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* PieInTheFace: A nightclub comic is smacked in the face with a pie.
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* MrFanservice: Jim himself is shirtless and in his skivvies for a portion of the film.
* PieInTheFace: A nightclub comic (Don Sahlin) is smacked in the face with a pie.
* PieInTheFace: A nightclub comic (Don Sahlin) is smacked in the face with a pie.
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TRS has turned Gainaxing into a definition only page. Removing examples.
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* {{Gainaxing}}: A short clip of a woman's bouncing bust is featured, punctuated by a "boing!" noise.
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* TheCameo: Three of Henson's [[Franchise/TheMuppets usual]] [[ProductionPosse cohorts]] make brief appearances: Creator/FrankOz (as an office wprker), writer and one-time performer Jerry Juhl (a bartender) and puppet designer Don Sahlin (the guy who gets a PieInTheFace).
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* TheCameo: Three of Henson's [[Franchise/TheMuppets usual]] [[ProductionPosse cohorts]] make brief appearances: Creator/FrankOz (as an office wprker), worker), writer and one-time performer Jerry Juhl (a bartender) and puppet designer Don Sahlin (the guy who gets a PieInTheFace).
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TRS cleanup
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* AndNowForSomethingCompletelyDifferent: This was the first project in Jim Henson's career that did not feature any puppetry whatsoever; during TheSixties, Jim went through an experimental film period, and wanted to take on projects outside of Franchise/TheMuppets - this was the first of three such non-Muppet experimental films, the other two being the ''Experiment in Television'' episodes ''Youth '68: Everything's Changing... Or Maybe It Isn't'' and ''Film/TheCube''.
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* TheCameo: Creator/FrankOz and Jerry Juhl, two of Henson's [[Franchise/TheMuppets usual]] [[ProductionPosse cohorts]], make brief appearances (as an office worker and a bartender, respectively).
to:
* TheCameo: Creator/FrankOz and Jerry Juhl, two Three of Henson's [[Franchise/TheMuppets usual]] [[ProductionPosse cohorts]], cohorts]] make brief appearances appearances: Creator/FrankOz (as an office worker wprker), writer and one-time performer Jerry Juhl (a bartender) and puppet designer Don Sahlin (the guy who gets a bartender, respectively).PieInTheFace).
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* PieInTheFace: A nightclub comic (played by prop builder Don Sahlin) is smacked in the face with a pie.
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* PieInTheFace: A nightclub comic (played by prop builder Don Sahlin) is smacked in the face with a pie.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/mv5bmgvmymq1ndmtodcymy00njdilwflnmutzmqzmjuwn2y4nziwxkeyxkfqcgdeqxvynduxnjc5njy_v1.jpg]]
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* SurrealMusicVideo: It isn't a true music video per se, but it certainly fits this trope thanks to [[MakesJustAsMuchSenseInContext an exploding alarm clock, a man painting an elephant pink, and a man in a gorilla suit on a pogo stick]], among too many other elements to possibly list.
to:
* SurrealMusicVideo: It isn't a true music video per se, but it certainly fits this trope thanks to [[MakesJustAsMuchSenseInContext an exploding alarm clock, a man painting an elephant pink, a rubber stamp reading "DAMN!", and a man in a gorilla suit on a pogo stick]], among too many other elements to possibly list.
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* TheCameo: Creator/FrankOz and Jerry Juhl, two of Henson's [[Franchise/TheMuppets usual]] [[ProductionPosse cohorts]], make brief appearances.
to:
* TheCameo: Creator/FrankOz and Jerry Juhl, two of Henson's [[Franchise/TheMuppets usual]] [[ProductionPosse cohorts]], make brief appearances.appearances (as an office worker and a bartender, respectively).
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* TrueArtIsIncomprehensible: This film cemented what a pure art film looks like: wild crazy images in rapid succession that seems to follow a logic all its own.
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* TrueArtIsIncomprehensible: This film cemented what a pure art film looks like: wild crazy images in rapid succession that seems to follow a logic all its own.
