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* StockAnimalNames: The dog's name, Sharik, is commonly given to smaller dogs in Russia.

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* StockAnimalNames: StockAnimalName: The dog's name, Sharik, is commonly given to smaller dogs in Russia.
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* StockAnimalNames: The dog's name, Sharik, is commonly given to smaller dogs in Russia.
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* ParentalNeglect: LProbrazhensky never shows an ounce of love or care for his own creation, but only scorn and sarcasm, which, surprisingly for nobody except him, leads to:

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* ParentalNeglect: LProbrazhensky Probrazhensky never shows an ounce of love or care for his own creation, but only scorn and sarcasm, which, surprisingly for nobody except him, leads to:
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** Except Sharikov’s denouncement letter actually would cause Preobrazhensky and Bormental big trouble if not for the fact it was received by one of the professor’s patients, who halted the investigation and brought the letter to Preobrazhensky himself, proving Sharikov’s deviousness.

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No longer a trope.


* YourCheatingHeart: One of Preobrazhensky's clients is a middle-aged woman whose young husband is cheating on her with a younger girl. The client came for one of Preobrazhensky's "rejuvenation" treatments under the assumption that an improved libido would discourage her husband from seeking satisfaction elsewhere.
** Another one is a high-ranking official, who cheated on his ''wife with a 14-year old girl'', knocked her up and came running to Preobrazhensky in search of an underground abortion for her.

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* YourCheatingHeart: One of Preobrazhensky's clients is a middle-aged woman whose young husband is cheating on her with a younger girl. The client came for one of Preobrazhensky's "rejuvenation" treatments under the assumption that an improved libido would discourage her husband from seeking satisfaction elsewhere.
** Another one is a high-ranking official, who cheated on his ''wife with a 14-year old girl'', knocked her up and came running to Preobrazhensky in search of an underground abortion for her.
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* UltimateJobSecurity: Preobrazhensky gets away with regularly flipping off the house committee, lives technically alone in seven rooms while most of his contemporaries barely get one, spits out blatantly anti-Soviet views and nostalgically longs for the cultured old times. He can afford it because not only is he really good at his job, the authorities use his surgery services as well.

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* UltimateJobSecurity: Preobrazhensky gets away with regularly flipping off the house committee, lives technically alone in seven rooms while most of his contemporaries barely get one, spits out blatantly anti-Soviet views and nostalgically longs for the cultured old times. He can afford it because not only is he really good at his job, the authorities use his surgery services as well.well, and he's not above pressing his clients into protecting him by witholding treatment.
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* DisproportionateRetribution: Sharikov's ultimate fate ''may'' look like this. At the end of the book he gets "downgraded" to a dog--effectively murdered. He was a thoroughly nasty piece of work, he lied, sexually harassed women, and sadistically killed cats, but all that doesn't exactly warrant death, right? But that's not the whole story. The deed that leads to his "downgrading" is his letter to the secret police about Preobrazhensky's anti-Soviet views--which, then and there, was tantamount to murder attempt (and misfired only because Preobrazhensky had some grateful patients in high places).

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* DisproportionateRetribution: Sharikov's ultimate fate ''may'' look like this. At the end of the book he gets "downgraded" Preobrazhensky "downgrades" Sharikov to a dog--effectively murdered. He murders him. Yes, Sharikov was a thoroughly nasty piece of work, deeply unpleasant man, he drank, lied, debauched, pilfered and sexually harassed women, and sadistically killed cats, but all none of that doesn't exactly warrant death, right? But that's not the whole story. The deed that leads to his "downgrading" is his warrants death. And yes, he wrote a letter to the secret police authorities about Preobrazhensky's anti-Soviet views--which, then and there, views (which the "good" doctor was tantamount to murder attempt (and misfired only because Preobrazhensky had always extremely vocal about), but, despite what some grateful patients in high places).might believe, a single baseless report was not ''nearly'' enough to warrant an investigation, let alone any penitary actions.
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* YourCheatingHeart: One of Preobrazhensky's clients is a middle-aged woman whose husband is cheating on her with a younger girl. The client came for one of Preobrazhensky's "rejuvenation" treatments under the assumption that an improved libido would discourage her husband from seeking satisfaction elsewhere.

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* YourCheatingHeart: One of Preobrazhensky's clients is a middle-aged woman whose young husband is cheating on her with a younger girl. The client came for one of Preobrazhensky's "rejuvenation" treatments under the assumption that an improved libido would discourage her husband from seeking satisfaction elsewhere.

