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--->'''Charles:''' Am I dead? Am I on drugs? [[BreadEggsBreadedEggs Am I dead and on drugs?]]
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[[caption-width-right:350: Now would be a good time to step outside and call your therapist.]]
Changed line(s) 58 (click to see context) from:
** After the first episode, which ends with Charles in one of the cribs with his pants down, Howard rushes from the room saying he needs to call his therapist.
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** After the first episode, which ends with Charles in one of the cribs with his pants down, down (which provides the page image), Howard rushes from the room saying he needs to call his therapist.
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%%
%% Image selected per crowner in the Image Suggestion thread: https://tvtropes.org/pmwiki/crowner.php?crowner_id=anb1ws90
%% https://tvtropes.org/pmwiki/posts.php?discussion=1452266899092104700
%% Please don't change or remove without starting a new thread.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/only_murders_white_room_crop.jpg]]
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%% Image selected per crowner in the Image Suggestion thread: https://tvtropes.org/pmwiki/crowner.php?crowner_id=anb1ws90
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/only_murders_white_room_crop.jpg]]
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Being a murder mystery television series starring Steve Martin and Martin Short, this show was bound to have its funny moments.
----
----
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* In a tragicomic moment in the season's climax, Cliff hallucinates that Ben is alive and on stage, giving Creator/PaulRudd a chance to go broad and do an impression of Creator/MartinShort as Oliver going full LargeHam in a showstopping musical number.
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Changed line(s) 65 (click to see context) from:
* The trio force their way into the back of a clothing store, expecting to find a secret brothel. Instead, they find a sewing circle of five women and Oliver exclaims, "You're the five whores?".
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* The trio force their way into the back of a clothing store, expecting to find a secret brothel. Instead, they find a sewing circle of five elderly women and Oliver exclaims, "You're the five whores?".whores?".
** Afterwards, Oliver apologizes for calling the women whores. Their leader takes it in stride, saying "It's okay. [[TooMuchInformation I used to be one]]."
** Afterwards, Oliver apologizes for calling the women whores. Their leader takes it in stride, saying "It's okay. [[TooMuchInformation I used to be one]]."
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* The trio force their way into the back of a clothing store, expecting to find a secret brothel. Instead, they find a sewing circle of five women and Oliver exclaims, "You're the five whores?".
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Changed line(s) 46 (click to see context) from:
* In "The White Room" Charles repeatedly enters a fugue state and goes into the titular "[[WhiteVoidRoom White Room]]" where he happily dances around, oblivious to what's happening in the real world. When the scene smashes back to reality, we're [[NoodleIncident not told what he did]] but it's clear he wreaked havoc and destruction so severe that witnesses can do nothing but stare. After one such instance, Howard rushes from the room saying he needs to call his therapist; after another Oliver stands up and shouts at Charles for offending Tom the pianist's Christian sensibilities before excusing Tom to go "pray it out". He goes into this ''again'' when he tries to break up with Joy. When he snaps out of it, it turns out that he actually just ''proposed'' to her, putting the Trio in yet ''another'' sticky situation.
to:
* In "The White Room" Charles repeatedly enters a fugue state and goes into the titular "[[WhiteVoidRoom White Room]]" where he happily dances around, oblivious to what's happening in the real world. When the scene smashes back to reality, we're [[NoodleIncident not told what he did]] but it's clear he wreaked havoc and destruction so severe that witnesses can do nothing but stare. stare.
** After the first episode, which ends with Charles in onesuch instance, of the cribs with his pants down, Howard rushes from the room saying he needs to call his therapist; after another Oliver stands up and shouts at therapist.
** In the second episode, Charlesfor offending does something to offend Tom the pianist's Christian sensibilities before excusing sensibilities:
--->'''Charles:''' ...Well my pants are still on, so that's a good sign.\\
'''Oliver:''' I have never heard '''''FILTH''''' like what just came out of your mouth!\\
'''Howard:''' Tomto go "pray is a Christian, Charles! ''[Tom hastily packs his things and leaves]''\\
'''Oliver:''' Take the day, Tom! Find a priest! Pray itout". He goes into this ''again'' when he out!
** As Charles tries to break up withJoy. Joy, he ends up in the White Room ''again''. When he snaps out of it, it turns out that he actually just ''proposed'' to her, putting the Trio trio in yet ''another'' sticky situation.
** After the first episode, which ends with Charles in one
** In the second episode, Charles
--->'''Charles:''' ...Well my pants are still on, so that's a good sign.\\
'''Oliver:''' I have never heard '''''FILTH''''' like what just came out of your mouth!\\
'''Howard:''' Tom
'''Oliver:''' Take the day, Tom! Find a priest! Pray it
** As Charles tries to break up with
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[[foldercontrol]]
Changed line(s) 50,52 (click to see context) from:
-->'''Charles''': It's not the first time Matthew has stolen a role from me.
