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* SmugSnake: Brady when everything is going his way, when MaskOfSanity starts slipping he begins to lose his cool.
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* BittersweetEnding: [[spoiler: Holly, Jerome and Hodges manage to foil Brady's suicide bombing, Holly gets away from her emotionally abusive mother (which, besides her friendship with the latter two, improves her mental health), and Brady is caught and in a coma. However, Janey is still dead, and Hodges can't ever become a private inspector due to his illegal investigation.]]


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* OddFriendship: Jerome Robinson and Holly Gibney quickly become this. He's a seventeen-year-old black teenage prodigy, she's a middle aged mentally unstable white woman, together TheyFightCrime
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**[[spoiler: Pete, Hodges ex-partner, survives the books and is mentioned as alive in The Outsider, dies in the premiere episode of season 2.]]
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* BaitAndSwitch: The first half of the novel plays like a straight detective thriller, but then the story drops hints that Olivia Trelawney might be literally haunted by two of the victims of Brady's massacre, a mother and her baby; a plot idea certainly not out of step with King's usual faire. As it turns out, [[spoiler:she is not being haunted; Brady has hacked her computer to play specific sound files to make her feel like she's being haunted, all part of his plan to drive her to suicide.]]
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A miniseries adaptation, starring Creator/BrendanGleeson and Creator/HarryTreadaway as detective and killer respectively, premiered on AT&T's Audience Network on August 9, 2017. It's now airing the second season.

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A miniseries adaptation, starring Creator/BrendanGleeson and Creator/HarryTreadaway as detective and killer respectively, premiered on AT&T's Audience Network on August 9, 2017. It's now airing due for a third season as of this writing, which will reportedly finally adapt the second season.
previously-skipped ''Finders Keepers''.
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A miniseries adaptation, starring Creator/BrendanGleeson and Creator/HarryTreadaway as detective and killer respectively, premiered on AT&T's Audience Network on August 9, 2017.

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A miniseries adaptation, starring Creator/BrendanGleeson and Creator/HarryTreadaway as detective and killer respectively, premiered on AT&T's Audience Network on August 9, 2017.
2017. It's now airing the second season.

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* NeverMyFault: Brady blames his actions on the universe, because if it was truly a good world with a good God and all, he surely wouldn't have done those horrible things. More specifically, [[spoiler: when [[ItMakesSenseInContext Brady's attempt to poison some hamburger to kill a dog instead kills his mother, hamburger and poison he specifically bought to bring pain to his current nemesis]].]] Brady blamed Detective Hodges.

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* NeverMyFault: Brady blames his actions on the universe, because if it was truly a good world with a good God and all, he surely wouldn't have done those horrible things. More specifically, [[spoiler: when [[ItMakesSenseInContext Brady's attempt to poison some hamburger to kill a dog instead kills his mother, hamburger and poison he specifically bought to bring pain to his current nemesis]].]] nemesis]],]] Brady blamed Detective Hodges.


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* TheSociopath: Brady. He is a highly intelligent and manipulative man who feels no empathy toward others and no remorse for anything he does. While he is genuinely upset when [[spoiler: he accidentally kills his mother,]] he feels no guilt at all over it and instead [[NeverMyFault blames Hodges]].
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** Thanks to the omission of the Slapper, the TV series instead shows us a rather unconventional use for a cast-bronze bulldog statuette. [[spoiler: As above, Brady is also given this lesson.]]
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* RaceLift: Pete and Izzy, Bill's old police associates, are distinctly described as being white in the book. In the TV series, they're black and Latina respectively.

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* SequelHook : The ending. Given there are two upcoming sequels, it's not surprising.

