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[[Funny/ToddInTheShadows Main]] | [[Funny/ToddInTheShadowsFromTheVaults Pre-TGWTG]] | [[Funny/ToddInTheShadows2010Episodes 2010]] | [[Funny/ToddInTheShadows2011Episodes 2011]] | [[Funny/ToddInTheShadows2012Episodes 2012]] | [[Funny/ToddInTheShadows2013Episodes 2013]] | [[Funny/ToddInTheShadows2014Episodes 2014]] | [[Funny/ToddInTheShadows2015Episodes 2015]] | '''2016''' | [[Funny/ToddInTheShadowsOneHitWonderland One-Hit Wonderland]] | [[Funny/ToddInTheShadowsSpecials Specials]] | [[Funny/ToddInTheShadowsCinemadonna Cinemadonna]]
to:
[[Funny/ToddInTheShadows Main]] | [[Funny/ToddInTheShadowsFromTheVaults Pre-TGWTG]] | [[Funny/ToddInTheShadows2010Episodes 2010]] | [[Funny/ToddInTheShadows2011Episodes 2011]] | [[Funny/ToddInTheShadows2012Episodes 2012]] | [[Funny/ToddInTheShadows2013Episodes 2013]] | [[Funny/ToddInTheShadows2014Episodes 2014]] | [[Funny/ToddInTheShadows2015Episodes 2015]] | '''2016''' | [[Funny/ToddInTheShadows2017Episodes 2017]] | [[Funny/ToddInTheShadowsOneHitWonderland One-Hit Wonderland]] | [[Funny/ToddInTheShadowsSpecials Specials]] | [[Funny/ToddInTheShadowsCinemadonna Cinemadonna]]
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Changed line(s) 237,238 (click to see context) from:
--->'''Todd:'''"We're the New Americana! We're all broke! [[Creator/DonaldTrump And we're all gonna get broker pretty soon, probably!]] *nervous laughter* Sorry, no politics..."
* The ending song, which is of course the NineInchNails song.
* The ending song, which is of course the NineInchNails song.
to:
--->'''Todd:'''"We're the New Americana! We're all broke! [[Creator/DonaldTrump And we're all gonna get broker pretty soon, probably!]] probably! *nervous laughter* Sorry, no politics..."
* The ending song, which is of course theNineInchNails Music/NineInchNails song.
* The ending song, which is of course the
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Changed line(s) 245 (click to see context) from:
-->''(on his opening producer tag)'' I mean, that's not a calling card at the beginning of his songs. That's a warning label!
to:
-->''(on [[SingerNamedrop his opening producer tag)'' tag]])'' I mean, mean, that's not a calling card at the beginning of his songs. That's a warning label!
** Then come the three actual Beatles references: LennonGlasses ("that doesn't make you John Lennon! [[SincerityMode Cool glasses, though.]]"), "She's a big teaser" (rejoicing at showing the duo knows at least one Beatles lyric), and "Me and Music/PaulMcCartney related" ("So what? [picture of Malik Obama] This is [[UsefulNotes/BarackObama the President's]] brother! That doesn't make him the President!").
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* Todd ends the review with a long, passionate speech about the Beatles' impact, only to realize, to his horror, that he's sounding exactly like the old geezers who complain about music these days.
to:
* Todd ends the review with Todd's criticism culminates in a long, passionate speech about the Beatles' impact, only to realize, to his horror, that he's sounding exactly like the old geezers who complain about music these days.
* Afterwards, Todd tries to be more positive about the song. Until an WaxingLyrical attempt featuring Black Beatles and Rae Sremmurd...
--> [[Music/AbbeyRoad And in the end, the love you take is equal to the love you make.]] Also, ''Took a bitch to the club and let her party on the table, everybody's famous No flex zone, no flex zone...'' changed my mind, this song blows.
* Afterwards, Todd tries to be more positive about the song. Until an WaxingLyrical attempt featuring Black Beatles and Rae Sremmurd...
--> [[Music/AbbeyRoad And in the end, the love you take is equal to the love you make.]] Also, ''Took a bitch to the club and let her party on the table, everybody's famous No flex zone, no flex zone...'' changed my mind, this song blows.
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* When discussing Gucci Mane.
--> For those who don't remember, Gucci Mane, (cut to picture of him holding a crystal [[ComicStrip/{{Garfield}} Odie]]) pictured here with extra stupid.
--> For those who don't remember, Gucci Mane, (cut to picture of him holding a crystal [[ComicStrip/{{Garfield}} Odie]]) pictured here with extra stupid.
