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Duchess Orobelle is the knot that holds the universes together. This is the legacy her late mother left her: [[BarrierMaiden if she dies, all reality would come to an end]]. She sits at the centre of a trouble history between [[RoyallyScrewedUp four noble houses]], the [[AliceAllusion Hearts,]] [[PlayingCardMotifs Diamonds, Clubs and Spades,]] which together claim land in three universes as their own. For all [[ArcNumber twelve years]] of her life, Orobelle has grappled with plots foisted upon her by the Diamond Duchy's history of attempted coups and [[SuccessionCrisis interfering with the House of Hearts' line of succession]].

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Duchess Orobelle is the knot that holds the universes together. This is the legacy her late mother left her: [[BarrierMaiden if she dies, all reality would come to an end]]. She sits at the centre of a trouble history between [[RoyallyScrewedUp four noble houses]], the [[AliceAllusion Hearts,]] Hearts]], [[PlayingCardMotifs Diamonds, Clubs and Spades,]] Spades]], which together claim land in three universes as their own. For all [[ArcNumber twelve years]] of her life, Orobelle has grappled with plots foisted upon her by the Diamond Duchy's history of attempted coups and [[SuccessionCrisis interfering with the House of Hearts' line of succession]].



* CrapsackWorld: Artur lives in one.

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* %%* CrapsackWorld: Artur lives in one.



* DebutQueue

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* %%* DebutQueue



* GreyAndGrayMorality

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* %%* GreyAndGrayMorality



* HyperlinkStory: Is it ever. A dozen stories scattered across time and space in the multiverse, all of which will probably eventually unite...

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* HyperlinkStory: Is it ever. A dozen stories scattered across time and space in the multiverse, all of which will probably eventually unite...



* NotAGame:

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* %%* NotAGame:



* RotatingProtagonist

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* %%* RotatingProtagonist



* ScienceFantasy

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* %%* ScienceFantasy



* SpeculativeFiction

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* %%* SpeculativeFiction
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wick cleaning as the trope has been disambiged


* LotsAndLotsOfCharacters

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Duchess Orobelle is the knot that holds the universes together. This is the legacy her late mother left her: [[BarrierMaiden if she dies, all reality would come to an end]]. She sits at the centre of a trouble history between [[RoyallyScrewedUp four noble houses]], the [[AliceAllusion Hearts, Diamonds, Clubs and Spades,]] which together claim land in three universes as their own. For all [[ArcNumber twelve years]] of her life, Orobelle has grappled with plots foisted upon her by the Diamond Duchy's history of attempted coups and [[SuccessionCrisis interfering with the House of Hearts' line of succession]].

to:

Duchess Orobelle is the knot that holds the universes together. This is the legacy her late mother left her: [[BarrierMaiden if she dies, all reality would come to an end]]. She sits at the centre of a trouble history between [[RoyallyScrewedUp four noble houses]], the [[AliceAllusion Hearts, Hearts,]] [[PlayingCardMotifs Diamonds, Clubs and Spades,]] which together claim land in three universes as their own. For all [[ArcNumber twelve years]] of her life, Orobelle has grappled with plots foisted upon her by the Diamond Duchy's history of attempted coups and [[SuccessionCrisis interfering with the House of Hearts' line of succession]].


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* TheChainsOfCommanding: Vesper is very much aware of the overwhelming responsibility entailed by her leadership, and takes the blame for anything and everything that goes wrong under her purview.
* ChildrenAreInnocent: Invoked when Liss kidnaps six-year-old Freesia to gain some bargaining power over Orobelle—if a child's kidnapping doesn't compel her to act then her people will demand she do something about it.
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* WarIsGlory: Discussed through Vesper's narration as she thinks on how propaganda paints a glorious image of war to attract enlistees to its bloody cause.

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* WarIsGlory: WarIsGlorious: Discussed through Vesper's narration as she thinks on how propaganda paints a glorious image of war to attract enlistees to its bloody cause.
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* TheRealWorld: Hong Yi's world.

