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** Not to mention the fans who complain of "character decay" in terms of Ilse's character, who appears very shallow and flippant in the third book (though the signs were there since the second installment). Or the fans who hate Dean's infamous scene with Emily's manuscript. Or Emily herself, especially concerning (to [[{Shipping} certain fans]] at least) her cruel breaking off of hers and Dean's engagement. Or the fact that pretty much ''nothing'' is known about Teddy or his actual personality.
to:
** Not to mention the fans who complain of "character decay" in terms of Ilse's character, who appears very shallow and flippant in the third book (though the signs were there since the second installment). Or the fans who hate Dean's infamous scene with Emily's manuscript. Or Emily herself, especially concerning (to [[{Shipping} certain fans]] at least) least, her cruel breaking off of hers and Dean's engagement.engagement and the permanent breaking of Dean's heart. Or the fact that pretty much ''nothing'' is known about Teddy or his actual personality.
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* BrokenBase: '''ABSOLUTELY'''. The third book, ''Emily's Quest'' - an how! First, there are the fans ([[FanPreferredCouple a big chunk as well]]) who ''cannot stand'' that [[VictoriousChildhoodFriend Teddy/Emily]] is official and [[MayDecemberRomance Dean/Emily]] is not. Second, there are the Teddy/Emily fans who ''hate'' how little screen time Teddy gets as well as how there is hardly any Teddy/Emily interaction, while there is a much larger focus on Dean/Emily and Dean in general. Then there are those Teddy/Emily fans who dislike how only in the final two or so pages, their ship [[LastMinuteHookup finally happens]] as well as Teddy hardly appearing in the book and getting very limited (if ''any'') [[FlatCharacter character development]] or screen time. And [[UpToEleven finally]], there are those fans who wanted much more of a focus on Emily and her writing career rather than all the romantic shenanigans - these fans also tend to want Emily to remain single.
** Not to mention the fans who complain of "character decay" in terms of Ilse's character, who appears very shallow and flippant in the third book (though the signs were there since the second installment).
** And finally, there are those who complain that the writing in the third book is too vague, lacking in description and poorly written with far too much focus on melodrama and depression. Whew!
** Not to mention the fans who complain of "character decay" in terms of Ilse's character, who appears very shallow and flippant in the third book (though the signs were there since the second installment).
** And finally, there are those who complain that the writing in the third book is too vague, lacking in description and poorly written with far too much focus on melodrama and depression. Whew!
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* BrokenBase: '''ABSOLUTELY'''. The third book, ''Emily's Quest'' - an and how! First, there are the fans ([[FanPreferredCouple a big chunk as well]]) who ''cannot stand'' that [[VictoriousChildhoodFriend Teddy/Emily]] is official and [[MayDecemberRomance Dean/Emily]] is not. Second, there are the Teddy/Emily fans who ''hate'' how little screen time Teddy gets as well as how there is hardly any Teddy/Emily interaction, while there is a much larger focus on Dean/Emily and Dean in general. Then there are those Teddy/Emily fans who dislike how only in the final two or so pages, their ship [[LastMinuteHookup finally happens]] as well as Teddy hardly appearing in the book and getting very limited (if ''any'') [[FlatCharacter character development]] or screen time. And [[UpToEleven finally]], then]], there are those fans who wanted much more of a focus on Emily and her writing career rather than all the romantic shenanigans - these fans also tend to want Emily to remain single.
** Not to mention the fans who complain of "character decay" in terms of Ilse's character, who appears very shallow and flippant in the third book (though the signs were there since the second installment). \n Or the fans who hate Dean's infamous scene with Emily's manuscript. Or Emily herself, especially concerning (to [[{Shipping} certain fans]] at least) her cruel breaking off of hers and Dean's engagement. Or the fact that pretty much ''nothing'' is known about Teddy or his actual personality.
** And finally, there are those who complain that the writing in the third book is too vague, lacking in description and poorly written with far too much focus onmelodrama melodrama, brooding and depression. Whew!
** Not to mention the fans who complain of "character decay" in terms of Ilse's character, who appears very shallow and flippant in the third book (though the signs were there since the second installment).
** And finally, there are those who complain that the writing in the third book is too vague, lacking in description and poorly written with far too much focus on
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* BrokenBase: '''ABSOLUTELY'''. The third book, ''Emily's Quest'' - an how! First, there are the fans ([[FanPreferredCouple a big chunk as well]]) who ''cannot stand'' that [[VictoriousChildhoodFriend Teddy/Emily]] is official and [[MayDecemberRomance Dean/Emily]] is not. Second, there are the Teddy/Emily fans who ''hate'' how little screen time Teddy gets as well as how there is hardly any Teddy/Emily interaction, while there is a much larger focus on Dean/Emily and Dean in general. Then there are those Teddy/Emily fans who dislike how only in the final two or so pages, their ship [[LastMinuteHookup finally happens]] as well as Teddy hardly appearing in the book and getting very limited (if ''any'') [[FlatCharacter character development]] or screen time. And [[UpToEleven finally]], there are those fans who wanted much more of a focus on Emily and her writing career rather than all the romantic shenanigans - these fans also tend to want Emily to remain single.
** Not to mention the fans who complain of "character decay" in terms of Ilse's character, who appears very shallow and flippant in the third book (though the signs were there since the second installment).
** And finally, there are those who complain that the writing in the third book is too vague, lacking in description and poorly written with far too much focus on melodrama and depression. Whew!
** Not to mention the fans who complain of "character decay" in terms of Ilse's character, who appears very shallow and flippant in the third book (though the signs were there since the second installment).
** And finally, there are those who complain that the writing in the third book is too vague, lacking in description and poorly written with far too much focus on melodrama and depression. Whew!
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* LastMinuteHookup: Emily and Teddy in literally the last handful of pages of the entire trilogy. Presumably, they live HappilyEverAfter - much to the eternal anger and disgust of Dean/Emily fans.
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* LastMinuteHookup: Emily and Teddy in literally the last handful of pages of the entire trilogy. Presumably, they live HappilyEverAfter - much to the eternal '''eternal anger and disgust of Dean/Emily fans.fans'''.
**''Even Teddy/Emily fans'' dislike how vaguely and (very, very) late Emily and Teddy came together with no description and with Teddy lacking major character development.
**''Even Teddy/Emily fans'' dislike how vaguely and (very, very) late Emily and Teddy came together with no description and with Teddy lacking major character development.
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* MayDecemberRomance: Dr. Burnley and his wife, which serves for most of people to further assume that she had left him for her young, charismatic cousin. Also, Dean and Emily, on which he blames the ultimate failure of their relationship.
to:
* MayDecemberRomance: Dr. Burnley and his wife, which serves for most of people to further assume that she had left him for her young, charismatic cousin. Also, Also Dean and Emily, on which he Dean partly blames the ultimate failure of their relationship.relationship, though Emily insists it isn't that.
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* RunawayBride: Ilse pulls this off in pretty impressive fashion when she hears (mistakenly) that Perry's been fatally injured in a car crash just before her wedding with Teddy is about to start. She also cheerfully admits that she would do the same ten minutes later -- ''when she would already been married to Ted''. Emily is not sympathetic to this at all.
to:
* RunawayBride: Ilse pulls this off in pretty impressive fashion when she hears (mistakenly) that Perry's been fatally injured in a car crash just before her wedding with Teddy is about to start. She also cheerfully admits that she would do the same ten minutes later -- ''when she would already been married to Ted''. Emily is not sympathetic to this at all.''at all''.
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* SpiritedYoungLady: Emily is one; Ilse is too much of a tomboy to count.
to:
* SpiritedYoungLady: Emily is (reserved) one; Ilse is too much of a tomboy to count.