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Correct color due to making sense in context
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* SurrealMusicVideo: It isn't a true music video per se, but it certainly fits this trope thanks to [[MakesJustAsMuchSenseInContext an exploding alarm clock, a man painting an elephant purple, and a man in a gorilla suit on a pogo stick]], among too many other elements to possibly list.
to:
* SurrealMusicVideo: It isn't a true music video per se, but it certainly fits this trope thanks to [[MakesJustAsMuchSenseInContext an exploding alarm clock, a man painting an elephant purple, pink, and a man in a gorilla suit on a pogo stick]], among too many other elements to possibly list.
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* DoingItForTheArt: Like almost every project Jim ever created, however this one in particular is considered to be his most personal pet project ever. Jim himself even noted the reason he did this film was to experiment with different techniques of filming, timing, and editing -- he even actually noted exactly how many frames of film each sequence should take.
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* RealitySubtext: While it's never been confirmed or denied (and now never will be), Muppet associates Frank Oz and Jerry Juhl believed that this film may have reflected Jim's feeling of there not being enough time for him to finish everything he set out to accomplish, a feeling that stuck with Jim all throughout his life since the death of his older brother in a car accident at an early age.
-->'''Frank Oz:''' Not like he was feeling his mortality or a premonition that he would die young or anything like that -- but he realized that he just didn't have an infinite amount of time to do all the things he wanted to do.
-->'''Frank Oz:''' Not like he was feeling his mortality or a premonition that he would die young or anything like that -- but he realized that he just didn't have an infinite amount of time to do all the things he wanted to do.
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* DoingItForTheArt: Like almost every project Jim ever created, however this one in particular is considered to be his most personal pet project ever. Jim himself even noted the reason he did this film was to experience with different techniques of filming, timing, and editing -- he even actually noted exactly how many frames of film each sequence should take.
to:
* DoingItForTheArt: Like almost every project Jim ever created, however this one in particular is considered to be his most personal pet project ever. Jim himself even noted the reason he did this film was to experience experiment with different techniques of filming, timing, and editing -- he even actually noted exactly how many frames of film each sequence should take.
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* PieInTheFace: A man is smacked in the face with a pie.
to:
* PieInTheFace: A man nightclub comic (played by prop builder Don Sahlin) is smacked in the face with a pie.
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* MickeyMousing: The basic structural frame of the entire film. The film is scored for percussion and everything is synchronized to the same steady rhythm -- an impressive feat for Jim, since he had to do multiple takes walking (or running) at the exact same speed and length of stride.
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* AudibleBlink: Jim's frequent blinks are accompanied by the sound of a camera shutter.
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''Time Piece'' is an Oscar-nominated 1965 [[ShortFilm short film]] directed by and starring Creator/JimHenson. The short has no discernible plot; the underlying theme of the film is a hapless everyman and his adversarial relationship with time.
to:
''Time Piece'' is an Oscar-nominated 1965 [[ShortFilm short film]] directed by and starring Creator/JimHenson. The short has no discernible plot; the underlying theme of the film is a hapless everyman and his everyman's adversarial relationship with time.
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* [[ArcWords Arc Word]]: The only word spoken during the short's eight-minute run is "''Help!''", a total of four times.
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* [[ArcWords Arc Word]]: The only word spoken during the short's eight-minute run is "''Help!''", Jim's whimpered ''"Help!"'', which appears a total of four times.
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''Time Piece'' is an Oscar-nominated 1965 [[ShortFilm short film]] directed by and starring Creator/JimHenson. The short has no discernible plot; the underlying theme of the film is an everyman running away from time.
to:
''Time Piece'' is an Oscar-nominated 1965 [[ShortFilm short film]] directed by and starring Creator/JimHenson. The short has no discernible plot; the underlying theme of the film is an a hapless everyman running away from and his adversarial relationship with time.
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* AndNowForSomethingCompletelyDifferent: This was the first project in Jim Henson's career that did not feature any puppetry whatsoever; during TheSixties, Jim went through an experimental film period, and wanted to take on projects outside of Francise/TheMuppets - this was the first of three such non-Muppet experimental films, the other two being the ''Experiment in Television'' episodes ''Youth '68: Everything's Changing... Or Maybe It Isn't'' and ''Film/TheCube''.
* [[ArcWords Arc Word]]: The only word spoken during the short's eight-minute run is "Help," a total of four times.