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** Another one is a high-ranking official, who cheated on his ''wife with a 14-year old girl'', knocked her up and came running to Preobrazhensky in search of an underground abortion for her.
Tabs MOD

Changed: 25

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* FilmOfTheBook: Thanks, CaptainObvious.

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* FilmOfTheBook: Thanks, CaptainObvious.FilmOfTheBook
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* GermanRussians: Doctor Bormental.

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While it is meant to be a rejuvenation experiment, unexpectedly to the doctors, Sharik's dog features gradually fade away and he transforms into a man, who, with the encouragement of local bureaucrat Shvonder, adopts the nonsensical name Poligraf Poligrafovich Sharikov, paralleling absurd "revolutionary" names that were popular in the first few years after the October Revolution. Sharikov's rudeness and simple-mindedness, in stark contrast to the gentlemanly professor, make him ideal leverage in Shvonder's hands to force Preobrazhensky out of his luxurious apartment. Dealing with Sharikov's whims and transgressions, evidently inherited from the previous owner of the transplanted organs, eventually occupies so much of Preobrazhensky's attention that he is forced to practically abandon his surgery work. In the end, after Sharikov's attempt to sic secret police on him, Preobrazhensky turns Sharikov back into a dog.

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While it is meant to be a rejuvenation experiment, unexpectedly to the doctors, Sharik's dog features gradually fade away and he transforms into a man, who, with the encouragement of local bureaucrat the house-manager Shvonder, adopts the nonsensical weird name Poligraf Poligrafovich Sharikov, paralleling absurd "revolutionary" names that were popular in the first few years after the October Revolution. Sharikov's Preobrazhensky wants nothing to do with his creation, constantly belittles Sharikov for his rudeness and simple-mindedness, in stark contrast to the gentlemanly professor, make and forces him ideal leverage in Shvonder's hands to force Preobrazhensky out of his luxurious apartment. seek support elsewhere, which Shvonder is all too eager to provide. Dealing with Sharikov's whims and transgressions, evidently inherited from the previous owner of the transplanted organs, transgressions eventually occupies so much of Preobrazhensky's attention that he is forced to practically abandon his surgery work. In the end, after Sharikov's attempt to sic secret police on him, Preobrazhensky turns Sharikov back into a dog.



* AmbiguousGender: One of Shvonder's subordinates. The second thing Preobrazhensky asks (after calmly telling them all to take their shoes off) is, "Are you a man or a woman?", to which he receives a proud response, "What's the difference, comrade?" Turns out one of them is a woman dressed as a man, and blushes when admitting that fact.
** One should note that she wasn't specifically cross-dressing, it's just that revolutionary fashion was extremely uniform and unisex at that time. And when the professor asks her if she's a man or woman, she takes it as an insult, part of his disgraceful reactionary ideas of an "old world" where men and women were unequal (or just, you know, to him being a jerkass).

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* AmbiguousGender: Invoked. One of Shvonder's subordinates. The second thing Preobrazhensky asks (after calmly telling them all to take their shoes off) is, "Are you a man or a woman?", to which he receives a proud response, "What's the difference, comrade?" Turns out one of them subordinates is a woman dressed as a man, and blushes when admitting that fact.
** One should note that she wasn't specifically
not for the sake of cross-dressing, it's just that but because revolutionary fashion was extremely uniform and unisex at that time. And So when the professor Preobrazjensky asks her if she's a man or woman, she she, naturally, takes it as an insult, part of his disgraceful reactionary ideas of an "old world" where men and women were unequal (or just, you know, to him being a jerkass).



* BlackShirt: Schwonder and his subordinates. They also qualify as DirtyCommunists.



* FromNobodyToNightmare: Sharikov clearly was on that way. Thankfully, he was stopped half-way.
* GenreBlind: Preobrazhensky, using the "spare parts" from an unemployed drunkard and bully in his experiment.

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* FromNobodyToNightmare: Sharikov clearly was on that way. Thankfully, he was stopped half-way.
* GenreBlind: Preobrazhensky, using Preobrazhensky utterly fails to see how he's reenacting the "spare parts" from an unemployed drunkard plots of ''Literature/{{Frankenstein}}'' and bully in his experiment.''Literature/TheIslandOfDoctorMoreau'' (see below).



* {{Manchild}}: Literally. Sharikov is technically several months old.

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* {{Manchild}}: Literally. Sharikov is technically several months old. He acts accordingly.