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* UnluckyChildhoodFriend: Perry thinks he's one of these to Emily. And, for a good part of the last book, ''everyone'' toward some of the other ones in the pack, until things get fixed. [[spoiler:Thank goodness, Ilse leaves Ted at the altar.]]
to:
* UnluckyChildhoodFriend: Perry thinks he's one of these to Emily. And, for a good part of the last book, ''everyone'' toward some of the other ones in the pack, until things get fixed. [[spoiler:Thank goodness, [[spoiler:Like when Ilse leaves Ted at the altar.]]
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* VictoriousChildhoodFriend: Ultimately the fate for Emily and Teddy, and Ilse and Perry.
to:
* VictoriousChildhoodFriend: Ultimately the fate for Emily and Teddy, and Ilse and Perry.Perry and Teddy and Emily, the latter of which is a ''major'' source of BrokenBase, what with Dean/Emily fans and also because of Teddy himself (even among Teddy/Emily shippers!) who considered the most boring, dull and undeveloped character in the ''entire series'' - and ''especially'' compared to Dean.
** Not to mention there are fans of the books who wanted [[OppositesAttract Perry/Emily]] or even [[LesYay Ilse/Emily]]. Some fans just wanted [[CargoShip Emily/writing]].
** Not to mention there are fans of the books who wanted [[OppositesAttract Perry/Emily]] or even [[LesYay Ilse/Emily]]. Some fans just wanted [[CargoShip Emily/writing]].
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* WifeHusbandry: It's unclear how much of Dean's relationship with Emily falls under this trope. Suffice it to say that he was [[MayDecemberRomance her father's best friend]], and he's known her since she was ''very'' young. Dean also consistently implies that he has a claim on her life, having saved it the day they met.
to:
* WifeHusbandry: It's unclear how much of Dean's relationship with Emily falls under this trope. Suffice it to say that he was [[MayDecemberRomance her father's best friend]], and he's known her Emily since she was ''very'' young. Dean also consistently implies that he has a claim on her life, having saved it the day they met.met - yet he only romantically begins to pursue her when she's a teenager and then very seriously when she's a bit older.
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** Also between Emily and Dean.
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** Also between Emily and Dean.Dean, [[UpToEleven SO MUCH]].
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* BetterAsFriends: Emily tries to explain to Perry that they are that case; it takes ''years'', though he moves on pretty quickly when he discovers he could have a chance with Ilse. Ilse and Ted are also an example, though they were aware of it from the start of their engagement.
to:
* BetterAsFriends: Emily tries to explain to Perry that they are that case; it takes ''years'', though he moves on pretty quickly when he discovers he could have a chance with Ilse. Ilse and Ted Teddy are also an example, though they were aware of it from the start of their engagement.engagement.
** This is what eventually happens to [[spoiler: Dean and Emily]] much to the ''eternal horror'' of shippers, who find it both highly unrealistic and tragic.
** This is what eventually happens to [[spoiler: Dean and Emily]] much to the ''eternal horror'' of shippers, who find it both highly unrealistic and tragic.
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* BigScrewedUpFamily: The Murrays may be seen (and see themselves) as the Chosen People, but they're really more this.
* BrutalHonesty: Mr. Carpenter is unsparing when it comes to critiquing Emily's work. The trope is subverted with Dean when he savages Emily's first novel not because he actually thinks it's bad as because he resents anything that takes her attention from him.
* ByronicHero: Dean Priest.
* TheCharmer: Teddy ends up as one of these; Ilse tells Emily he's become a ChickMagnet and is a wee bit too happily conscious of it.
* BrutalHonesty: Mr. Carpenter is unsparing when it comes to critiquing Emily's work. The trope is subverted with Dean when he savages Emily's first novel not because he actually thinks it's bad as because he resents anything that takes her attention from him.
* ByronicHero: Dean Priest.
* TheCharmer: Teddy ends up as one of these; Ilse tells Emily he's become a ChickMagnet and is a wee bit too happily conscious of it.
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* BigScrewedUpFamily: The Murrays may be seen (and see themselves) as the Chosen People, but they're really more this.
this. The Priests as well.
* BrutalHonesty: Mr. Carpenter is unsparing when it comes to critiquing Emily's work. The trope is subverted with Dean when he savages Emily's first novel not because he actually thinks it's bad as because he resents anything that takes her attention fromhim.
him - he apologizes for this later.
* ByronicHero: DeanPriest.
Priest, one of the best examples of this character type.
* TheCharmer: For some reason, Teddy ends up as one of these; Ilse tells Emily he's become a ChickMagnet and is a wee bit too happily conscious of it.
* BrutalHonesty: Mr. Carpenter is unsparing when it comes to critiquing Emily's work. The trope is subverted with Dean when he savages Emily's first novel not because he actually thinks it's bad as because he resents anything that takes her attention from
* ByronicHero: Dean
* TheCharmer: For some reason, Teddy ends up as one of these; Ilse tells Emily he's become a ChickMagnet and is a wee bit too happily conscious of it.
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** CrazyJealousGuy: Dean Priest, engaging in {{Manipulative Bastard}}ry. Over a ''book''.
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** CrazyJealousGuy: Dean Priest, engaging in {{Manipulative Bastard}}ry. Over a ''book''. He gets better though and loses the jealous streak.
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* DesignatedLoveInterest: Teddy Kent often comes across this way. Many readers find him less interesting and developed than Emily's other admirers Dean Priest and Perry Miller.
to:
* DesignatedLoveInterest: Teddy Kent often comes across this way. way, being very poorly developed and extremely underwritten and vague. Many readers find him less interesting and developed than Emily's other admirers admirers, the cynical, shrewd Dean Priest and determined, cheerful Perry Miller.
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* EmbarrassingNickName: Dean is widely known as Jarback Priest on account of his disability. One reason why he respects the memory of Emily's father so much is that he never called him this.
to:
* EmbarrassingNickName: Dean is widely known as Jarback Priest on account of his disability. One reason why he respects the memory of Emily's father so much is that he never called him this. And [[CrowningMomentofAwesome neither does Emily]].
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* GreenEyes: The Priest clan is known for their striking, sometimes uncanny green eyes.
* HandicappedBadAss: Dean Priest. Comes close to EvilCripple territory when he tells Emily her first novel is trash because he is jealous she cares so much about her writing.
* HandicappedBadAss: Dean Priest. Comes close to EvilCripple territory when he tells Emily her first novel is trash because he is jealous she cares so much about her writing.
to:
* GreenEyes: The Priest clan is known for their striking, vivid and sometimes uncanny green eyes.
eyes. Dean's got quite the pair himself.
* HandicappedBadAss: Dean Priest. Comes close to EvilCripple territory when he tells Emily her first novel is trash because he is jealous she cares so much about herwriting.writing - overall subverted though, as he gets ''much'' better.
* HandicappedBadAss: Dean Priest. Comes close to EvilCripple territory when he tells Emily her first novel is trash because he is jealous she cares so much about her
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* JailBaitWait: Dean is explicit about this on their first meeting, and the trope becomes increasingly obvious as the series progresses.
to:
* JailBaitWait: Dean is explicit about this on their first meeting, meeting and the trope becomes increasingly obvious as the series progresses.progresses.
** Dean does make the comment about Emily's life belonging to him after he saves her when she's a child - but he most certainly isn't interested in pre-pubescent Emily at all. He's interested in the Emily that ''might be'' one day and becomes her friend. He only shows romantic interest in her when she's a teenager and considering the time period of the books, this isn't unusual ''at all''.
** Dean does make the comment about Emily's life belonging to him after he saves her when she's a child - but he most certainly isn't interested in pre-pubescent Emily at all. He's interested in the Emily that ''might be'' one day and becomes her friend. He only shows romantic interest in her when she's a teenager and considering the time period of the books, this isn't unusual ''at all''.