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* TheRealWorld: RealLife: Hong Yi's world.

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* TwentyMinutesIntoTheFuture: Adelaide's world is set in a future rather reminiscent of the present, albeit with advances in IoT, AI and as well as a major economic crash giving rise to a number of socioeconomic differences, including the fact that the US is now an utterly [[MegaCorp corporation-controlled]] TechnoDystopia. Pala and Fen's world is nominally this, but in practice, it is more of a NextSundayAD setting.

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* TwentyMinutesIntoTheFuture: Adelaide's world is set in a future rather reminiscent of the present, albeit with advances in IoT, [=IoT=], AI and as well as a major economic crash giving rise to a number of socioeconomic differences, including the fact that the US is now an utterly [[MegaCorp corporation-controlled]] TechnoDystopia. Pala and Fen's world is nominally this, but in practice, it is more of a NextSundayAD setting.



* AfterTheEnd: Artur's world, a nuclear winter hellscape after international diplomatic relations utterly implode under the rule of unstable leaders.



* HumansAreBastards: In terms of its outlook, ''Revolving Door'' does look deeply how selfishness and cruelty have shaped every member of the cast, and how they've had to fend for themselves, unable to trust anyone else. That no one can be trusted to act selflessly, in particular, is the foundation of Liss' world view.
* HyperlinkStory: Is it ever. Twelve stories scattered across time and space in the multiverse, all of which will probably eventually unite...

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* HumansAreBastards: In terms of its outlook, ''Revolving Door'' does tend to look deeply at how selfishness and cruelty have shaped every member of the cast, and how they've had to fend fended for themselves, unable to themselves in worlds or communities where they cannot trust anyone else. That no one can be trusted to act selflessly, in particular, is the foundation of Liss' world view.
* HyperlinkStory: Is it ever. Twelve A dozen stories scattered across time and space in the multiverse, all of which will probably eventually unite...


Added DiffLines:

* ScavengerWorld: Played with. In Artur's world, scientists no longer have access to the processes that gave rise, but they managed to jury-rig together supply chains from whatever facilities and resources are still available in the Arctic Circle. Everything runs on borrowed time however, as primary industries--in particular those relating to agriculture--have run completely dry.


Added DiffLines:

* StandardPostApocalypticSetting: Artur's world, your standard barren icy post-nuclear apocalypse hellscape. And yes, it's in Russia. You're going to be hearing a lot about Artur's world in relation to apocalyptic tropes.

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Changing world numbers to character references


* TwentyMinutesIntoTheFuture: World 9 is set in a future rather reminiscent of the present, albeit with advances in IoT, AI and as well as a major economic crash giving rise to a number of socioeconomic differences, including the fact that the US is now an utterly [[MegaCorp corporation-controlled]] TechnoDystopia. World 11 is nominally this, but in practice, it is more of a NextSundayAD setting.
* TwentyMinutesIntoThePast: World 5 is explicitly RealLife in the Year 2013 (the year the initial chapter, 'A Fish Out Of Water', was written).

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* TwentyMinutesIntoTheFuture: World 9 Adelaide's world is set in a future rather reminiscent of the present, albeit with advances in IoT, AI and as well as a major economic crash giving rise to a number of socioeconomic differences, including the fact that the US is now an utterly [[MegaCorp corporation-controlled]] TechnoDystopia. World 11 Pala and Fen's world is nominally this, but in practice, it is more of a NextSundayAD setting.
* TwentyMinutesIntoThePast: World 5 Hong Yi's world is explicitly RealLife in the Year 2013 (the year the initial chapter, 'A Fish Out Of Water', was written).



* AliceAllusion: The First world (actually known as Wonderland to some) is an intentional reference to Alice's Adventures in Wonderland: people fall through tunnels into other worlds, the four noble houses are named after the playing card suits, reality is as malleable as the language that describes it, and Alice Liddell herself is an historical figure in the story. Orobelle in particular embodies the allusion, with her predilection to lolita-esque fashion and involvement in monarchial politics.
* AlternateHistory: Worlds 2, 3, 4, 6 and 8 represent alternate histories.