* [[ArcWords Arc Word]]: The only word spoken during the short's eight-minute run is "Help," a total of four times.
to:
* AndNowForSomethingCompletelyDifferent: This was the first project in Jim Henson's career that did not feature any puppetry whatsoever; during TheSixties, Jim went through an experimental film period, and wanted to take on projects outside of Francise/TheMuppets Franchise/TheMuppets - this was the first of three such non-Muppet experimental films, the other two being the ''Experiment in Television'' episodes ''Youth '68: Everything's Changing... Or Maybe It Isn't'' and ''Film/TheCube''.
* [[ArcWords Arc Word]]: The only word spoken during the short's eight-minute run is"Help," "''Help!''", a total of four times.
* [[ArcWords Arc Word]]: The only word spoken during the short's eight-minute run is
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* DoingItForTheArt: Like almost every project Jim ever created, however this one in particular is considered to be his most personal pet project ever. Jim himself even noted the reason he did this film was to experience with different techniques of filming, timing, and editing - he even actually noted exactly how many frames of film each sequence should take.
to:
* DoingItForTheArt: Like almost every project Jim ever created, however this one in particular is considered to be his most personal pet project ever. Jim himself even noted the reason he did this film was to experience with different techniques of filming, timing, and editing - -- he even actually noted exactly how many frames of film each sequence should take.
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* RealitySubtext: While it's never been confirmed or denied, Muppet writer Jerry Juhl seems to believe that this film may have reflected Jim's feeling of there not being enough time for him to finish everything he sets out to accomplish; a feeling that stuck with Jim all throughout his life since the death of his older brother in a car accident at an early age.
* TheRunnerUpTakesItAll: RealLife example. This movie lost its Oscar to Claude Berri's ''Le Poulet'', which is only remembered nowadays as the short that took Jim Henson's Oscar.
* TheRunnerUpTakesItAll: RealLife example. This movie lost its Oscar to Claude Berri's ''Le Poulet'', which is only remembered nowadays as the short that took Jim Henson's Oscar.
to:
* RealitySubtext: While it's never been confirmed or denied, denied (and now never will be), Muppet writer associates Frank Oz and Jerry Juhl seems to believe believed that this film may have reflected Jim's feeling of there not being enough time for him to finish everything he sets set out to accomplish; accomplish, a feeling that stuck with Jim all throughout his life since the death of his older brother in a car accident at an early age.
-->'''Frank Oz:''' Not like he was feeling his mortality or a premonition that he would die young or anything like that -- but he realized that he just didn't have an infinite amount of time to do all the things he wanted to do.
* TheRunnerUpTakesItAll: RealLife example. This movie was nominated for an Academy Award for Best Live-Action Short Film, but lostits Oscar to Claude Berri's ''Le Poulet'', Poulet'' -- which is only remembered nowadays as the short that took The Short That Took Jim Henson's Oscar.
-->'''Frank Oz:''' Not like he was feeling his mortality or a premonition that he would die young or anything like that -- but he realized that he just didn't have an infinite amount of time to do all the things he wanted to do.
* TheRunnerUpTakesItAll: RealLife example. This movie was nominated for an Academy Award for Best Live-Action Short Film, but lost
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* TheCameo: Creator/FrankOz and Jerry Juhl, two of Henson's [[Franchise/TheMuppets usual]] [[ProductionPosse cohorts]], make brief appearances.
* TheRunnerUpTakesItAll: RealLife example. This movie lost its Oscar to Claude Berri's ''Le Poulet'', which is only remembered nowadays as the short that took Jim Henson's Oscar.
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* TheCameo: Creator/FrankOz and Jerry Juhl, two of Henson's [[Franchise/TheMuppets usual]] [[ProductionPosse cohorts]], make brief appearances.
* TheRunnerUpTakesItAll: RealLife example. This movie lost its Oscar to Claude Berri's ''Le Poulet'', which is only remembered nowadays as the short that took Jim Henson's Oscar.
* ToplessnessFromTheBack: A short montage shows several women unhooking their bras from behind.
* TheRunnerUpTakesItAll: RealLife example. This movie lost its Oscar to Claude Berri's ''Le Poulet'', which is only remembered nowadays as the short that took Jim Henson's Oscar.