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Changed line(s) 244 (click to see context) from:
* Todd discusses Mike WiLL Made-It, the producer behind Rae Sremmurd, "We Can't Stop," and other things Todd isn't a huge fan of.
to:
* Todd discusses Mike WiLL [=WiLL=] Made-It, the producer behind Rae Sremmurd, "We Can't Stop," and other things Todd isn't a huge fan of.
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* Todd's inability to pronounce Rae Sremmurd's name properly.
-->'''Todd:''' Rumor has it that if you get them to say their name backwards, [[Comics/{{Superman}} you can get them to go back to their home dimension.]]
* Todd discusses Mike WiLL Made-It, the producer behind Rae Sremmurd, "We Can't Stop," and other things Todd isn't a huge fan of.
-->''(on his opening producer tag)'' I mean, that's not a calling card at the beginning of his songs. That's a warning label!
-->'''Sign:''' [[TakeThat WARNING: Mike Will made it!]]
* Todd compares Rae Sremmurd to Kriss Kross, a comparison they apparently aren't fond of...which infuriates Todd, because he considers it a compliment.
-->'''Todd:''' [[WaxingLyrical Stop being wiggity-wiggity-wack!]]
** Todd briefly ponders how Kriss Kross could go to the bathroom when their pants were on backwards.
* After dismissing the comparisons to Kriss Kross, Todd tries to come up with a better comparison. ''[[spoiler: ([[AnswerCut *cue "A Hard Day's Night"]])]]''
* The song proves to sound nothing like the Beatles, and he remarks that it sounds more like '80s goth rock.
-->'''Todd:''' Are you sure you didn't mean "Black Music/TheCure?"
* Todd says if the Beatles-related content isn't in the beat, it must be in the lyrics. The captions say otherwise.
** He takes them to task for the lack of such: "I once heard a rap song made up entirely of ''Film/AustinPowers'' references!"
* The song's connection to the Mannequin Challenge is brought up, and Todd initially finds it somewhat cool. Then he sees an "old guy" trying to do it and it loses its charm. [[spoiler: [[DontExplainTheJoke The "old guy" is]] Sir Music/PaulMcCartney]].
* Todd ends the review with a long, passionate speech about the Beatles' impact, only to realize, to his horror, that he's sounding exactly like the old geezers who complain about music these days.
-->'''Todd:''' Rumor has it that if you get them to say their name backwards, [[Comics/{{Superman}} you can get them to go back to their home dimension.]]
* Todd discusses Mike WiLL Made-It, the producer behind Rae Sremmurd, "We Can't Stop," and other things Todd isn't a huge fan of.
-->''(on his opening producer tag)'' I mean, that's not a calling card at the beginning of his songs. That's a warning label!
-->'''Sign:''' [[TakeThat WARNING: Mike Will made it!]]
* Todd compares Rae Sremmurd to Kriss Kross, a comparison they apparently aren't fond of...which infuriates Todd, because he considers it a compliment.
-->'''Todd:''' [[WaxingLyrical Stop being wiggity-wiggity-wack!]]
** Todd briefly ponders how Kriss Kross could go to the bathroom when their pants were on backwards.
* After dismissing the comparisons to Kriss Kross, Todd tries to come up with a better comparison. ''[[spoiler: ([[AnswerCut *cue "A Hard Day's Night"]])]]''
* The song proves to sound nothing like the Beatles, and he remarks that it sounds more like '80s goth rock.
-->'''Todd:''' Are you sure you didn't mean "Black Music/TheCure?"
* Todd says if the Beatles-related content isn't in the beat, it must be in the lyrics. The captions say otherwise.
** He takes them to task for the lack of such: "I once heard a rap song made up entirely of ''Film/AustinPowers'' references!"
* The song's connection to the Mannequin Challenge is brought up, and Todd initially finds it somewhat cool. Then he sees an "old guy" trying to do it and it loses its charm. [[spoiler: [[DontExplainTheJoke The "old guy" is]] Sir Music/PaulMcCartney]].
* Todd ends the review with a long, passionate speech about the Beatles' impact, only to realize, to his horror, that he's sounding exactly like the old geezers who complain about music these days.
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Changed line(s) 194 (click to see context) from:
* When he discusses that Sia most likely wrote "Cheap Thrills" for Rihana, is mostly because she doesn't look like the "Party Girl" type.
to:
* When he discusses that Sia most likely wrote "Cheap Thrills" for Rihana, Rihanna, is mostly because she doesn't look like the "Party Girl" type.