-->'''Matthew Broderick''': For the last time, you would not have made a good [[Film/FerrisBuellersDayOff Ferris Bueller]], you were 41 years old at the time.
* Broderick plays himself as a LargeHam into MethodActing and LostInCharacter. Oliver reaches out to Creator/MelBrooks to talk about working with Broderick on ''Film/TheProducers'' with Brooks telling him "you're fucked."
-->'''Matthew Broderick''': For the last time, you would not have made a good [[Film/FerrisBuellersDayOff Ferris Bueller]], you were 41 years old at the time.
* Broderick plays himself as a LargeHam into MethodActing and LostInCharacter. Oliver reaches out to Creator/MelBrooks to talk about working with Broderick on ''Film/TheProducers'' with Brooks telling him "you're fucked."
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-->'''Matthew Broderick''':
'''Matthew Broderick:''' For the last time, you would not have made a good [[Film/FerrisBuellersDayOff Ferris Bueller]], you were 41 years old at the time.
* Broderick plays himself as a LargeHam into MethodActing and LostInCharacter. Oliver reaches out to Creator/MelBrooks to talk about working with Broderick on ''Film/TheProducers'' with Brooks telling
Changed line(s) 54,55 (click to see context) from:
-->'''Oliver''': I was busy at the time.
-->'''Mel Brooks''': It ran for six years!
-->'''Mel Brooks''': It ran for six years!
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-->'''Mel Brooks''':
'''Mel Brooks:''' It ran for six years!
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Changed line(s) 52 (click to see context) from:
* Broderick plays himself as a LargeHam into MethodActing and LostInCharacter. Oliver reaches out to Creator/MelBrooks to talk about working with Broderick on ''Theatere/TheProducers'' with Brooks telling him "you're fucked."
to:
* Broderick plays himself as a LargeHam into MethodActing and LostInCharacter. Oliver reaches out to Creator/MelBrooks to talk about working with Broderick on ''Theatere/TheProducers'' ''Film/TheProducers'' with Brooks telling him "you're fucked."
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Changed line(s) 52 (click to see context) from:
* Broderick plays himself as a LargeHam into MethodActing and LostInCharacter. Oliver reaches out to Creator/MelBrooks to talk about working with Broderick on ''Theater/TheProducers'' with Brooks telling him "you're fucked."
to:
* Broderick plays himself as a LargeHam into MethodActing and LostInCharacter. Oliver reaches out to Creator/MelBrooks to talk about working with Broderick on ''Theater/TheProducers'' ''Theatere/TheProducers'' with Brooks telling him "you're fucked."
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* Broderick plays himself as a LargeHam into MethodActing and LostInCharacter. Oliver reaches out to Creator/MelBrooks to talk about working with Broderick on ''Theater/TheProducers'' with Brooks telling him "you're fucked."
** Also, it turns out Oliver never ''saw'' ''The Producers.''
-->'''Oliver''': I was busy at the time.
-->'''Mel Brooks''': It ran for six years!
** Also, it turns out Oliver never ''saw'' ''The Producers.''
-->'''Oliver''': I was busy at the time.
-->'''Mel Brooks''': It ran for six years!
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* Charles isn't happy to find Oliver wants Creator/MatthewBroderick to replace him in the musical.
-->'''Charles''': It's not the first time Matthew has stolen a role from me.
-->'''Matthew Broderick''': For the last time, you would not have made a good [[Film/FerrisBuellersDayOff Ferris Bueller]], you were 41 years old at the time.
-->'''Charles''': It's not the first time Matthew has stolen a role from me.
-->'''Matthew Broderick''': For the last time, you would not have made a good [[Film/FerrisBuellersDayOff Ferris Bueller]], you were 41 years old at the time.
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Changed line(s) 44 (click to see context) from:
* In "The White Room" Charles repeatedly enters a fugue state and goes into the titular "White Room" where he happily dances around, oblivious to what's happening in the real world. When the scene smashes back to reality, we're [[NoodleIncident not told what he did]] but it's clear he wreaked havoc and destruction so severe that witnesses can do nothing but stare. After one such instance, Howard rushes from the room saying he needs to call his therapist; after another Oliver stands up and shouts at Charles for offending Tom the pianist's Christian sensibilities before excusing Tom to go "pray it out". He goes into this ''again'' when he tries to break up with Joy. When he snaps out of it, it turns out that he actually just ''proposed'' to her, putting the Trio in yet ''another'' sticky situation.
to:
* In "The White Room" Charles repeatedly enters a fugue state and goes into the titular "White Room" "[[WhiteVoidRoom White Room]]" where he happily dances around, oblivious to what's happening in the real world. When the scene smashes back to reality, we're [[NoodleIncident not told what he did]] but it's clear he wreaked havoc and destruction so severe that witnesses can do nothing but stare. After one such instance, Howard rushes from the room saying he needs to call his therapist; after another Oliver stands up and shouts at Charles for offending Tom the pianist's Christian sensibilities before excusing Tom to go "pray it out". He goes into this ''again'' when he tries to break up with Joy. When he snaps out of it, it turns out that he actually just ''proposed'' to her, putting the Trio in yet ''another'' sticky situation.
