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* SkepticismFailure: Pretty much anytime that humans doubt Godzilla is really a protector rather than a destroyer. The HollowWorld theory, which most of the Monarch brass apparently consider a load of hokum in ''Godzilla: King of the Monsters'', is explicitly proven to be true. It's also worth noting that while the Titans are treated by more objective characters as super-animals, some of them have gotten some real MaybeMagicMaybeMundane hinting they might have a truly supernatural nature as {{Physical God}}s.



* SmugSnake: Packard in ''Kong: Skull Island'' greatly overestimates his ability to harm Kong, whilst Apex Cybernetics in ''Godzilla vs. Kong'' see themselves as visionaries but are TooDumbToLive to an ''insane'' degree.



* SortingAlgorithmOfEvil: Not in release order, but if the franchise's film installments are put in ''chronological'' order, this trope is in full effect until ''Film/GodzillaVsKong''. In ''Film/KongSkullIsland'', the Skullcrawlers are relatively small by Kaiju standards, and Kong who ''isn't even fully mature yet'' can beat back hordes of them. In ''Film/Godzilla2014'', the [=MUTOs=] are nearly the size of Godzilla, they create an {{EMP}} around themselves which does a lot to cripple the entire U.S. Navy's efforts to track and stop them, and the pair make Godzilla work quite a bit to kill them both and it looks like they nearly win the fight against him. In ''Film/GodzillaKingOfTheMonsters2019'', Ghidorah is roughly ''twice'' the size of Godzilla, he's powerful enough that Godzilla is considered the ''only'' force on Earth that can truly rival him (and even then, in a fair fight without Mothra's assistance or watery terrain, Godzilla despite himself does seem to be the underdog), Ghidorah generates an intensifying electricity-filled hurricane around himself merely by being active, and he gains command of ''all the other Kaiju on the planet'' except Mothra when Godzilla is briefly incapacitated. [[spoiler: ''Film/GodzillaVsKong'' tops it off with Mechagodzilla, with Ghidorah's brain at the helm, being on a mission to destroy all titans and leave mankind sole ruler of the planet, until Ghidorah's brain goes rogue and seeks personal revenge on Godzilla himself and then to resume his destruction of all life on Earth using the Titans.]]

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* SortingAlgorithmOfEvil: Not in release order, but if the franchise's film installments are put in ''chronological'' order, this trope is in full effect until ''Film/GodzillaVsKong''. In ''Film/KongSkullIsland'', the Skullcrawlers are relatively small by Kaiju standards, and Kong who ''isn't even fully mature yet'' can beat back hordes of them. In ''Film/Godzilla2014'', the [=MUTOs=] are nearly the size of Godzilla, they create an {{EMP}} around themselves which does a lot to cripple the entire U.S. Navy's efforts to track and stop them, and the pair make Godzilla work quite a bit to kill them both and it looks like they nearly win the fight against him. In ''Film/GodzillaKingOfTheMonsters2019'', Ghidorah is roughly ''twice'' the size of Godzilla, he's powerful enough that Godzilla is considered the ''only'' force on Earth that can truly rival him (and even then, in a fair fight without Mothra's assistance or watery terrain, Godzilla despite himself does seem to be the underdog), Ghidorah generates an intensifying electricity-filled hurricane around himself merely by being active, and he gains command of ''all the other Kaiju on the planet'' except Mothra when Godzilla is briefly incapacitated. [[spoiler: ZigZagged in ''Godzilla vs. Kong'', where the BigBad Mechagodzilla [[spoiler:is essentially Ghidorah's {{reincarnation}}, but is implicitly not quite as powerful as Ghidorah was: lacking Ghidorah's HealingFactor, EnergyAbsorption and apocalyptic WeatherManipulation, with Word of God and the novelization suggested it only succeeded in curb-stomping Godzilla because the latter was already heavily weakened before their fight, and with the heroes successfully killing the Mecha before it can take control of any other Titans]].
''Film/GodzillaVsKong'' tops it off with Mechagodzilla, with Ghidorah's brain at the helm, being on a mission to destroy all titans and leave mankind sole ruler of the planet, until Ghidorah's brain goes rogue and seeks personal revenge on Godzilla himself and then to resume his destruction of all life on Earth using the Titans.]]

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* MysteriousAntarctica: Antarctica is where [[SealedEvilInACan Ghidorah]] was found by Monarch before ''King of the Monsters'', the ancient evil creature having been frozen in a glacier millennia ago, and Ghidorah was notably at the time considered a particularly mysterious Titan by Monarch. It's also revealed in ''Godzilla vs. Kong'' that Antarctica is home to a gigantic Vile Vortex leading into the Hollow Earth, and the film's novelization notes that the vortex is much too close to Ghidorah's former prison to be coincidental.



* NothingIsTheSameAnymore:
** ''Godzilla: King of the Monsters'' initially set this up with the dormant Titans having been awakened around the world and Godzilla enforcing a human-Titan coexistence leading to the DawnOfAnEra, but subsequent installments unfortunately subverted it and mostly turned it into an AbortedArc by having Godzilla command all the Titans to return to hibernation.
** In ''Godzilla vs. Kong'', Skull Island has been engulfed in an ecosystem-destroying PerpetualStorm due to Camazotz's actions in the graphic novel ''Kingdom Kong'', forcing Monarch to remove Kong from the island while all but one of the natives and everything else on the island perishes. Kong ultimately finds a new home reigning in the Hollow Earth.



* OneMythToExplainThemAll: It's suggested that {{Kaiju}} were responsible for the myths and tales around the world. King Ghidora inspired many civilization's ideas of devils and dragons and Mothra inspired, of all things, angels.

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* OneMythToExplainThemAll: It's strongly suggested that {{Kaiju}} were responsible for the myths and tales around the world. King Ghidora Ghidorah inspired many civilization's ideas of devils and dragons dragons, and Mothra inspired, inspired angels of all things, angels.things.



* ParentalNeglect: In his backstory when he was a young man, Dr. Serizawa was on the receiving end of WhenYouComingHomeDad, which led to a reconciliation in his adulthood when his father revealed the truth of his work for Monarch. The ''Godzilla vs. Kong'' novelization reveals that Serizawa repeated this parenting style with his son Ren, but unfortunately in Ren's case it led to him deeply resenting his father and finally turning into an AntagonisticOffspring upon his father's death. Madison was also on the receiving end of emotional Parental Neglect from both her parents to differing degrees in the five years preceding ''King of the Monsters'', due to her brother's death.



* ReasonableAuthorityFigure: Joe Brody used to be this, and Dr. Serizawa is also this, as are Admiral Stenz ([[Film/GodzillaKingOfTheMonsters2019 most of the time, anyway]]) and Shaw in ''Godzilla Awakening''.

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* ReasonableAuthorityFigure: Joe Brody in the 2014 film used to be this, and this. Dr. Serizawa is also this, as are Admiral Stenz ([[Film/GodzillaKingOfTheMonsters2019 most of the time, anyway]]) and anyway]]), Shaw in ''Godzilla Awakening''.Awakening'', and Admiral Wilcox in ''Godzilla vs. Kong''.



** Furthermore, in ''King of the Monsters'', the ApocalypseHow occurring in the second half of the film is immediately ''global'' in scope, rather than a regional ApocalypseWow which threatens to go widespread if TheBadGuyWins like in the previous two films; and the stakes are presented as higher, with the human forces and benevolent kaiju all allying together more directly than in the 2014 film, and with Ghidorah's unnatural true nature as an [[spoiler:invasive alien]] OmnicidalManiac compared to that of the predatory Skullcrawlers and [[NonMaliciousMonster Non-Malicious]] [=MUTOs=] respectively. [[spoiler: ''Film/GodzillaVsKong'' escalates it with Mechagodzilla, a man-made monster with Ghidorah's brain and a score to settle with Godzilla.]]

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** Furthermore, in ''King of the Monsters'', the ApocalypseHow occurring in the second half of the film is immediately ''global'' in scope, rather than a regional ApocalypseWow which threatens to go widespread if TheBadGuyWins like in the previous two films; and the stakes are presented as higher, with the human forces and benevolent kaiju all allying together more directly than in the 2014 film, and with Ghidorah's unnatural true nature as an [[spoiler:invasive alien]] OmnicidalManiac compared and a rival alpha to that of Godzilla establishing it as a greater threat than the predatory Skullcrawlers and [[NonMaliciousMonster Non-Malicious]] [=MUTOs=] respectively. [[spoiler: ''Film/GodzillaVsKong'' escalates it with respectively.
** {{Averted}} and {{inverted}} by ''Film/GodzillaVsKong'', which is overall LighterAndSofter than ''King of the Monsters''. There are only three Titans which are part of the major conflict; [[spoiler:while Ghidorah does effectively return as the BigBad when he becomes reborn in
Mechagodzilla, a man-made monster with Ghidorah's brain his new body lacks his past life's world-ending WeatherManipulation and HealingFactor and is implicitly weaker]]; and there's a score to settle with Godzilla.]]lot less death and destruction both among the main cast and for the world in the fictional setting overall.



* SortingAlgorithmOfEvil: Not in release order, but if the franchise's film installments are put in ''chronological'' order, this trope has so far been in full effect; although ''Film/GodzillaVsKong'' might break pattern. In ''Film/KongSkullIsland'', the Skullcrawlers are relatively small by Kaiju standards, and Kong who ''isn't even fully mature yet'' can beat back hordes of them. In ''Film/Godzilla2014'', the [=MUTOs=] are nearly the size of Godzilla, they create an {{EMP}} around themselves which does a lot to cripple the entire U.S. Navy's efforts to track and stop them, and the pair make Godzilla work quite a bit to kill them both and it looks like they nearly win the fight against him. And in ''Film/GodzillaKingOfTheMonsters2019'', Ghidorah is roughly ''twice'' the size of Godzilla, he's powerful enough that Godzilla is considered the ''only'' force on Earth that can truly rival him (and even then, in a fair fight without Mothra's assistance or watery terrain, Ghidorah does seem to have more of an advantage), Ghidorah generates an intensifying electricity-filled hurricane around himself merely by being active, and he gains command of ''all the other Kaiju on the planet'' except Mothra when Godzilla is briefly incapacitated. [[spoiler: ''Film/GodzillaVsKong'' tops it off with Mechagodzilla, with Ghidorah's brain at the helm, being on a mission to destroy all titans and leave mankind sole ruler of the planet, until Ghidorah's brain goes rogue and seeks personal revenge on Godzilla himself and then to resume his destruction of all life on Earth using the Titans.]]

