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* AccentDepundent: The guy who runs his mouth about the play confuses people because he refers to the Queen as a "bawd with three debauched daughters", and Shakespeare quickly figures out he’s talking about his secret play. This isn’t so obvious to modern readers, for whom "bawd" (rhyming with "broad") and the first syllable of "Boudicca" (rhyming with "mood") sound nothing alike.
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* AccentDepundent: The guy who runs his mouth about the play confuses people because he refers to the Queen as a "bawd with three debauched daughters", and Shakespeare quickly figures out he’s talking about his secret play. This isn’t so obvious to modern readers, for whom "bawd" (rhyming with "broad") and the first syllable of "Boudicca" (rhyming with "mood") sound nothing alike.
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A novel by Creator/HarryTurtledove set in an AlternateUniverse where the [[UsefulNotes/AngloSpanishWar15851604 Spanish Armada]] conquered England. Ten years later, Shakespeare is writing plays under the Spanish occupiers, but is simultaneously contracted by both them and the English resistance to write plays to either commemorate the dying King Philip or inspire rebellion against him. In the end he chooses the latter, and his play ''Boudicca'' sparks a revolution. Published under the slogan "To be free, or not to be free?"

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A novel by Creator/HarryTurtledove set in an AlternateUniverse where the [[UsefulNotes/AngloSpanishWar15851604 [[UsefulNotes/TheWarOfTheSpanishArmada Spanish Armada]] conquered England. Ten years later, Shakespeare is writing plays under the Spanish occupiers, but is simultaneously contracted by both them and the English resistance to write plays to either commemorate the dying King Philip or inspire rebellion against him. In the end he chooses the latter, and his play ''Boudicca'' sparks a revolution. Published under the slogan "To be free, or not to be free?"
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* ThisIsReality: Lope de Vega once considers that King Philip may already be dead in Spain, but since the word has not yet travelled to London he is still the acknowledged ruler. He thinks that this has much potential as a story device in a play, but since they're not in a play there's nothing he can do with that concept now.
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* TapOnTheHead: [[DeconstructedTrope Deconstructed]]. [[spoiler:Lope de Vega is knocked out during the uprising by a blow to the head, but when he wakes up he is disoriented and continues to suffer the aftereffects. The next day he is barely able to walk or focus, and even weeks later there are lingering affects.]]
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* MuggingTheMonster: Shakespeare is presented with what ''could'' be an insult by a stranger, [[SubvertedTrope but he chooses not to make an issue of it]]. The other man thanks him for his courtesy, then shows that he is in fact a deadly knifehand, and applauds Shakespeare for choosing to be courteous ''before'' he knew how deadly he was.


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* OrgasmicallyDelicious: [[ParodiedTrope Parodied]], people keep making sexual innuendos and come-ons to Kate, the waitress at Shakespeare's ordinary restaurant and also his mistress, when she asks what they would like to order.


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* VitriolicBestBuds: Shakespeare, Will Kemp, and Richard Burbage [[VolleyingInsults bicker, argue and harangue one another all throughout their time together]]. The line seems to blur as to whether it's all in good fun or not, as sometimes they arouse serious anger in one another which on more than one point nearly verges on violence. It may be that the tension of the situation magnifies their usual friendly joking, or it may be that they really dislike one another and only the veneer of playing parts keeps them from revealing it.
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* AllAreEqualInDeath: [[spoiler:After the English uprising, Lope de Vega sees that the clever Enrique and the dull, lazy Diego are dumped together in the same pile of corpses, along with all of the other dead Spanish soldiers and officers]].


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* GoodAdulteryBadAdultery:
** Shakespeare is carrying on an affair with Kate, the waitress at his local ordinary restaurant, throughout the story. He was always honest with her about having a wife out of the city, and made no false promises, so she was content with their relationship and never begrudged him anything else. [[spoiler:At the end of the novel he is granted a divorce from his wife, provides her with a sum of money for her own support, and proposes to Kate]].
** Lope de Vega is unwed, but is constantly unfaithful to his mistresses despite his vociferous protestations of love. They are heartbroken throughout the story when they discover his other lovers, and he moves from one to the next.