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* SequelHook : The ending. Given there are two upcoming sequels, it's not surprising. [[spoiler: Brady wakes up.]]
* ShoutOut: Because the TV series omits Hodges' Happy Slapper, [[spoiler: Holly instead caves Brady's head in using [[Literature/{{Misery}} an animal figurine]]]].
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** Charlotte Gibney is a much more cut-and-dry example, degrading and downsizing Holly's psychological issues and insistently treating her like a child. The narration makes it plain that Holly's life is awful and her mental state is in a constant flux - and that Charlotte is more or less to blame for all of it.
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* AdaptationalVillainy: Countering Show!Brady's less-psychopathic personality, the TV series gives him a ''much'' higher body count (eighteen at City Center as opposed to eight, plus his onscreen murder of [[spoiler: Ryan Springhill and Anthony Frobisher]]). He also [[spoiler: deliberately kills Janey, rather than doing it by accident, as another means to drive Bill toward suicide]].

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* AdaptationalVillainy: Countering Show!Brady's less-psychopathic personality, the TV series gives him a ''much'' higher body count (eighteen at City Center as opposed to eight, plus his onscreen murder murders of [[spoiler: Ryan Springhill and Anthony Frobisher]]). He also [[spoiler: deliberately kills Janey, rather than doing it by accident, as another means to drive Bill toward suicide]].

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* AdaptationalVillainy: Countering Show!Brady's less-psychopathic personality, the TV series gives him a ''much'' higher body count (eighteen at City Center as opposed to eight, plus his onscreen murder of [[spoiler: Ryan Springhill]]). He also [[spoiler: deliberately kills Janey, rather than doing it by accident, as another means to drive Bill toward suicide]].

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* AdaptationalVillainy: Countering Show!Brady's less-psychopathic personality, the TV series gives him a ''much'' higher body count (eighteen at City Center as opposed to eight, plus his onscreen murder of [[spoiler: Ryan Springhill]]).Springhill and Anthony Frobisher]]). He also [[spoiler: deliberately kills Janey, rather than doing it by accident, as another means to drive Bill toward suicide]].


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* DeathByAdaptation: [[spoiler: Anthony Frobisher - Brady's stuck-up, casually homophobic boss - survives the book without a scratch. In the series, Brady ambushes him in his own home and rather graphically caves his head in with a hammer.]]
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* AgeLift: Holly is considerably younger in the TV series, likely as a means to emphasize her eventual role as a surrogate daughter figure to Hodges and to remove the books' ambiguity as to the nature of their relationship.

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* AgeLift: Holly is considerably younger in the TV series, series (31 as opposed to 45), likely as a means to emphasize her eventual role as a surrogate daughter figure to Hodges and to remove the books' ambiguity as to the nature of their relationship.
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* AdaptationalHeroism: The TV series adapts out most of Bill's vengeful, hard-headed drive to catch Brady on his own, making him seem vastly less reckless and selfish than his book counterpart.


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* AdaptationalVillainy: Countering Show!Brady's less-psychopathic personality, the TV series gives him a ''much'' higher body count (eighteen at City Center as opposed to eight, plus his onscreen murder of [[spoiler: Ryan Springhill]]). He also [[spoiler: deliberately kills Janey, rather than doing it by accident, as another means to drive Bill toward suicide]].
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* AgeLift: Holly is considerably younger in the TV series, likely as a means to emphasize her eventual role as a surrogate daughter figure to Hodges and to remove the books' ambiguity as to the nature of their relationship.

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* AdaptationPersonalityChange: Mostly minor ones, but still present. The TV series presents Bill as being both grumpier and more psychologically damaged in the aftermath of Brady's killing spree and his own failure to bring Brady to justice. In addition - and perhaps mercifully - the show completely adapts out Jerome's "Tyrone" persona. However, some of the most prominent changes can be seen in Brady himself. In the book, King establishes him as a dead-set, [[PoliticallyIncorrectVillain bigoted]] sociopath, whereas Show!Brady is more classically ''insane,'' displaying the tiniest flashes of compassion in his madness and apparently possessing legitimate affection for his coworker Lou (Freddi in the books).

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* AdaptationPersonalityChange: Mostly minor ones, but still present. The TV series presents Bill as being both grumpier and more psychologically damaged in the aftermath of Brady's killing spree and his own failure to bring Brady to justice. In addition - and perhaps mercifully - the show completely adapts out Jerome's "Tyrone" persona. However, some of the most prominent changes can be seen in Brady himself. In the book, King establishes him as a dead-set, [[PoliticallyIncorrectVillain bigoted]] sociopath, whereas Show!Brady is more classically ''insane,'' displaying the tiniest flashes of compassion in his madness and apparently possessing legitimate affection for his coworker Lou (Freddi in the books). He's also much more openly repulsed by his relationship with his mother, actually rejecting her advances at one point.