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* SortingAlgorithmOfEvil: Not in release order, but if the franchise's film installments are put in ''chronological'' order, this trope has so far been is in full effect; although ''Film/GodzillaVsKong'' might break pattern.effect until ''Film/GodzillaVsKong''. In ''Film/KongSkullIsland'', the Skullcrawlers are relatively small by Kaiju standards, and Kong who ''isn't even fully mature yet'' can beat back hordes of them. In ''Film/Godzilla2014'', the [=MUTOs=] are nearly the size of Godzilla, they create an {{EMP}} around themselves which does a lot to cripple the entire U.S. Navy's efforts to track and stop them, and the pair make Godzilla work quite a bit to kill them both and it looks like they nearly win the fight against him. And in In ''Film/GodzillaKingOfTheMonsters2019'', Ghidorah is roughly ''twice'' the size of Godzilla, he's powerful enough that Godzilla is considered the ''only'' force on Earth that can truly rival him (and even then, in a fair fight without Mothra's assistance or watery terrain, Ghidorah Godzilla despite himself does seem to have more of an advantage), be the underdog), Ghidorah generates an intensifying electricity-filled hurricane around himself merely by being active, and he gains command of ''all the other Kaiju on the planet'' except Mothra when Godzilla is briefly incapacitated. [[spoiler: ''Film/GodzillaVsKong'' tops it off with Mechagodzilla, with Ghidorah's brain at the helm, being on a mission to destroy all titans and leave mankind sole ruler of the planet, until Ghidorah's brain goes rogue and seeks personal revenge on Godzilla himself and then to resume his destruction of all life on Earth using the Titans.]]

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** Both the MUTO and the Skullcrawlers are merely animals acting on instinct, but while the MUTO are portrayed as somewhat sympathetic {{Tragic Monster}}s the Skullcrawlers are played for full-on horror. And then they're followed by King Ghidorah and later [[spoiler:his reincarnation Mechagodzilla]], both of whom are no mere instinctive beasts but are genuinely evil, sadistic and malicious creatures. It's also worth noting, whereas the [=MUTOs=] and Skullcrawlers are primordial, natural creatures, [[spoiler:Ghidorah is an ancient extraterrestrial of unknown origin who's considered an invasive species to Earth's biosphere]] and Mechagodzilla is a cybernetic beast of humanity's creation.
** When it comes to the human antagonists, the films do this more than once and ultimately go slightly back and forth. The first human antagonist in ''Film/KongSkullIsland'' is an insane GeneralRipper who wants to kill the Titans allegedly to keep humanity safe; then in ''Film/GodzillaKingOfTheMonsters2019'', the human villains are pro-Titan [[EcoTerrorist Eco-Terrorists]] who want the Titans to reclaim the world from humanity, then in ''Film/GodzillaVsKong'' we're back to humanist, anti-Titan villains. Also, whereas the ''Skull Island'' and ''King of the Monsters'' human antagonists were underground, military and somewhat ragtag organizations in their own respective ways, the ''Godzilla vs. Kong'' human fiends are wealthy, techy and well-dressed EvilInc operatives who have at least a moderate public image.

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** Both the MUTO [=MUTOs=] and the Skullcrawlers are merely animals acting on instinct, but while the MUTO [=MUTOs=] are portrayed as somewhat sympathetic {{Tragic Monster}}s the Skullcrawlers are played for full-on horror. And then they're followed by King Ghidorah and later [[spoiler:his reincarnation Mechagodzilla]], both of whom are no mere instinctive beasts but are genuinely evil, sadistic and malicious creatures. It's also worth noting, whereas the [=MUTOs=] and Skullcrawlers are primordial, natural creatures, [[spoiler:Ghidorah is an ancient extraterrestrial of unknown origin who's considered an invasive species to Earth's biosphere]] and Mechagodzilla is a cybernetic beast of humanity's creation.
** When it comes to the human antagonists, the films do this more than once and ultimately go slightly back and forth. The first human antagonist in ''Film/KongSkullIsland'' is an insane GeneralRipper who wants to kill the Titans allegedly to keep humanity safe; then in ''Film/GodzillaKingOfTheMonsters2019'', the human villains are pro-Titan [[EcoTerrorist Eco-Terrorists]] who want the Titans to reclaim the world from humanity, then in ''Film/GodzillaVsKong'' we're back to humanist, anti-Titan villains. Also, However, whereas the ''Skull Island'' and ''King of the Monsters'' human antagonists were underground, military and somewhat ragtag organizations in their own respective ways, the ''Godzilla vs. Kong'' human fiends are wealthy, techy and well-dressed EvilInc operatives who have at least a moderate public image.



* DeadToBeginWith: Adam, the Godzilla fossil that played host to the [=MUTOs=]; and Kong's parents, respectively.



* FaceHeelTurn: [[spoiler:Emma Russell]] in ''Film/GodzillaKingOfTheMonsters2019''. It also looks like Godzilla has turned against humanity in ''Film/GodzillaVsKong'', but [[spoiler:it turns out he was GoodAllAlong]], and both those films' novelizations have featured a couple of Monarch's operatives making these (one due to agreeing with [[spoiler:Emma Russell]] that the Titans should be free, the other for money).

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* FaceHeelTurn: [[spoiler:Emma Russell]] in ''Film/GodzillaKingOfTheMonsters2019''. It also looks like Godzilla has turned against humanity in ''Film/GodzillaVsKong'', but [[spoiler:it turns out he was GoodAllAlong]], and both GoodAllAlong]]. Both those films' novelizations have also featured a couple of Monarch's operatives making these (one due to agreeing with [[spoiler:Emma Russell]] that the Titans should be free, the other for money).money) respectively.



** Ghidorah, the BigBad of ''Film/GodzillaKingOfTheMonsters2019'', is somewhat an OverarchingVillain, as he's the source of many of humanity's draconian myths and legends, [[spoiler:and in ''Film/GodzillaVsKong'' he briefly returns as the Big Bad by becoming reborn in Mechagodzilla]].
** In ''King of the Monsters'', EcoTerrorist Alan Jonah is the film's resident BigBadWannabe who is responsible for freeing Ghidorah from his icy prison. In ''Godzilla vs. Kong'', [[spoiler:Jonah is indirectly responsible for the events of the entire film due to the severed Ghidorah head he obtained (which the novelization reeveals he willingly sold on to Apex) provoking Godzilla's rampage and enabling Ghidorah to return reborn]].
** The ''Godzilla vs. Kong'' novelization reveals that [[EvilInc Apex Cybernetics]], the film's human antagonists, [[spoiler:were the ones the government contracted to build the prototype Oxygen Destroyer before the events of ''King of the Monsters'', making them indirectly and unwittingly responsible for Ghidorah's entire apocalyptic NearVillainVictory throughout the second half]] in ''King of the Monsters''.

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** Ghidorah, the BigBad of ''Film/GodzillaKingOfTheMonsters2019'', is somewhat an OverarchingVillain, as he's the source of many of humanity's draconian myths and legends, [[spoiler:and in ''Film/GodzillaVsKong'' he his partly-alive remains are what set off Godzilla's rampage and by extension the events of the whole film, before Ghidorah briefly returns as the Big Bad by becoming reborn in Mechagodzilla]].
** In ''King of the Monsters'', EcoTerrorist Alan Jonah is the film's resident BigBadWannabe who is responsible for freeing Ghidorah from his icy prison. In ''Godzilla vs. Kong'', [[spoiler:Jonah is indirectly responsible for the events of the entire film due to the severed Ghidorah head he obtained (which ending up in Apex Cybernetics' hands, with the novelization reeveals he confirming that Jonah willingly sold on the skull to Apex) provoking Godzilla's rampage and enabling Ghidorah to return reborn]].
them]].
** The ''Godzilla vs. Kong'' novelization reveals that [[EvilInc Apex Cybernetics]], the film's human antagonists, [[spoiler:were the ones the government contracted to build the prototype Oxygen Destroyer before the events of ''King of the Monsters'', making them indirectly and unwittingly responsible for Ghidorah's entire apocalyptic NearVillainVictory throughout NearVillainVictory]] in the second half]] in half of ''King of the Monsters''.



* HeroWithBadPublicity: Godzilla, though he's definitively an AntiHero in this continuity, is initially just seen by most of humanity as a monster and a threat to their peace until the events of ''King of the Monsters'' make humanity see him as their savior -- and even then, when he begins rampaging seemingly unprovoked in ''Godzilla vs. Komng'', the human race are surprisingly quick to assume he's gone bad. Monarch also get shtick in TheUnmasquedWorld and are often blamed by the public and government for whatever damage the Titans cause.

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* HeroWithBadPublicity: Godzilla, though he's definitively an AntiHero in this continuity, is initially just seen by most of humanity as a monster and a threat to their peace until the events of ''King of the Monsters'' make humanity see him as their savior -- and even then, when he begins rampaging seemingly unprovoked in ''Godzilla vs. Komng'', Kong'', the human race are surprisingly quick to assume he's gone bad. Monarch also get shtick in TheUnmasquedWorld and are often blamed by the public and government for whatever damage the Titans cause.



* HostileTerraforming: This trope is generally theorized by Monarch to be the motivations of most of the hostile Titans — the MUTOs and MUTO Prime, Ghidorah, Camazotz — respectively. Forcibly and rapidly reshape the region or the whole planet to suit themselves in a way which kills off the pre-existing ecosystems.

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* TheHorseshoeEffect: If there's just two things that all the MisanthropeSupreme and anti-Kaiju human {{Contrasting Sequel Antagonist}}s of every film have in common besides being {{Knight Templar}}s, it's these: they don't care how many people have to die to see their plans through, and they're too reckless to care that their actions risk causing TheEndOfTheWorldAsWeKnowIt.
* HostileTerraforming: This trope is generally theorized by Monarch to be the motivations of most of the hostile Titans — the MUTOs [=MUTOs=] and MUTO Prime, Ghidorah, Camazotz — respectively. Forcibly and rapidly reshape the region or the whole planet to suit themselves in a way which kills off the pre-existing ecosystems.


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* IgnoredExpert: Naturally, there's at least one instance per film. Monarch's advice against the military's NukeEm measures get ignored in both ''Film/Godzilla2014'' and ''Film/GodzillaKingOfTheMonsters2019'' with catastrophic consequences, and [[GeneralRipper Packard]] in ''Film/KongSkullIsland'' could've avoided a lot of casualties had he listened to Marlow. [[spoiler:Emma Russell]] in ''King of the Monsters'' and Ren Serizawa in ''Film/GodzillaVsKong'' both end up being villainous Ignored Experts to their co-conspirators toward the climax.


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* KnightTemplar: The human antagonists in every film. Preston Packard in ''Kong: Skull Island'' is an AxCrazy GeneralRipper who thinks he's doing his duty by picking a fight with Kong and risking the Skullcrawlers becoming a threat to the rest of the world. Alan Jonah and [[spoiler:Emma Russell]] in ''Godzilla: King of the Monsters'' think they're being [[GaiasVengeance Gaia's Avenger]] by actively releasing all the Titans to decimate humanity, unaware that one of the Titans they've unleashed is [[spoiler:an invasive alien OmnicidalManiac who will create an even worse extinction event than humanity]]. And Apex Cybernetics in ''Godzilla vs. Kong'' use a MugglePower agenda to justify themselves in light of humanity's relatively helpless state in the Titan power discrepancy.

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* AdmiringTheAbomination: The Titans tend to attract awe and amazement from human characters, Monarch in particular, at least once per film, although it should be noted that this is mostly directed at benevolent Titans who are humanity's protectors rather than at the more malevolent Titans (though the latter aren't completely exempt necessarily).



* AllThereInTheManual: In the lead-up to the home release of ''Kong: Skull Island'', social media pages for the movie have been releasing video timelines for the [=MonsterVerse=]. Notable events include the establishment of a Monarch research base at a Caribbean volcanic island in 1991 (presumably Rodan's roost), the discovery of Mothra's cocooned form within her temple in China in 2009, and finding Ghidorah frozen in MysteriousAntarctica in 2016.