* ObstructiveBureaucrat: Schvonder. He's only obstructive to Preobrazhensky, though. To Sharikov, he's downright helpful, albeit for his own selfish reasons. (And Preobrazhensky predicts that eventually Shvonder would [[YouHaveOutlivedYourUsefulness outlive his usefulness]] to Sharikov...)

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* ObstructiveBureaucrat: Schvonder. He's only obstructive to Preobrazhensky, though. To Sharikov, Sharikov and to the rest of the residents, he's downright helpful, albeit for his own selfish reasons. (And Preobrazhensky predicts that eventually Shvonder would [[YouHaveOutlivedYourUsefulness outlive his usefulness]] to Sharikov...)helpful.



* ParentalNeglect: Let's face it, Probrazhensky never shows an ounce of love or care for his own creation, but only scorn and sarcasm, which, surprisingly for nobody except him, leads to:

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* ParentalNeglect: Let's face it, Probrazhensky LProbrazhensky never shows an ounce of love or care for his own creation, but only scorn and sarcasm, which, surprisingly for nobody except him, leads to:



* WhileRomeBurns: Despite Preobrazhenskiy's seething diatribe about "ruin in the heads" the undeniable fact is that he ''does'' live in times of post-war ruin and turmoil, and the attempts to empty a couple of rooms out of his obscenely huge apartment are made not out of greed or for profit, but out of pure necessity. He doesn't care.

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* WhileRomeBurns: Despite Preobrazhenskiy's seething diatribe about "ruin in the heads" heads", the undeniable fact is that he ''does'' live in times of post-war ruin ruin, scarcity and turmoil, and the attempts to empty "annex" a couple of rooms out of his obscenely huge apartment are made not out of greed or sheer necessity for profit, but out of pure necessity.living space for relocated people, rather than greed. He doesn't care.

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* BlackShirt - Schwonder and his subordinates. They also qualify as DirtyCommunists.

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* BlackShirt - BlackShirt: Schwonder and his subordinates. They also qualify as DirtyCommunists.


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* PromotedToLoveInterest: There’s an added subplot of Bormental’s secret crush on Vasnetsova, the typist whom Sharikov almost marries. It certainly sheds [[AdaptationalContextChange a new light]] on him going perfectly livid when Sharikov threatens to sack the girl.
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* DeliberatelyMonochrome: Deliberately made in sepia to match the atmosphere of TheSovietTwenties.

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* DeliberatelyMonochrome: Deliberately made in sepia to match the atmosphere of TheSovietTwenties.UsefulNotes/TheSovietTwenties.
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fixed some typos


A 1925 novella by Mikhail Bulgakov, about a dog turned by Russian scientists into a human [[GoneHorriblyRight and back]]. As it was typical of blatantly anti-Soviet works, it was not published in the Soviet Union until [[TheGreatPoliticsMessUp the Perestroika]], in 1987.

The narration begins from the perspective of a sickly stray dog freezing to death on the streets of Moscow. The dog is adopted by Professor Filipp Preobrazhensky, a brilliant surgeon who specializes in rejuvenation operations, for an impending experiment, and gradually heals in his absurdly spacious (by Soviet standards) seven-room apartment that also serves as his clinic. However, just as the dog, nicknamed Sharik (a common Russian dog name), begins to acclimate, it is taken to an unexpected operation by Preobrashenzky and his assistant Dr. Bormental, who implant it the pituitary gland and testicles of a recently deceased criminal.

While it is meant to be a rejuvenation experiment, unexpectedly to the doctors, Sharik's dog features gradually fade away and he transforms into a man, who, with the encouragement of local bureaucrat Shvonder, adopts the nonsensical name Poligraf Poligrafovich Sharikov, paralleling absurd "revolutionary" names that were popular in the first few years after the October. Sharikov's rudeness and simple-mindedness, in stark contrast to the gentlemanly professor, make him an ideal leverage in Shvonder's hands to force Preobrazhensky out of his luxurious apartment. Dealing with Sharikov's whims and transgressions, evidently inherited from the previous owner of the transplanted organs, eventually occupies so much of Preobrazhensky's attention that he is forced to practically abandon his surgeries. In the end, after Sharikov's attempt to sic secret police on him, Preobrazhensky turns Sharikov back into a dog.

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A 1925 novella by Mikhail Bulgakov, about a dog turned by Russian scientists into a human [[GoneHorriblyRight and back]]. As it was typical of blatantly anti-Soviet works, it was not published in the Soviet Union until [[TheGreatPoliticsMessUp the Perestroika]], Perestroika]] in 1987.