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* {{Knighting}}: [[spoiler:Shakespeare is knighted by Queen Elizabeth after the uprising succeeds. Appropriately, the knighting takes place on the stage after giving another performance of ''Boudicca''.]]

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** Robert Devereux, Earl of Essex, attempted to stage a ''coup d'etat'' against the government of Queen Elizabeth, and paid Lord Chamberlain's Men to stage a special performance of ''Theatre/RichardII'' to instigate a popular uprising. [[spoiler:He is present in the audience at the performance of ''Boudicca'', and leads the roused mob to rescue Elizabeth from the Tower of London]].



* DesecratingTheDead: [[DownplayedTrope Downplayed]], Lope de Vega did not harm Alejandro de Recalde's body after he was dead, but the wounds and killing stroke were so vicious that multiple people can't help but comment on how brutally de Vega cut him up.

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* DesecratingTheDead: [[DownplayedTrope Downplayed]], Lope de Vega did not harm Alejandro de Recalde's body after he was dead, but the combat wounds and killing stroke were so vicious that multiple people can't help but comment on how brutally de Vega cut him up.



* DuelToTheDeath: Discussed occasionally, [[AvertedTrope but no formal duels actually appear in the novel]]. When combat does happen, it is quick and brutal without the formalities of challenge or rules.



* PaperThinDisguise: [[PlayingWithATrope Played with]] when Robert Cecil meets with Shakespeare, disguised as a crippled beggar. The disguise apparently fools Shakespeare so completely that he had no idea it was Cecil until he began to address him, but it seems to be that ''only Shakespeare'' is fooled. Enough other people on the street recognize Cecil that the news of their meeting quickly travels to Constable Strawberry, and is the first bit of solid evidence that the Spaniards find to implicate Shakespeare in the conspiracy.



* TheRevolutionWillNotBeCivilized: The English conspiracy performs many underhanded acts to further their goals, including several instances of out-and-out murder. When Richard Burbage asks Shakespeare if this is really the side he is choosing to ally with, [[ArmorPiercingResponse Shakespeare asks if the Spaniards they're fighting against are any better]].

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* TheRevolutionWillNotBeCivilized: TheRevolutionWillNotBeCivilized:
**
The English conspiracy performs many underhanded acts to further their goals, including several instances of out-and-out murder. When Richard Burbage asks Shakespeare if this is really the side he is choosing to ally with, [[ArmorPiercingResponse Shakespeare asks if the Spaniards they're fighting against are any better]].better]].
** [[spoiler:When the uprising breaks out, Shakespeare is filled with great pride at how he is partially responsible for stirring England to revolt. Then he sees the brutal violence play out against a constable who comes upon the mob, and forces himself to admit that he is ''also'' partially responsible for that as well]].


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* ThrowingDownTheGauntlet: Shakespeare himself offers a challenge against Captain Guzmán when he is being questioned, since Guzmán's wording during the questioning ''accused'' Shakespeare of treason instead of ''asking'' about treason. Shakespeare demanded an apology or else a challenge to restore his honor, and surprisingly Guzmán does apologize since he doesn't have any proof yet.


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* YouAreInCommandNow: [[spoiler:Lope de Vega assumes command of the garrison when Captain Guzmán is wounded during the uprising. [[DeconstructedTrope He finds that the chaotic and violent situation which gave him command means that he does not have any real options to change the course of events and can only press on as they were already doing]].]]

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* MaybeMagicMaybeMundane: Cicily Sellis is a "cunning woman" who shares Shakespeare's boarding house, and Shakespeare spends the entire novel debating with himself whether she is a witch or not. She does perform acts that could be construed as prophecy or mind control, but which may also simply be theatrics and the vagaries of human perception.

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* MaybeMagicMaybeMundane: Cicily Sellis is a "cunning woman" who shares Shakespeare's boarding house, and Shakespeare spends the entire novel debating with himself whether she is a witch or not. When Lope de Vega meets her he has the same questions, but likewise is never able to come to a definitive answer. She does perform acts that could be construed as prophecy or mind control, but which may also simply be theatrics and the vagaries of human perception.