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* AgentMulder: Serizawa's grandfather Eiji firmly believed in Gojira at a time when the rest of the fledgling Monarch thought the creature only existed in stories, Dr. Rick Stanton alone among the Monarch brass believes the HollowWorld theory to be true, and Bernie Heyes is a CloudCuckoolander ConspiracyTheorist who's entirely ProperlyParanoid about Apex Cybernetics.
* AllThereInTheManual: In the lead-up to the home release of ''Kong: Skull Island'', social media pages for the movie have been releasing video timelines for the [=MonsterVerse=]. Notable events include the establishment of a Monarch research base at a Caribbean volcanic island in 1991 (presumably Rodan's roost), the discovery of Mothra's cocooned form within her temple in China in 2009, and finding Ghidorah frozen in MysteriousAntarctica in 2016. The spin-off graphic novels and the {{novelization}}s for each film provide quite a bit of lore expansion.


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* DeathByOriginStory: Quite a few of the human characters are directly influenced by the loss of loved ones in their backstories. Joe Brody's wife Sandra, Andrew Russell, Dr. Lind's brother David and Bernie's wife Sara.


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* FaceHeelTurn: [[spoiler:Emma Russell]] in ''Film/GodzillaKingOfTheMonsters2019''. It also looks like Godzilla has turned against humanity in ''Film/GodzillaVsKong'', but [[spoiler:it turns out he was GoodAllAlong]], and both those films' novelizations have featured a couple of Monarch's operatives making these (one due to agreeing with [[spoiler:Emma Russell]] that the Titans should be free, the other for money).


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* GreaterScopeVillain:
** Ghidorah, the BigBad of ''Film/GodzillaKingOfTheMonsters2019'', is somewhat an OverarchingVillain, as he's the source of many of humanity's draconian myths and legends, [[spoiler:and in ''Film/GodzillaVsKong'' he briefly returns as the Big Bad by becoming reborn in Mechagodzilla]].
** In ''King of the Monsters'', EcoTerrorist Alan Jonah is the film's resident BigBadWannabe who is responsible for freeing Ghidorah from his icy prison. In ''Godzilla vs. Kong'', [[spoiler:Jonah is indirectly responsible for the events of the entire film due to the severed Ghidorah head he obtained (which the novelization reeveals he willingly sold on to Apex) provoking Godzilla's rampage and enabling Ghidorah to return reborn]].
** The ''Godzilla vs. Kong'' novelization reveals that [[EvilInc Apex Cybernetics]], the film's human antagonists, [[spoiler:were the ones the government contracted to build the prototype Oxygen Destroyer before the events of ''King of the Monsters'', making them indirectly and unwittingly responsible for Ghidorah's entire apocalyptic NearVillainVictory throughout the second half]] in ''King of the Monsters''.


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* HeroWithBadPublicity: Godzilla, though he's definitively an AntiHero in this continuity, is initially just seen by most of humanity as a monster and a threat to their peace until the events of ''King of the Monsters'' make humanity see him as their savior -- and even then, when he begins rampaging seemingly unprovoked in ''Godzilla vs. Komng'', the human race are surprisingly quick to assume he's gone bad. Monarch also get shtick in TheUnmasquedWorld and are often blamed by the public and government for whatever damage the Titans cause.
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* TheUnmasquedWorld: After Godzilla and the [=MUTOs=] rampage over Hawaii and the U.S. West Coast, nearly seven decades of Monarch and the government maintaining the {{Masquerade}} come to an end and the whole world officially know that giant prehistoric monsters exist. Although not all of the Titans are hostile and some can coexist with humans or (in Godzilla and Kong's cases) are straight-up protectors of the world, at first the government and the vast majority of the public in ''Film/GodzillaKingOfTheMonsters2019'' think that all the Titans should just be indiscriminately exterminated, not least due to having seen the massive loss of human life Godzilla and the [=MUTOs=] caused, and few besides Monarch care for the fact that humanity would probably only succeed in waking and provoking the Titans if they tried exterminating them nor for the fact the Titans are essential to the planet's ecosphere and can reverse manmade damage. After the events of that film which saw Godzilla actively save humanity and the world from Ghidorah and successfully get the other Titans in-line (and also saw humanity's attempt to kill the Titans themselves end up being an EpicFail which almost doomed the world to an extinction event), most of the former anti-Titan sentiment has seemingly gone away or quietened down, but ''Film/GodzillaVsKong'' and its novelization indicates there's still some people in power like Walter Simmons who still think humanity should be trying to kill the Titans and become the planet's dominant species again.
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* PerpetualStorm: Skull Island is surrounding by a perpetual storm barrier which shields it from the rest of the world. Ghidorah, once he's awakened, begins generating a perpetual hurricane around himself, and it's implied he would've ultimately covered the entire Earth in perpetual storms if he was allowed to reign unchecked. As of the ''Kingdom Kong'' graphic novel, Skull Island's perpetual storm barrier has closed in and enveloped the whole island after Camazotz merged a perpetual storm leftover by Ghidorah's rampage with the storm barrier, leading to the island's destruction.


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* ReasonableAuthorityFigure: Joe Brody used to be this, and Dr. Serizawa is also this, as are Admiral Stenz ([[Film/GodzillaKingOfTheMonsters2019 most of the time, anyway]]) and Shaw in ''Godzilla Awakening''.


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* SatanicArchetype: King Ghidorah is the biggest case of this by far as well as the biggest threat and arguably the true {{Satan}} of the [=MonsterVerse=], but there's also a couple other Titans besides him who have Satanic symbolism attached to them; namely Ramarak and Camazotz.


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* SuspiciouslySimilarSubstitute: A couple characters like Lieutenant Preston Packard and Mark Russell have considerable similarities to characters from previous ''Godzilla'' and ''King Kong'' continuities. Within the [=MonsterVerse's=] own continuity, Dr. Ilene Chen seems like one to Dr. Graham and Ren Serizawa has a lot in common with Aaron Brooks.


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** The ''King of the Monsters'' ClosingCreditsGag mentions that Titans are mysteriously converging on Skull Island after the ending. Subsequent instalments have done absolutely nothing to explain this and it seems to have been forgotten about.

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** The ''King of the Monsters'' ClosingCreditsGag closing credits mentions that Titans are mysteriously converging on Skull Island after the ending. Subsequent instalments have done absolutely nothing to explain this and it seems to have been forgotten about.



* HeroicLineage: The Serizawas consist of wise naturalists with a profound respect for Godzilla (the exception is [[AntagonisticOffspring Ren]] who's the latest in the lineage), and Kong's duty of fighting back the Skullcrawler hordes on Skull Island started with his parents before him. There's also Ford Brody and Admiral Stenz in the 2014 film's novelization being the sons of men who themselves served in the military.



* HostileTerraforming: This trope is generally theorized by Monarch to be the motivations of most of the hostile Titans — the MUTOs and MUTO Prime, Ghidorah, Camazotz — respectively. Forcibly and rapidly reshape the region or the whole planet to suit themselves in a way which kills off the pre-existing ecosystems.



** Mothra has a strange connection to a family line of identical twins, BornAgainImmortality via GeneticMemory, and [[spoiler: Madison reviving after having a vision of her]] that all seem to suggest she may be an ''actual'' PhysicalGod.

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** Mothra has a strange connection to a family line of identical twins, BornAgainImmortality via GeneticMemory, and [[spoiler: Madison reviving after having a vision of her]] that all seem to suggest she may be an ''actual'' PhysicalGod. In the same vein as Mothra, there are some hints that Camazotz might have PsychicPowers which affect those humans who have come into contact with him.


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* TheNightThatNeverEnds: Camazotz actively seeks to inflict this on Skull Island via PerpetualStorm (and actually succeeds), whilst before him it was implied that Ghidorah would've blanketed the entire Earth in endless storms if he won.
* NuclearOption: Although the franchise for the most part has a NuclearWeaponsTaboo (not solely because of the nuke's destructive power but mainly also because the Titans feed on radiation), there have been a couple times where using a nuke actually worked out for the best: namely against Shinomura in ''Godzilla Awakening'', and when a nuke was used to [[spoiler:speed up Godzilla's recuperation]] in ''Film/GodzillaKingOfTheMonsters2019''.
* NukeEm: At least twice. The military in ''Film/Godzilla2014'' think it's a brilliant idea to throw a nuke at Godzilla and his enemies and just hope it kills all of them instead of the radiation making them even stronger. Then in ''Film/GodzillaKingOfTheMonsters2019'', the military have been working on an even more destructive weapon so they can kill Titans, and they throw it at Ghidorah and (somewhat unwittingly) Godzilla in a seeming panic without bothering to work out what precisely is going on, and the result is... well, the consequences that ensued made it an EpicFail on the military's part.

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* AbortedArc: ''Film/GodzillaVsKong'' and ''Godzilla: Dominion'' unfortunately do this to the mass awakening of the other Titans in ''Film/GodzillaKingOfTheMonsters2019''. After all the DawnOfAnEra / NothingIsTheSameAnymore build-up and drama throughout ''King of the Monsters'', subsequent installments have Godzilla commanding all the awakened Titans to return to hibernation again when he [[spoiler:senses part of Ghidorah is still alive]], and the long-term consequences of the events of ''King of the Monsters'' on humanity being minimal.

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* AbortedArc: ''Film/GodzillaKingOfTheMonsters2019'' set up a couple new arcs which were unfortunately completely dropped by subsequent instalments.
**
''Film/GodzillaVsKong'' and ''Godzilla: Dominion'' unfortunately do this to the mass awakening of the other Titans in ''Film/GodzillaKingOfTheMonsters2019''. ''King of the Monsters''. After all the DawnOfAnEra / NothingIsTheSameAnymore build-up and drama throughout that was present in ''King of the Monsters'', subsequent installments have Monsters''; ''Film/GodzillaVsKong'' and ''Godzilla Dominion'' state that Godzilla commanding commanded all the awakened Titans to return to hibernation again when he [[spoiler:senses part of Ghidorah is still alive]], not long after, and thus the long-term consequences of the events of ''King of the Monsters'' are minimal.
** The ''King of the Monsters'' ClosingCreditsGag mentions that Titans are mysteriously converging
on humanity being minimal.Skull Island after the ending. Subsequent instalments have done absolutely nothing to explain this and it seems to have been forgotten about.



* ContrastingSequelAntagonist: Both the MUTO and the Skullcrawlers are merely animals acting on instinct, but while the MUTO are portrayed as somewhat sympathetic {{Tragic Monster}}s the Skullcrawlers are played for full-on horror. And then they're followed by King Ghidorah, who is no mere instinctive beast, but a genuinely evil, sadistic and malicious creature. [[spoiler: ''Film/GodzillaVsKong'' tops this off with Mechagodzilla, a man-made monster as opposed to the natural or extraterrestrial predescessors, and one that is commanded by none other than Ghidorah's brain, contrasting with the original Ghidorah by being a smaller-scale threat, with a personal vendetta against Godzilla, as opposed to a global, world-ending one, though the novelization reveals has it won, it would've resumed Ghidorah's [[OmnicidalManiac attempt to destroy all life on Earth with the Titans]].]]