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* LastMinuteHookup: Emily and Teddy in literally the last handful of pages of the entire trilogy. Presumably, they live HappilyEverAfter.
to:
* LastMinuteHookup: Emily and Teddy in literally the last handful of pages of the entire trilogy. Presumably, they live HappilyEverAfter.HappilyEverAfter - much to the eternal anger and disgust of Dean/Emily fans.
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* ControlFreak: Aunt Elizabeth means certainly well, as she only tells family members what to do as a means to keep her loved ones out of trouble, but she is too proud to accept the idea that she may not always know what's best.
to:
* ControlFreak: Aunt Elizabeth means certainly means well, as she only tells family members what to do as a means to keep her loved ones out of trouble, but she is too proud to accept the idea that she may not always know what's best.
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* ControlFreak: Aunt Elizabeth means certainly well, as she only tells family members what to do as a means to keep her loved ones out of trouble, but she is too proud to accept the idea that she may not always know what's best.
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* MenCantKeepHouse: The Burnley home, inhabited only by a busy doctor and a tomboy, is regularly messy, with rotten food and piles of forgotten laundry.
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** CrazyJealousGuy: Dean Priest, engaging {{Manipulative Bastard}}ry. Over a ''book''.
to:
** CrazyJealousGuy: Dean Priest, engaging in {{Manipulative Bastard}}ry. Over a ''book''.
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* AlphaBitch: Rhoda. Emily is at first drawn to her for her pretty and sweet appearance, but soon learns better. Evelyn Blake in the second book is a more classic example, engaging in SugaryMalice as well, but not putting it in [[BitchInSheepsClothing sheep clothing]] like Rhoda does.
to:
* AlphaBitch: Rhoda. Emily is at first drawn to her for her pretty and sweet appearance, but soon learns better. Evelyn Blake in the second book is a more classic example, engaging in SugaryMalice as well, but not putting it in [[BitchInSheepsClothing sheep sheep's clothing]] like Rhoda does.
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* AlphaBitch: Rhoda. Emily is at first drawn to her for her pretty and sweet appearance, but soon learns better. Evelyn Blake in the second book is a more classic example, engaging in SugaryMalice as well, but not putting [[BitchInSheepClothing sheep clothing]] like Rhoda does.
to:
* AlphaBitch: Rhoda. Emily is at first drawn to her for her pretty and sweet appearance, but soon learns better. Evelyn Blake in the second book is a more classic example, engaging in SugaryMalice as well, but not putting [[BitchInSheepClothing it in [[BitchInSheepsClothing sheep clothing]] like Rhoda does.
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* PoorCommunicationKills: The entirety of love complications between the core four. Emily's {{Pride}} causes Ted to believe she doesn't care about him, causing him to seek comfort in marriage with Ilse; Emily in turn is convinced that he was toying with her feelings and just likes the lively and beautiful Ilse better. Ilse is marrying Ted for similar reasons he is marrying her: she thinks she has no chance with Perry who [[LovingAShadow thinks]] he is in love with Emily and also thinks that Ilse hates him anyway -- to his defense, thanks to Ilse's [[{{Tsundere}} personality]] everyone else thinks so too. Also, Ilse and Emily, close friends as they are, for most of the story both have no idea of the feelings the other one harbors for said respective boy. Hadn't Perry gotten into that car accident and Ilse would have married Ted and we didn't have a HappyEnding.
to:
* PoorCommunicationKills: The entirety of love complications between the core four. Emily's {{Pride}} causes Ted to believe she doesn't care about him, causing him to seek comfort in marriage with Ilse; Emily in turn is convinced that he was toying with her feelings and just likes the lively and beautiful Ilse better. Ilse is marrying Ted for similar reasons he is marrying her: she thinks she has no chance with Perry who [[LovingAShadow thinks]] he is in love with Emily and also thinks that Ilse hates him anyway -- to his defense, thanks to Ilse's [[{{Tsundere}} personality]] everyone else thinks so too. Also, Ilse and Emily, close friends as they are, for most of the story both have no idea of the barely talk to one another about their feelings for the other boys, and so inadvertently foil one harbors for said respective boy. Hadn't another's happiness. If Perry hadn't gotten into that car accident and accident, Ilse and Ted would have married Ted married, Emily probably would have become a bitter spinster, and we didn't wouldn't have a a HappyEnding.
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* AlphaBitch: Rhoda. Emily is at first drawn to her for her pretty and sweet appearance, but soon learns better.
** Evelyn Blake in the second book as well.
** Evelyn Blake in the second book as well.
to:
* AlphaBitch: Rhoda. Emily is at first drawn to her for her pretty and sweet appearance, but soon learns better.
**better. Evelyn Blake in the second book is a more classic example, engaging in SugaryMalice as well. well, but not putting [[BitchInSheepClothing sheep clothing]] like Rhoda does.
**
* GoodIsNotNice: Aunt Elizabeth, who is painfully no-nonsense, but very reliable.
* NobleMaleRoguishMale: Ted is the Noble Male, while both Perry and Dean can count as a Roguish Male, in different ways.
Changed line(s) 105 (click to see context) from:
* RunawayBride: Ilse pulls this off in pretty impressive fashion when she hears (mistakenly) that Perry's been fatally injured in a car crash just before her wedding with Teddy is about to start.
to:
* RunawayBride: Ilse pulls this off in pretty impressive fashion when she hears (mistakenly) that Perry's been fatally injured in a car crash just before her wedding with Teddy is about to start. She also cheerfully admits that she would do the same ten minutes later -- ''when she would already been married to Ted''. Emily is not sympathetic to this at all.
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* WellExcuseMePrincess: Ilse cannot stand the sight of Perry making an idiot of himself (fairly often), because she knows he can do better. Perry in turn just thinks she hates him and considers ''Emily'' to be this trope (she isn't), causing him to try to improve and finally be worthy of her.
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* BitchInSheepsClothing: Rhoda Stuart
to:
* BetterAsFriends: Emily tries to explain to Perry that they are that case; it takes ''years'', though he moves on pretty quickly when he discovers he could have a chance with Ilse. Ilse and Ted are also an example, though they were aware of it from the start of their engagement.
* BitchInSheepsClothing: RhodaStuartStuart.
* BitchInSheepsClothing: Rhoda
* CoolOldLady: Aunt Nancy, even a bit too cool for Emily's taste. Aunt Elizabeth also displays this trope from time to time after the first book, and truthfully every Murray-born old lady gets a chance to shine, even Aunt Ruth.
* MayDecemberRomance: Dr. Burnley and his wife, which serves for most of people to further assume that she had left him for her young, charismatic cousin. Also, Dean and Emily, on which he blames the ultimate failure of their relationship.
* MyGreatestFailure: When they were children, Aunt Elizabeth pushed Cousin Jimmy into a well in a fit of temper, leaving Jimmy slightly brain damaged. He pities rather than resents Elizabeth for this because he realizes she was sick with guilt afterwards. Her allowing Jimmy to live at New Moon and acting as his caregiver may be her way of [[TheAtoner atoning]].
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* MyGreatestFailure: When they were children, Aunt Elizabeth pushed Cousin Jimmy into a well in a fit of temper, leaving Jimmy slightly brain damaged. He pities rather than resents Elizabeth for this because he realizes she was sick with guilt afterwards. Her allowing Jimmy to live at New Moon and acting as his caregiver may be her way of [[TheAtoner atoning]].
to:
* MyGreatestFailure: When they were children, NotSoDifferent: Emily and Aunt Elizabeth pushed Cousin Jimmy into a well in a fit of temper, leaving Jimmy slightly brain damaged. He pities rather share much more similarities than resents Elizabeth for this because he realizes she was sick they would care to admit: both are ''very'' [[{{Pride}} proud]] [[AloofDarkHairedGirl Aloof Dark-Haired Girls]] who can act strict and intimidating -- in fact every time Emily does so, someone compares her to Aunt Elizabeth. They are also both fairly stubborn and tend to resent it in each other when faced with guilt afterwards. Her allowing Jimmy to live at New Moon and acting as his caregiver may be her way the other one's stubbornness in times of [[TheAtoner atoning]].disagreement.