Changed line(s) 236 (click to see context) from:
* "We're the New Americana! We're all broke! [[Creator/DonaldTrump And we're all gonna get broker pretty soon, probably!]] *nervous laughter* Sorry, no politics..."
to:
* "We're The inevitable "Creator/DonaldTrump is president" joke:
--->'''Todd:'''"We're the New Americana! We're all broke! [[Creator/DonaldTrump And we're all gonna get broker pretty soon, probably!]] *nervous laughter* Sorry, no politics..."
--->'''Todd:'''"We're the New Americana! We're all broke! [[Creator/DonaldTrump And we're all gonna get broker pretty soon, probably!]] *nervous laughter* Sorry, no politics..."
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* Todd's reaction to Andrew Taggart's live performance of Closer. It's so bad that Todd actually ''apologizes'' to CalvinHarris for criticizing his singing voice in previous videos.
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Changed line(s) 224 (click to see context) from:
'''Todd''': We smoke weed... LEGALLY! ''Watch us obey the law!''\\
to:
'''Todd''': We smoke weed... LEGALLY! ''Watch ''LEGALLY!'' Watch us obey ''obeying the law!''\\
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Changed line(s) 162 (click to see context) from:
* "Well, goddamn, you can't have a boy band with four members. Boy bands have five members. You can't just take away one! You know who was a boy band with four members? ''98 Degrees''. You wanna be 98 Degrees?! ''Do you?!'' [[TakeThat No. No, you don't.]]"
to:
* "Well, goddamn, you can't have a boy band with four members. Boy bands have five members. You can't just take away one! [[Music/TheBeatles You know who was a boy band with four members? ''98 Degrees''.members?]] ''[[BaitAndSwitchComparison 98 Degrees]]''. You wanna be 98 Degrees?! ''Do you?!'' [[TakeThat No. No, you don't.]]"
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Changed line(s) 235 (click to see context) from:
* "We're the New Americana! We're all broke! [[DonaldTrump And we're all gonna get broker pretty soon, probably!]] *nervous laughter* Sorry, no politics..."
to:
* "We're the New Americana! We're all broke! [[DonaldTrump [[Creator/DonaldTrump And we're all gonna get broker pretty soon, probably!]] *nervous laughter* Sorry, no politics..."
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Changed line(s) 221 (click to see context) from:
* "If I told 2014 me that 2016 was gonna be the year of The Chainsmokers, he'd say '2016 is gonna be the worst year ever!'. I'd reply [[FalseReassurance it isn't that bad, and also 'stock up on some Xanax, you're gonna need it']]".
to:
* "If I told 2014 me that 2016 was gonna be the year of The Chainsmokers, he'd say '2016 is gonna be the worst year ever!'. I'd reply [[FalseReassurance it isn't that bad, and also 'stock up on some 'Invest in Xanax, you're gonna need it']]".and I mean now, not later']]".
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Changed line(s) 226 (click to see context) from:
-->'''Todd''': These aren't artists of your generation! In fact, these are ones whose influence are being seen less and less! That has nothing to do with your generation, you're just making the rest of us feel old!
to:
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Changed line(s) 235 (click to see context) from:
* "We're the New Americana! We're all broke now! [[DonaldTrump And are gonna get worse!]] Sorry, no politics..."
to:
* "We're the New Americana! We're all broke now! broke! [[DonaldTrump And are we're all gonna get worse!]] broker pretty soon, probably!]] *nervous laughter* Sorry, no politics..."
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* Todd discussing the unnecessary detail in the song, in particular, the "Boulder" line:
to:
* Halsey also left a bad first impression on Todd with "New Americana", which he describes as "Kesha trying to be Lorde".
-->'''Halsey:''' We are the new Americana! High on legal marijuana!\\
'''Todd''': We smoke weed... LEGALLY! ''Watch us obey the law!''\\
'''Halsey:''' Raised on Biggie and Nirvana!\\
-->'''Todd''': These aren't artists of your generation! In fact, these are ones whose influence are being seen less and less! That has nothing to do with your generation, you're just making the rest of us feel old!
* Todd discussing [[TooMuchInformation the unnecessarydetail detail]] in the song, in particular, the "Boulder" line:
-->'''Halsey:''' We are the new Americana! High on legal marijuana!\\
'''Todd''': We smoke weed... LEGALLY! ''Watch us obey the law!''\\
'''Halsey:''' Raised on Biggie and Nirvana!\\
-->'''Todd''': These aren't artists of your generation! In fact, these are ones whose influence are being seen less and less! That has nothing to do with your generation, you're just making the rest of us feel old!