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** It begins to come to a head when Cicily references several of de Vega's old lovers, including one that he knows he didn't tell to Shakespeare so she couldn't have heard the name from him. She again has a very mundane explanation -- that the sister of the old lover is her washerwoman and likes to gossip -- but this time de Vega is not quite convinced.


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* TooDumbToFool: Constable Walter Strawberry seems to be an imbecile of the highest caliber, and nobody on any side of the conspiracy believes that he will be able to solve the murders he is investigating. Despite this, he progressively gets closer and closer throughout the story because he's not distracted by any of the larger conspiracy theories or connections that occupy the minds of everybody else.

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** Nicholas Skeres and Ingram Frizer are two of the men alleged to be involved in the death of Chirstopher Marlowe, with Frizer himself said to be the one to stab Marlowe. In the novel they serve as lackeys and henchmen in the English plot, [[spoiler:and Frizer is present when de Vega kills Marlowe, with dialogue indicating that he was there to kill Marlowe himself.]]

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** Nicholas Skeres and Ingram Frizer are two of the men alleged to be involved in the death of Chirstopher Christopher Marlowe, with Frizer himself said to be the one to stab Marlowe. In the novel they serve as lackeys and henchmen in the English plot, [[spoiler:and Frizer is present when de Vega kills Marlowe, with dialogue indicating that he was there to kill Marlowe himself.]]



* DesecratingTheDead: [[DownplayedTrope Downplayed]], Lope de Vega stopped fighting as soon as Alejandro de Recalde was dead, but the wounds and killing stroke were so vicious (and visible on his face) that multiple people can't help but comment on how brutally de Vega cut him up.

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* DesecratingTheDead: [[DownplayedTrope Downplayed]], Lope de Vega stopped fighting as soon as did not harm Alejandro de Recalde Recalde's body after he was dead, but the wounds and killing stroke were so vicious (and visible on his face) that multiple people can't help but comment on how brutally de Vega cut him up.



* DueToTheDead:
** Shakespeare is commissioned to write ''King Philip'' as a tribute to Philip II, to be performed after he has passed away. Thomas Phelippes describes it as a better memorial than a building of marble.
** William Cecil receives a grand funeral after his death, which surprises Lope de Vega since he didn't think the authorities would let a supporter of the deposed Queen Elizabeth be honored like that. He then realizes that this is a sign of ''how greatly'' the man was respected, since if they hadn't given him a funeral they may have sparked riots in the streets.



* GeniusCripple: Robert Cecil is hunchbacked and generally infirm, which makes a lot of people [[InadequateInheritor wonder if he can live up to the standards set by his father]].



* IfYouKillHimYouWillBeJustLikeHim: Lope de Vega thinks that this is why King Philip spared Queen Elizabeth's life after deposing her. Since Elizabeth had already performed regicide by killing Mary, Queen of Scots, Philip would not repeat her actions and sink to her level.



* MyCountryRightOrWrong: Shakespeare admits that, if given a choice, he probably would choose to follow the Roman Catholic faith of Spain as opposed to the Protestant teachings of England, but he refuses to let that be forced onto the country at gunpoint by the Spaniards. Thus, he helps launch the rebellion that topples the government of Queen Isabella and frees the imprisoned Queen Elizabeth, even if that means he will need to become a Protestant again, because at least then it would be England's choice in the matter.

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* MyCountryRightOrWrong: Shakespeare admits that, if given a choice, he probably would choose to follow the Roman Catholic faith of Spain as opposed to the Protestant teachings of England, but he refuses to let that be forced onto the country at gunpoint by the Spaniards. Thus, he helps launch the rebellion that topples the government of Queen Isabella and frees the imprisoned Queen Elizabeth, even if that means he will need to become a Protestant again, because at least then it would be England's choice in the matter.



* ReassignedToAntarctica: Lieutenant de Vega is constantly threatening his lazy servant with reassignment to Scotland until he gets some better blackmail.

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* ReassignedToAntarctica: Lieutenant de Vega is constantly threatening his lazy servant with reassignment to Scotland until if he gets some better blackmail.doesn't improve his work.