* PoorCommunicationKills: The entirety of love complications between the core four. Emily's {{Pride}} causes Ted to believe she doesn't care about him, causing him to seek comfort in marriage with Ilse; Emily in turn is convinced that he was toying with her feelings and just likes the lively and beautiful Ilse better. Ilse is marrying Ted for similar reasons he is marrying her: she thinks she has no chance with Perry who [[LovingAShadow thinks]] he is in love with Emily and also thinks that Ilse hates him anyway -- to his defense, thanks to Ilse's [[{{Tsundere}} personality]] everyone else thinks so too. Also, Ilse and Emily, close friends as they are, for most of the story both have no idea of the feelings the other one harbors for said respective boy. Hadn't Perry gotten into that car accident and Ilse would have married Ted and we didn't have a HappyEnding.
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* RomanticTwoGirlFriendship: Arguably, Ilse and Emily.
to:
* RomanticTwoGirlFriendship: Arguably, Ilse Emily and Emily.Rhoda early on, until Rhoda turns out to be a FalseFriend. Later, when Emily befriends Ilse, she is mostly cured from romanticism like that, but the two remain extremely close.
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* SugarAndIcePersonality: Emily, and she pays for it dearly, as the ice layer almost freezes her beloved off.
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Christmas Cake is a Japanese-specific trope. Please use Old Maid or Maiden Aunt for Western examples.
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* OldMaid: Both of the aunts.
** ChristmasCake: And Aunt Elizabeth isn't too happy when Emily stays unmarried at 24...
** ChristmasCake: And Aunt Elizabeth isn't too happy when Emily stays unmarried at 24...
to:
* OldMaid: OldMaid:
** Both of theaunts.
aunts remained unmarried.
**ChristmasCake: And Aunt Elizabeth isn't too happy when Emily stays unmarried at 24...
** Both of the
**
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* KindHeartedCatLover: Emily is very close to her cats Mike and Saucy Sal. Part of what makes the death of her father doubly tragic is that she has to leave one of the cats behind when she moves.
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* FashionHurts: Aunt Elizabeth makes Emily wear stockings and boots even on hot summer days. Emily would prefer to go barefoot, but Aunt Elizabeth considers this immodest.
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* HesJustHiding: This is Mad Mr. Morrison's backstory in ''Emily Climbs.'' When he was young, he married a beautiful girl named Annie, but she died shortly after their wedding. This seriously affected his mind and he came to believe that she was not dead, only lost. Decades later, he still spends all his time wandering around looking for her.
to:
* HesJustHiding: This is Mad Mr. Morrison's backstory backstory, InUniverse, in ''Emily Climbs.'' When he was young, he married a beautiful girl named Annie, but she died shortly after their wedding. This seriously affected his mind and he came to believe that she was not dead, only lost. Decades later, he still spends all his time wandering around looking for her.
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* HesJustHiding: This is Mad Mr. Morrison's backstory in ''Emily Climbs.'' When he was young, he married a beautiful girl named Annie, but she died shortly after their wedding. This seriously affected his mind and he came to believe that she was not dead, only lost. Decades later, he still spends all his time wandering around looking for her.
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* NeatFreak: Aunt Ruth. Women in this era are expected to be concerned about keeping their homes clean and tidy, but she takes it to ridiculous extremes, doing things like barging into Emily's room to interrogate her about why an antimacassar on the sofa is crooked.
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* NakedPeopleAreFunny: In the first book, Perry sticks his head out of the kitchen loft and interrupts a conversation. Aunt Elizabeth orders him to come down from the loft immediately. At first Perry says he can't, but when Aunt Elizabeth keeps insisting that he come down, he climbs down the ladder completely naked. He cheerfully explains that he fell into a brook earlier and was just about to change into dry clothes. Needless to say, Aunt Elizabeth does ''not'' find this amusing.
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A trilogy of young-adult novels by LMMontgomery, her most popular books after the much more famous ''Literature/AnneOfGreenGables'' series. These are also among the most autobiographical of her works.
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A trilogy of young-adult novels by LMMontgomery, Creator/LMMontgomery, her most popular books after the much more famous ''Literature/AnneOfGreenGables'' series. These are also among the most autobiographical of her works.
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* BathroomStallOfOverheardInsults: Two examples:
** When the Murrays are discussing which one of them should adopt Emily, she hides under the dining room table to hear their conversation. She ends up hearing several insulting comments about herself and her father.
** In ''Emily Climbs'', two of the Murrays' neighbours come to the house and Emily is the only one home. She is wearing a rather old and ugly dress that she had put on to do housework. She is embarrassed to let the neighbours see her dressed like this, so instead of answering the door, she panics and hides in a closet. The neighbours come into the house anyway because the door is unlocked. Then they sit down in the parlour and have a conversation that contains several unflattering comments about Emily and Ilse.
** When the Murrays are discussing which one of them should adopt Emily, she hides under the dining room table to hear their conversation. She ends up hearing several insulting comments about herself and her father.
** In ''Emily Climbs'', two of the Murrays' neighbours come to the house and Emily is the only one home. She is wearing a rather old and ugly dress that she had put on to do housework. She is embarrassed to let the neighbours see her dressed like this, so instead of answering the door, she panics and hides in a closet. The neighbours come into the house anyway because the door is unlocked. Then they sit down in the parlour and have a conversation that contains several unflattering comments about Emily and Ilse.
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* CursedWithAwesome: Emily considers her imprecise and very rare psychic manifestations as awful, never-to-be-spoken-of incidents, when these powers only ever are shown as helping people. However, [[JustifedTrope Justified]] when one considers ValuesDissonance -- psychic powers were classified under "insanity" in the Victorian era.
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* CursedWithAwesome: Emily considers her imprecise and very rare psychic manifestations as awful, never-to-be-spoken-of incidents, when these powers only ever are shown as helping people. However, [[JustifedTrope [[JustifiedTrope Justified]] when one considers ValuesDissonance -- psychic powers were classified under "insanity" in the Victorian era.
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* DefrostingTheIceQueen: Aunt Elizabeth, very gradually.
** Aunt Ruth in ''Emily Climbs.''
** Aunt Ruth in ''Emily Climbs.''
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* DefrostingTheIceQueen: Aunt Elizabeth, very gradually.
gradually. It helps that she and Emily are NotSoDifferent in their deep feeling and stubborn pride.
** Aunt Ruth in ''EmilyClimbs.''Climbs,'' to a lesser extent. She doesn't come to understand Emily the way that Elizabeth does, but she eventually learns to take pride in her as a fellow member of the Murray clan, and sticks up for her against others.
** Aunt Ruth in ''Emily
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* ComicallyMissingThePoint: When Emily is trying to teach Perry about good manners, she tells him that he shouldn't call his Aunt Tom an old beast. Perry says he has to call her that because she isn't a young beast.
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* DefrostingTheIceQueen: Aunt Elizabeth, very gradually.
** Aunt Ruth in ''Emily Climbs.''
** Aunt Ruth in ''Emily Climbs.''
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* TalkingInYourDreams: Emily, in the midst of a fever dream, [[spoiler:reveals what really happened to Ilse's mother, even though [[DreamingOfThingsToCome there's no way she could have known]]]].
