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Adapted by director Chito S. Roño into a 2002 film starring Vilma Santos and Christopher de Leon as the Bartolome parents, Amanda and Julian (respectively). Piolo Pascual and Marvin Agustin play the two eldest children. This was the Philippines' entry for [[UsefulNotes/AcademyAwardForBestForeignLanguageFilm Best Foreign Language Film]] in the [[UsefulNotes/AcademyAward 76th Academy Awards]].
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Adapted by director Chito S. Roño into a 2002 film starring Vilma Santos and Christopher de Leon as the Bartolome parents, Amanda and Julian (respectively). Piolo Pascual and Marvin Agustin play the two eldest children. This was the Philippines' entry for [[UsefulNotes/AcademyAwardForBestForeignLanguageFilm [[MediaNotes/AcademyAwardForBestForeignLanguageFilm Best Foreign Language Film]] in the [[UsefulNotes/AcademyAward [[MediaNotes/AcademyAward 76th Academy Awards]].
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** VillainousBSOD: He's not quite exactly a ''villain'', except insofar as he starts out somewhat rationalising the Marcos regime, but Julian's outraged scream in reaction to the same news definitely counts.
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** VillainousBSOD: He's not quite exactly a ''villain'', except insofar as he starts out somewhat rationalising the Marcos regime, regime (and in fact later does take pride in his sons' willingness to defend their convictions even if these place them in opposition to the government), but Julian's outraged scream in reaction to the same news definitely counts.could count.
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Now defunct
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* ADateWithRosiePalms: In the movie, Gani was about to do this [[IntimateTelecommunications while on the phone with his girlfriend]]—in full public view in the living room—when Amanda comes in and smacks him upside the head. The next time she catches him on the phone, he vehemently says: "''Di ako nakahawak!''" ("I'm not touching it!")
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* CaughtWithYourPantsDown: In the movie, Gani was about to masturbate [[IntimateTelecommunications while on the phone with his girlfriend]]—in full public view in the living room—when Amanda comes in and smacks him upside the head. The next time she catches him on the phone, he vehemently says: "''Di ako nakahawak!''" ("I'm not touching it!")
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* TheMole: [[spoiler:One of Jules' close friends in the NPA, Domeng, is well-known even to his family that even Amanda is visibly shocked when Jules drops the bombshell that he turned out to be a military spy—a Constabulary sergeant who thoroughly infiltrated Jules' NPA unit and was feeding intelligence to his superiors all this time. Domeng blended in so well and made such trusted relationships with the cadres, Jules most of all, that the betrayal is really painful when Jules warns Amanda that their house needs cleaning, i.e., burning or purging of anything that might be remotely construed as suspicious, and thus subversive.]]
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A theatrical musical adaptation was released in 2020, and a fully-English translation simply titled ''The [=70s=]'', written by Clarisse B. de Jesus and self-published by Bautista herself, followed in June 2021. In January 2022 Bautista publicly revealed that international English publisher Penguin Classics had taken notice of her novel and was considering republishing the English translation for an international market, though progress on that is currently up in the air ever since she died in February 2023.
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A theatrical musical adaptation was released began running in 2020, 2018, and a fully-English translation simply titled ''The [=70s=]'', written by Clarisse B. de Jesus and self-published by Bautista herself, followed in June 2021. In January 2022 Bautista publicly revealed that international English publisher Penguin Classics had taken notice of her novel and was considering republishing the English translation for an international market, though progress on that is currently up in the air ever since she died in February 2023.
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Changed line(s) 5,8 (click to see context) from:
Adapted by director Chito S. Roño into a 2002 film starring Vilma Santos and Christopher de Leon as the Bartolome parents, Amanda and Julian (respectively). Piolo Pascual and Marvin Agustin play the two eldest children. This was the Philippines' entry for [[UsefulNotes/AcademyAwardForBestForeignLanguageFilm Best Foreign Language Film]] in the [[UsefulNotes/AcademyAward 76th Academy Awards]]. The full film can be found online for free [[https://drive.google.com/drive/folders/1EQJGJKoGVCWnq1W8R1larFtCZKd92Qnt?fbclid=IwAR1SxvVhGLS948HeXXVG2x3pEwF5OpwN1ZZfRNhJaJety_0EuVwrwTOGwz8 here]].
