's quite possible that he wasn't driven in the slightest.
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* MovingBeyondBereavement: Discussed. Reginald points out that his sister Pam mourned her deceased son Michael excessively for ten years, driving her husband and daughter crazy because she felt they weren't devoted enough to his memory. Reginald says that eventually Pam stopped caring for Michael himself and revelled in her own importance, and that she should have let Michael go.
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no longer a trope


* WhatCouldHaveBeen: [[invoked]] Used in-universe. The apostate bishop speculates about how Christianity could have turned out differently (and, in his opinion, better) if Jesus had not been crucified, and had continued teaching throughout his life. This is, of course, CompletelyMissingThePoint: according to Christian orthodoxy, it's Jesus' death and resurrection that makes it possible for sinners (that is, everyone) to enter heaven.

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* WhatCouldHaveBeen: [[invoked]] Used in-universe. The apostate bishop speculates about how Christianity could have turned out differently (and, in his opinion, better) if Jesus had not been crucified, and had continued teaching throughout his life. This is, of course, CompletelyMissingThePoint: completely missing the point: according to Christian orthodoxy, it's Jesus' death and resurrection that makes it possible for sinners (that is, everyone) to enter heaven.
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-->''It was Soult's fault. It was Ney's fault. It was Josephine's fault. It was the fault of the English. It was the fault of the Russians.''

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-->''It -->''[[NeverMyFault It was Soult's fault. It was Ney's fault. It was Josephine's fault. It was the fault of the English. It was the fault of the Russians.'']]''
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* NotAfraidOfHell: Double subverted. While Hell is a rather dreary place that's always rainy and on the verge of twilight, it's not particularly terrible, though there are rumors that, once the sun permanently sets, [[NothingIsScarier "they"]] will finally come out.
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* DeliveranceFromDamnation: The book features an AfterlifeExpress that can bring damned souls (the Ghosts) to the outskirts of Heaven, where they can stay if they like (''if they like'' being the key words, since many of them don't). The Narrator watches one of the Ghosts, a lustful man, turn to God and go into the Deep Heaven, and he is told that Emperor Trajan likewise chose to stay.
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* StarsAreSouls: Subverted. In Hell, the distance ofo ne's house from the Heavenly Bus stop is measured in the ammount of time it would take to walk the distance, similar to how our Sun's closest neighbors are measured in light years. "Old ones" including famous (or infamous) people from history such as Tamberlaine, Genghis Khan and Julius Caesar keep moving away across the plain of nothingness indefinitely. They ''could'' go all the way back to the bus stop... but it would take a very long time. At 15,000 years away, Napoleon's the nearest "star".

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* StarsAreSouls: Subverted. In Hell, the distance ofo ne's of one's house from the Heavenly Bus stop is measured in the ammount of time it would take to walk the distance, similar to how our Sun's closest neighbors are measured in light years. "Old ones" including famous (or infamous) people from history such as Tamberlaine, Genghis Khan and Julius Caesar keep moving away across the plain of nothingness indefinitely. They ''could'' go all the way back to the bus stop... but it would take a very long time. At 15,000 years away, Napoleon's the nearest "star".
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* CityNoir: "The grey town", a dismal place where it is always twilight and where it's always raining, even inside.

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* CityNoir: "The "[[CityOfTheDamned The grey town", town]]", a dismal place where it is always twilight and where it's always raining, even inside.

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* SelfInflictedHell: Arguably one of the two main points of the book: The only reason the Ghosts end up in Hell is because of their own petty issues, when the chance to go to Heaven is right in front of them.
** Hell itself very much runs on "[[Theatre/NoExit Hell is Other People]]". On its own, it's just a rainy, depressing town, with nothing really nice there. What makes it hellish is the fact that everyone there is a jerk, and no one can stand each others' company. In fact, the town is mostly empty because quarrels bad enough that the participants decide to move away happen very frequently.

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* SelfInflictedHell: Arguably one of the two main points of the book: The only reason the Ghosts end up in Hell is because of their own petty issues, when the chance to go to Heaven is right in front of them.
**
them. Hell itself very much runs on "[[Theatre/NoExit Hell is Other People]]". On its own, it's just a rainy, depressing town, with nothing really nice there. What makes it hellish is the fact that everyone there is a jerk, and no one can stand each others' company. In fact, the town is mostly empty because quarrels bad enough that the participants decide to move away happen very frequently.



* SpiritualSuccessor: ''The Great Divorce'' can be seen as a modern(ish), less unsubtle counterpart to John Bunyan's classic ''Literature/ThePilgrimsProgress''; both works are allegories for the Christian faith where almost every character represents an ideology or a personal vice, and they both [[spoiler:turn out to be dreams at the end]]. Lewis also wrote ''The Pilgrim's Regress'' which was more blatantly inspired by Bunyan's work right down to the title.

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* SpiritualSuccessor: SpiritualSuccessor:
**
''The Great Divorce'' can be seen as a modern(ish), less unsubtle counterpart to John Bunyan's classic ''Literature/ThePilgrimsProgress''; both ''Literature/ThePilgrimsProgress''. Both works are allegories for the Christian faith where almost every character represents an ideology or a personal vice, and they both [[spoiler:turn out to be dreams at the end]]. Lewis also wrote ''The Pilgrim's Regress'' Regress'', which was more blatantly inspired by Bunyan's work right down to the title.

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** One of the ghosts that Lewis meets on the bus tells him how Hell works and why it's so empty (Everyone arrives at the same place, but since nobody can get along with anyone else, they quickly move away, and spread through the town), as lead-up to his point about why he's going up (most things in Hell can be gotten simply by imagining them, so he wants to go to Heaven to get ahold of something that can be called a commodity and use economics to force people to stay together).

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** One of the ghosts that Lewis meets on the bus tells him how Hell works and why it's so empty (Everyone (everyone arrives at the same place, but since nobody can get along with anyone else, they quickly move away, and spread through the town), as lead-up to his point about why he's going up (most things in Hell can be gotten simply by imagining them, so he wants to go to Heaven to get ahold of something that can be called a commodity and use economics to force people to stay together).



* MundaneAfterlife: Hell. It's a town in constant twilight (some lights are on but not yet welcoming) where it's always raining (and nothing can keep the rain out). There are no 'better parts of town'- it's all dingy lodging houses, mean shops, and "bookstores of the sort that sell ''The Works of Aristotle''." It's also mostly empty since no one can stand anyone else enough to live nearby for long (one ghost says that most people decide to move within a week of settling in one place).
** Though at least one Ghost hints that the twilight will eventually turn into a full night, at which point [[NothingIsScarier "they" will come out]].

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* MundaneAfterlife: Hell. It's a town in constant twilight (some lights are on but not yet welcoming) where it's always raining (and nothing can keep the rain out). There are no 'better "better parts of town'- town" -- it's all dingy lodging houses, mean shops, and "bookstores of the sort that sell ''The Works of Aristotle''." Aristotle''". It's also mostly empty since no one can stand anyone else enough to live nearby for long (one ghost says that most people decide to move within a week of settling in one place).
** Though
place). However, at least one Ghost hints that the twilight will eventually turn into a full night, at which point [[NothingIsScarier "they" will come out]].

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