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* TalkingInYourDreams: TakingTheVeil: Emily has the heroine of her poem do this when she thinks her love is dead. She has to consult a priest to figure out a happy ending, and discovers, to her dismay, that she needs to work "special dispensation" into a poem to pull it off.
* TalkingInYourSleep: Emily, in the midst of a fever dream, [[spoiler:reveals what really happened to Ilse's mother, even though[[DreamingOfThingsToCome [[DreamingOfTimesGoneBy there's no way she could have known]]]].
* TalkingInYourSleep: Emily, in the midst of a fever dream, [[spoiler:reveals what really happened to Ilse's mother, even though
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A trilogy of young-adult novels by LMMontgomery, her most popular books after the much more famous ''Literature/AnneOfGreenGables'' series. These are also among the most autobiographical of her works.
Little Emily Byrd Starr has everything she needs: her loving father, her wild imagination, her cats, and her constant friend the Wind Woman. But [[HeartwarmingOrphan upon the death of her father,]] Emily must live with her mother's folk, the Murrays, a clan known for being old-fashioned and proud. Emily comes of age under the care of stern Aunt Elizabeth, [[ShrinkingViolet gentle Aunt Laura]], and [[ManChild peculiar Cousin Jimmy]] in the Murray homestead of New Moon, making friends, enemies, and a few beaux along the way. Most significantly, she develops her talents as a writer, which sets her at odds against the more traditional ways of TheClan. However, Emily can be dissuaded from that path no more than can the Wind Woman from her course. Maturity ensues.
There are two sequels, ''Emily Climbs,'' which covers Emily studying away from home and beginning to expand her writing career, and ''Emily's Quest,'' which covers her career's launch, the changing dynamics of Emily's circle of friends, and romantic complications.
-----
!!This series provides examples of:
* AlphaBitch: Rhoda. Emily is at first drawn to her for her pretty and sweet appearance, but soon learns better.
** Evelyn Blake in the second book as well.
* AloofDarkHairedGirl: Emily, of course. Aunt Elizabeth is an aged example, with hair turning gray, but double on aloofness.
* BadAssGrandma: Great Aunt Nancy plays this role. She will put visitors in a guestroom with swallows within the walls to make them think the room is haunted.
* BelligerentSexualTension: Ilse and Perry. Oh, boy, Ilse and Perry. When she rushes to his bedside after his accident, though, we get a fantastic AwLookTheyReallyDoLoveEachOther moment.
** Also between Emily and Dean.
* BetaCouple: Ilse and Perry serve this role to Emily and Teddy.
* BrokenBird: Mrs. Kent. Later Emily and Ilse.
* BrokenTreasure: Emily breaks a priceless vase when visiting her Great Aunt Nancy and is afraid to tell her for a long time. When she finally confesses, her aunt is actually amused because of how disappointed her heirs will be.
* GiftedlyBad: Perry writes horrible poetry as a way of competing with Emily.
* BigScrewedUpFamily: The Murrays may be seen (and see themselves) as the Chosen People, but they're really more this.
* BrutalHonesty: Mr. Carpenter is unsparing when it comes to critiquing Emily's work. The trope is subverted with Dean when he savages Emily's first novel not because he actually thinks it's bad as because he resents anything that takes her attention from him.
* ByronicHero: Dean Priest.
* TheCharmer: Teddy ends up as one of these; Ilse tells Emily he's become a ChickMagnet and is a wee bit too happily conscious of it.
* ChickMagnet: As stated above, Teddy. From as early, as his school years (he's even first mentioned when Rhoda Stuart claims he's her 'fiance').
** DudeMagnet: Both Emily and Ilse when they grow up, though the latter mostly off-screen.
* ChildhoodMarriagePromise: Both defied and played straight. Perry's aunt tries to ''bribe'' Emily into making a promise to marry Perry (at the age of about ten) by saying that she (the aunt) will only pay for Perry's education if he can marry up into the Murray clan. Both Emily and Perry are embarrassed by the incident and don't take it seriously. But Emily and Teddy do agree that, if they reach a certain age and they're both unmarried, they'll wed each other. [[spoiler: [[VictoriousChildhoodFriend It comes to pass.]] ]]
* ChildrenAreCruel: Several girls tease Emily on her first day of school at Blair Water. They are less nasty the next day however, and Emily ends up befriending most of them.
* TheClan: As screwed up as the Murrays may be, God help you if you snub or try to bring down anyone with Murray blood.
* [[ClingyJealousGirl Clingy Jealous Mother]]: Mrs. Kent. She's cold and unfriendly to almost everyone, but passionately jealous of her son. Teddy even thinks that she poisoned his dog because she thought he loved it more than he loved her.
** CrazyJealousGuy: Dean Priest, engaging {{Manipulative Bastard}}ry. Over a ''book''.
* CloudCuckooLander: Cousin Jimmy. Which freaks people out when he starts to talk very seriously and clearly.
* CoolTeacher: Mr Carpenter ends up as one of these, from top to toe. He recognizes and encourages talent in all forms, especially Emily's, and his lessons are unusual and ''very'' interactive but extremely effective.
* ComingOfAgeStory: The whole trilogy is one of these for Emily's character.
* CursedWithAwesome: Emily considers her imprecise and very rare psychic manifestations as awful, never-to-be-spoken-of incidents, when these powers only ever are shown as helping people. However, [[JustifedTrope Justified]] when one considers ValuesDissonance -- psychic powers were classified under "insanity" in the Victorian era.
* CurtainsMatchTheWindow: in Ilse Burnley, who has yellow eyes and blonde hair.
* TheCynic: Several examples, but Dean Priest in particular. The discrimination he has experienced because of his deformed back and leg partially accounts for this.
* CynicalMentor: Mr. Carpenter becomes this for Emily after she graduates from school. Dean Priest plays this role sometimes too.
* DaddysGirl: Emily. Which makes the resulting events of the first book that much more tragic.
* DeadpanSnarker: Great Aunt Nancy, Mr. Carpenter, and Emily, when she grows up. For a priest, Father Cassidy has his share of it, too.
* {{Determinator}}: Nobody is as stubborn as Perry.
* DesignatedLoveInterest: Teddy Kent often comes across this way. Many readers find him less interesting and developed than Emily's other admirers Dean Priest and Perry Miller.
* DisabledSnarker: Dean Priest.
* DueToTheDead: The residents of Blair Water, and especially the Murrays, are very particular about giving the dead what's owed to them.
* EmbarrassingNickName: Dean is widely known as Jarback Priest on account of his disability. One reason why he respects the memory of Emily's father so much is that he never called him this.
* EmotionsVsStoicism: Emily careens back and forth across this scale; she's naturally very high-strung and emotional, but the Murray pride in her means that when she's really hurt she'll make damned sure you don't know it.
* EvilMatriarch: Aunt Elizabeth's really not, you know. But try telling Emily that a few times during the first book.
* FatalFlaw: Dean's jealousy, Emily's (and the rest of the Murrays' as well, really) pride.
* FinalSpeech: Mr. Carpenter gives a lengthy one, mostly composed of writing and life advice, to Emily as he lies dying of old age.
* FamousLastWords: Mr. Carpenter's give something of a start to his housekeeper: [[spoiler: "Beware... of... italics!"]]
* FourTemperamentEnsemble: Emily is melancholic, Teddy is phlegmatic, Ilse is choleric, and Perry is sanguine.
* GenreSavvy: As relates to an in-universe work, Father Cassidy. He hears Emily's synopsis of her poem "The Child of the Sea" and makes numerous asides about all the [[TropesAreTools tropes]] that she's using.
* GoodScarsEvilScars: Mrs. Kent has a long scar running down her face, which she considers a disfigurement.
* GoodShepherd: Father Cassidy, Catholic and Irish. He impresses the Protestant Emily by talking to her like an adult and taking her writing seriously -- one of the first adults she's met to do so.
* GossipyHens: These characters tend to populate all of L.M. Montgomery's novels, and Blair Water's filled with them. Fairly appropriate, as anyone who's familiar with small-town life in the Maritimes can tell you.
* GreenEyes: The Priest clan is known for their striking, sometimes uncanny green eyes.
* HandicappedBadAss: Dean Priest. Comes close to EvilCripple territory when he tells Emily her first novel is trash because he is jealous she cares so much about her writing.
* HaveAGayOldTime: every time someone calls Emily "pussy". "Small pussy", as a child. [[{{Squick}} *shudders*]]
* HeartwarmingOrphan: One of the fundamental underpinnings of the series.
* HeterosexualLifePartners: Great Aunt Nancy and her companion Caroline Priest, who have a rather unsettling love-hate relationship.
* IWasQuiteALooker: Great-Aunt Nancy is 90 years old, wrinkled, and suffering from rheumatism. However, she was very beautiful as a young woman and she enjoys bragging about how many hearts she broke in those days.
* ImaginaryFriend: The Wind Woman. She has different guises depending on which direction the wind is coming from, and Emily never quite lets go of her.
* InTheBlood: The Murray family believes very strongly in this. Emily comes in for some snide comments, as any of her less-than-[[IncrediblylamePun stellar]] personality traits are pinned on the fickle Starr blood from her father's side.
* JailBaitWait: Dean is explicit about this on their first meeting, and the trope becomes increasingly obvious as the series progresses.
* KissingCousins: Emily stands against the idea.
* KubrickStare: The Murray look. Like her grandfather Archibald Murray, Emily looks really scary when she's angry and can even intimidate Miss Brownwell and Aunt Elizabeth with this expression.
* LastMinuteHookup: Emily and Teddy in literally the last handful of pages of the entire trilogy. Presumably, they live HappilyEverAfter.
* LovableRogue: Emily calls Perry this almost by name.
* ManChild: Cousin Jimmy. He's never been quite "all there" since the accident when he was a child -- but Emily knows that whatever part of him is not "there," it certainly isn't his heart.
* MissingMom: Juliet Murray was dead long before the first book started; the suspicious disappearance of Ilse's mother also ends up being an important plot point.
* MisunderstoodLonerWithAHeartOfGold: Emily's father, before his death. Emily herself, possibly, later in the books. Dean Priest is an outcast in his own family for his deformity, and has developed a deep cynical streak as a result of this, but nonetheless he becomes one of Emily's best friends, a kindred spirit for her. [[SubvertedTrope Subverted]] when [[spoiler: he reveals how much he wants to control and possess Emily.]] [[DoubleSubvertedTrope Double Subverted]] when [[spoiler: he redeems himself by breaking their engagement and sending the key to the Disappointed House.]]
* MostWritersAreWriters: There are some strong autobiographical ties between L.M. Montgomery herself and Emily, much more than the Anne books.
* MouthyKid: Ilse. And ''how''. A side-effect of her SpoiledBrat (and WildChild) upbringing due to her own MissingMom.
* MyBelovedSmother: Teddy Kent's mother is scarily possessive.
* MyGirlIsNotASlut: Dr. Burnley [[spoiler: finds this out when he discovers that his wife did not leave him for another man but rather fell into a well and died years ago.]]
* {{Nephewism}}: Rather, Nieceism.
* MyGreatestFailure: When they were children, Aunt Elizabeth pushed Cousin Jimmy into a well in a fit of temper, leaving Jimmy slightly brain damaged. He pities rather than resents Elizabeth for this because he realizes she was sick with guilt afterwards. Her allowing Jimmy to live at New Moon and acting as his caregiver may be her way of [[TheAtoner atoning]].
* OldMaid: Both of the aunts.
** ChristmasCake: And Aunt Elizabeth isn't too happy when Emily stays unmarried at 24...
* OutdatedOutfit: Emily is mortified when she is made to wear an old fashioned sun bonnet and apron with sleeves (or "baby apron") to school
* OrphansOrdeal: The whole point of the books.
* PointyEars: Emily has slightly pointed ears, which some characters comment on as "elfin." Oddly, the Verse of the stories is almost entirely mundane.
* {{Pride}}: A distinguishing trait of the Murrays. Even Emily has her fair share of it.
* ThePromise: Quite a few of these, but Emily's deal not to write fiction as long as she's at Shrewsbury is one of the more significant ones.
* PurpleEyes: Emily's [[KaleidoscopeEyes shift between looking]] purple and grey and, sometimes, black.
* RaisedByGrandparents: Or, at least, much-older aunts and uncles.
* ReleasingFromThePromise: Emily's Aunt Elizabeth informs her, two years into college, that since a rich relative took up the costs, and the promise to not write fiction had been made in return for the tuition, the aunt feels obliged to release her.
* TheResenter: Teddy Kent's mother.
* RomanticTwoGirlFriendship: Arguably, Ilse and Emily.
* RunawayBride: Ilse pulls this off in pretty impressive fashion when she hears (mistakenly) that Perry's been fatally injured in a car crash just before her wedding with Teddy is about to start.
* SadistTeacher: Ms Brownell. Oh, Ms Brownell.
* SecretDiary: Emily has bad luck keeping her secret diaries secret. Before Emily leaves for New Moon Aunt Elizabeth finds an old account book Emily uses as a diary. Emily manages to burn it before Aunt Elizabeth reads it, but later Aunt Elizabeth does read the secret letters Emily writes to her deceased father, and is angered and hurt by what Emily has written about her. Emily accidentally gives Mr. Carpenter a book of her character sketches of people she knows, but Mr. Carpenter is merely amused and impressed by her writing ability.
* SelfMadeMan: Perry Miller.
* SecondLove: Subverted in case of Ilse and Ted, when they get engaged. Ilse describes it as 'second-hand love'.
* SinsOfOurFathers: So, so deeply ingrained in the society of the books. Saying these people hold grudges is putting it mildly. Ilse, especially, suffers from it in the first book, thanks to what everyone thinks her mother did when she was a baby.
* SpiritedYoungLady: Emily is one; Ilse is too much of a tomboy to count.
* StepfordSmiler: Both Emily and Ilse become this for a good part of the last book, when both they grow up to be rather unhappy young women. Okay, Emily stops smiling after [[spoiler:breaking her engagement with Dean]] and it becomes more of a case of Stepford Pride.
* TalkingInYourDreams: Emily, in the midst of a fever dream, [[spoiler:reveals what really happened to Ilse's mother, even though [[DreamingOfThingsToCome there's no way she could have known]]]].
* TomboyAndGirlyGirl: Ilse is the wild child and Emily is much better at domestic tasks when they're children. Later in life Ilse becomes quite concerned with fashion and a social butterfly, while Emily becomes more of a reclusive eccentric.
* TranquilFury: How Emily gets mad, contrasted with Ilse's much more violent displays of anger.
* UnluckyChildhoodFriend: Perry thinks he's one of these to Emily. And, for a good part of the last book, ''everyone'' toward some of the other ones in the pack, until things get fixed. [[spoiler:Thank goodness, Ilse leaves Ted at the altar.]]
* VictorianNovelDisease: Emily's father died of consumption and several of the Murrays think she'll suffer the same fate. As a result, she has to do unpleasant things like sleep with the bedroom windows closed (Emily loves the outdoors and fresh air) because night air is believed to be unhealthy.
* VictoriousChildhoodFriend: Ultimately the fate for Emily and Teddy, and Ilse and Perry.
* WhenSheSmiles: Emily is not supposed to be beautiful, but everyone forgets about that when she smiles.