The narration begins from the perspective of a sickly stray dog freezing to death on the streets of Moscow. The dog is adopted by Professor Filipp Preobrazhensky, a brilliant surgeon who specializes in rejuvenation operations, for an impending experiment, and gradually heals in his absurdly spacious (by Soviet standards) seven-room apartment that also serves as his clinic. However, just as the dog, nicknamed Sharik (a common Russian dog name), begins to acclimate, acclimatize, it is taken to an unexpected operation by Preobrashenzky and his assistant Dr. Bormental, who implant it with the pituitary gland and testicles of a recently deceased criminal.

While it is meant to be a rejuvenation experiment, unexpectedly to the doctors, Sharik's dog features gradually fade away and he transforms into a man, who, with the encouragement of local bureaucrat Shvonder, adopts the nonsensical name Poligraf Poligrafovich Sharikov, paralleling absurd "revolutionary" names that were popular in the first few years after the October. October Revolution. Sharikov's rudeness and simple-mindedness, in stark contrast to the gentlemanly professor, make him an ideal leverage in Shvonder's hands to force Preobrazhensky out of his luxurious apartment. Dealing with Sharikov's whims and transgressions, evidently inherited from the previous owner of the transplanted organs, eventually occupies so much of Preobrazhensky's attention that he is forced to practically abandon his surgeries.surgery work. In the end, after Sharikov's attempt to sic secret police on him, Preobrazhensky turns Sharikov back into a dog.



The book was adapted in 1988 by Vladimir Bortko into a highly successful film, which followed the original text very closely. Bortko later went to direct a TV miniseries adaptation of Bulgakov's ''Literature/TheMasterAndMargarita''.

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The book was adapted in 1988 by Vladimir Bortko into a highly successful film, which followed the original text very closely. Bortko later went on to direct a TV miniseries adaptation of Bulgakov's ''Literature/TheMasterAndMargarita''.



* AdaptationDistillation: the film and stage adaptations [[DirtyCommunists tend to exaggerate the brutality and uncouth behavior]] of the 1920s Communists (and Sharikov's as well), while Bulgakov in the original text pokes fun at the good guys just as quickly as he does at the bad ones. For example, the girl typist who complains on the poor food and miserable wages in the stage version appears to be just a victim of the generalized poverty, while in the original text she has to cope with poor food and an indifferent lover ''because she had spent most of her wages on cinema tickets''.

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* AdaptationDistillation: the The film and stage adaptations [[DirtyCommunists tend to exaggerate the brutality and uncouth behavior]] of the 1920s Communists (and Sharikov's as well), while Bulgakov in the original text pokes fun at the good guys just as quickly as he does at the bad ones. For example, the girl typist who complains on the poor food and miserable wages in the stage version appears to be just a victim of the generalized widespread poverty, while in the original text she has to cope with poor food and an indifferent lover ''because she had spent most of her wages on cinema tickets''.



** One should note that she wasn't specifically cross-dressing, it's just that revolutionary fashion was extremely uniform and unisex at that time. And when the professor asks her if she's a man or woman, she takes it as an insult, part of his disgraceful reactionist ideas of an "Old world" where men and women were unequal (or just, you know, to him being a jerkass).

to:

** One should note that she wasn't specifically cross-dressing, it's just that revolutionary fashion was extremely uniform and unisex at that time. And when the professor asks her if she's a man or woman, she takes it as an insult, part of his disgraceful reactionist reactionary ideas of an "Old "old world" where men and women were unequal (or just, you know, to him being a jerkass).



* WhileRomeBurns: Despite Preobrazhenskiy's seething diatrabe about "ruin in the heads" the undeniable fact is that he ''does'' live in times of post-war ruin and turmoil, and the attempts to denude a couple rooms out of his obscenely huge appartement are made not out of greed or for profit, but out of pure neccessity. He doesn't care.

to:

* WhileRomeBurns: Despite Preobrazhenskiy's seething diatrabe diatribe about "ruin in the heads" the undeniable fact is that he ''does'' live in times of post-war ruin and turmoil, and the attempts to denude empty a couple of rooms out of his obscenely huge appartement apartment are made not out of greed or for profit, but out of pure neccessity.necessity. He doesn't care.



* BeamMeUpScotty: In the movie, there are a few scenes from Bulgakov's other works. Many of them have become MemeticMutation in Russia, and they are often associated with book.

