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No meta moment, see this query
.
.Deleted line(s) 3 (click to see context) :
* A meta-example at the Tony Awards, where Josh Groban, who was in his final months as Pierre, going into the audience to embrace Dave Malloy, the composer and original Pierre, Malloy is summoned in the middle of the number to play the piano. Malloy joined in the number heartily.
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giving more context to pierre's proposal and mary's attempt, hiding an unmarked spoiler.
Changed line(s) 1 (click to see context) from:
* "If I were not myself, but the best, handsomest, brightest man on earth, and if I were free, I would get down on my knees this minute and ask you for your hand, and for your love." Notable in that these are the only spoken words in the show.
to:
* "If Pierre's confession to Natasha about how he'd marry her if he was single and worthy enough. Notable in that these are the only spoken words in the show.
--> ''If I were not myself, but the best, handsomest, brightest man on earth, and if I were free, I would get down on my knees this minute and ask you for your hand, and for your love." Notable in that these are the only spoken words in the show.''
--> ''If I were not myself, but the best, handsomest, brightest man on earth, and if I were free, I would get down on my knees this minute and ask you for your hand, and for your love.
Changed line(s) 5 (click to see context) from:
* Mary attempting to patch things up with Natasha in spite of their rocky first meeting is sweet. It's even better if you know that in the book, they ''do'' become friends later on.
to:
* During "Letters", it's sweet seeing Mary attempting to patch things up with Natasha in spite of their rocky first meeting is sweet. meeting. It's even better if you know that in the book, [[spoiler: they ''do'' become friends later on.on]].
-->''Dear Natasha,\\
I am in deep despair at the misunderstanding there is between us\\
Whatever my father's feelings might be.\\
I beg you to believe that I cannot help loving you\\
He is a tired old man and must be forgiven\\
Please, come see us again...''
-->''Dear Natasha,\\
I am in deep despair at the misunderstanding there is between us\\
Whatever my father's feelings might be.\\
I beg you to believe that I cannot help loving you\\
He is a tired old man and must be forgiven\\
Please, come see us again...''
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deleting spoilers and natter
Changed line(s) 1,2 (click to see context) from:
* [[spoiler:"If I were not myself, but the best, handsomest, brightest man on earth, and if I were free, I would get down on my knees this minute and ask you for your hand, and for your love."]] Notable in that these are the only spoken words in the show.
* In fact, most of "Pierre and Natasha" counts, when it's not a TearJerker.
* In fact, most of "Pierre and Natasha" counts, when it's not a TearJerker.
to:
* [[spoiler:"If "If I were not myself, but the best, handsomest, brightest man on earth, and if I were free, I would get down on my knees this minute and ask you for your hand, and for your love."]] " Notable in that these are the only spoken words in the show.
* In fact, most of "Pierre and Natasha" counts, when it's not a TearJerker.show.
* In fact, most of "Pierre and Natasha" counts, when it's not a TearJerker.
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None
Added DiffLines:
* [[spoiler:"If I were not myself, but the best, handsomest, brightest man on earth, and if I were free, I would get down on my knees this minute and ask you for your hand, and for your love."]] Notable in that these are the only spoken words in the show.
* In fact, most of "Pierre and Natasha" counts, when it's not a TearJerker.
* A meta-example at the Tony Awards, where Josh Groban, who was in his final months as Pierre, going into the audience to embrace Dave Malloy, the composer and original Pierre, Malloy is summoned in the middle of the number to play the piano. Malloy joined in the number heartily.
* Balaga downright stating he doesn't drive his sled for money, he does it "cause I like [Anatole and Dolokov]!" The very next line in the song?
-->'''Whole Ensemble''': "And we like Balaga too!"
* Mary attempting to patch things up with Natasha in spite of their rocky first meeting is sweet. It's even better if you know that in the book, they ''do'' become friends later on.
* In fact, most of "Pierre and Natasha" counts, when it's not a TearJerker.
* A meta-example at the Tony Awards, where Josh Groban, who was in his final months as Pierre, going into the audience to embrace Dave Malloy, the composer and original Pierre, Malloy is summoned in the middle of the number to play the piano. Malloy joined in the number heartily.
* Balaga downright stating he doesn't drive his sled for money, he does it "cause I like [Anatole and Dolokov]!" The very next line in the song?
-->'''Whole Ensemble''': "And we like Balaga too!"
* Mary attempting to patch things up with Natasha in spite of their rocky first meeting is sweet. It's even better if you know that in the book, they ''do'' become friends later on.