* WifeHusbandry: It's unclear how much of Dean's relationship with Emily falls under this trope. Suffice it to say that he was [[MayDecemberRomance her father's best friend]], and he's known her since she was ''very'' young. Dean also consistently implies that he has a claim on her life, having saved it the day they met.
* WrongSideOfTheTracks: Perry Miller, who works as a hired boy for the Murrays when young, comes from a impoverished low class community called Stovepipe Town. He is determined to make good for himself and becomes a politician.
----
Little Emily Byrd Starr has everything she needs: her loving father, her wild imagination, her cats, and her constant friend the Wind Woman. But [[HeartwarmingOrphan upon the death of her father,]] Emily must live with her mother's folk, the Murrays, a clan known for being old-fashioned and proud. Emily comes of age under the care of stern Aunt Elizabeth, [[ShrinkingViolet gentle Aunt Laura]], and [[ManChild peculiar Cousin Jimmy]] in the Murray homestead of New Moon, making friends, enemies, and a few beaux along the way. Most significantly, she develops her talents as a writer, which sets her at odds against the more traditional ways of TheClan. However, Emily can be dissuaded from that path no more than can the Wind Woman from her course. Maturity ensues.
There are two sequels, ''Emily Climbs,'' which covers Emily studying away from home and beginning to expand her writing career, and ''Emily's Quest,'' which covers her career's launch, the changing dynamics of Emily's circle of friends, and romantic complications.
-----
!!This series provides examples of:
* AlphaBitch: Rhoda. Emily is at first drawn to her for her pretty and sweet appearance, but soon learns better.
** Evelyn Blake in the second book as well.
* AloofDarkHairedGirl: Emily, of course. Aunt Elizabeth is an aged example, with hair turning gray, but double on aloofness.
* BadAssGrandma: Great Aunt Nancy plays this role. She will put visitors in a guestroom with swallows within the walls to make them think the room is haunted.
* BelligerentSexualTension: Ilse and Perry. Oh, boy, Ilse and Perry. When she rushes to his bedside after his accident, though, we get a fantastic AwLookTheyReallyDoLoveEachOther moment.
** Also between Emily and Dean.
* BetaCouple: Ilse and Perry serve this role to Emily and Teddy.
* BrokenBird: Mrs. Kent. Later Emily and Ilse.
* BrokenTreasure: Emily breaks a priceless vase when visiting her Great Aunt Nancy and is afraid to tell her for a long time. When she finally confesses, her aunt is actually amused because of how disappointed her heirs will be.
* GiftedlyBad: Perry writes horrible poetry as a way of competing with Emily.
* BigScrewedUpFamily: The Murrays may be seen (and see themselves) as the Chosen People, but they're really more this.
* BrutalHonesty: Mr. Carpenter is unsparing when it comes to critiquing Emily's work. The trope is subverted with Dean when he savages Emily's first novel not because he actually thinks it's bad as because he resents anything that takes her attention from him.
* ByronicHero: Dean Priest.
* TheCharmer: Teddy ends up as one of these; Ilse tells Emily he's become a ChickMagnet and is a wee bit too happily conscious of it.
* ChickMagnet: As stated above, Teddy. From as early, as his school years (he's even first mentioned when Rhoda Stuart claims he's her 'fiance').
** DudeMagnet: Both Emily and Ilse when they grow up, though the latter mostly off-screen.
* ChildhoodMarriagePromise: Both defied and played straight. Perry's aunt tries to ''bribe'' Emily into making a promise to marry Perry (at the age of about ten) by saying that she (the aunt) will only pay for Perry's education if he can marry up into the Murray clan. Both Emily and Perry are embarrassed by the incident and don't take it seriously. But Emily and Teddy do agree that, if they reach a certain age and they're both unmarried, they'll wed each other. [[spoiler: [[VictoriousChildhoodFriend It comes to pass.]] ]]
* ChildrenAreCruel: Several girls tease Emily on her first day of school at Blair Water. They are less nasty the next day however, and Emily ends up befriending most of them.
* TheClan: As screwed up as the Murrays may be, God help you if you snub or try to bring down anyone with Murray blood.
* [[ClingyJealousGirl Clingy Jealous Mother]]: Mrs. Kent. She's cold and unfriendly to almost everyone, but passionately jealous of her son. Teddy even thinks that she poisoned his dog because she thought he loved it more than he loved her.
** CrazyJealousGuy: Dean Priest, engaging {{Manipulative Bastard}}ry. Over a ''book''.
* CloudCuckooLander: Cousin Jimmy. Which freaks people out when he starts to talk very seriously and clearly.
* CoolTeacher: Mr Carpenter ends up as one of these, from top to toe. He recognizes and encourages talent in all forms, especially Emily's, and his lessons are unusual and ''very'' interactive but extremely effective.
* ComingOfAgeStory: The whole trilogy is one of these for Emily's character.
* CursedWithAwesome: Emily considers her imprecise and very rare psychic manifestations as awful, never-to-be-spoken-of incidents, when these powers only ever are shown as helping people. However, [[JustifedTrope Justified]] when one considers ValuesDissonance -- psychic powers were classified under "insanity" in the Victorian era.
* CurtainsMatchTheWindow: in Ilse Burnley, who has yellow eyes and blonde hair.
* TheCynic: Several examples, but Dean Priest in particular. The discrimination he has experienced because of his deformed back and leg partially accounts for this.
* CynicalMentor: Mr. Carpenter becomes this for Emily after she graduates from school. Dean Priest plays this role sometimes too.
* DaddysGirl: Emily. Which makes the resulting events of the first book that much more tragic.
* DeadpanSnarker: Great Aunt Nancy, Mr. Carpenter, and Emily, when she grows up. For a priest, Father Cassidy has his share of it, too.
* {{Determinator}}: Nobody is as stubborn as Perry.
* DesignatedLoveInterest: Teddy Kent often comes across this way. Many readers find him less interesting and developed than Emily's other admirers Dean Priest and Perry Miller.
* DisabledSnarker: Dean Priest.
* DueToTheDead: The residents of Blair Water, and especially the Murrays, are very particular about giving the dead what's owed to them.
* EmbarrassingNickName: Dean is widely known as Jarback Priest on account of his disability. One reason why he respects the memory of Emily's father so much is that he never called him this.
* EmotionsVsStoicism: Emily careens back and forth across this scale; she's naturally very high-strung and emotional, but the Murray pride in her means that when she's really hurt she'll make damned sure you don't know it.
* EvilMatriarch: Aunt Elizabeth's really not, you know. But try telling Emily that a few times during the first book.
* FatalFlaw: Dean's jealousy, Emily's (and the rest of the Murrays' as well, really) pride.
* FinalSpeech: Mr. Carpenter gives a lengthy one, mostly composed of writing and life advice, to Emily as he lies dying of old age.
* FamousLastWords: Mr. Carpenter's give something of a start to his housekeeper: [[spoiler: "Beware... of... italics!"]]
* FourTemperamentEnsemble: Emily is melancholic, Teddy is phlegmatic, Ilse is choleric, and Perry is sanguine.
* GenreSavvy: As relates to an in-universe work, Father Cassidy. He hears Emily's synopsis of her poem "The Child of the Sea" and makes numerous asides about all the [[TropesAreTools tropes]] that she's using.
* GoodScarsEvilScars: Mrs. Kent has a long scar running down her face, which she considers a disfigurement.
* GoodShepherd: Father Cassidy, Catholic and Irish. He impresses the Protestant Emily by talking to her like an adult and taking her writing seriously -- one of the first adults she's met to do so.
* GossipyHens: These characters tend to populate all of L.M. Montgomery's novels, and Blair Water's filled with them. Fairly appropriate, as anyone who's familiar with small-town life in the Maritimes can tell you.
* GreenEyes: The Priest clan is known for their striking, sometimes uncanny green eyes.