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-->'''Kimber:''' You guys okay out there?
-->'''Mabel:''' ''(in an affected SpicyLatina accent)'' Heyy, mama! Yeah, we're like, a-yaas and work and slay and yaas over here, like, ''yaas''.
-->'''Kimber:''' ''(rolling with it)'' Yaas, queens!
-->'''Mabel:''' ''(in an affected SpicyLatina accent)'' Heyy, mama! Yeah, we're like, a-yaas and work and slay and yaas over here, like, ''yaas''.
-->'''Kimber:''' ''(rolling with it)'' Yaas, queens!
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-->'''Kimber:''' You guys okay out there?
-->'''Mabel:'''there?\\
'''Mabel:''' ''(in an affected SpicyLatina accent)'' Heyy, mama! Yeah, we're like, a-yaas and work and slay and yaas over here, like,''yaas''.
-->'''Kimber:'''''yaas''.\\
'''Kimber:''' ''(rolling with it)'' Yaas, queens!
-->'''Mabel:'''
'''Mabel:''' ''(in an affected SpicyLatina accent)'' Heyy, mama! Yeah, we're like, a-yaas and work and slay and yaas over here, like,
-->'''Kimber:'''
'''Kimber:''' ''(rolling with it)'' Yaas, queens!
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Changed line(s) 45 (click to see context) from:
* Mabel volunteers to "girl talk" with Kimber while Charles and Oliver the theater for clues, and the latter two seriously doubt her ability to do so. Sure enough, when Kimber pokes her head out into the hall:
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* Mabel volunteers to "girl talk" with Kimber while Charles and Oliver search the theater for clues, and the latter two seriously doubt her ability to do so. Sure enough, when Kimber pokes her head out into the hall:
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Changed line(s) 44 (click to see context) from:
* In "The White Room" Charles repeatedly enters a fugue state and goes into the titular "White Room" where he happily dances around, oblivious to what's happening in the real world. When the scene smashes back to reality, we're [[NoodleIncident not told what he did]] but it's clear he wreaked havoc and destruction so severe that witnesses can do nothing but stare. After one such instance, Howard rushes from the room saying he needs to call his therapist; after another Oliver stands up and shouts at Charles for offending Tom the pianist's Christian sensibilities before excusing Tom to go "pray it out". He goes into this ''again'' when he tries to break up with Joy. When he snaps out of it, it turns out that he actually just ''proposed'' to Joy, putting the Trio in yet ''another'' sticky situation.
to:
* In "The White Room" Charles repeatedly enters a fugue state and goes into the titular "White Room" where he happily dances around, oblivious to what's happening in the real world. When the scene smashes back to reality, we're [[NoodleIncident not told what he did]] but it's clear he wreaked havoc and destruction so severe that witnesses can do nothing but stare. After one such instance, Howard rushes from the room saying he needs to call his therapist; after another Oliver stands up and shouts at Charles for offending Tom the pianist's Christian sensibilities before excusing Tom to go "pray it out". He goes into this ''again'' when he tries to break up with Joy. When he snaps out of it, it turns out that he actually just ''proposed'' to Joy, her, putting the Trio in yet ''another'' sticky situation.
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Changed line(s) 44 (click to see context) from:
* In "The White Room" Charles repeatedly enters a fugue state and goes into the titular "White Room" where he happily dances around, oblivious to what's happening in the real world. When the scene smashes back to reality, we're [[NoodleIncident not told what he did]] but it's clear he wreaked havoc and destruction so severe that witnesses can do nothing but stare. After one such instance, Howard rushes from the room saying he needs to call his therapist; after another Oliver stands up and shouts at Charles for offending Tom the pianist's Christian sensibilities before excusing Tom to go "pray it out".
to:
* In "The White Room" Charles repeatedly enters a fugue state and goes into the titular "White Room" where he happily dances around, oblivious to what's happening in the real world. When the scene smashes back to reality, we're [[NoodleIncident not told what he did]] but it's clear he wreaked havoc and destruction so severe that witnesses can do nothing but stare. After one such instance, Howard rushes from the room saying he needs to call his therapist; after another Oliver stands up and shouts at Charles for offending Tom the pianist's Christian sensibilities before excusing Tom to go "pray it out". He goes into this ''again'' when he tries to break up with Joy. When he snaps out of it, it turns out that he actually just ''proposed'' to Joy, putting the Trio in yet ''another'' sticky situation.