A theatrical musical adaptation was released in 2020, and a fully-English translation simply titled ''The [=70s=]'', written by Clarisse B. de Jesus and self-published by Bautista herself, followed in June 2021. In early 2022 Bautista publicly revealed that international English publisher Penguin Classics had taken notice of her novel and was considering republishing the English translation for an international market, though progress on that is currently up in the air ever since she died in early 2023.
A theatrical musical adaptation was released in 2020, and a fully-English translation simply titled ''The [=70s=]'', written by Clarisse B. de Jesus and self-published by Bautista herself, followed in June 2021. In early 2022 Bautista publicly revealed that international English publisher Penguin Classics had taken notice of her novel and was considering republishing the English translation for an international market, though progress on that is currently up in the air ever since she died in early 2023.
to:
Adapted by director Chito S. Roño into a 2002 film starring Vilma Santos and Christopher de Leon as the Bartolome parents, Amanda and Julian (respectively). Piolo Pascual and Marvin Agustin play the two eldest children. This was the Philippines' entry for [[UsefulNotes/AcademyAwardForBestForeignLanguageFilm Best Foreign Language Film]] in the [[UsefulNotes/AcademyAward 76th Academy Awards]]. The full film can be found online for free [[https://drive.google.com/drive/folders/1EQJGJKoGVCWnq1W8R1larFtCZKd92Qnt?fbclid=IwAR1SxvVhGLS948HeXXVG2x3pEwF5OpwN1ZZfRNhJaJety_0EuVwrwTOGwz8 here]].
Awards]].
A theatrical musical adaptation was released in 2020, and a fully-English translation simply titled ''The [=70s=]'', written by Clarisse B. de Jesus and self-published by Bautista herself, followed in June 2021. Inearly January 2022 Bautista publicly revealed that international English publisher Penguin Classics had taken notice of her novel and was considering republishing the English translation for an international market, though progress on that is currently up in the air ever since she died in early February 2023.
A theatrical musical adaptation was released in 2020, and a fully-English translation simply titled ''The [=70s=]'', written by Clarisse B. de Jesus and self-published by Bautista herself, followed in June 2021. In
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A theatrical musical adaptation was released in 2020, and an English translation simply titled ''The [=70s=]'', written by Clarisse B. de Jesus and self-published by Bautista herself, followed in June 2021. In early 2022 Bautista publicly revealed that international English publisher Penguin Classics had taken notice of her novel and was considering republishing the English translation for an international market, though progress on that is currently up in the air ever since she died in early 2023.
to:
A theatrical musical adaptation was released in 2020, and an English a fully-English translation simply titled ''The [=70s=]'', written by Clarisse B. de Jesus and self-published by Bautista herself, followed in June 2021. In early 2022 Bautista publicly revealed that international English publisher Penguin Classics had taken notice of her novel and was considering republishing the English translation for an international market, though progress on that is currently up in the air ever since she died in early 2023.
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Changed line(s) 5,8 (click to see context) from:
Adapted by director Chito S. Roño into a 2002 film starring Vilma Santos and Christopher de Leon as the Bartolome parents, Amanda and Julian (respectively). Piolo Pascual and Marvin Agustin play the two eldest children. The full film can be found online for free [[https://drive.google.com/drive/folders/1EQJGJKoGVCWnq1W8R1larFtCZKd92Qnt?fbclid=IwAR1SxvVhGLS948HeXXVG2x3pEwF5OpwN1ZZfRNhJaJety_0EuVwrwTOGwz8 here]].
This was the Philippines' entry for [[UsefulNotes/AcademyAwardForBestForeignLanguageFilm Best Foreign Language Film]] in the [[UsefulNotes/AcademyAward 76th Academy Awards]]. A theatrical musical adaptation was released in 2020, and an English translation simply titled ''The [=70s=]'', written by Clarisse B. de Jesus and self-published by Bautista herself, followed in June 2021. In early 2022 Bautista revealed that international English publisher Penguin Classics had taken notice of her novel and was planning to enter into talks of republishing the English translation for an international market, though progress on that is currently up in the air since she died in early 2023.