* Todd discussing [[TooMuchInformation the unnecessary
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Changed line(s) 230 (click to see context) from:
* "We're the New Americana! We're all broke now! {{DonaldTrump And are gonna get worse!}} Sorry, no politics..."
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* "We're the New Americana! We're all broke now! {{DonaldTrump [[DonaldTrump And are gonna get worse!}} worse!]] Sorry, no politics..."
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Changed line(s) 230 (click to see context) from:
* "We're the New Americana! We're all broke now! And are gonna get worse! Sorry, no politics..."
to:
* "We're the New Americana! We're all broke now! {{DonaldTrump And are gonna get worse! worse!}} Sorry, no politics..."
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* The intro has Todd sad about what 2016 gave us - [[WaxingLyrical "but first, let me take a selfie"]].
* "If I told 2014 me that 2016 was gonna be the year of The Chainsmokers, he'd say '2016 is gonna be the worst year ever!'. I'd reply [[FalseReassurance it isn't that bad, and also 'stock up on some Xanax, you're gonna need it']]".
* "If I told 2014 me that 2016 was gonna be the year of The Chainsmokers, he'd say '2016 is gonna be the worst year ever!'. I'd reply [[FalseReassurance it isn't that bad, and also 'stock up on some Xanax, you're gonna need it']]".
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** He keeps an actual record player beside him to provide the record scratch sound now.
to:
** He keeps an actual record player beside him to provide the record scratch RecordNeedleScratch sound now.
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-->''Boulder? Tuscon? What the hell was the two of you's relationship, were you travelling around the country like Bonnie and Clyde on a crazy mattress stealing spree?''
to:
-->''Boulder? Tuscon? Tucson? What the hell was the two of you's relationship, were you travelling around the country like Bonnie and Clyde on a crazy mattress stealing spree?''spree?''
* "We're the New Americana! We're all broke now! And are gonna get worse! Sorry, no politics..."
* "We're the New Americana! We're all broke now! And are gonna get worse! Sorry, no politics..."
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[[folder: Closer]]
* Todd discussing the unnecessary detail in the song, in particular, the "Boulder" line:
-->'''Todd:''' Do I need to know there's a mattress? Yeah, that's important. But I don't need to know where she got the mattress. I don't need to know who she got the mattress from. And I really don't need to know where the person she got the mattress from is from.
** He keeps an actual record player beside him to provide the record scratch sound now.
* Comparing this couple to the one in "Somebody That I Used to Know", claiming the latter were more on the same page.
-->'''Kimbra:''' Now and then I think of all the times you screwed me over...
-->'''Todd:''' You know what, I think these crazy kids are going to work it out! Ah, young love.
* Todd's confusion over the locations mentioned in the song:
-->''Boulder? Tuscon? What the hell was the two of you's relationship, were you travelling around the country like Bonnie and Clyde on a crazy mattress stealing spree?''
* The ending song, which is of course the NineInchNails song.
[[/folder]]
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* When he discusses that Sia most likely wrote "Cheap Thrills" for Rihana, is mostly because she doesn't look like the "Party Girl" type.
-->'''Sia''': ''Gotta do my hair, put my make-up on'' \\
'''Todd''': Bullshit! [[TheFaceless You don't even have a face]]!!
-->'''Sia''': ''Gotta do my hair, put my make-up on'' \\
'''Todd''': Bullshit! [[TheFaceless You don't even have a face]]!!
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Changed line(s) 188 (click to see context) from:
-->
to:
** Mentions that the feud for creative credits with Calvin was the second biggest after the one with Kim and Kanye, and the fact that she ended up as the bad guy in that story.
** The title "This Is What You Came For" sounds like an accusation.
-->'''Todd:''' "Look, a hot chick. This is what you came for, ain't it, you pervert?" You don't know what I came for, dammit! Get off my ass!
** Also that the lyrics seem to be written in third person in the beginning and in first person for the chorus, which looks like it sounded weird to phrase the lyrics about herself in first person or she [[ThirdPersonPerson got her ego so big that she even started to refer to herself in third person]].
-->'''Todd:''' ''(as Taylor)'' BRING TAYLOR SWIFT A PEELED GRAPE!!
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* The ending song? "[[Music/AliceCooper No More Mr. Nice Guy]]".
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* Comparing the Mendes releasing a song celebrating the "Nice Guy" in 2016 to when B.o.B released a song about how the Earth is flat.
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* Todd talking about how Shawn Mendes' usage of an acoustic guitar indicates that he wants to be taken as a serious artist despite being a "teen idol".