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Changed line(s) 43 (click to see context) from:
* In the opening, Mabel is touring an apartment... well, a 460 square foot studio, which the realtor still says "feels like a palace". She also describes the rent as "an absolute steal" at $4,800 a month. Plus utilities and maintenance fees. And advises her to slip the angry guy downstairs $5 every time she sees him, "just to keep the peace".
to:
* In the opening, opening of "The White Room", Mabel is touring an apartment... well, a 460 square foot studio, which the realtor still says "feels like a palace". She also describes the rent as "an absolute steal" at $4,800 a month. Plus utilities and maintenance fees. And advises her to slip the angry guy downstairs $5 every time she sees him, "just to keep the peace".
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Changed line(s) 43,45 (click to see context) from:
* In "The White Room" Charles repeatedly enters a fugue state and goes into the titular "White Room" where he happily dances around, oblivious to what's happening in the real world. When the scene smashes back to reality, we're [[NoodleIncident not told what he did]] but it's clear he wreaked havoc and destruction so severe that witnesses can do nothing but stare.
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* In "The White Room" Charles repeatedly enters a fugue state and goes into the titular "White Room" where he happily dances around, oblivious to what's happening in the real world. When the scene smashes back to reality, we're [[NoodleIncident not told what he did]] but it's clear he wreaked havoc and destruction so severe that witnesses can do nothing but
* Mabel volunteers to "girl talk" with Kimber while Charles and Oliver the theater for clues, and the latter two seriously doubt her ability to do so. Sure enough, when Kimber pokes her head out into the hall:
-->'''Kimber:''' You guys okay out there?
-->'''Mabel:''' ''(in an affected SpicyLatina accent)'' Heyy, mama! Yeah, we're like, a-yaas and work and slay and yaas over here, like, ''yaas''.
-->'''Kimber:''' ''(rolling with it)'' Yaas, queens!
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Changed line(s) 44 (click to see context) from:
* In "The White Room" Charles repeatedly enters a fugue state and goes into the titular "White Room" where he happily dances around, oblivious to what's happening in the real world. When the scene smashes back to reality, we're [[NoodleIncident not told what he did]] but it's clear he wreaked havoc and destruction so severe that witnesses can do nothing but stare.
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* In "The White Room" Charles repeatedly enters a fugue state and goes into the titular "White Room" where he happily dances around, oblivious to what's happening in the real world. When the scene smashes back to reality, we're [[NoodleIncident not told what he did]] but it's clear he wreaked havoc and destruction so severe that witnesses can do nothing but stare.stare.
[[/folder]]
[[/folder]]
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[[/folder]]
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[[folder:Season 3]]
* In "The White Room" Charles repeatedly enters a fugue state and goes into the titular "White Room" where he happily dances around, oblivious to what's happening in the real world. When the scene smashes back to reality, we're [[NoodleIncident not told what he did]] but it's clear he wreaked havoc and destruction so severe that witnesses can do nothing but stare.
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Changed line(s) 22 (click to see context) from:
--->'''Kreps:''' Thanks to you, we get more anonymous tips than a Penn Station glory hole.
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--->'''Kreps:''' Thanks to you, we get more [[{{Pun}} anonymous tips tips]] than a Penn Station glory hole.
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Changed line(s) 37 (click to see context) from:
* The final moments of the last episode introduce us to the next victim, and like Tim Kono and Bunny Folger, they're a total JerkAss...played by ''Creator/PaulRudd'', who is so famously typecast as NiceGuy comedic protagonists that its hard to not crack at him being a petty and vitriolic jerk butting heads with both Oliver and Charles (moreso the latter).
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* The final moments of the last episode introduce us to the next victim, and like Tim Kono and Bunny Folger, they're he's a total JerkAss...played by ''Creator/PaulRudd'', who is so famously typecast as NiceGuy comedic protagonists that its hard to not crack at him being a petty and vitriolic jerk butting heads with both Oliver and Charles (moreso the latter).
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Changed line(s) 35 (click to see context) from:
'''Teddy, sheepish:''' I was younger.
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Changed line(s) 31 (click to see context) from:
--->'''Oliver:'''' Now you're just rubbing it in!
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Changed line(s) 39 (click to see context) from:
-->'''Mabel:''' [[YouHaveGotToBeKiddingMe You've got to be]] ''[[YouHaveGotToBeKiddingMe fucking]]'' [[YouHaveGotToBeKiddingMe kidding me.]]
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