* TogetherInDeath: Very oddly, mortal enemies King Philip and William Cecil are both dying of natural causes throughout the majority of the story. Cecil refers them as racing each other to the grave, and knows that neither of them will live to see the English rebellion.

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* TogetherInDeath: Very oddly, mortal enemies King Philip and William Cecil are both dying of natural causes throughout the majority of the story. Cecil refers to them as racing each other to the grave, and knows that neither of them will live to see the English rebellion.
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* DesecratingTheDead: [[DownplayedTrope Downplayed]], Lope de Vega stopped fighting as soon as Alejandro de Recalde was dead, but the wounds and killing stroke were so vicious (and visible on his face) that multiple people can't help but comment on how brutally de Vega cut him up.


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* InadequateInheritor:
** William Cecil boasts that his son, Robert Cecil, [[SuperiorSuccessor is a greater man than he himself]], but Shakespeare is unconvinced and spends the novel fearful that the conspiracy will collapse at the elder Cecil's death. [[spoiler:Robert does succeed his father, and the rebellion is successfully concluded]].
** None of the Spaniards say it aloud, but they all recognize that Philip III, the son of King Philip II, is much less than his father. The only one who ''does'' say it aloud is William Cecil, [[SuperiorSuccessor while boasting about how his own son is greater than he is.]]


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* SayingTooMuch: When Catalina Ibanez is threatening Lope de Vega to begin treating her better, she says just a few words too many to turn it from vague implication to actual deadly ''threat''. Instead of persuading him to begin spoiling her, it pushes him to threaten her in return.


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* SuperiorSuccessor: William Cecil boasts that his son, Robert Cecil, is a greater man than he himself.


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* TogetherInDeath: Very oddly, mortal enemies King Philip and William Cecil are both dying of natural causes throughout the majority of the story. Cecil refers them as racing each other to the grave, and knows that neither of them will live to see the English rebellion.


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* WorthyOpponent:
** [[DeconstructedTrope Deconstructed]] from the viewpoint of the Spanish occupiers: They hold the Englishmen who cozen up to the occupiers in contempt, and think poorly on them for not attempting to resist. However, instead of wanting them to resist and become worthy of respect, they wish ''more'' English were as craven as they were. They don't want a noble challenge against a worthy adversary, they want as smooth an occupation as they can get.
** Lope de Vega and Baltasar Guzmán wonder why William Cecil was spared when the Spanish conquered England, since they recongize that he is a very capable enemy. They think it might have been that King Philip viewed him as a worthy opponent.

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* ActuallyPrettyFunny: When Lope de Vega is dumped by one of his mistresses, a passerby makes a consoling remark that he will soon find another fish to nibble on the end of his pole. It takes a moment for de Vega to understand the sexual innuendo in English, but then he laughs as well.



* AskAStupidQuestion: Will Kemp once tries to placate Lope de Vega's anger by saying that if you stab a fool, it will cause your sword to rust. When de Vega asks what that means for the fool, Kemp makes a big show of falling to the ground and pretending to be stabbed.



* ReallyFondOfSleeping: Diego, the only servant of the Lope de Vega, finds every excuse to sleep that he can. de Vega once quipped that the only thing which could make Diego happier would be if he learned how to make love while still asleep.

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* ReallyFondOfSleeping: Diego, the only servant of the Lope de Vega, finds every excuse to sleep that he can. de Vega once quipped that the only thing which could make Diego happier would be if he learned how to make love while still asleep.


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* ShapedLikeItself: Lope de Vega once boasts that he is as honest as anybody else in the world...who is not more honest than he is.
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* CombatPragmatist: Lope de Vega wins his fight with Alejandro de Recalde by using a face-strike that is not commonly taught in fencing schools (Since it runs too much of a risk of scarring the students being taught). Many people comment on how disfigured Alejandro's corpse is afterwards. de Vega's most common retort is that in a fight to the death, the goal is to ''win'', not to win prettily.
* CrimeOfSelfDefense: Lope de Vega is [[DownplayedTrope officially cleared of legal wrongdoing]] after his fight with Alejandro de Recalde, since Alejandro is the one who first attacked him. However, multiple people point out that killing a nobleman can have repercussions even if you're legally cleared.
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Dang typos


* ShowWithinAShow: In addition to the real-life plays attributed to Shakespeare, Marlowe, de Vega, and others, there are several wholly fictional plays that exist due to the altered timeline. Marlowe is credited with several plays that were written after the time of his real-life death, and the novel follows the writing of two new Shakespeae plays, ''Boudicca'' and ''King Philip.''

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* ShowWithinAShow: In addition to the real-life plays attributed to Shakespeare, Marlowe, de Vega, and others, there are several wholly fictional plays that exist due to the altered timeline. Marlowe is credited with several plays that were written after the time of his real-life death, and the novel follows the writing of two new Shakespeae Shakespeare plays, ''Boudicca'' and ''King Philip.''
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* DoubleAgent: Thomas Phelippes is the man who first brings Shakespeare into the English conspiracy and works with him throughout the plot. He is simultaneously serving as a highly placed member in the occupying Spanish administration and is involved in the production of the ''King Philip'' play Shakespeare has been commissioned to write.
* DuelingWorks: InUniverse, Shakespeare is simultaneously commissioned to write two plays: One, ''Boudicca'', to instigate an English uprising against the Spanish occupiers. The other, ''King Philip'', to glorify Philip II after his passing and impress his English subjects. A running tension through the novel is Shakespeare wondering ''which'' play will be performed. [[spoiler:It is ''Boudicca'' that is staged first, and after the successful rebellion Shakespeare asks the new English government for permission to also perform ''King Philip'' since he worked so hard on it]].


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* ObfuscatingDisability: The beggars of London have a wide array of makeup and tricks to make themselves look disabled and diseased in the hopes of receiving charity. Shakespeare is fascinated to learn some of them, although he also wishes he ''hadn't'' learned all the details because he didn't like to think that the charity ''he'' gave was going to such liars.


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* ShowWithinAShow: In addition to the real-life plays attributed to Shakespeare, Marlowe, de Vega, and others, there are several wholly fictional plays that exist due to the altered timeline. Marlowe is credited with several plays that were written after the time of his real-life death, and the novel follows the writing of two new Shakespeae plays, ''Boudicca'' and ''King Philip.''
* TeethClenchedTeamwork: Shakespeare views the authors of the conspiracy with distrust and fear, and their henchmen with terror [[YouHaveOutlivedYourUsefulness in case he should ever prove not worth keeping around]]. Even his fellow players, who he's known and worked with for years, he grows to dislike because ''their'' cavalier attitudes towards the project may get ''him'' killed.

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* GoldDigger: Catalina Ibanez's interest in Lope de Vega waxes and wanes according to his wealth, along with how she judges his prospects to gain wealth in the future.

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* GoldDigger: Catalina Ibanez's interest in Lope de Vega waxes and wanes according to his wealth, along with how she judges his prospects wealth. de Vega himself compares her to gain wealth in a mercenary soldier, who will fight hard while being paid, but will walk away the future.instant the pay stops.



* ImplausibleDeniability: Lope de Vega tries to claim that they were just "talking about the theatre" when Alejandro de Recalde catches him with Catalina Ibanez. He doesn't fall for it.



* InterplayOfSexAndViolence:
** Lope de Vega brings one of his mistresses to a bear-baiting, and the excitement of watching the fight leads her to a passionate arousal.
** When de Vega kills Alejandro de Recalde, Catalina Ibanez looks at him with "animal heat" afterwards. Despite de Vega's own prodigious libido, [[DeconstructedTrope he hopes to never see anybody look at him like that for that reason again]].



* OccupiersOutOfOurCountry: The main goal of the rebellion is to overthrow the Spanish-backed rule of Queen Isabella and King Albert, and restore Queen Elizabeth to the throne. The simultaneous overthrow of the Catholic Church and resumption of Protestant worship is secondary goal.

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* OccupiersOutOfOurCountry: The main goal of the rebellion is to overthrow the Spanish-backed rule of Queen Isabella and King Albert, and restore Queen Elizabeth to the throne. The simultaneous overthrow of the Catholic Church and resumption of Protestant worship is a secondary goal.



* SherlockCanRead: After introducing himself to Cicily Sellis on the street, de Vega is astonished -- and instantly thinks she may be a witch -- when she recognizes him as a friend of Shakespeare. She instead points out that she lives in the same building as he does, and Shakespeare has frequently mentioned de Vega when talking about his work.
* VolleyingInsults: Round and round and round again between Shakespeare, Burbage, and Kemp.

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* SherlockCanRead: SherlockCanRead:
**
After introducing himself to Cicily Sellis on the street, de Vega is astonished -- and instantly thinks she may be a witch -- when she recognizes him as a friend of Shakespeare. She instead points out that she lives in the same building as he does, and Shakespeare does, and he has frequently mentioned de Vega when talking about his work.
** The interaction plays out in reverse a few days later, when Shakespeare panics after Cicily Sellis innocuously asks him how de Vega is doing. She points out that not only has Shakespeare mentioned him in idle conversation, but she met him on the street as well.
* VolleyingInsults: Round and round and round again between Shakespeare, Burbage, and Kemp. They're so good at it that Lope de Vega once comes to the theater just to listen to them go round and round while rehearsing, and later tells Catalina Ibanez that he wished he were good enough at English to write it down and read it back again later.


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* WellTrainedButInexperienced: Alejandro de Recalde is an exceptional swordsman, but all of his training was in fencing schools, not in deadly combat. Lope de Vega recognizes that he is unaccustomed to real-life tactics and manages to kill him using a strike to the face, which is not taught in schools because they don't want to risk scarring their students.
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* EveryoneHasStandards: Despite his constant philandering, Lope de Vega recognizes that there is no honor in cheating on his mistress, or in being the person that a woman uses to cheat on her husband. When he is confronted he recognizes that he can't even offer a duel challenge to protect his honor, since in this instance he has no honor.


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* RefugeInAudacity: Christopher Marlowe doesn't hide his homosexuality, he ''boasts'' of it. So loudly and so often that Shakespeare is constantly amazed at both him, and the fact that he hasn't yet been charged for it. [[spoiler:Once the Spaniards manage to get enough evidence against him, [[SubvertedTrope they do in fact pursue him for trial and execution]].]]


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* WeirdTradeUnion: One of Shakespeare's housemates, who up until this point has been perennially hungry and looking for work, manages to improve his station by being officially inducted into the beggars of London.

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** Nicholas Skeres and Ingram Frizer are two of the men alleged to be involved in the death of Chirstopher Marlowe, with Frizer himself said to be the one to stab Marlowe. In the novel they serve as lackeys and henchmen in the English plot, [[spoiler:and Frizer is present when de Vega kills Marlowe, with dialogue indicating that he was there to kill Marlowe himself.]]



* AmbiguouslyGay : There are rumors that the Spanish garrison commander and his handsome manservant are in a relationship, and they do seem to be close. The commander seems homophobic, but could just be engaging in ArmoredClosetGay misdirection. On the other hand, the rumors could be mere MaliciousSlander against a genuine HeteronormativeCrusader.

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* AmbiguouslyGay : AmbiguouslyGay: There are rumors that Baltasar Guzmán, the Spanish garrison commander commander, and Enrique, his handsome manservant manservant, are in a relationship, relationship. Lope de Vega initially dismisses the idea out of hand since he knows Guzmán has a mistress, but finds that he can't quite shake it and they do seem to be close. The commander seems homophobic, but could just be engaging in ArmoredClosetGay misdirection. On so keeps evaluating every interaction he has with either of them. Guzmán is a fierce HeteronormativeCrusader who leads the other hand, the rumors could be mere MaliciousSlander pursuit against a genuine HeteronormativeCrusader.Anthony Bacon for sodomy, but de Vega can't help but wonder if this is [[ArmoredClosetGay an attempt at misdirection]].
* ArmorPiercingResponse: When Richard Burbage asks Shakespeare if the cold-blooded killers of the English conspiracy [[TheRevolutionWillNotBeCivilized are really the sort of people he wants to ally himself with]], Shakespeare asks if the Spaniards they're fighting against are any better. Burbage can't argue, and continues to work with them as well.



