Follow TV Tropes

Following

History Fridge / MenAtArms

Go To

OR

Is there an issue? Send a MessageReason:
None

Added DiffLines:

** Also, even though he does usually try to be polite, DEATH almost certainly would ''not'' approve of Big Fido's ideas.
Is there an issue? Send a MessageReason:
None


* This book first introduces the parallel between trolls brains and computers. We also see that Detritus, even when his intelligence is not enhanced by the cold, is able to count ''extremely'' fast. "Dumb but good at counting" is a pretty good description of a computer... (at least until a true ArtificialIntelligence will be developed)

to:

* This book first introduces the parallel between trolls brains and computers. We also see that Detritus, even when his intelligence is not enhanced by the cold, is able to count ''extremely'' fast. "Dumb but good at counting" is a pretty good description of a computer... (at least until a true ArtificialIntelligence will be developed)developed)
** Also pay attention to how Detritus counts. He counts in twos, fours, eights, sixteens, thirty twos, and sixty fours. Terry Pratchett was making a computing joke as most computers use those processing width for calculations.
Is there an issue? Send a MessageReason:
None


* DEATH doesn't seem particularly impressed by Big Fido, and certainly doesn't extend him the same courtesy he does most other living beings. Of course not--he's a cat person, after all!

to:

* DEATH doesn't seem particularly impressed by Big Fido, and certainly doesn't extend him the same courtesy he does most other living beings. Of course not--he's a cat person, after all!all!
* This book first introduces the parallel between trolls brains and computers. We also see that Detritus, even when his intelligence is not enhanced by the cold, is able to count ''extremely'' fast. "Dumb but good at counting" is a pretty good description of a computer... (at least until a true ArtificialIntelligence will be developed)
Is there an issue? Send a MessageReason:
None


* Why, in the climax, can Carrot thrust his sword clean through first a villain and then a marble pillar without apparent effort? On one hand, narrative... Carrot is an IdealHero, so certain special rules apply here. But there's also the sword itself. In ''Guards, Guards'', we learn that the sword is utterly nonmagical. Less magical than the natural background field of the Disc, in fact. Which, by Discworld rules, means it is more ''real'' than the rest of the Disc. It therefore gets to abuse the same logical loophole that Death (the Ultimate Reality) does to walk through walls: From its point of view, whatever it cuts is barely there at all.

to:

* Why, in the climax, can Carrot thrust his sword clean through first a villain and then a marble pillar without apparent effort? On one hand, narrative... Carrot is an IdealHero, so certain special rules apply here. But there's also the sword itself. In ''Guards, Guards'', we learn that the sword is utterly nonmagical. Less magical than the natural background field of the Disc, in fact. Which, by Discworld ''Literature/{{Discworld}}'' rules, means it is more ''real'' than the rest of the Disc. It therefore gets to abuse the same logical loophole that Death (the Ultimate Reality) does to walk through walls: From its point of view, whatever it cuts is barely there at all.
Is there an issue? Send a MessageReason:
None


* Why, in the climax, can Carrot thrust his sword clean through first a villain and then a marble pillar without apparent effort? On one hand, narrative... Carrot is an IdealHero, so certain special rules apply here. But there's also the sword itself. In ''Guards, Guards'', we learn that the sword is utterly nonmagical. Less magical than the natural background field of the Disc, in fact. Which, by Discworld rules, means it is more ''real'' than the rest of the Disc. It therefore gets to abuse the same logical loophole that Death (the Ultimate Reality) does to walk through walls: From its point of view, whatever it cuts is barely there at all.

to:

* Why, in the climax, can Carrot thrust his sword clean through first a villain and then a marble pillar without apparent effort? On one hand, narrative... Carrot is an IdealHero, so certain special rules apply here. But there's also the sword itself. In ''Guards, Guards'', we learn that the sword is utterly nonmagical. Less magical than the natural background field of the Disc, in fact. Which, by Discworld rules, means it is more ''real'' than the rest of the Disc. It therefore gets to abuse the same logical loophole that Death (the Ultimate Reality) does to walk through walls: From its point of view, whatever it cuts is barely there at all.all.
* DEATH doesn't seem particularly impressed by Big Fido, and certainly doesn't extend him the same courtesy he does most other living beings. Of course not--he's a cat person, after all!
Is there an issue? Send a MessageReason:
Adding a spoiler warning to the top of the page, as per Spoilers Off policy.

Added DiffLines:

'''As a Fridge subpage, all spoilers are unmarked [[Administrivia/SpoilersOff as per policy.]] Administrivia/YouHaveBeenWarned.'''
----
!!FridgeBrilliance
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* Why, in the climax, can Carrot thrust his sword clean through first a villain and then a marble pillar without apparent effort? On one hand, narrative... Carrot is an IdealHero, so certain special rules apply here. But there's also the sword itself. In ''Guards, Guards'', we learn that the sword is utterly nonmagical. Less magical than the natural background field of the Disc, in fact. Which, by Discworld rules, means it is more ''real'' than the rest of the Disc. It therefore gets to abuse the same logical loophole that Death (the Ultimate Reality) does to walk through walls: From its point of view, whatever it cuts is barely there at all.

Top