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* BeamMeUpScotty: In the movie, there are a few scenes from Bulgakov's other works. Many of them have become MemeticMutation {{Memetic Mutation}}s in Russia, and they are often associated with the book.
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* EntertaininglyWrong: Among Sharikov’s first words, there is a fish market sign pronounced backwards. Bormental concludes it must have something to do with the structure of nerves in a dog’s eye. [[MundaneSolution In fact]], Sharik simply read the sign from the end because there was always a militia man standing under the beginning.
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Moved from YMMV/.

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* AdaptationDistillation: the film and stage adaptations [[DirtyCommunists tend to exaggerate the brutality and uncouth behavior]] of the 1920s Communists (and Sharikov's as well), while Bulgakov in the original text pokes fun at the good guys just as quickly as he does at the bad ones. For example, the girl typist who complains on the poor food and miserable wages in the stage version appears to be just a victim of the generalized poverty, while in the original text she has to cope with poor food and an indifferent lover ''because she had spent most of her wages on cinema tickets''.
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The book was adapted in 1988 by Vladimir Bortko into a highly successful film, which followed the original text very closely. Bortko later went to direct a TV miniseries adaptation of Bulgakov's ''TheMasterAndMargarita''.

to:

The book was adapted in 1988 by Vladimir Bortko into a highly successful film, which followed the original text very closely. Bortko later went to direct a TV miniseries adaptation of Bulgakov's ''TheMasterAndMargarita''.
''Literature/TheMasterAndMargarita''.
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* BlackShirt - Schwonder and his subordinates. They also qualify as DirtyCommunists.
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** One should note that she wasn't specifically cross-dressing, it's just that revolutionary fashion was extremely uniform and unisex at that time. And when the professor asks her if she's a man or woman, she takes it as an insult, part of his disgraceful reactionist ideas of an "Old world" where men and women were unequal.

to:

** One should note that she wasn't specifically cross-dressing, it's just that revolutionary fashion was extremely uniform and unisex at that time. And when the professor asks her if she's a man or woman, she takes it as an insult, part of his disgraceful reactionist ideas of an "Old world" where men and women were unequal.unequal (or just, you know, to him being a jerkass).
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None

Added DiffLines:

* WhileRomeBurns: Despite Preobrazhenskiy's seething diatrabe about "ruin in the heads" the undeniable fact is that he ''does'' live in times of post-war ruin and turmoil, and the attempts to denude a couple rooms out of his obscenely huge appartement are made not out of greed or for profit, but out of pure neccessity. He doesn't care.
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* BodyHorror: Sharikov's dog-to-human transformation is described in disturbing detail.

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The Bortko film adaptation provides the above tropes, plus:

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\n* YourCheatingHeart: One of Preobrazhensky's clients is a middle-aged woman whose husband is cheating on her with a younger girl. The client came for one of Preobrazhensky's "rejuvenation" treatments under the assumption that an improved libido would discourage her husband from seeking satisfaction elsewhere.

!!The
Bortko film adaptation provides the above tropes, plus:
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* {{Homage}}: To ''Literature/TheIslandOfDoctorMoreau''.

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* {{Homage}}: To ''Literature/TheIslandOfDoctorMoreau''.''Literature/{{Frankenstein}}'' (scientist creates a new humanoid entity who is embittered toward his creator for not giving him affection) and to ''Literature/TheIslandOfDoctorMoreau'' (scientist [[UpliftedAnimal uplifts at least one animal]], but the creations are still ruled by their animal instincts).
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* DrJerk: Preobrazhensky is a good person--but quite arrogant and rather fond of baiting small-fry Soviet officials.

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* DrJerk: Preobrazhensky is a good person--but quite brilliant surgeon, but he's also an arrogant and rather fond of baiting small-fry Soviet officials.self-indulgent hedonist, who holds the surrounding "vulgar" world in utter contempt.
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* DisproportionateRetribution: Sharikov's ultimate fate ''may'' look like this. At the end of the book he gets "downgraded" to a dog--effectively murdered. He was a thoroughly nasty piece of work, he lied, sexually harassed women, and sadistically killed cats, but all that doesn't exactly warrant death, right? But that's not the whole story. The deed that leads to his "downgrading" is a letter to the secret police about Preobrazhensky's anti-Soviet views--which, then and there, was tantamount to murder attempt (and misfired only because Preobrazhensky had some grateful patients in high places).

to:

* DisproportionateRetribution: Sharikov's ultimate fate ''may'' look like this. At the end of the book he gets "downgraded" to a dog--effectively murdered. He was a thoroughly nasty piece of work, he lied, sexually harassed women, and sadistically killed cats, but all that doesn't exactly warrant death, right? But that's not the whole story. The deed that leads to his "downgrading" is a his letter to the secret police about Preobrazhensky's anti-Soviet views--which, then and there, was tantamount to murder attempt (and misfired only because Preobrazhensky had some grateful patients in high places).
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* DoesThisRemindYouOfAnything: When Sharikov and his colleagues hunt stray cats, it's deliberately filmed to look very much like a secret police operation.

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Rewrote some


A 1925 short story by Mikhail Bulgakov, about a dog turned by Russian scientists into a human [[GoneHorriblyRight and back]]. As it was typical of blatantly anti-Soviet works, it was not published in the Soviet Union until [[TheGreatPoliticsMessUp the Perestroika]], in 1987.

to:

A 1925 short story novella by Mikhail Bulgakov, about a dog turned by Russian scientists into a human [[GoneHorriblyRight and back]]. As it was typical of blatantly anti-Soviet works, it was not published in the Soviet Union until [[TheGreatPoliticsMessUp the Perestroika]], in 1987.



While it is meant to be a rejuvenation experiment, unexpectedly to the doctors, Sharik's dog features gradually fade away and he transforms into a man, who, with the encouragement of local bureaucrat Shvonder, adopts the nonsensical name Poligraf Poligrafovich Sharikov, paralleling absurd "revolutionary" names that were popular in the first few years after the October. Sharikov's rudeness and simple-mindedness, in stark contrast to the gentlemanly professor, make him an ideal leverage in Shvonder's hands to force Preobrazhensky out of his luxurious apartment. Dealing with Sharikov's whims, evidently inherited from the previous owner of the transplanted organs, eventually occupies so much of Preobrazhensky's attention that he is forced to practically abandon his surgeries, and eventually, after one annoyance too many, he turns Sharikov back into a dog.

to:

While it is meant to be a rejuvenation experiment, unexpectedly to the doctors, Sharik's dog features gradually fade away and he transforms into a man, who, with the encouragement of local bureaucrat Shvonder, adopts the nonsensical name Poligraf Poligrafovich Sharikov, paralleling absurd "revolutionary" names that were popular in the first few years after the October. Sharikov's rudeness and simple-mindedness, in stark contrast to the gentlemanly professor, make him an ideal leverage in Shvonder's hands to force Preobrazhensky out of his luxurious apartment. Dealing with Sharikov's whims, whims and transgressions, evidently inherited from the previous owner of the transplanted organs, eventually occupies so much of Preobrazhensky's attention that he is forced to practically abandon his surgeries, and eventually, surgeries. In the end, after one annoyance too many, he Sharikov's attempt to sic secret police on him, Preobrazhensky turns Sharikov back into a dog.



* DisproportionateRetribution: Sharikov's ultimate fate ''may'' look like this. At the end of the book he gets "downgraded" to a dog--effectively murdered. He was a thoroughly nasty piece of work, he lied, sexually harassed women, and sadistically killed cats, but all that doesn't exactly warrant death, right? But that's not all the story. The deed that leads to his "downgrading" is a letter to the secret police about Preobrazhensky's anti-Soviet views--which, then and there, was tantamount to murder attempt (and misfired only because Preobrazhensky had some grateful patients in high places).


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* DisproportionateRetribution: Sharikov's ultimate fate ''may'' look like this. At the end of the book he gets "downgraded" to a dog--effectively murdered. He was a thoroughly nasty piece of work, he lied, sexually harassed women, and sadistically killed cats, but all that doesn't exactly warrant death, right? But that's not the whole story. The deed that leads to his "downgrading" is a letter to the secret police about Preobrazhensky's anti-Soviet views--which, then and there, was tantamount to murder attempt (and misfired only because Preobrazhensky had some grateful patients in high places).

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added and rearranged some


* AssholeVictim: Sharikov wasn't a nice man, but nothing he did warranted death, and by reverting him back to dog Preobrazhensky effectively murdered him as a person. [[InsaneTrollLogic But he had been dead at the beginning of the story anyway]]



* DisproportionateRetribution: Sharikov's ultimate fate ''may'' look like this. At the end of the book he gets "downgraded" to a dog--effectively murdered. He was a thoroughly nasty piece of work, he lied, sexually harassed women, and sadistically killed cats, but all that doesn't exactly warrant death, right? But that's not all the story. The deed that leads to his "downgrading" is a letter to the secret police about Preobrazhensky's anti-Soviet views--which, then and there, was tantamount to murder attempt (and misfired only because Preobrazhensky had some grateful patients in high places).