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* AliceAllusion: The First Orobelle's world (actually known as Wonderland to some) is an intentional reference to Alice's Adventures in Wonderland: people fall through tunnels into other worlds, the four noble houses are named after the playing card suits, reality is as malleable as the language that describes it, and Alice Liddell herself is an historical figure in the story. Orobelle in particular embodies the allusion, with her predilection to lolita-esque fashion and involvement in monarchial politics.
* AlternateHistory: Worlds 2, 3, 4, 6 The worlds of Vesper, Marcia and 8 Felix represent alternate histories.



* BigBrotherIsWatching: The San Francisco of World 9 is described as a "city of eyes," where every part of life is kept under watch by all-encompassing networks of cameras and monitoring devices.

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* BigBrotherIsWatching: The San Francisco of World 9 Adelaide's world is described as a "city of eyes," where every part of life is kept under watch by all-encompassing networks of cameras and monitoring devices.



* CrapsackWorld: Artur lives in one.



* HumansAreBastards: In terms of its outlook, ''Revolving Door'' does look deeply how selfishness and cruelty have shaped every member of the cast, and how they've had to fend for themselves, unable to trust anyone else. That no one can be trusted to act selflessly, in particular, is the foundation of Liss' world view.



* IstanbulNotConstantinople: World 6 especially has a few nations known by other names in its version of history: most notably, as with the trope namer, the city of Constantinople retains its Roman name, and there exists an Islamic empire, known as Aslama, with active military frontlines with the GodEmperor-led Roman Empire.

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* IstanbulNotConstantinople: World 6 Marcia's world especially has a few nations known by other names in its version of history: most notably, as with the trope namer, the city of Constantinople retains its Roman name, and there exists an Islamic empire, known as Aslama, with active military frontlines with the GodEmperor-led Roman Empire.



* MegaCorp: World 9 has a few of these, which together control the overwhelming majority of production, commerce and data in the United States: [[BlandNameProduct Mick's, P&E, Tesla Futures]]...

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* MegaCorp: World 9 Adelaide's world has a few of these, which together control the overwhelming majority of production, commerce and data in the United States: [[BlandNameProduct Mick's, P&E, Tesla Futures]]...



* NGOSuperpower: The corporations of World 9 are described as operating outside the control of governments, entities with political heft in their own right.

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* NGOSuperpower: The corporations of World 9 Adelaide's world are described as operating outside the control of governments, entities with political heft in their own right.



* NextSundayAD: World 11 is nominally set 20MinutesIntoTheFuture, but appears almost indistinguishable to the present, partly due to the fact that all the relevant events so far have taken place in the developing island nation of Havaiki.

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* NextSundayAD: World 11 Pala and Fen's world is nominally set 20MinutesIntoTheFuture, TwentyMinutesIntoTheFuture, but appears almost indistinguishable to the present, partly due to the fact that all the relevant events so far have taken place in the developing island nation of Havaiki.



* RealLife: World 5.

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* RealLife: World 5.TheRealWorld: Hong Yi's world.



* SuperheroPrevalenceStages: An Early Stage story with generally one superpowered individual per universe, with exceptions in Worlds 1 and 12.

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* SuperheroPrevalenceStages: An Early Stage story with generally one superpowered individual per universe, with exceptions in Worlds 1 Orobelle's world and 12.Liss' world.



* WarIsGlorious: Discussed through Vesper's backstory, which explores how propaganda paints a glorious image of war to attract enlistees to its bloody cause.

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* WarIsGlorious: WarIsGlory: Discussed through Vesper's backstory, which explores narration as she thinks on how propaganda paints a glorious image of war to attract enlistees to its bloody cause.
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None


* WarIsGlory: Discussed through Vesper's backstory, which explores how propaganda paints a glorious image of war to attract enlistees to its bloody cause.

to:

* WarIsGlory: WarIsGlorious: Discussed through Vesper's backstory, which explores how propaganda paints a glorious image of war to attract enlistees to its bloody cause.

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