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* ContrastingSequelAntagonist: {{Cloudcuckoolander}}: There's Zamalek in the ''Godzilla Awakening'' graphic novel, Lieutenant Hank Marlow in ''Film/KongSkullIsland'' and Bernie Heyes in ''Film/GodzillaVsKong''.
* ContrastingSequelAntagonist:
**
Both the MUTO and the Skullcrawlers are merely animals acting on instinct, but while the MUTO are portrayed as somewhat sympathetic {{Tragic Monster}}s the Skullcrawlers are played for full-on horror. And then they're followed by King Ghidorah, who is Ghidorah and later [[spoiler:his reincarnation Mechagodzilla]], both of whom are no mere instinctive beast, beasts but a are genuinely evil, sadistic and malicious creature. [[spoiler: creatures. It's also worth noting, whereas the [=MUTOs=] and Skullcrawlers are primordial, natural creatures, [[spoiler:Ghidorah is an ancient extraterrestrial of unknown origin who's considered an invasive species to Earth's biosphere]] and Mechagodzilla is a cybernetic beast of humanity's creation.
** When it comes to the human antagonists, the films do this more than once and ultimately go slightly back and forth. The first human antagonist in ''Film/KongSkullIsland'' is an insane GeneralRipper who wants to kill the Titans allegedly to keep humanity safe; then in ''Film/GodzillaKingOfTheMonsters2019'', the human villains are pro-Titan [[EcoTerrorist Eco-Terrorists]] who want the Titans to reclaim the world from humanity, then in
''Film/GodzillaVsKong'' tops this off with Mechagodzilla, a man-made monster as opposed we're back to humanist, anti-Titan villains. Also, whereas the natural or extraterrestrial predescessors, ''Skull Island'' and one that is commanded by none other than Ghidorah's brain, contrasting with ''King of the original Ghidorah by being a smaller-scale threat, with a personal vendetta against Godzilla, as opposed to a global, world-ending one, though Monsters'' human antagonists were underground, military and somewhat ragtag organizations in their own respective ways, the novelization reveals has it won, it would've resumed Ghidorah's [[OmnicidalManiac attempt to destroy all life on Earth with the Titans]].]]''Godzilla vs. Kong'' human fiends are wealthy, techy and well-dressed EvilInc operatives who have at least a moderate public image.



* DugTooDeep: This is one of the main causes of the Kaiju's emergences, with prominent examples including the [=MUTOs=] in the 2014 film and the Skullcrawlers in ''Skull Island''.

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* DugTooDeep: This is one of the main causes of the Kaiju's emergences, Titans' emergences and is recurring throughout the franchise; with prominent examples including the [=MUTOs=] in the 2014 film and the Skullcrawlers in ''Skull Island''.
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The novelization reveals that Mecha G was both able to repeat that and intended to.


* ContrastingSequelAntagonist: Both the MUTO and the Skullcrawlers are merely animals acting on instinct, but while the MUTO are portrayed as somewhat sympathetic {{Tragic Monster}}s the Skullcrawlers are played for full-on horror. And then they're followed by King Ghidorah, who is no mere instinctive beast, but a genuinely evil, sadistic and malicious creature. [[spoiler: ''Film/GodzillaVsKong'' tops this off with Mechagodzilla, a man-made monster as opposed to the natural or extraterrestrial predescessors, and one that is commanded by none other than Ghidorah's brain, contrasting with the original Ghidorah by being a smaller-scale threat, with a personal vendetta against Godzilla, as opposed to a global, world-ending one.]]

to:

* ContrastingSequelAntagonist: Both the MUTO and the Skullcrawlers are merely animals acting on instinct, but while the MUTO are portrayed as somewhat sympathetic {{Tragic Monster}}s the Skullcrawlers are played for full-on horror. And then they're followed by King Ghidorah, who is no mere instinctive beast, but a genuinely evil, sadistic and malicious creature. [[spoiler: ''Film/GodzillaVsKong'' tops this off with Mechagodzilla, a man-made monster as opposed to the natural or extraterrestrial predescessors, and one that is commanded by none other than Ghidorah's brain, contrasting with the original Ghidorah by being a smaller-scale threat, with a personal vendetta against Godzilla, as opposed to a global, world-ending one.one, though the novelization reveals has it won, it would've resumed Ghidorah's [[OmnicidalManiac attempt to destroy all life on Earth with the Titans]].]]



* SortingAlgorithmOfEvil: Not in release order, but if the franchise's film installments are put in ''chronological'' order, this trope has so far been in full effect; although ''Film/GodzillaVsKong'' might break pattern. In ''Film/KongSkullIsland'', the Skullcrawlers are relatively small by Kaiju standards, and Kong who ''isn't even fully mature yet'' can beat back hordes of them. In ''Film/Godzilla2014'', the [=MUTOs=] are nearly the size of Godzilla, they create an {{EMP}} around themselves which does a lot to cripple the entire U.S. Navy's efforts to track and stop them, and the pair make Godzilla work quite a bit to kill them both and it looks like they nearly win the fight against him. And in ''Film/GodzillaKingOfTheMonsters2019'', Ghidorah is roughly ''twice'' the size of Godzilla, he's powerful enough that Godzilla is considered the ''only'' force on Earth that can truly rival him (and even then, in a fair fight without Mothra's assistance or watery terrain, Ghidorah does seem to have more of an advantage), Ghidorah generates an intensifying electricity-filled hurricane around himself merely by being active, and he gains command of ''all the other Kaiju on the planet'' except Mothra when Godzilla is briefly incapacitated. [[spoiler: ''Film/GodzillaVsKong'' tops it off with Mechagodzilla, with Ghidorah's brain at the helm, being on a mission to destroy all titans and leave mankind sole ruler of the planet, until Ghidorah's brain goes rogue and seeks personal revenge on Godzilla himself.]]

to:

* SortingAlgorithmOfEvil: Not in release order, but if the franchise's film installments are put in ''chronological'' order, this trope has so far been in full effect; although ''Film/GodzillaVsKong'' might break pattern. In ''Film/KongSkullIsland'', the Skullcrawlers are relatively small by Kaiju standards, and Kong who ''isn't even fully mature yet'' can beat back hordes of them. In ''Film/Godzilla2014'', the [=MUTOs=] are nearly the size of Godzilla, they create an {{EMP}} around themselves which does a lot to cripple the entire U.S. Navy's efforts to track and stop them, and the pair make Godzilla work quite a bit to kill them both and it looks like they nearly win the fight against him. And in ''Film/GodzillaKingOfTheMonsters2019'', Ghidorah is roughly ''twice'' the size of Godzilla, he's powerful enough that Godzilla is considered the ''only'' force on Earth that can truly rival him (and even then, in a fair fight without Mothra's assistance or watery terrain, Ghidorah does seem to have more of an advantage), Ghidorah generates an intensifying electricity-filled hurricane around himself merely by being active, and he gains command of ''all the other Kaiju on the planet'' except Mothra when Godzilla is briefly incapacitated. [[spoiler: ''Film/GodzillaVsKong'' tops it off with Mechagodzilla, with Ghidorah's brain at the helm, being on a mission to destroy all titans and leave mankind sole ruler of the planet, until Ghidorah's brain goes rogue and seeks personal revenge on Godzilla himself.himself and then to resume his destruction of all life on Earth using the Titans.]]
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The movies are distributed by Creator/WarnerBros and produced by Creator/LegendaryPictures in partnership with Creator/{{Toho}}, the Japanese studio that [[TropeCodifier codified]] the Kaiju genre and owns most of the well known Kaiju [=IPs=]. Currently, the series counts four films, which is as extensive as Legendary's initial contract with Toho lasted. [[https://screenrant.com/godzilla-vs-kong-sequel-movies-monsterverse-ideas-update/ There are ideas]] for future films.

to:

The movies are distributed by Creator/WarnerBros and produced by Creator/LegendaryPictures in partnership with Creator/{{Toho}}, the Japanese studio that [[TropeCodifier codified]] the Kaiju genre and owns most of the well known Kaiju [=IPs=]. Currently, the series counts four films, which is as extensive as Legendary's initial contract with Toho lasted. [[https://screenrant.com/godzilla-vs-kong-sequel-movies-monsterverse-ideas-update/ [[https://www.hollywoodreporter.com/heat-vision/adam-wingard-next-godzilla-kong-movie-director There are ideas]] talks for future films.
a fifth film]].
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* AbortedArc: ''Film/GodzillaVsKong'' and ''Godzilla: Dominion'' unfortunately do this to the mass awakening of the other Titans in ''Film/GodzillaKingOfTheMonsters2019''. After all the DawnOfAnEra / NothingIsTheSameAnymore build-up and drama throughout ''King of the Monsters'', subsequent installments have Godzilla commanding all the awakened Titans to return to hibernation again when he [[spoiler:senses part of Ghidorah is still alive]], and life apparently more or less returning to normal for humans.

to:

* AbortedArc: ''Film/GodzillaVsKong'' and ''Godzilla: Dominion'' unfortunately do this to the mass awakening of the other Titans in ''Film/GodzillaKingOfTheMonsters2019''. After all the DawnOfAnEra / NothingIsTheSameAnymore build-up and drama throughout ''King of the Monsters'', subsequent installments have Godzilla commanding all the awakened Titans to return to hibernation again when he [[spoiler:senses part of Ghidorah is still alive]], and life apparently more or less returning to normal for humans.the long-term consequences of the events of ''King of the Monsters'' on humanity being minimal.

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* AbortedArc: ''Film/GodzillaVsKong'' and ''Godzilla: Dominion'' unfortunately do this to the mass awakening of the other Titans in ''Film/GodzillaKingOfTheMonsters2019''. After all the DawnOfAnEra / NothingIsTheSameAnymore build-up and drama throughout ''King of the Monsters'', subsequent installments have Godzilla commanding all the awakened Titans to return to hibernation again when he [[spoiler:senses part of Ghidorah is still alive]], and life apparently more or less returning to normal for humans.



* AttackTheMouth: This occurs with the Titans in some form in nearly every film. From [[Film/Godzilla2014 Godzilla's Kiss of Death which gets past a MUTO's natural armor]] to [[Film/KongSkullIsland Kong ripping out Ramarak's innards]] to [[spoiler:[[Film/GodzillaVsKong Mechagodzilla's attempt to end Godzilla's life via a Kiss of Death]]]].



* BigBadWannabe: The human antagonists in every film. They could all pose a genuine threat in a setting which ''didn't'' hold borerline-EldritchAbomination ancient Kaiju who represent forces of nature. As it stands, these human antagonists often at best end up on the losing end of an EvilerThanThou or at worst get squashed by a Titan like the bugs they are, often as a direct result of thinking they can control the Titans.



* HumansNeedAliens: One of the core themes of the franchise, often to the ire of the military leaders and Apex Cybernetics. Regardless of humans' attempts to create superior technology and other means that'll enable them to kill Titans themselves, they're simply outmatched by the Titans who are for all intents and purposes {{Physical God}}s, and their attempts to prove they can bend these forces of nature to their will are liable to only make things even worse for mankind. Humans need benevolent Titans such as Godzilla, Kong and Mothra around to defend them against the more malevolent Titans because it TakesOneToKillOne. {{Downplayed}} in ''Godzilla: Dominion'' and ''Film/GodzillaVsKong'', where MugglesDoItBetter starts to come in.