* DrJerk: Preobrazhensky

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* DrJerk: PreobrazhenskyPreobrazhensky is a good person--but quite arrogant and rather fond of baiting small-fry Soviet officials.



* JerkAss: Protagonist(Preobrazhensky) and his antagonists(Sharikov and Shvonder) are jerks.
* Manchild: Literally. Sharikov is technically several months old.

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* JerkAss: Protagonist(Preobrazhensky) Protagonist (Preobrazhensky) and his antagonists(Sharikov antagonists (Sharikov and Shvonder) are jerks.
* Manchild: {{Manchild}}: Literally. Sharikov is technically several months old.



* ObstructiveBureaucrat: Schvonder. He's only obstructive to Preobrazhensky, though. To Sharikov, he's downright helpful, albeit for his own selfish reasons.

to:

* ObstructiveBureaucrat: Schvonder. He's only obstructive to Preobrazhensky, though. To Sharikov, he's downright helpful, albeit for his own selfish reasons. (And Preobrazhensky predicts that eventually Shvonder would [[YouHaveOutlivedYourUsefulness outlive his usefulness]] to Sharikov...)
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->"The whole horror of the situation is that he now has a human heart, not [[TitleDrop a dog's heart]]. And about the rottenest heart in all creation!"

A 1925 short story by Mikhail Bulgakov, about a dog turned by Russian scientists into a human [[GoneHorriblyRight and back]]. As it was typical of blatantly anti-Soviet works, it was not published in the Soviet Union until [[TheGreatPoliticsMessUp the Perestroika]], in 1987.

The narration begins from the perspective of a sickly stray dog freezing to death on the streets of Moscow. The dog is adopted by Professor Filipp Preobrazhensky, a brilliant surgeon who specializes in rejuvenation operations, for an impending experiment, and gradually heals in his absurdly spacious (by Soviet standards) seven-room apartment that also serves as his clinic. However, just as the dog, nicknamed Sharik (a common Russian dog name), begins to acclimate, it is taken to an unexpected operation by Preobrashenzky and his assistant Dr. Bormental, who implant it the pituitary gland and testicles of a recently deceased criminal.

While it is meant to be a rejuvenation experiment, unexpectedly to the doctors, Sharik's dog features gradually fade away and he transforms into a man, who, with the encouragement of local bureaucrat Shvonder, adopts the nonsensical name Poligraf Poligrafovich Sharikov, paralleling absurd "revolutionary" names that were popular in the first few years after the October. Sharikov's rudeness and simple-mindedness, in stark contrast to the gentlemanly professor, make him an ideal leverage in Shvonder's hands to force Preobrazhensky out of his luxurious apartment. Dealing with Sharikov's whims, evidently inherited from the previous owner of the transplanted organs, eventually occupies so much of Preobrazhensky's attention that he is forced to practically abandon his surgeries, and eventually, after one annoyance too many, he turns Sharikov back into a dog.

Critics usually interpret ''Heart of a Dog'' as a TakeThat against the "[[http://en.wikipedia.org/wiki/New_Soviet_Man New Soviet Man]]" archetype that the Bolsheviks were quick to invoke, depicting Sharikov (and Shvonder, who parallels him in many aspects) as [[http://en.wikipedia.org/wiki/Homo_Sovieticus a realistic result]] of the revolution, embodying its worst qualities; the kind of uncultured collaborationist simpleton that Bulgakov detested.

The book was adapted in 1988 by Vladimir Bortko into a highly successful film, which followed the original text very closely. Bortko later went to direct a TV miniseries adaptation of Bulgakov's ''TheMasterAndMargarita''.