* ToplessnessFromTheBack: A short montage shows several women unhooking their bras from behind.
to:
* TheRunnerUpTakesItAll: RealLife example. This movie lost its Oscar to Claude Berri's ''Le Poulet'', which is only remembered nowadays as the short that took Jim Henson's Oscar.
----
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* AndNowForSomethingCompletelyDifferent: This was the first project in Jim Henson's career that did not feature any puppetry whatsoever; during TheSixties, Jim went through an experimental film period, and wanted to take on projects outside of Francise/TheMuppets - this was the first of three such non-Muppet experimental films, others being the ''Experiment in Television'' episodes ''Youth '68: Everything's Changing... Or Maybe It Isn't'' and ''Film/TheCube''.
to:
* AndNowForSomethingCompletelyDifferent: This was the first project in Jim Henson's career that did not feature any puppetry whatsoever; during TheSixties, Jim went through an experimental film period, and wanted to take on projects outside of Francise/TheMuppets - this was the first of three such non-Muppet experimental films, others the other two being the ''Experiment in Television'' episodes ''Youth '68: Everything's Changing... Or Maybe It Isn't'' and ''Film/TheCube''.
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None
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* AndNowForSomethingCompletelyDifferent: This was the first project in Jim Henson's career that did not feature any puppetry whatsoever; during TheSixties, Jim went through an experimental film period, and wanted to take on projects outside of [[Francise/TheMuppets]] - this was the first of three such non-Muppet experimental films, others being ''Youth '68: Everything's Changing... Or Maybe It Isn't'' and ''Film/TheCube''.
to:
* AndNowForSomethingCompletelyDifferent: This was the first project in Jim Henson's career that did not feature any puppetry whatsoever; during TheSixties, Jim went through an experimental film period, and wanted to take on projects outside of [[Francise/TheMuppets]] Francise/TheMuppets - this was the first of three such non-Muppet experimental films, others being the ''Experiment in Television'' episodes ''Youth '68: Everything's Changing... Or Maybe It Isn't'' and ''Film/TheCube''.
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None
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* TheCameo: Creator/FrankOz and Jerry Juhl, two of Henson's [[Franchise/TheMuppets usual cohorts]], make brief appearances.
to:
* TheCameo: Creator/FrankOz and Jerry Juhl, two of Henson's [[Franchise/TheMuppets usual usual]] [[ProductionPosse cohorts]], make brief appearances. appearances.
* TheRunnerUpTakesItAll: RealLife example. This movie lost its Oscar to Claude Berri's ''Le Poulet'', which is only remembered nowadays as the short that took Jim Henson's Oscar.
* TheRunnerUpTakesItAll: RealLife example. This movie lost its Oscar to Claude Berri's ''Le Poulet'', which is only remembered nowadays as the short that took Jim Henson's Oscar.
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None
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''Time Piece'' is an Oscar-nominated 1965 [[ShortFilm short film]] directed by and starring Creator/JimHenson. The short has no discernible plot; its focus is essentially creating music out of everyday sounds.
to:
''Time Piece'' is an Oscar-nominated 1965 [[ShortFilm short film]] directed by and starring Creator/JimHenson. The short has no discernible plot; its focus the underlying theme of the film is essentially creating music out of everyday sounds.
an everyman running away from time.
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* AndNowForSomethingCompletelyDifferent: This was the first project in Jim Henson's career that did not feature any puppetry whatsoever; during TheSixties, Jim went through an experimental film period, and wanted to take on projects outside of [[Francise/TheMuppets]] - this was the first of three such non-Muppet experimental films, others being ''Youth '68: Everything's Changing... Or Maybe It Isn't'' and ''Film/TheCube''.
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* DoingItForTheArt: Like almost every project Jim ever created, however this one in particular is considered to be his most personal pet project ever. Jim himself even noted the reason he did this film was to experience with different techniques of filming, timing, and editing - he even actually noted exactly how many frames of film each sequence should take.
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* MickeyMousing: The entire premise of the short is finding music in the everyday; the sounds are often enhanced by regular instruments.
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* RealitySubtext: While it's never been confirmed or denied, Muppet writer Jerry Juhl seems to believe that this film may have reflected Jim's feeling of there not being enough time for him to finish everything he sets out to accomplish; a feeling that stuck with Jim all throughout his life since the death of his older brother in a car accident at an early age.