* {{Pride}}: The pride and hubris of human beings in relation to the Titans (who represent nature) is a recurring theme throughout the franchise. Namely, contrary to humans' belief that they are the dominant species of Earth (or that they ''should be'' after the Titans become public knowledge), mankind are just an intelligent race of insects compared to the Titans. True to Dr. Serizawa's words below, in every [=MonsterVerse=] movie, it's human beings and organizations attempting to harness or conquer these eldritch forces of nature, failing to realize that some forces of nature are completely beyond human ability to control, that always makes things worse instead of better. Whether it be the military thinking they can kill the Titans the moment they become inconvenient yet being short-sighted to their efforts making things even worse for humans, or eco-terrorists who want the Titans to restore Earth's ecology thinking that attempting to manipulate them won't go awry, or a NebulousEvilOrganization being TooDumbToLive when thinking they can create something more powerful than the Titans in the Titans' image. It's also a recurring theme that only some of the human cast realize and wholeheartedly accept that HumansNeedAliens (namely the benevolent Titans) to survive against the hostile ones, whilst others just refuse to accept that.

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* {{Pride}}: The pride and hubris of human beings in relation to the Titans (who represent nature) is a recurring theme throughout the franchise. Namely, contrary to humans' belief that they are the dominant species of Earth (or that they ''should be'' the dominant species after the Titans become public knowledge), mankind are just an intelligent a technologically-ingenious race of insects compared to the Titans. True to Dr. Serizawa's words below, in every [=MonsterVerse=] movie, it's human beings and organizations attempting to harness or conquer these eldritch forces of nature, failing to realize that some forces of nature are completely beyond human ability to control, that always makes things worse instead of better. Whether it be the military thinking they can kill the Titans the moment they become inconvenient yet being short-sighted to their efforts making things even worse for humans, or eco-terrorists who want the Titans to restore Earth's ecology thinking that attempting to manipulate them won't go awry, or a NebulousEvilOrganization being TooDumbToLive when thinking they can create something more powerful than the Titans in the Titans' image. It's also a recurring theme that only some of the human cast realize and wholeheartedly accept that HumansNeedAliens (namely the benevolent Titans) to survive against the hostile ones, whilst others just refuse to accept that.

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* GoodLipsEvilJaws: PlayedStraight in ''Film/Godzilla2014'', ''Film/GodzillaVsKong'' and the graphic novel ''Kingdom Kong''; with Godzilla and Kong being the Good Lips and the [=MUTOs=], Warbats, Mechagodzilla and Camazotz being the Evil Jaws. {{Averted}} in ''Film/GodzillaKingOfTheMonsters2019'' with Ghidorah, whilst the [[Film/KongSkullIsland Skullcrawlers]] have bone "lips" on their skulls.



* HumansAreMorons: Speaking broadly, humans are so {{pride}}ful that not all of them can ever learn the lesson from each movie's events and just leave well enough alone, often putting themselves as much as the entire planet in mortal peril that could have otherwise been avoided. In all of the first three movies, it's the military trying to contain the bad and good Titans their way that threatens to put the world at large in even greater mortal peril (from the [=MUTOs=], Skullcrawlers and Ghidorah) than before; and immediately after Godzilla barely saves the whole world including humanity from extinction by Ghidorah in ''King of the Monsters'', a NebulousEvilOrganization has the [[SarcasmMode genius idea]] to [[spoiler:use Ghidorah's BizarreAlienBiology to create the WorldsStrongestMan for themselves with zero regard for the threat that Ghidorah posed to humanity last time]].



* SnakesAreSinister: The Skullcrawlers, King Ghidorah, and the Warbats are all antagonistic Kaiju, and all of them are snake themed.

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* SnakesAreSinister: The Skullcrawlers, King Ghidorah, and the Warbats are all antagonistic Kaiju, and all of them are snake themed.snake-themed. The closest to a heroic snake-themed Titan we've gotten so far is the crocodilian-looking Godzilla.

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* AdaptationalMundanity: The [=MonsterVerse=] is apparently doing this for the NotQuiteHuman characters of the old Toho movies. The Shobijin who serve Mothra are instead [[spoiler:humans with an uncanny HereditaryTwinhood in their family history and an implicit PsychicLink to Mothra]]. And the {{Human Alien}}s who use MindControl on King Ghidorah and other kaiju (the Xiliens and others) are substituted for genuinely-human antagonists who find EvilIsNotAToy and become {{Big Bad Wannabe}}s when they try to control Ghidorah.



* HollowWorld: Introduced to the series in ''Kong: Skull Island'', and expanded on in ''King of the Monsters'' and ''Godzilla vs. Kong''. Exists in two forms: massive caves and tunnels extremely deep in the Earth's crust (and possibly mantle); Godzilla uses these tunnels for rapid travel in ''[=KotM=]'' and rests in a massive radioactive underwater cave. Even deeper, there's an empty space at the Earth's core containing a full ecosystem. It is from here, it is theorized, where all terrestrial Titans originate.



* HollowEarth: Introduced to the series in ''Kong: Skull Island'', and expanded on in ''King of the Monsters'' and ''Godzilla vs. Kong''. Exists in two forms: massive caves and tunnels extremely deep in the Earth's crust (and possibly mantle); Godzilla uses these tunnels for rapid travel in ''[=KotM=]'' and rests in a massive radioactive underwater cave. Even deeper, there's an empty space at the Earth's core containing a full ecosystem. It is from here, it is theorized, where all terrestrial Titans originate.


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* NighInvulnerability: Nearly all the Titans are immune to manmade weapons, and whenever humans build a new weapon specifically so they can kill Titans, it ''always'' makes things much worse for humanity instead of making things better. A recurring core theme of the [=MonsterVerse=] is that it TakesOneToKillOne, and humans who fail to realize that often make things worse with their hubris.


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* {{Pride}}: The pride and hubris of human beings in relation to the Titans (who represent nature) is a recurring theme throughout the franchise. Namely, contrary to humans' belief that they are the dominant species of Earth (or that they ''should be'' after the Titans become public knowledge), mankind are just an intelligent race of insects compared to the Titans. True to Dr. Serizawa's words below, in every [=MonsterVerse=] movie, it's human beings and organizations attempting to harness or conquer these eldritch forces of nature, failing to realize that some forces of nature are completely beyond human ability to control, that always makes things worse instead of better. Whether it be the military thinking they can kill the Titans the moment they become inconvenient yet being short-sighted to their efforts making things even worse for humans, or eco-terrorists who want the Titans to restore Earth's ecology thinking that attempting to manipulate them won't go awry, or a NebulousEvilOrganization being TooDumbToLive when thinking they can create something more powerful than the Titans in the Titans' image. It's also a recurring theme that only some of the human cast realize and wholeheartedly accept that HumansNeedAliens (namely the benevolent Titans) to survive against the hostile ones, whilst others just refuse to accept that.
-->'''[[Film/Godzilla2014 Dr. Serizawa]]:''' [[Film/Godzilla2014 The arrogance of man is thinking nature is in our control, and not the other way round]].


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* ScientistVsSoldier: This trope seems to be absent in ''Film/GodzillaVsKong'', perhaps due to the events of ''Film/GodzillaKingOfTheMonsters2019'', but it's otherwise a recurring theme across the previous movies, and the Scientist side of the conflict are always ultimately proven to be the ones in the right (although the military often get portrayed with at least a little more sympathy than the usual DisasterMovie standard regardless). The military leaders (from ReasonableAuthorityFigure Admiral Stenz to the AxCrazy Preston Packard) seek to use increasingly-ludicrous methods to attempt destroying the Kaiju, and they often don't care to discriminate between the bad and good Kaiju nor do they realize that [[HumansNeedAliens humanity needs the good kaiju around in order to stand a chance at survival]]. The Monarch scientists meanwhile, are sooner or later made {{Ignored Expert}}s by the military, and it can be argued that all the Monsterverse's first three films, the military can be rightfully blamed for causing things to go FromBadToWorse and for unwittingly assisting the hostile Kaiju.
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* SurprisinglyRealisticOutcome: Can be found in spades throughout all the franchise due to being a more "realistic" take on the {{Kaiju}} genre. One major example present in each film is how the [[AttackOfThe50FootWhatever Titans]] affect the world around them; [[Film/{{Godzilla|2014}} Godzila rising from the ocean too quickly can cause a tsunami,]] [[Film/GodzillaKingOfTheMonsters2019 Rodan devastates a town simply by flying over it,]] etc.

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* SurprisinglyRealisticOutcome: Can be found in spades throughout all the franchise due to being a more "realistic" take on the {{Kaiju}} genre. One major example present in each film is how the [[AttackOfThe50FootWhatever Titans]] affect the world around them; [[Film/{{Godzilla|2014}} Godzila Godzilla rising from the ocean too quickly can cause a tsunami,]] [[Film/GodzillaKingOfTheMonsters2019 Rodan devastates a town simply by flying over it,]] etc.
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* SurprisinglyRealisticOutcome: Can be found in spades throughout all the franchise due to being a more "realistic" take on the {{Kaiju}} genre. One major example present in each film is how the [[AttackOfThe50FootWhatever Titans]] affect the world around them; [[Film/{{Godzilla|2014}} Godzila rising from the ocean too quickly can cause a tsunami,]] [[Film/GodzillaKingOfTheMonsters2019 Rodan devastates a town simply by flying over it,]] etc.
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The movies are distributed by Creator/WarnerBros and produced by Creator/LegendaryPictures in partnership with Creator/{{Toho}}, the Japanese studio that [[TropeCodifier codified]] the Kaiju genre and owns most of the well known Kaiju [=IPs=]. Currently, plans are for the series to encompass four films, which is as extensive as Legendary's initial contract with Toho lasts. [[https://screenrant.com/godzilla-vs-kong-sequel-movies-monsterverse-ideas-update/ There are ideas]] for future films.

to:

The movies are distributed by Creator/WarnerBros and produced by Creator/LegendaryPictures in partnership with Creator/{{Toho}}, the Japanese studio that [[TropeCodifier codified]] the Kaiju genre and owns most of the well known Kaiju [=IPs=]. Currently, plans are for the series to encompass counts four films, which is as extensive as Legendary's initial contract with Toho lasts.lasted. [[https://screenrant.com/godzilla-vs-kong-sequel-movies-monsterverse-ideas-update/ There are ideas]] for future films.
Is there an issue? Send a MessageReason:
None


The movies are distributed by Creator/WarnerBros and produced by Creator/LegendaryPictures in partnership with Creator/{{Toho}}, the Japanese studio that [[TropeCodifier codified]] the Kaiju genre and owns most of the well known Kaiju [=IPs=]. Currently, plans are for the series to encompass four films, which is as extensive as Legendary's initial contract with Toho lasts.