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!!Provides examples of:
* AmbiguousGender: One of Shvonder's subordinates. The second thing Preobrazhensky asks (after calmly telling them all to take their shoes off) is, "Are you a man or a woman?", to which he receives a proud response, "What's the difference, comrade?" Turns out one of them is a woman dressed as a man, and blushes when admitting that fact.
** One should note that she wasn't specifically cross-dressing, it's just that revolutionary fashion was extremely uniform and unisex at that time. And when the professor asks her if she's a man or woman, she takes it as an insult, part of his disgraceful reactionist ideas of an "Old world" where men and women were unequal.
* AssholeVictim: Sharikov wasn't a nice man, but nothing he did warranted death, and by reverting him back to dog Preobrazhensky effectively murdered him as a person. [[InsaneTrollLogic But he had been dead at the beginning of the story anyway]]
* AuthorTract: Preobrazhensky's "counter-revolutionary" speeches. Bulgakov was not a big fan of the regime, and this trait often bled into his protagonists. In particular, he blames the ruin and decay that plagues the country on the Soviet citizens themselves.
-->"I'll tell you what it is: if instead of operating every evening I were to start a glee club in my apartment, that would mean that I was on the road to ruin. If when I go to the lavatory I don't pee, if you'll excuse the expression, into the bowl but on to the floor instead and if Zina and Darya Petrovna were to do the same thing, the lavatory would be ruined. Ruin, therefore, is not caused by lavatories but it's something that starts in people's heads. So when these clowns start shouting 'Stop the ruin!' -- I laugh! I swear to you, I find it laughable! Every one of them needs to hit himself on the back of the head and then when he has knocked all the hallucinations out of himself and gets on with sweeping out backyards -- which is his real job -- all this ruin will automatically disappear. You can't serve two gods! You can't sweep the dirt out of the tram tracks and settle the fate of the Spanish beggars at the same time! No one can ever manage it, doctor -- and above all it can't be done by people who are two hundred years behind the rest of Europe and who so far can't even manage to [[ArsonMurderAndJaywalking do up their own fly-buttons properly]]!"
* DirtyOldMan: One of Preobrazhensky's clients is one.
-->"Would you believe it, professor - hordes of naked girls every night. I am absolutely entranced. You're a magician.'"
* DrJerk: Preobrazhensky
* EccentricExterminator: Sharikov, once he gets assigned to rid Moscow of stray cats.
* FromNobodyToNightmare: Sharikov clearly was on that way. Thankfully, he was stopped half-way.
* GenreBlind: Preobrazhensky, using the "spare parts" from an unemployed drunkard and bully in his experiment.
* GentlemanAndAScholar: Preobrazhensky and Bormental.
* GermanRussians: Doctor Bormental.
* GoneHorriblyRight
* {{Homage}}: To ''Literature/TheIslandOfDoctorMoreau''.
* HumanityEnsues
* InsufferableGenius: Preobrazhensky is a very arrogant man.
* JerkAss: Protagonist(Preobrazhensky) and his antagonists(Sharikov and Shvonder) are jerks.
* Manchild: Literally. Sharikov is technically several months old.
* MeaningfulName:
** Preobrazhensky stems from the Russian word from "transfiguration", which is what the professor does to his patients and to Sharik.
** "Poligraf Poligrafovich" means "Rotogravure, son of Rotogravure". The name is a parody of similarly nonsensical revolution-themed names that were popular for naming Soviet children around that time.
* ObstructiveBureaucrat: Schvonder. He's only obstructive to Preobrazhensky, though. To Sharikov, he's downright helpful, albeit for his own selfish reasons.
* TheProfessor: Preobrazhensky, obviously.
* ParentalNeglect: Let's face it, Probrazhensky never shows an ounce of love or care for his own creation, but only scorn and sarcasm, which, surprisingly for nobody except him, leads to:
* TurnedAgainstTheirMasters
* UltimateJobSecurity: Preobrazhensky gets away with regularly flipping off the house committee, lives technically alone in seven rooms while most of his contemporaries barely get one, spits out blatantly anti-Soviet views and nostalgically longs for the cultured old times. He can afford it because not only is he really good at his job, the authorities use his surgery services as well.
-->"You know, professor," said the girl with a deep sigh, "if you weren't world-famous and if you weren't being protected by certain people in the most disgusting way," (the fair youth tugged at the hem of her jerkin, but she brushed him away), "which we propose to investigate, you should be arrested."

The Bortko film adaptation provides the above tropes, plus:
* BeamMeUpScotty: In the movie, there are a few scenes from Bulgakov's other works. Many of them have become MemeticMutation in Russia, and they are often associated with book.
* BookEnds: The movie begins and ends with the streets of Moscow, with Red Army soldiers marching while singing the same song.
* DeliberatelyMonochrome: Deliberately made in sepia to match the atmosphere of TheSovietTwenties.
* FilmOfTheBook: Thanks, CaptainObvious.
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