-->'''Todd:''' And I ''do''. I take him very seriously. '''Wish granted, you little shit!'''
* Him "celebrating" Mendes realizing his potential to be unbearable.
-->'''Todd:''' I wanna throw him a Bar Mitzvah or something. "Today you are a douchebag!"
* His rant towards his entire support staff being idiots because he mistakes Treat You Better for Stitches and his awkward apology when he finds out they're (very technically) different songs.
-->'''Todd:''' Sorry Dan. It- it is Dan, right? Or... Dave? Sorry ''Dave.''
* His outrage over Teddy Geiger writing this song too makes him wonder if Post Malone's songs are ghost-written by the equally outdated Kevin Federline.
* This line needs no explanation.
-->'''Todd:''' Some guys wear their fedoras on the inside.
* His reaction to Mendes squawking out "better than he can":
-->'''Todd:''' ...did a cockatoo just die?
* After Mendes tells the girl in the song that she deserves a gentle man, Todd's usage of Tenacious D's "F*** Her Gently".
* Todd's impersonation of the first line:
-->'''Todd!Mendes:''' Karen, I'm so sorry, I can't lie to you! You need to hear this! I realize it may be hard, but I have to do the right thing, and tell you the hard facts. [[MoodWhiplash You should be riding my dick and not his.]]
-->'''Todd!Karen''' Well, gosh, ''thank you'', you bold truth-teller! Let me reward your honesty by giving you third base right here in the hall!
-->'''Todd:''' And I ''do''. I take him very seriously. '''Wish granted, you little shit!'''
* Him "celebrating" Mendes realizing his potential to be unbearable.
-->'''Todd:''' I wanna throw him a Bar Mitzvah or something. "Today you are a douchebag!"
* His rant towards his entire support staff being idiots because he mistakes Treat You Better for Stitches and his awkward apology when he finds out they're (very technically) different songs.
-->'''Todd:''' Sorry Dan. It- it is Dan, right? Or... Dave? Sorry ''Dave.''
* His outrage over Teddy Geiger writing this song too makes him wonder if Post Malone's songs are ghost-written by the equally outdated Kevin Federline.
* This line needs no explanation.
-->'''Todd:''' Some guys wear their fedoras on the inside.
* His reaction to Mendes squawking out "better than he can":
-->'''Todd:''' ...did a cockatoo just die?
* After Mendes tells the girl in the song that she deserves a gentle man, Todd's usage of Tenacious D's "F*** Her Gently".
* Todd's impersonation of the first line:
-->'''Todd!Mendes:''' Karen, I'm so sorry, I can't lie to you! You need to hear this! I realize it may be hard, but I have to do the right thing, and tell you the hard facts. [[MoodWhiplash You should be riding my dick and not his.]]
-->'''Todd!Karen''' Well, gosh, ''thank you'', you bold truth-teller! Let me reward your honesty by giving you third base right here in the hall!
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[[folder: Treat You Better]]
[[/folder]]
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* When discussing Sia's performance gimmick, he can't understand why someone would create content but be unwilling to show their face, [[IResembleThatRemark before sitting for a few seconds in realization.]]
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Changed line(s) 159 (click to see context) from:
-->"...and even threatens to break up one of the most powerful alliances in European history."\\
to:
-->"...[[BaitAndSwitchComparison and even threatens to break up one of the most powerful alliances in European history.history]]."\\
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Changed line(s) 181 (click to see context) from:
* [[FourChordsOfPop Pop Song Chords:]] [[RunningGag "THIS JOKE HAS RUN ITS COURSE!"]] ''[[SelfDeprecation (Not funny anymore)]]''
to:
* [[FourChordsOfPop [[TheFourChordsOfPop Pop Song Chords:]] [[RunningGag "THIS JOKE HAS RUN ITS COURSE!"]] ''[[SelfDeprecation (Not funny anymore)]]''
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* [[FourChordsOfPop Pop Song Chords:]] [[RunningGag "THIS JOKE HAS RUN ITS COURSE!"]] ''[[SelfDeprecation (Not funny anymore)]]''
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-->'''Todd:''' You start low...
-->'''[[Music/{{U2}} Bono]]''' ''With or without you...''
-->'''Todd:''' ...then you go ''high!''
-->'''Bono:''' ''[[SuddenlyShouting OOOOHHHHHH!!!]]''
-->
-->'''[[Music/{{U2}} Bono]]''' ''With or without you...''
-->'''Todd:''' ...then you go ''high!''
-->'''Bono:''' ''[[SuddenlyShouting OOOOHHHHHH!!!]]''
-->