Interestingly, the franchise has given Toho enough confidence to throw their hat back into the ring with making a SharedUniverse of monster movies after 2020 ([[GenreThrowback naturally featuring people in rubber suits]]). Whether the two respective settings will coexist, or if the fourth film will serve as the franchise's GrandFinale, is presently unclear, as Legendary's license to make Godzilla movies was scheduled to expire after ''Godzilla vs. Kong''.

to:

The movies are distributed by Creator/WarnerBros and produced by Creator/LegendaryPictures in partnership with Creator/{{Toho}}, the Japanese studio that [[TropeCodifier codified]] the Kaiju genre and owns most of the well known Kaiju [=IPs=]. Currently, plans are for the series to encompass four films, which is as extensive as Legendary's initial contract with Toho lasts.

lasts. [[https://screenrant.com/godzilla-vs-kong-sequel-movies-monsterverse-ideas-update/ There are ideas]] for future films.

Interestingly, the franchise has given Toho enough confidence to throw their hat back into the ring with making a SharedUniverse of monster movies after 2020 ([[GenreThrowback naturally featuring people in rubber suits]]). Whether the two respective settings will coexist, or if the fourth film will serve as the franchise's GrandFinale, is presently unclear, as Legendary's license to make Godzilla movies was scheduled to expire after ''Godzilla vs. Kong''.
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None


* SnakesAreSinster: The Skullcrawlers, King Ghidorah, and the Warbats are all antagonistic Kaiju, and all of them are snake themed.

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* SnakesAreSinster: SnakesAreSinister: The Skullcrawlers, King Ghidorah, and the Warbats are all antagonistic Kaiju, and all of them are snake themed.

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* BloodyAndGorier: While the classic films could have some blood, things are a lot more bloody and brutal here. This is especially clear when it comes to monster deaths, which have thus far included decapitations, disembowelments, and visceral incinerations.

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* BloodyAndGorier: BloodierAndGorier: While the classic films could have some blood, things are a lot more bloody and brutal here. This is especially clear when it comes to monster deaths, which have thus far included decapitations, disembowelments, and visceral incinerations.


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* FamilyUnfriendlyDeath: The majority of kaiju are killed in this fashion, such as the female MUTO having her insides roasted with the Kiss of Death before Godzilla rips her head off.
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* BloodyAndGorier: While the classic films could have some blood, things are a lot more bloody and brutal here. This is especially clear when it comes to monster deaths, which have thus far included decapitations, disembowelments, and visceral incinerations.
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* MilitariesAreUseless: The series follows the trend set up in the original movies of the military standing no chance against the Kaiju. Though its also deconstructed slightly, with it being indicated that the primary reason their so useless is because the things they're up against are so far beyond anything they've dealt with before.

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* MilitariesAreUseless: The series follows the trend set up in the original movies of the military standing no chance against the Kaiju. Though its also deconstructed slightly, with it being indicated that the primary reason their they're so useless is because the things they're up against are so far beyond anything they've dealt with before.
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Adding in Mechagodzilla to the list of licensed monsters.


* AdaptedOut: Toho has to give Legendary explicit approval to use specific {{Kaiju}} for the series, meaning that the only monsters that are licensed out to the company are Godzilla, Mothra, Rodan, and Ghidorah. Presumably, this is the reason why Rodan is showing up before Anguirus. That being said, Toho is very supportive of the series, and it's likely that the approval process is based on determining what the movies need as opposed to there being real legal red tape preventing certain characters from being used.

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* AdaptedOut: Toho has to give Legendary explicit approval to use specific {{Kaiju}} for the series, meaning that the only monsters that are licensed out to the company are Godzilla, Mothra, Rodan, Ghidorah, and Ghidorah.Mechagodzilla. Presumably, this is the reason why Rodan is showing up before Anguirus. That being said, Toho is very supportive of the series, and it's likely that the approval process is based on determining what the movies need as opposed to there being real legal red tape preventing certain characters from being used.
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* {{Kaiju}}: The series is about gigantic monsters rampaging through human cities.

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* {{Kaiju}}: The series is about gigantic monsters rampaging through human cities.cities; what else would you expect from a franchise built upon the two most well-known [[TropeCodifier Trope Codifiers]] of the [=kaiju=] genre (Kong and Godzilla respectively)?
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* ReptilesAreAbhorrent: {{Downplayed|Trope}}. While most of the antagonistic Kaiju are reptiles, so is Godzilla. That being said, it could be more accurately stated that some kinds of reptiles are abhorrent - all antagonistic reptilian Kaiju introduced so far have a [[SnakesAreSinister snake theme]], while the heroic Godzilla has a [[NeverSmileAtACrocodile crocodile theme]].


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* SnakesAreSinster: The Skullcrawlers, King Ghidorah, and the Warbats are all antagonistic Kaiju, and all of them are snake themed.
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* BehemothBattle: The franchise's crux, featuring at least one of these battles in every film. The latest battle will involve Godzilla and Kong duking it out in "a battle for the ages".

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* BehemothBattle: The franchise's crux, featuring at least one of these battles in every film. The latest battle will involve Godzilla Vs. Kong promised Godzilla and Kong duking it out in "a battle for the ages".ages". Instead it delivers three fights between Godzilla and Kong, [[spoiler:a fight between Mechagodzilla and a Skullcrawler, a fight between Gozilla and Mechagodzilla, and a fight between Mecha Godzilla, Godzilla, and Kong.]]

Added: 707

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* AllThereInTheManual: In the lead-up to the home release of ''Kong: Skull Island'', social media pages for the movie have been releasing video timelines for the [=MonsterVerse=]. Notable events include the establishment of a Monarch research base at a Caribbean volcanic island in 1991 (presumably Rodan's roost), the discovery of Mothra's cocooned form within her temple in China in 2009, and finding Ghidorah frozen in MysteriousAntarctica in 2016.


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* AllThereInTheManual: In the lead-up to the home release of ''Kong: Skull Island'', social media pages for the movie have been releasing video timelines for the [=MonsterVerse=]. Notable events include the establishment of a Monarch research base at a Caribbean volcanic island in 1991 (presumably Rodan's roost), the discovery of Mothra's cocooned form within her temple in China in 2009, and finding Ghidorah frozen in MysteriousAntarctica in 2016.
* AnyoneCanDie: The whole franchise is fond of [[DecoyProtagonist decoy protagonists]] and SurprisinglySuddenDeath. Curiously, and unusually for this trope, the overall series hews heavily to the Idealistic side of the SlidingScaleOfIdealismVersusCynicism.
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* HollowEarth: Introduced to the series in ''Kong: Skull Island'', and expanded on in ''King of the Monsters'' and ''Godzilla vs. Kong''. Exists in two forms: massive caves and tunnels extremely deep in the Earth's crust (and possibly mantle); Godzilla uses these tunnels for rapid travel in ''[=KotM=]'' and rests in a massive radioactive underwater cave. Even deeper, there's an empty space at the Earth's core containing a full ecosystem. It is from here, it is theorized, where all terrestrial Titans originate.
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* ContrastingSequelAntagonist: Both the MUTO and the Skullcrawlers are merely animals acting on instinct, but while the MUTO are portrayed as somewhat sympathetic {{Tragic Monster}}s the Skullcrawlers are played for full-on horror. And then they're followed by King Ghidorah, who is no mere instinctive beast, but a genuinely evil, sadistic and malicious creature.

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* ContrastingSequelAntagonist: Both the MUTO and the Skullcrawlers are merely animals acting on instinct, but while the MUTO are portrayed as somewhat sympathetic {{Tragic Monster}}s the Skullcrawlers are played for full-on horror. And then they're followed by King Ghidorah, who is no mere instinctive beast, but a genuinely evil, sadistic and malicious creature. [[spoiler: ''Film/GodzillaVsKong'' tops this off with Mechagodzilla, a man-made monster as opposed to the natural or extraterrestrial predescessors, and one that is commanded by none other than Ghidorah's brain, contrasting with the original Ghidorah by being a smaller-scale threat, with a personal vendetta against Godzilla, as opposed to a global, world-ending one.]]



* GiantEqualsInvincible: There's very little that humans' general arsenal can do against the Kaiju except maybe piss them off.

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* GiantEqualsInvincible: There's very little that humans' general arsenal can do against the Kaiju except maybe piss them off. Subverted in ''Kong: Skull Island'' where humans are able to easily kill some of the lesser monsters of Skull Island.



** ''Film/Godzilla2014'' has only one full onscreen battle between the Kaiju as the FinalBattle, with two earlier battles which are mostly offscreen, preferring to focus on the human characters' perspective of the Kaiju's destruction. ''Film/KongSkullIsland'' doesn't shy away from depicting the action onscreen in such a way. ''Film/GodzillaKingOfTheMonsters2019'' has lengthier Kaiju battles (particularly the FinalBattle), though it tends to show them from both the Kaiju's and the humans' perspective almost equally.

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** ''Film/Godzilla2014'' has only one full onscreen battle between the Kaiju as the FinalBattle, with two earlier battles which are mostly offscreen, preferring to focus on the human characters' perspective of the Kaiju's destruction. ''Film/KongSkullIsland'' doesn't shy away from depicting the action onscreen in such a way. ''Film/GodzillaKingOfTheMonsters2019'' has lengthier Kaiju battles (particularly the FinalBattle), though it tends to show them from both the Kaiju's and the humans' perspective almost equally. [[spoiler: ''Film/GodzillaVsKong'' focuses primarily on the monster aspect, though two human teams, one for Godzilla and one for Kong, have some significant impact.]]



** Furthermore, in ''King of the Monsters'', the ApocalypseHow occurring in the second half of the film is immediately ''global'' in scope, rather than a regional ApocalypseWow which threatens to go widespread if TheBadGuyWins like in the previous two films; and the stakes are presented as higher, with the human forces and benevolent kaiju all allying together more directly than in the 2014 film, and with Ghidorah's unnatural true nature as an [[spoiler:invasive alien]] OmnicidalManiac compared to that of the predatory Skullcrawlers and [[NonMaliciousMonster Non-Malicious]] [=MUTOs=] respectively.

to:

** Furthermore, in ''King of the Monsters'', the ApocalypseHow occurring in the second half of the film is immediately ''global'' in scope, rather than a regional ApocalypseWow which threatens to go widespread if TheBadGuyWins like in the previous two films; and the stakes are presented as higher, with the human forces and benevolent kaiju all allying together more directly than in the 2014 film, and with Ghidorah's unnatural true nature as an [[spoiler:invasive alien]] OmnicidalManiac compared to that of the predatory Skullcrawlers and [[NonMaliciousMonster Non-Malicious]] [=MUTOs=] respectively. [[spoiler: ''Film/GodzillaVsKong'' escalates it with Mechagodzilla, a man-made monster with Ghidorah's brain and a score to settle with Godzilla.]]



* SortingAlgorithmOfEvil: Not in release order, but if the franchise's film installments are put in ''chronological'' order, this trope has so far been in full effect; although ''Film/GodzillaVsKong'' might break pattern. In ''Film/KongSkullIsland'', the Skullcrawlers are relatively small by Kaiju standards, and Kong who ''isn't even fully mature yet'' can beat back hordes of them. In ''Film/Godzilla2014'', the [=MUTOs=] are nearly the size of Godzilla, they create an {{EMP}} around themselves which does a lot to cripple the entire U.S. Navy's efforts to track and stop them, and the pair make Godzilla work quite a bit to kill them both and it looks like they nearly win the fight against him. And in ''Film/GodzillaKingOfTheMonsters2019'', Ghidorah is roughly ''twice'' the size of Godzilla, he's powerful enough that Godzilla is considered the ''only'' force on Earth that can truly rival him (and even then, in a fair fight without Mothra's assistance or watery terrain, Ghidorah does seem to have more of an advantage), Ghidorah generates an intensifying electricity-filled hurricane around himself merely by being active, and he gains command of ''all the other Kaiju on the planet'' except Mothra when Godzilla is briefly incapacitated.

to:

* SortingAlgorithmOfEvil: Not in release order, but if the franchise's film installments are put in ''chronological'' order, this trope has so far been in full effect; although ''Film/GodzillaVsKong'' might break pattern. In ''Film/KongSkullIsland'', the Skullcrawlers are relatively small by Kaiju standards, and Kong who ''isn't even fully mature yet'' can beat back hordes of them. In ''Film/Godzilla2014'', the [=MUTOs=] are nearly the size of Godzilla, they create an {{EMP}} around themselves which does a lot to cripple the entire U.S. Navy's efforts to track and stop them, and the pair make Godzilla work quite a bit to kill them both and it looks like they nearly win the fight against him. And in ''Film/GodzillaKingOfTheMonsters2019'', Ghidorah is roughly ''twice'' the size of Godzilla, he's powerful enough that Godzilla is considered the ''only'' force on Earth that can truly rival him (and even then, in a fair fight without Mothra's assistance or watery terrain, Ghidorah does seem to have more of an advantage), Ghidorah generates an intensifying electricity-filled hurricane around himself merely by being active, and he gains command of ''all the other Kaiju on the planet'' except Mothra when Godzilla is briefly incapacitated. [[spoiler: ''Film/GodzillaVsKong'' tops it off with Mechagodzilla, with Ghidorah's brain at the helm, being on a mission to destroy all titans and leave mankind sole ruler of the planet, until Ghidorah's brain goes rogue and seeks personal revenge on Godzilla himself.]]
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/monsterverse.jpg]]

->''"The arrogance of men is thinking nature is in our control and not the other way around."''
-->-- '''Dr. Ishiro Serizawa''', ''Film/{{Godzilla|2014}}''

The [=MonsterVerse=] is an American media franchise and [[SharedUniverse shared cinematic universe]] that is centered on a series of films featuring [[{{Kaiju}} gigantic monsters]] roaming on Earth, most prominently {{Franchise/Godzilla}} and Franchise/KingKong.

The movies are distributed by Creator/WarnerBros and produced by Creator/LegendaryPictures in partnership with Creator/{{Toho}}, the Japanese studio that [[TropeCodifier codified]] the Kaiju genre and owns most of the well known Kaiju [=IPs=]. Currently, plans are for the series to encompass four films, which is as extensive as Legendary's initial contract with Toho lasts.

Interestingly, the franchise has given Toho enough confidence to throw their hat back into the ring with making a SharedUniverse of monster movies after 2020 ([[GenreThrowback naturally featuring people in rubber suits]]). Whether the two respective settings will coexist, or if the fourth film will serve as the franchise's GrandFinale, is presently unclear, as Legendary's license to make Godzilla movies was scheduled to expire after ''Godzilla vs. Kong''.
----
[[index]]
!!Media:

[[AC:Films]]
* ''Film/{{Godzilla|2014}}'' (2014)
* ''Film/KongSkullIsland'' (2017)
* ''[[Film/GodzillaKingOfTheMonsters2019 Godzilla: King of the Monsters]]'' (2019)
* ''Film/GodzillaVsKong'' (2021)
[[/index]]

[[AC: Animated Series]]
* ''Skull Island'' (TBA) - Animated series premiering on Netflix set on the titular island and following a group of explorers as they try to survive the alien environment.

[[AC:Comics]]
* ''Godzilla: Awakening'' (2014)
* ''Skull Island: The Birth of Kong'' (2017)
* ''Godzilla: Aftershock'' (2019)
* ''[=GvK=]: Kingdom Kong'' (2021)
* ''[=GvK=]: Godzilla Dominion'' (2021)