* ChronicBackstabbingDisorder: When de Vega begins to court Catalina Ibanez while she is still the mistress of Alejandro de Recalde, he immediately recognizes that if she will betray Alejandro for him then she will one day betray him as well. Unfortunately, he can't make himself think about that enough to stop him from pursuing her.



* EnemyMine: Shakespeare spends a lot of the novel unclear on who is REALLY working for whom, and who he can really trust.
* FriendlyEnemy: De Vega ingratiates himself to the players. He and Shakespeare are also [[WorthyOpponent Worthy Opponents]].
* GratuitousIambicPentameter: Not only in the quoted plays, but as much spoken dialogue is sneakily cribbed quotes from other plays and poems, so people regularly talk to each other in Iambic Pentameter. Shakespeare, Burbage, and Marlowe regularly [[LampshadeHanging hang lampshades]] on this. There's some TruthInTelevision here; one reason for the success of iambic pentameter in its day was that it resembled the rhythms of ordinary speech.

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* EnemyMine: Shakespeare spends a lot of DeadMansSwitch: When Lope de Vega catches his servant eating meat during Lent, he threatens to turn him over to the novel unclear on who Inquisition if Diego does not shape up and start ''working''. To forestall Diego killing him in his sleep to remove the danger -- a thought which Diego does not even deny having -- de Vega delivers a note to his commander to be opened in the event of his death.
* FelonyMisdemeanor: Eating meat during Lent
is REALLY working always forbidden, but the Spanish take ''particular'' note during the Lent of 1598 due to the timing overlap between their reckoning of Lent and the Protestant reckoning. Anybody found to be eating meat in this time frame will be judged not just for whom, and who he can really trust.
breaking the Lenten fast itself, but also for being a secret heretic.
* FriendlyEnemy: De Lope de Vega ingratiates himself to the players. He and holds Shakespeare are also [[WorthyOpponent Worthy Opponents]].
and Marlowe, along with the entire cast of players, in the highest regards. They in turn do not bear him (much) personal ill will, and appreciate his own artistic talents as well.
* GoldDigger: Catalina Ibanez's interest in Lope de Vega waxes and wanes according to his wealth, along with how she judges his prospects to gain wealth in the future.
* GratuitousIambicPentameter: Not only in Much of the quoted plays, but as much spoken dialogue is sneakily cribbed quotes quotations from other plays and poems, so people regularly talk to each other in Iambic Pentameter. Shakespeare, Burbage, and Marlowe regularly [[LampshadeHanging hang lampshades]] on this. There's some TruthInTelevision here; one reason for the success of iambic pentameter in its day was that it resembled the rhythms of ordinary speech.



* InLoveWithLove: Lope de Vega frequently muses that he doesn't want mere sexual gratification, he wants to fall in love. Unfortunately, he ''so'' desires to fall in love [[ReallyGetsAround that he often falls in love with two or even three women at the same time]].



* LooseLips: The script to ''Boudicca'' cannot be kept a secret by its very nature, since it needs to be disseminated to the full cast and crew in order for them to rehearse and prepare to stage the play. This means that the risk of one of them spilling the news is greater than anybody prefers, and Shakespeare is constantly terrified that a player may betray them out of sheer stupidity or hubris. [[spoiler:One player ''does'' say too much while drunk, and is found murdered soon after]].



* OccupiersOutOfOurCountry: Used frequently in the Turtledove works. Here it is the English resisting the Spanish.

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* OccupiersOutOfOurCountry: Used frequently in The main goal of the Turtledove works. Here it rebellion is to overthrow the English resisting Spanish-backed rule of Queen Isabella and King Albert, and restore Queen Elizabeth to the Spanish.throne. The simultaneous overthrow of the Catholic Church and resumption of Protestant worship is secondary goal.



* ReallyFondOfSleeping: Diego, the only servant of the Spanish playwright and soldier Lope, finds every excuse to sleep that he can, and seems to consider it his primary hobby

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* ReallyFondOfSleeping: Diego, the only servant of the Spanish playwright and soldier Lope, Lope de Vega, finds every excuse to sleep that he can, can. de Vega once quipped that the only thing which could make Diego happier would be if he learned how to make love while still asleep.
* ReallyGetsAround: Lope de Vega runs through ''five'' mistresses over the course of the book. He starts the novel seeing two women simultaneously,
and seems later tries to consider it his primary hobbybest that with three women.



* TheRevolutionWillNotBeCivilized: The English conspiracy performs many underhanded acts to further their goals, including several instances of out-and-out murder. When Richard Burbage asks Shakespeare if this is really the side he is choosing to ally with, [[ArmorPiercingResponse Shakespeare asks if the Spaniards they're fighting against are any better]].



* ShakespeareInFiction: Our protagonist.
%%* VitriolicBestBuds: Burbage and Kemp.

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* ShakespeareInFiction: Our protagonist.
%%* VitriolicBestBuds: Burbage
protagonist, who we find as an already-established playwright working in London for "Lord Westmorland's Men".
* SherlockCanRead: After introducing himself to Cicily Sellis on the street, de Vega is astonished --
and Kemp.instantly thinks she may be a witch -- when she recognizes him as a friend of Shakespeare. She instead points out that she lives in the same building as he does, and Shakespeare has frequently mentioned de Vega when talking about his work.


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* YouHaveOutlivedYourUsefulness: Shakespeare constantly fears that the members of the conspiracy will turn on him and have him killed. When Nicholas Skeres coldly mocks that a horse with a broken leg is only fit for disposal, Shakespeare realizes that he would dispose him just as callously if the time ever came.

Added: 798

Removed: 99

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* AllohistoricalAllusion:
** The novel is filled with references to Shakespearean plays, including many verbatim quotations used as character dialogue.
** Francis Bacon is one of candidates proposed as the "real" Shakespeare by those who do not think he wrote his own plays. When discussing whether he attends the performances of Lord Westmorland's Men to view the plays themselves, the idea is dismissed because he could write just as well on his own.



%%* HotWitch: Cicelly Sellis.



* MaybeMagicMaybeMundane: Cicily Sellis is a "cunning woman" who shares Shakespeare's boarding house, and Shakespeare spends the entire novel debating with himself whether she is a witch or not. She does perform acts that could be construed as prophecy or mind control, but which may also simply be theatrics and the vagaries of human perception.



%%* TheQuisling: Loaded with 'em, some {{HistoricalDomainCharacter}}s.
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Added DiffLines:

* AmbiguouslyGay : There are rumors that the Spanish garrison commander and his handsome manservant are in a relationship, and they do seem to be close. The commander seems homophobic, but could just be engaging in ArmoredClosetGay misdirection. On the other hand, the rumors could be mere MaliciousSlander against a genuine HeteronormativeCrusader.


Added DiffLines:

* HeroOfAnotherStory: Peter Foster, a suspected petty thief and neighbor of Shakespeare, is arrested and then promptly breaks out of jail after bidding Shakespeare a cordial goodbye, without ever revealing exactly what got him arrested or how he escaped.
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A novel by Creator/HarryTurtledove set in an AlternateUniverse where the Spanish Armada conquered England. Ten years later, Shakespeare is writing plays under the Spanish occupiers, but is simultaneously contracted by both them and the English resistance to write plays to either commemorate the dying King Philip or inspire rebellion against him. In the end he chooses the latter, and his play ''Boudicca'' sparks a revolution. Published under the slogan "To be free, or not to be free?"

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A novel by Creator/HarryTurtledove set in an AlternateUniverse where the [[UsefulNotes/AngloSpanishWar15851604 Spanish Armada Armada]] conquered England. Ten years later, Shakespeare is writing plays under the Spanish occupiers, but is simultaneously contracted by both them and the English resistance to write plays to either commemorate the dying King Philip or inspire rebellion against him. In the end he chooses the latter, and his play ''Boudicca'' sparks a revolution. Published under the slogan "To be free, or not to be free?"
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None


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[[caption-width-right:350:some %%[[caption-width-right:350:some caption text]]

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