* HandicappedBadAss: Dean Priest. Comes close to EvilCripple territory when he tells Emily her first novel is trash because he is jealous she cares so much about her writing.
* HaveAGayOldTime: every time someone calls Emily "pussy". "Small pussy", as a child. [[{{Squick}} *shudders*]]
* HeartwarmingOrphan: One of the fundamental underpinnings of the series.
* HeterosexualLifePartners: Great Aunt Nancy and her companion Caroline Priest, who have a rather unsettling love-hate relationship.
* IWasQuiteALooker: Great-Aunt Nancy is 90 years old, wrinkled, and suffering from rheumatism. However, she was very beautiful as a young woman and she enjoys bragging about how many hearts she broke in those days.
* ImaginaryFriend: The Wind Woman. She has different guises depending on which direction the wind is coming from, and Emily never quite lets go of her.
* InTheBlood: The Murray family believes very strongly in this. Emily comes in for some snide comments, as any of her less-than-[[IncrediblylamePun stellar]] personality traits are pinned on the fickle Starr blood from her father's side.
* JailBaitWait: Dean is explicit about this on their first meeting, and the trope becomes increasingly obvious as the series progresses.
* KissingCousins: Emily stands against the idea.
* KubrickStare: The Murray look. Like her grandfather Archibald Murray, Emily looks really scary when she's angry and can even intimidate Miss Brownwell and Aunt Elizabeth with this expression.
* LastMinuteHookup: Emily and Teddy in literally the last handful of pages of the entire trilogy. Presumably, they live HappilyEverAfter.
* LovableRogue: Emily calls Perry this almost by name.
* ManChild: Cousin Jimmy. He's never been quite "all there" since the accident when he was a child -- but Emily knows that whatever part of him is not "there," it certainly isn't his heart.
* MissingMom: Juliet Murray was dead long before the first book started; the suspicious disappearance of Ilse's mother also ends up being an important plot point.
* MisunderstoodLonerWithAHeartOfGold: Emily's father, before his death. Emily herself, possibly, later in the books. Dean Priest is an outcast in his own family for his deformity, and has developed a deep cynical streak as a result of this, but nonetheless he becomes one of Emily's best friends, a kindred spirit for her. [[SubvertedTrope Subverted]] when [[spoiler: he reveals how much he wants to control and possess Emily.]] [[DoubleSubvertedTrope Double Subverted]] when [[spoiler: he redeems himself by breaking their engagement and sending the key to the Disappointed House.]]
* MostWritersAreWriters: There are some strong autobiographical ties between L.M. Montgomery herself and Emily, much more than the Anne books.
* MouthyKid: Ilse. And ''how''. A side-effect of her SpoiledBrat (and WildChild) upbringing due to her own MissingMom.
* MyBelovedSmother: Teddy Kent's mother is scarily possessive.
* MyGirlIsNotASlut: Dr. Burnley [[spoiler: finds this out when he discovers that his wife did not leave him for another man but rather fell into a well and died years ago.]]
* {{Nephewism}}: Rather, Nieceism.
* MyGreatestFailure: When they were children, Aunt Elizabeth pushed Cousin Jimmy into a well in a fit of temper, leaving Jimmy slightly brain damaged. He pities rather than resents Elizabeth for this because he realizes she was sick with guilt afterwards. Her allowing Jimmy to live at New Moon and acting as his caregiver may be her way of [[TheAtoner atoning]].
* OldMaid: Both of the aunts.
** ChristmasCake: And Aunt Elizabeth isn't too happy when Emily stays unmarried at 24...
* OutdatedOutfit: Emily is mortified when she is made to wear an old fashioned sun bonnet and apron with sleeves (or "baby apron") to school
* OrphansOrdeal: The whole point of the books.
* PointyEars: Emily has slightly pointed ears, which some characters comment on as "elfin." Oddly, the Verse of the stories is almost entirely mundane.
* {{Pride}}: A distinguishing trait of the Murrays. Even Emily has her fair share of it.
* ThePromise: Quite a few of these, but Emily's deal not to write fiction as long as she's at Shrewsbury is one of the more significant ones.
* PurpleEyes: Emily's [[KaleidoscopeEyes shift between looking]] purple and grey and, sometimes, black.
* RaisedByGrandparents: Or, at least, much-older aunts and uncles.
* ReleasingFromThePromise: Emily's Aunt Elizabeth informs her, two years into college, that since a rich relative took up the costs, and the promise to not write fiction had been made in return for the tuition, the aunt feels obliged to release her.
* TheResenter: Teddy Kent's mother.
* RomanticTwoGirlFriendship: Arguably, Ilse and Emily.
* RunawayBride: Ilse pulls this off in pretty impressive fashion when she hears (mistakenly) that Perry's been fatally injured in a car crash just before her wedding with Teddy is about to start.
* SadistTeacher: Ms Brownell. Oh, Ms Brownell.
* SecretDiary: Emily has bad luck keeping her secret diaries secret. Before Emily leaves for New Moon Aunt Elizabeth finds an old account book Emily uses as a diary. Emily manages to burn it before Aunt Elizabeth reads it, but later Aunt Elizabeth does read the secret letters Emily writes to her deceased father, and is angered and hurt by what Emily has written about her. Emily accidentally gives Mr. Carpenter a book of her character sketches of people she knows, but Mr. Carpenter is merely amused and impressed by her writing ability.
* SelfMadeMan: Perry Miller.
* SecondLove: Subverted in case of Ilse and Ted, when they get engaged. Ilse describes it as 'second-hand love'.
* SinsOfOurFathers: So, so deeply ingrained in the society of the books. Saying these people hold grudges is putting it mildly. Ilse, especially, suffers from it in the first book, thanks to what everyone thinks her mother did when she was a baby.
* SpiritedYoungLady: Emily is one; Ilse is too much of a tomboy to count.
* StepfordSmiler: Both Emily and Ilse become this for a good part of the last book, when both they grow up to be rather unhappy young women. Okay, Emily stops smiling after [[spoiler:breaking her engagement with Dean]] and it becomes more of a case of Stepford Pride.
* TalkingInYourDreams: Emily, in the midst of a fever dream, [[spoiler:reveals what really happened to Ilse's mother, even though [[DreamingOfThingsToCome there's no way she could have known]]]].
* TomboyAndGirlyGirl: Ilse is the wild child and Emily is much better at domestic tasks when they're children. Later in life Ilse becomes quite concerned with fashion and a social butterfly, while Emily becomes more of a reclusive eccentric.
* TranquilFury: How Emily gets mad, contrasted with Ilse's much more violent displays of anger.
* UnluckyChildhoodFriend: Perry thinks he's one of these to Emily. And, for a good part of the last book, ''everyone'' toward some of the other ones in the pack, until things get fixed. [[spoiler:Thank goodness, Ilse leaves Ted at the altar.]]
* VictorianNovelDisease: Emily's father died of consumption and several of the Murrays think she'll suffer the same fate. As a result, she has to do unpleasant things like sleep with the bedroom windows closed (Emily loves the outdoors and fresh air) because night air is believed to be unhealthy.
* VictoriousChildhoodFriend: Ultimately the fate for Emily and Teddy, and Ilse and Perry.
* WhenSheSmiles: Emily is not supposed to be beautiful, but everyone forgets about that when she smiles.
* WifeHusbandry: It's unclear how much of Dean's relationship with Emily falls under this trope. Suffice it to say that he was [[MayDecemberRomance her father's best friend]], and he's known her since she was ''very'' young. Dean also consistently implies that he has a claim on her life, having saved it the day they met.
* WrongSideOfTheTracks: Perry Miller, who works as a hired boy for the Murrays when young, comes from a impoverished low class community called Stovepipe Town. He is determined to make good for himself and becomes a politician.
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