[[AC:Video Games]]
* ''Godzilla: Crisis Defense'' (2014)
* ''Godzilla: Smash 3'' (2014)
* ''Kong VR: Destination Skull Island'' (2017)
----
!!Tropes:
* ActionizedSequel: As the franchise trudges along, the films become much more epic and action-centric than ''Film/Godzilla2014'', which while not entirely without exciting fight scenes between the Kaiju, is an atmospheric apocalyptic horror film compared to its successors.
* AdaptationalHeroism: While both of them have always had TragicMonster traits, Godzilla and Kong are presented as almost completely heroic in this continuity. Kong is explicitly described as protecting the creatures and natives of Skull Island from the Skullcrawlers and only attacks the invaders when they threaten his home or attack him first; he even goes out of his way to help and protect the invading humans as they help him in return. Godzilla, for his part, never directly attacks humans at ''all'', the damage he causes is merely an unavoidable effect of his battles and massive presence.
** The Skull Island natives themselves are also heroic. While in the original film they practiced human sacrifice to ward off Kong, and in various other adaptions they're monstrously deformed, in ''Kong: Skull Island'' they are taciturn but peaceful and friendly to outsiders.
* AdaptedOut: Toho has to give Legendary explicit approval to use specific {{Kaiju}} for the series, meaning that the only monsters that are licensed out to the company are Godzilla, Mothra, Rodan, and Ghidorah. Presumably, this is the reason why Rodan is showing up before Anguirus. That being said, Toho is very supportive of the series, and it's likely that the approval process is based on determining what the movies need as opposed to there being real legal red tape preventing certain characters from being used.
* AllThereInTheManual: In the lead-up to the home release of ''Kong: Skull Island'', social media pages for the movie have been releasing video timelines for the [=MonsterVerse=]. Notable events include the establishment of a Monarch research base at a Caribbean volcanic island in 1991 (presumably Rodan's roost), the discovery of Mothra's cocooned form within her temple in China in 2009, and finding Ghidorah frozen in MysteriousAntarctica in 2016.
* AgeLift:
** Godzilla has always been described as ancient, but in this continuity he survived the Permian Extinction, which happened [[TimeAbyss 252 million years ago]].
** Judging by TheStinger of ''Kong: Skull Island'', Mothra, Rodan, and Ghidorah are also a lot older than their Toho counterparts. The original movie involving Ghidorah mentioned that he was over 5,000 years old, but based on Godzilla's own AgeLift and the fact that the two have already fought at some point in ancient history, he's most likely '''[[TimeAbyss significantly]]''' older here.
** In the meantime, Kong is conversely much, '''much''' younger than the other versions of the character, which are described as being prehistoric in nature. While his species of ape has been around for that long in this continuity, Kong himself is only a teenager in TheSeventies and still growing.
* AttackOfTheFiftyFootWhatever: This universe's entire premise is that the world is filled with these, and while they've been mostly dormant, they're making a comeback.
* BeenThereShapedHistory: Apparently, a giant winged kaiju (possibly Rodan) caused the Great Smog of London.
* BehemothBattle: The franchise's crux, featuring at least one of these battles in every film. The latest battle will involve Godzilla and Kong duking it out in "a battle for the ages".
* BenevolentConspiracy: Monarch serves as an institution to make sure the monsters are kept in check, and are instrumental in helping the governments of the world prepare and deal with these threats accordingly. That being said, [[NiceJobBreakingItHero they do far more harm than good]] in ''Kong: Skull Island'', to the point where none of their people would have died if they hadn't agreed to ''bomb'' the place to try and map it.
* CanonForeigner: A lot of monsters are created for the series, including the [=MUTOs=] and the Skullcrawlers.
* CentralTheme: Both Godzilla films share the theme of a [[DysfunctionalFamily fractured family]] getting caught in the middle of the kaiju chaos and trying to survive and reunite.
* ContrastingSequelAntagonist: Both the MUTO and the Skullcrawlers are merely animals acting on instinct, but while the MUTO are portrayed as somewhat sympathetic {{Tragic Monster}}s the Skullcrawlers are played for full-on horror. And then they're followed by King Ghidorah, who is no mere instinctive beast, but a genuinely evil, sadistic and malicious creature.
* ContinuityReboot: The franchise represents the third reboot of the ''King Kong'' film series[[note]]not counting Toho's version[[/note]] and the first American reboot of the ''Godzilla'' franchise following the [[Film/Godzilla1998 1998 movie]].
* CosmicHorrorStory: Earth is a hellish world in which humanity is surrounded by [[{{Kaiju}} gigantic monsters]] that have existed long before everyone was even born, and they are basically powerless against them once they awaken and begin laying waste to the world. Unlike the aliens and gods in the Franchise/MarvelCinematicUniverse or Franchise/DCExtendedUniverse, the heroic monsters are rather indifferent towards humanity and can be every bit as destructive as the villainous monsters. However, that does not preclude the monster being friendly and benevolent, as evidenced by Mothra, and [[spoiler:Godzilla organizing his fellow monster to help humanity repair Earth’s ecosystem.]]
* CuriosityKilledTheCast: PlayedWith. ''Film/KongSkullIsland'' is so far the biggest offender, but despite Monarch's heroism, one can also partly blame the plot of ''King of the Monsters'' on them actively seeking and containing the seventeen new Kaiju as part of doing their job (which is what gave the [[EcoTerrorist Eco-Terrorists]] something to work with, including freeing [[BigBad Ghidorah]]).
* DeadToBeginWith: Adam, the Godzilla fossil that played host to the [=MUTOs=]; and Kong's parents, respectively.
* DugTooDeep: This is one of the main causes of the Kaiju's emergences, with prominent examples including the [=MUTOs=] in the 2014 film and the Skullcrawlers in ''Skull Island''.
* GaiasVengeance: One of the core themes of the franchise, with the Kaiju generally being depicted not as [[NuclearNasty Nuclear Nasties]], but as powerful and ancient beasts who embody aspects of nature or act as invasive species, and whom humanity is almost powerless against once antagonized. Adding to the GreenAesop is that human activity such as strip mining, seismic charges and atomic testing are directly responsible for the Kaiju's emergences from long dormancy.
* GentleGiant: Both Kong and Godzilla are relatively placid (or as much as their size allows them to be) unless they're attacked (although Godzilla doesn't fight back against humans when they attack him and only seeks to destroy the [=MUTOs=]).
* GiantEqualsInvincible: There's very little that humans' general arsenal can do against the Kaiju except maybe piss them off.
* GreenAesop: Humans are not the masters of the Earth, and we should live in harmony with the ecosystem rather than trying to rebuild the world to our needs, [[SpaceWhaleAesop or we'll wake up the Earth's real rulers and they'll wreck our civilization]].
* HumansAreInsects: How humans are usually viewed by the Kaiju, which is very fortunate because when a Kaiju such as the malevolent Ghidorah or a provoked MUTO ''actively wants humans dead''...
* ILoveNuclearPower: In the original Japanese films, Godzilla (and by extension many of the other Kaijus) acted as a metaphor for Nuclear Annihilation, many of the monsters a product of radiation and nuclear weaponry. Here, it is the other way around, the Kaijus (here named "Titans") originating from an irradiated ecosystem, their massive bodies feeding on radiation and mankind's splitting of the atom being one of the catalysts for their return. [[spoiler:In ''King of the Monsters'', it is even revealed that the radiation they exude ''improves'' the planet's ecosystem, plant-life sprouting like crazy everywhere Godzilla and the [=MUTOs=] went.]]
* {{Kaiju}}: The series is about gigantic monsters rampaging through human cities.
* LovecraftLite: It has the classic conceit of ''Literature/TheCallOfCthulhu'' of beings of unfathomable age and power waking up and showing humanity's smallness -- Godzilla himself was at the Castle Bravo nuclear test, the largest nuclear explosion by the United States, and despite being point blank, he survived. This is softened because most of the monsters are much more interested in fighting each other than harming people, with some such as Kong being legitimately fond and protective of humanity, and Godzilla almost goes out of his way to avoid destruction. Furthermore, the only way humanity can survive against the genuinely dangerous Kaiju is via AlwaysABiggerFish in the forms of such benevolent kaiju as Godzilla or Kong, and despite humanity's smallness, they can still contribute majorly to the outcomes of the kaiju's battles (i.e., distracting the malevolent kaiju long enough to give the benevolent ones an advantage).
* {{Masquerade}}: Upheld in ''Kong: Skull Island'', since the island itself is hidden away and any information about what happened there is classified. Upheld for about half of ''Godzilla'', at which point Godzilla and the two [=MUTO=] [[TheUnmasquedWorld completely do away with it altogether]].
* MaybeMagicMaybeMundane: Despite the much more realistic and grounded tone of the [=MonsterVerse=], there are a number of elements that seem to toe the line between science and supernatural. For example:
** Skull Island has bizarre {{Planimal}} wildlife, strange atmospheric anomalies like auroras and a surrounding PerpetualStorm, and natives that Marlow comments don't seem to age. Randa even refers to it as [[EldritchLocation "the land where God did not finish creation."]]
** Mothra has a strange connection to a family line of identical twins, BornAgainImmortality via GeneticMemory, and [[spoiler: Madison reviving after having a vision of her]] that all seem to suggest she may be an ''actual'' PhysicalGod.
* MilitariesAreUseless: The series follows the trend set up in the original movies of the military standing no chance against the Kaiju. Though its also deconstructed slightly, with it being indicated that the primary reason their so useless is because the things they're up against are so far beyond anything they've dealt with before.
* NatureIsNotNice: Everything humans thought they knew about the creatures they share the Earth with is really just the ''insect kingdom'', which humans are a part of; and there was once an entire world of gigantic, radiocative, borderline-supernatural beasts who will fight and kill each-other for dominance and survival (as Godzilla does to the [=MUTOs=], but fortunately these creatures are mostly indifferent to humans the same way we're indifferent to the ants we see in our garden. Somewhat ZigZagged, as some of the Kaiju such as Godzilla, Mothra and Kong are capable of higher intelligence and even displaying benevolence towards humans, and ''King of the Monsters'' establishes the Kaiju have a cross-species hierarchy amongst themselves which enables them to coexist.
* OneMythToExplainThemAll: It's suggested that {{Kaiju}} were responsible for the myths and tales around the world. King Ghidora inspired many civilization's ideas of devils and dragons and Mothra inspired, of all things, angels.
* OurGodsAreDifferent: The {{Kaiju}} are {{Physical God}}s and are often described and considered InUniverse to be TheOldGods. Specifically, they consist of various ancient primeval "super-species" and/or the [[TheLastOfHisKind endlings]] of such species which evolved when the Earth was much more radioactive than it is in modern times (Ghidorah is the exception as [[spoiler:an extraterrestrial invader]]). Traits, powers and weaknesses vary, but they have some things in common. They're in the "Scarily powerful" spectrum, they have Near Immortality if not Advanced Immortality, they're Anthropomorphically Subhuman (being literal super-evolved animals), and their needs are in the "Sustenance and Sleep" category (specifically, they tend to cycle between being active and entering long periods of dormancy). Unlike most gods, being naturalistic, the Kaiju don't need [[GodsNeedPrayerBadly prayers]] to function, although sources of radiation (which can be considered a sort of offering to them in later films) do feed and strengthen them. Morally, they're generally Exemplars; their temperaments vary from being {{Destructive Saviour}}s to [[DestroyerDeity Destroyer Deities]], with Mothra and Ghidorah being the most extreme Kaiju at either end of the scale respectively. Generally, the [=MonsterVerse=] follows Henotheism (modern humans generally favor worship of Godzilla as their main DestructiveSaviour, but they also worshipped other Titans in forgotten ancient times, and Mothra is still revered) and Polytheism (the Kaiju as it turns out have an [[AlphaAndBetaWolves Alpha-led hierarchy]] currently headed by Godzilla, but a rival Alpha can potentially overthrow him). The Kaiju did not create the universe or even the Earth as far as we know, but with the exception of Ghidorah, they're considered essential to the maintenance and defense of the Earth's biosphere.
* PrehistoricMonster: Godzilla, the [=MUTOs=], and many more existed well before the dawn of mankind.
* SealedCastInAMultipack: Many kaiju are slumbering or trapped somewhere on Earth waiting to be awakened in some way. The [=MUTOs=] were in a sealed undergrown cavern until a mining organization DugTooDeep and according to the Monarch Timeline, Mothra is dormant in a cocoon in a temple in China, Rodan is sleeping in a volcano, an unknown kaiju is dormant and contained in Siberia, Kong is keeping things under control on Skull Island, and Ghidorah is sealed away in the Antarctic ice. [[spoiler:King Ghidorah awakens a large number of them and Mothra awakens to help Godzilla, but the end credits montage reveals many of them are still out there slumbering.]]
* SequelEscalation:
** ''Film/Godzilla2014'' has only one full onscreen battle between the Kaiju as the FinalBattle, with two earlier battles which are mostly offscreen, preferring to focus on the human characters' perspective of the Kaiju's destruction. ''Film/KongSkullIsland'' doesn't shy away from depicting the action onscreen in such a way. ''Film/GodzillaKingOfTheMonsters2019'' has lengthier Kaiju battles (particularly the FinalBattle), though it tends to show them from both the Kaiju's and the humans' perspective almost equally.
** Whereas the 2014 film only has two types of Kaiju in total (Godzilla and the CanonForeigner [=MUTOs=]); ''Skull Island'' has a variety of monsters but they're again mostly Canon Foreigners; and then ''King of the Monsters'' features the Big Four kaiju who originally featured in ''Film/GhidorahTheThreeHeadedMonster'', in addition to a small handful of new kaiju and ''ten others'' who are TheGhost.
** Furthermore, in ''King of the Monsters'', the ApocalypseHow occurring in the second half of the film is immediately ''global'' in scope, rather than a regional ApocalypseWow which threatens to go widespread if TheBadGuyWins like in the previous two films; and the stakes are presented as higher, with the human forces and benevolent kaiju all allying together more directly than in the 2014 film, and with Ghidorah's unnatural true nature as an [[spoiler:invasive alien]] OmnicidalManiac compared to that of the predatory Skullcrawlers and [[NonMaliciousMonster Non-Malicious]] [=MUTOs=] respectively.
* SerkisFolk: The giant monsters are animated through MotionCapture. The TropeNamer himself, Creator/AndySerkis, assisted in the animation of Godzilla, albeit uncredited.
* SharedUniverse: One of several conceived in the wake of the Franchise/MarvelCinematicUniverse achieving success with ''Film/TheAvengers2012'', and one of several owned by Warner Bros. (the others being the Franchise/DCExtendedUniverse, the [[Film/HarryPotter Wizarding]] [[Film/FantasticBeastsAndWhereToFindThem World]], the ''[[WesternAnimation/TheLEGOMovie LEGO Movie]]'' series, and ''Film/TheConjuring'' universe).
* SingleSpecimenSpecies: [[AvertedTrope Averted]] for the most part. Most of the important kaiju discussed early on were stated to be the [[LastOfHisKind last of their respective kinds]], being relics from ancient prehistoric days when creatures of that size were common, so it's generally assumed that this is true of the other kaiju as well. [[spoiler:The exception is King Ghidorah, who is a malevolent extraterrestrial [[MysteriousPast whose origins before he came to Earth are unknown]]]].
* SlidingScaleOfIdealismVsCynicism: So far the franchise seems to lean towards the cynical end of the scale, particularly when compared to the [[Franchise/MarvelCinematicUniverse MCU]] and similar franchises. Humanity is surrounded by [[{{Kaiju}} gigantic monsters]] that have existed long before everyone was even born, and they are basically powerless against them once they awaken and begin laying waste to the world, and though there ''are'' some monsters (Godzilla, Kong, etc.) willing to protect the humans, they can be [[DestructiveSavior just as destructive to everything around them]] as the ones causing said destruction. However, comparing it to its genre, it is surprisingly Idealistic. Godzilla himself is at his most heroic since the late Showa era, and as of King of the Monsters, [[spoiler:the fallout from a worldwide rising of kaiju is... surprisingly positive. The environment is benefitted immensely, and humanity itself seems to be reaping rewards too - kaiju waste is even implied to work as a renewable resource!]]
* SortingAlgorithmOfEvil: Not in release order, but if the franchise's film installments are put in ''chronological'' order, this trope has so far been in full effect; although ''Film/GodzillaVsKong'' might break pattern. In ''Film/KongSkullIsland'', the Skullcrawlers are relatively small by Kaiju standards, and Kong who ''isn't even fully mature yet'' can beat back hordes of them. In ''Film/Godzilla2014'', the [=MUTOs=] are nearly the size of Godzilla, they create an {{EMP}} around themselves which does a lot to cripple the entire U.S. Navy's efforts to track and stop them, and the pair make Godzilla work quite a bit to kill them both and it looks like they nearly win the fight against him. And in ''Film/GodzillaKingOfTheMonsters2019'', Ghidorah is roughly ''twice'' the size of Godzilla, he's powerful enough that Godzilla is considered the ''only'' force on Earth that can truly rival him (and even then, in a fair fight without Mothra's assistance or watery terrain, Ghidorah does seem to have more of an advantage), Ghidorah generates an intensifying electricity-filled hurricane around himself merely by being active, and he gains command of ''all the other Kaiju on the planet'' except Mothra when Godzilla is briefly incapacitated.
* SpaceWhaleAesop: It varies slightly from film to film, but the overall messages that permeate every film are:
** "[[Film/Godzilla2014 The arrogance of man is thinking nature is in our control, and not the other way round]]." The demonstration: the world is actually populated by giant, prehistoric {{Kaiju}} endlings from prehistoric ecosystems, whom mankind are ''ants'' in comparison to.
** Don't bother trying to forcibly control or destroy a natural species or aspect of nature just because it conflicts with human interests or is an "inconvenience". If you take the wrong Kaiju out of the ecology, there'll be nothing to keep its more malevolent opponents in check and they'll start wreaking havoc.
* UnluckilyLucky: The human characters and humanity as a whole seem to have this going for them in this universe. As while Godzilla and Kong do cause them a good amount of grief, they also end up taking out the threats that would have done ''so'' much worse.
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