This was the Philippines' entry for [[UsefulNotes/AcademyAwardForBestForeignLanguageFilm Best Foreign Language Film]] in the [[UsefulNotes/AcademyAward 76th Academy Awards]]. A theatrical musical adaptation was released in 2020, and an English translation simply titled ''The [=70s=]'', written by Clarisse B. de Jesus and self-published by Bautista herself, followed in June 2021. In early 2022 Bautista revealed that international English publisher Penguin Classics had taken notice of her novel and was planning to enter into talks of republishing the English translation for an international market, though progress on that is currently up in the air since she died in early 2023.
to:
Adapted by director Chito S. Roño into a 2002 film starring Vilma Santos and Christopher de Leon as the Bartolome parents, Amanda and Julian (respectively). Piolo Pascual and Marvin Agustin play the two eldest children. This was the Philippines' entry for [[UsefulNotes/AcademyAwardForBestForeignLanguageFilm Best Foreign Language Film]] in the [[UsefulNotes/AcademyAward 76th Academy Awards]]. The full film can be found online for free [[https://drive.google.com/drive/folders/1EQJGJKoGVCWnq1W8R1larFtCZKd92Qnt?fbclid=IwAR1SxvVhGLS948HeXXVG2x3pEwF5OpwN1ZZfRNhJaJety_0EuVwrwTOGwz8 here]].
This was the Philippines' entry for [[UsefulNotes/AcademyAwardForBestForeignLanguageFilm Best Foreign Language Film]] in the [[UsefulNotes/AcademyAward 76th Academy Awards]]. A theatrical musical adaptation was released in 2020, and an English translation simply titled ''The [=70s=]'', written by Clarisse B. de Jesus and self-published by Bautista herself, followed in June 2021. In early 2022 Bautista publicly revealed that international English publisher Penguin Classics had taken notice of her novel and was planning to enter into talks of considering republishing the English translation for an international market, though progress on that is currently up in the air ever since she died in early 2023.
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This was the Philippines' entry for [[UsefulNotes/AcademyAwardForBestForeignLanguageFilm Best Foreign Language Film]] in the [[UsefulNotes/AcademyAward 76th Academy Awards]]. A theatrical musical adaptation was released in 2020.
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This was the Philippines' entry for [[UsefulNotes/AcademyAwardForBestForeignLanguageFilm Best Foreign Language Film]] in the [[UsefulNotes/AcademyAward 76th Academy Awards]]. A theatrical musical adaptation was released in 2020.
2020, and an English translation simply titled ''The [=70s=]'', written by Clarisse B. de Jesus and self-published by Bautista herself, followed in June 2021. In early 2022 Bautista revealed that international English publisher Penguin Classics had taken notice of her novel and was planning to enter into talks of republishing the English translation for an international market, though progress on that is currently up in the air since she died in early 2023.
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* NothingIsScarier: [[spoiler:We, let alone Amanda and her family, never do find out who tortured and killed Jason so gruesomely.]]
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* NothingIsScarier: [[spoiler:We, let alone Amanda and her family, never do find out who exactly tortured and killed Jason so gruesomely.gruesomely, though it's strongly implied the authorities did it]]. Except [[spoiler:in the musical adaptation, where the cops torture and kill him and dump his body in full view of the audience.]]
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* BerserkButton: For Julian, Amanda deciding she wants a job. For Jules, Gani deciding he wants to join [[EvilColonialist the U.S. Navy]].
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* BerserkButton: For Julian, Amanda deciding [[StayInTheKitchen she wants a job.job]]. For Jules, Gani deciding he wants to join [[EvilColonialist the U.S. Navy]].
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* TwentyMinutesIntoThePast
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* TwentyMinutesIntoThePastTwentyMinutesIntoThePast: The novel came out first in 1982, so the decade had just passed at the time.
** PeriodPiece: Applies more to the film version, which came out in 2001, and the musical adaptation in 2020, almost 50 years removed from the start of the decade.
** PeriodPiece: Applies more to the film version, which came out in 2001, and the musical adaptation in 2020, almost 50 years removed from the start of the decade.
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* NothingIsScarier: [[spoiler:We, let alone Amanda and her family, never do find out who tortured and killed Jason so gruesomely.]]