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* {{Foil}}: Brady and Holly serve this role in relationship to one another. Both are grown adults who, thanks to their abusive mothers damaging them in fundamentally different but equally detrimental ways, never had an opportunity to become emotionally mature. But where Brady is self-absorbed and hateful, blaming society for his circumstances and failings, Holly is endearing, kindhearted, and completely ungrudging toward the world.

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* AdaptationPersonalityChange: Minor ones, but still present. The TV series presents Bill as being both grumpier and more psychologically damaged in the aftermath of Brady's killing spree and his own failure to bring Brady to justice. In addition - and perhaps mercifully - the show completely adapts out Jerome's "Tyrone" persona.

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* AdaptationPersonalityChange: Minor Mostly minor ones, but still present. The TV series presents Bill as being both grumpier and more psychologically damaged in the aftermath of Brady's killing spree and his own failure to bring Brady to justice. In addition - and perhaps mercifully - the show completely adapts out Jerome's "Tyrone" persona. However, some of the most prominent changes can be seen in Brady himself. In the book, King establishes him as a dead-set, [[PoliticallyIncorrectVillain bigoted]] sociopath, whereas Show!Brady is more classically ''insane,'' displaying the tiniest flashes of compassion in his madness and apparently possessing legitimate affection for his coworker Lou (Freddi in the books).



** Show-only character Ryan Springhill is an unstable, loud-mouthed [[PoliticallyIncorrectVillain Neo-Nazi and homophobe]] [[spoiler: whose brutal vehicular homicide at Brady's hands is ''entirely'' more satisfying than it should be]].



* PetTheDog: Despite being an unrepentant murderer nearly completely devoid of empathy, Show!Brady seems to legitimately regard his coworker Lou (Freddi in the books) as something of a friend. He makes an effort to cheer her up when she's run ragged by a flagrantly homophobic regular at their workplace...[[spoiler:[[AssholeVictim and later murders the customer in question to make him pay for ridiculing the two of them]]]].



* PoliticallyIncorrectVillain: Brady takes issue with biracial relationships and black people in general.

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* PoliticallyIncorrectVillain: Brady takes issue with biracial relationships and black people in general. This personality trait, for better or for worse, is totally omitted in the show.
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* HollywoodAutism: Amazingly enough, King almost totally [[{{Averted}} averts]] this with Holly, though it's somewhat difficult to tell given her myriad of concurrent mental health issues. On top of being a middle-aged woman, two groups rarely associated with autism in any form of media, Holly ticks several of the classic clinical boxes - difficulty with strong emotions, extreme social awkwardness, a strong aversion to being touched, and self-stimulatory behavior like smoking and self-hugging - and although Holly's life is abjectly terrible at the start, the narrative makes it plainly clear that [[AbusiveParents her]] [[MyBelovedSmother mother]] is to blame, not her own neurological quirks. By the end of the book, and especially come the [[Literature/FindersKeepers two]] [[Literature/EndOfWatch sequels]], Holly's lot improves dramatically minus her parents' influence and she ends up getting to live a pretty good life.

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* HollywoodAutism: Amazingly enough, King almost totally [[{{Averted}} averts]] this with Holly, though it's somewhat difficult to tell given her myriad of concurrent mental health issues. On top of being a middle-aged woman, two groups rarely associated with autism in any form of media, Holly ticks several of the classic clinical boxes - difficulty with strong emotions, extreme social awkwardness, a strong aversion to being touched, and self-stimulatory behavior like smoking and self-hugging - and although Holly's life is abjectly terrible at the start, the narrative makes it plainly clear that [[AbusiveParents her]] [[MyBelovedSmother mother]] is to blame, not her own neurological quirks. By the end of the book, and especially come the [[Literature/FindersKeepers two]] [[Literature/EndOfWatch sequels]], Holly's lot improves dramatically minus her parents' mother's influence and she ends up getting to live a pretty good life.

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''Mr. Mercedes'' is the first installment in a planned trilogy. The second volume, ''Literature/FindersKeepers'', was released in 2015, and the third, ''Literature/EndOfWatch'', was released in 2016.

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''Mr. Mercedes'' is the first installment in a planned trilogy. King's Hodges Trilogy. The second volume, ''Literature/FindersKeepers'', was released in 2015, and the third, ''Literature/EndOfWatch'', was released in 2016.
2016.

A miniseries adaptation, starring Creator/BrendanGleeson and Creator/HarryTreadaway as detective and killer respectively, premiered on AT&T's Audience Network on August 9, 2017.
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* AdaptationPersonalityChange: Minor ones, but still present. The TV series presents Bill as being both grumpier and more psychologically damaged in the aftermath of Brady's killing spree and his own failure to bring Brady to justice. In addition - and perhaps mercifully - the show completely adapts out Jerome's "Tyrone" persona.
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* AdaptationalNationality: In order to reconcile Creator/BrendanGleeson's unshakable Irish accent with his character, the TV series presents Bill as an Irish immigrant who came to the United States in his late teens.
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* EvilSoundsDeep: Creator/HarryTreadaway as Brady in the TV series. It's considerably less pronounced and dramatic than most examples, but his voice is still a low, unnervingly calm baritone.

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* EvilSoundsDeep: Creator/HarryTreadaway Harry Treadaway as Brady in the TV series. It's considerably less pronounced and dramatic than most examples, but his voice is still a low, unnervingly calm baritone.
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* EvilSoundsDeep: Creator/HarryTreadaway as Brady in the TV series. It's considerably less pronounced and dramatic than most examples, but his voice is still a low, unnervingly calm baritone.
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* BadassBeard: Creator/BrendanGleeson portrays Hodges with a thick gray beard in the TV series. Knowing Hodges' mental state in this book, a touch of BeardOfSorrow may be involved.
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** Brady also counts, though more as a PsychopathicManchild due to being a murderer. Like Holly, he is a grown adult who lives with his abusive and controlling mother who still treats him as a child in her own way, and he is so slavishly dependant on her that [[spoiler: he suffers a complete VillanousBreakdown after she dies (albeit, partly because ''he'' is the one who killed her, but also because he no longer has anyone to depend upon)]].

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** Brady also counts, though more as a PsychopathicManchild due to being a murderer. Like Holly, he is a grown adult who lives with his abusive and controlling mother who still treats him as a child in her own way, and he is so slavishly dependant on her that [[spoiler: he suffers a complete VillanousBreakdown VillainousBreakdown after she dies (albeit, partly because ''he'' is the one who killed her, but also because he no longer has anyone to depend upon)]].
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* HollywoodAutism: Amazingly enough, King almost totally [[{{Averted}} averts]] this with Holly, though it's somewhat difficult to tell given her myriad of concurrent mental health issues. On top of being a middle-aged woman, two groups rarely associated with autism in any form of media, Holly ticks several of the classic clinical boxes - difficulty with strong emotions, extreme social awkwardness, a strong aversion to being touched, and self-stimulatory behavior like smoking and self-hugging - and although her life is abjectly terrible at the start, the narrative makes it plainly clear that Holly's AbusiveParents are to blame, not her own neurological quirks. By the end of the book, and especially come the [[Literature/FindersKeepers two]] [[Literature/EndOfWatch sequels]], Holly's lot improves dramatically minus her parents' influence and she ends up getting to live a pretty good life.

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* HollywoodAutism: Amazingly enough, King almost totally [[{{Averted}} averts]] this with Holly, though it's somewhat difficult to tell given her myriad of concurrent mental health issues. On top of being a middle-aged woman, two groups rarely associated with autism in any form of media, Holly ticks several of the classic clinical boxes - difficulty with strong emotions, extreme social awkwardness, a strong aversion to being touched, and self-stimulatory behavior like smoking and self-hugging - and although her Holly's life is abjectly terrible at the start, the narrative makes it plainly clear that Holly's AbusiveParents are [[AbusiveParents her]] [[MyBelovedSmother mother]] is to blame, not her own neurological quirks. By the end of the book, and especially come the [[Literature/FindersKeepers two]] [[Literature/EndOfWatch sequels]], Holly's lot improves dramatically minus her parents' influence and she ends up getting to live a pretty good life.
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** The boy band 'Round Here is also mentioned in ''Literature/DoctorSleep'', which may put this in the same universe as ''Literature/TheShining''. Given the [[GenreShift events]] of Literature/EndOfWatch, this would actually make an unsettling amount of sense.

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** The boy band 'Round Here is also mentioned in ''Literature/DoctorSleep'', which may put this in the same universe as ''Literature/TheShining''. Given the [[GenreShift events]] of Literature/EndOfWatch, ''Literature/EndOfWatch'', this would actually make an unsettling amount of sense.
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** The 'Round Here boy band is also mentioned in ''Literature/DoctorSleep'', which may put this in the same universe as ''Literature/TheShining''.

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** The boy band 'Round Here boy band is also mentioned in ''Literature/DoctorSleep'', which may put this in the same universe as ''Literature/TheShining''.''Literature/TheShining''. Given the [[GenreShift events]] of Literature/EndOfWatch, this would actually make an unsettling amount of sense.
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* TheParanoiac: While not spelt out in the book, this is the condition Brady most likely suffers from. (1) He is [[NeverMyFault unable to accept responsibility for anything]] and blames all of his failures on other people and circumstances beyond his control- it is implied his murderous rage stems from guilt and confusion over his role in [[spoiler: the death of his brother and his mother blaming him for it]]; (3) he thinks that [[JadeColoredGlasses the world is a cruel and harsh place]] as evident by [[InsaneTrollLogic the fact that he could kill all those people without repercussions in the first place]]; he wants to commit another big crime but his failure to act is less out of conscience and more [[DirtyCoward out of fear of getting caught]]; (4) he pretends to be a nice guy [[BitchInSheepsClothing but is secretly filled with contempt for everyone around him]]; (5) he is CrazyPrepared and a ControlFreak when it comes to covering his tracks and hiding his various [[EvilPlan evil plans]] even though almost none of them amount to anything; (6) he is secretly [[{{Narcissist}} grandiose]] and utterly self-centred, yet by his own standards he has amounted to nothing and is afraid of having to survive on his own with his mother, whom he hates but is neurotically dependant upon; and his final act of attempted mass murder is prompted by [[spoiler: accidentally killing his mother]], the police catching up to him, and feeling both that the jig is up and that he has nobody to depend on anymore.

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* TheParanoiac: While not spelt out in the book, this is the condition Brady most likely suffers from. (1) He is [[NeverMyFault unable to accept responsibility for anything]] and blames all of his failures on other people and circumstances beyond his control- it control; (2) he is implied his murderous rage stems from guilt [[{{Revenge}} murderously vengeful and confusion over his role in [[spoiler: the death of his brother and his mother blaming him for it]]; entertains vengeful fantasies]]; (3) he thinks that [[JadeColoredGlasses the world is a cruel and harsh place]] as evident by [[InsaneTrollLogic the fact that he could kill all those people without repercussions in the first place]]; he wants to commit another big crime but his failure to act is less out of conscience and more [[DirtyCoward out of fear of getting caught]]; (4) he pretends to be a nice guy [[BitchInSheepsClothing but is secretly filled with contempt for everyone around him]]; (5) he is CrazyPrepared and a ControlFreak when it comes to covering his tracks and hiding his various [[EvilPlan evil plans]] even though almost none of them amount to anything; (6) he is secretly [[{{Narcissist}} grandiose]] and utterly self-centred, yet by his own standards he has amounted to nothing and is afraid of having to survive on his own with his mother, whom he hates but is neurotically dependant upon; and his final act of attempted mass murder is prompted by [[spoiler: accidentally killing his mother]], the police catching up to him, and feeling both that the jig is up and that he has nobody to depend on anymore.

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