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None
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* TheCameo: FrankOz and Jerry Juhl, two of Henson's [[Franchise/TheMuppets usual cohorts]], make brief appearances.
to:
* TheCameo: FrankOz Creator/FrankOz and Jerry Juhl, two of Henson's [[Franchise/TheMuppets usual cohorts]], make brief appearances.
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* PieInTheFace
to:
* PieInTheFacePieInTheFace: A man is smacked in the face with a pie.
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* TheCameo: Frank Oz and Jerry Juhl, two of Henson's [[Franchise/TheMuppets usual cohorts]], make brief appearances.
to:
* TheCameo: Frank Oz FrankOz and Jerry Juhl, two of Henson's [[Franchise/TheMuppets usual cohorts]], make brief appearances.
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* [[ArcWords Arc Word]]: The only word spoken during the short's eight-minute run is "Help," a total of [[RuleOfThree three times.]]
* Gainaxing: A short clip of a woman's bouncing bust is featured, punctuated by a "boing!" noise.
* Gainaxing: A short clip of a woman's bouncing bust is featured, punctuated by a "boing!" noise.
to:
* [[ArcWords Arc Word]]: The only word spoken during the short's eight-minute run is "Help," a total of [[RuleOfThree three times.]]
four times.
*Gainaxing: {{Gainaxing}}: A short clip of a woman's bouncing bust is featured, punctuated by a "boing!" noise.
*
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* TheCameo: Frank Oz and Jerry Juhl, two of Henson's [[Franchise/TheMuppets usual cohorts]], make brief appearances.
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* [[ArcWords ArcWord]]: The only word spoken during the short's eight-minute run is "Help," a total of [[RuleOfThree three times.]]
to:
* [[ArcWords ArcWord]]: Arc Word]]: The only word spoken during the short's eight-minute run is "Help," a total of [[RuleOfThree three times.]]
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* MickeyMousing: The entire premise of the short is finding music in the everyday; the sounds are often enhanced by regular instruments.
to:
* MickeyMousing: The entire premise of the short is finding music in the everyday; the sounds are often enhanced by regular instruments.instruments.
* PieInTheFace
* SomethingElseAlsoRises: A striptease scene is interrupted by a banana and a champagne cork popping off the bottle.
* SurrealMusicVideo: It isn't a true music video per se, but it certainly fits this trope thanks to [[MakesJustAsMuchSenseInContext an exploding alarm clock, a man painting an elephant purple, and a man in a gorilla suit on a pogo stick]], among too many other elements to possibly list.
* ToplessnessFromTheBack: A short montage shows several women unhooking their bras from behind.
* PieInTheFace
* SomethingElseAlsoRises: A striptease scene is interrupted by a banana and a champagne cork popping off the bottle.
* SurrealMusicVideo: It isn't a true music video per se, but it certainly fits this trope thanks to [[MakesJustAsMuchSenseInContext an exploding alarm clock, a man painting an elephant purple, and a man in a gorilla suit on a pogo stick]], among too many other elements to possibly list.
* ToplessnessFromTheBack: A short montage shows several women unhooking their bras from behind.
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None
Added DiffLines:
''Time Piece'' is an Oscar-nominated 1965 [[ShortFilm short film]] directed by and starring Creator/JimHenson. The short has no discernible plot; its focus is essentially creating music out of everyday sounds.
----
!!This film provides examples of:
* [[ArcWords ArcWord]]: The only word spoken during the short's eight-minute run is "Help," a total of [[RuleOfThree three times.]]
* Gainaxing: A short clip of a woman's bouncing bust is featured, punctuated by a "boing!" noise.
* MickeyMousing: The entire premise of the short is finding music in the everyday; the sounds are often enhanced by regular instruments.
----
!!This film provides examples of:
* [[ArcWords ArcWord]]: The only word spoken during the short's eight-minute run is "Help," a total of [[RuleOfThree three times.]]
* Gainaxing: A short clip of a woman's bouncing bust is featured, punctuated by a "boing!" noise.
* MickeyMousing: The entire premise of the short is finding music in the everyday; the sounds are often enhanced by regular instruments.