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* EagleLand: Played with. The overweening flavour is Type 2, given Washington's support of the Marcos regime and American {{Mega Corp}}s effectively monopolising Filipino production and consumption, which quite reasonably causes the radicalisation of Jules and Eman. Gani, however, sees a Type 1 Eagleland, noting (and this is TruthInTelevision) that joining the U.S. Navy will provide him a steady paycheck and benefits besides—not to mention a green card. Julian appears to see more of Type 1 in America as well, given he likely came of age in the "Liberation" of Manila during UsefulNotes/WorldWarII, supports the (U.S.-backed) Marcos regime, and ribs Gani about bringing home fancy American imports (Blue Seal cigarettes in the novel, Johnnie Walker whiskey in the movie).
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* EagleLand: Played with. The overweening flavour is Type 2, given Washington's support of the Marcos regime and American {{Mega Corp}}s effectively monopolising Filipino production and consumption, which quite reasonably causes the radicalisation of Jules and Eman. Gani, however, sees a Type 1 Eagleland, noting (and this is TruthInTelevision) that joining the U.S. Navy will provide him a steady paycheck and benefits besides—not to mention a green card. Julian appears to see more of Type 1 in America as well, given he likely came of age in the "Liberation" of Manila during UsefulNotes/WorldWarII, supports starts out trying to rationalise the (U.S.-backed) Marcos regime, and ribs Gani about bringing home fancy American imports (Blue Seal cigarettes in the novel, Johnnie Walker whiskey in the movie).
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* KarmaHoudini: [[spoiler:Jason's killer/s, whoever they were, whether state forces or private-citizen criminals.]]
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fixed
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Adapted by director Chito S. Roño into a 2001 film starring Vilma Santos and Christopher de Leon as the Bartolome parents, Amanda and Julian (respectively). Piolo Pascual and Marvin Agustin play the two eldest children. The full film can be found online for free [[https://drive.google.com/drive/folders/1EQJGJKoGVCWnq1W8R1larFtCZKd92Qnt?fbclid=IwAR1SxvVhGLS948HeXXVG2x3pEwF5OpwN1ZZfRNhJaJety_0EuVwrwTOGwz8 here]].
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Adapted by director Chito S. Roño into a 2001 2002 film starring Vilma Santos and Christopher de Leon as the Bartolome parents, Amanda and Julian (respectively). Piolo Pascual and Marvin Agustin play the two eldest children. The full film can be found online for free [[https://drive.google.com/drive/folders/1EQJGJKoGVCWnq1W8R1larFtCZKd92Qnt?fbclid=IwAR1SxvVhGLS948HeXXVG2x3pEwF5OpwN1ZZfRNhJaJety_0EuVwrwTOGwz8 here]].
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* PoliceAreUseless: At the same time that they're a repressive force, the Constabulary can also come off as incredibly unhelpful, as in the search for Jason when he disappears. [[spoiler:And, even if it wasn't state forces responsible for killing him, obviously they weren't able or willing to prevent that.]]
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* PoliceAreUseless: At the same time that they're a repressive force, the Constabulary can also come off as incredibly unhelpful, can't or won't do much to help where it really matters, as in the [[spoiler:the search for Jason when he disappears. [[spoiler:And, disappears; one desk sergeant does point out that Jason was booked and detained in his precinct, but they released him without notifying his family. And, even if it wasn't state forces responsible for killing him, obviously they weren't able or willing to prevent that.]]
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** [[spoiler:Jason's murder is horrific. His corpse was discovered stabbed several times, his balls somehow smashed in, his elbows, knees and legs severely scraped, and his wrists bearing wire bondage marks, indicating he was dragged for a long distance behind a car (a bit like [[Literature/TheIliad Achilles dragging a dead Hector around Troy several times]]). It's not known whether he was dragged before or after he was stabbed, but it's really rather horrible either way.]]
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** [[spoiler:Jason's murder is horrific. His corpse was discovered stabbed several times, his balls somehow smashed in, his elbows, knees and legs severely scraped, and his wrists bearing wire bondage marks, indicating he was tied by the wrists and dragged for a long distance behind a car (a bit like [[Literature/TheIliad Achilles dragging a dead Hector around Troy several times]]). It's not known whether he was dragged before or after he was stabbed, but it's really rather horrible either way.]]
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* CruelAndUnusualDeath: Par for the course under a PoliceState
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* CruelAndUnusualDeath: Par for the course under a PoliceStatePoliceState, but here are some of the highlights:
