Follow TV Tropes

Following

History Film / TheDuellists

Go To

OR

Is there an issue? Send a MessageReason:
None


* SoldierVsWarrior: A subtle theme of the film - Feraud is an arrogant, reputation-obsessed BloodKnight looking to escape boredom between battles via dueling, while d'Hubert is a calm professional who only accepts the challenges due to the expectations of the [[HonorBeforeReason period.]]) d'Hubert also never forgets that, technically, he and Feraud are brothers-in-arms, so even his application of HonorBeforeReason in saving Feraud is more professional than personal. The more traditional and ceremonial the duel is, the more the duel-happy warrior Feraud tends to come out ahead, while the more professional soldier and reluctant duelist d'Hubert does better the more "battle-like" the conditions are.

to:

* SoldierVsWarrior: A subtle theme of the film - Feraud is an arrogant, reputation-obsessed BloodKnight looking to escape boredom between battles via dueling, while d'Hubert is a calm professional who only accepts the challenges due to the expectations of the [[HonorBeforeReason period.]]) d'Hubert ]] D'Hubert also never forgets that, technically, he and Feraud are brothers-in-arms, so even his application of HonorBeforeReason in saving Feraud is more professional than personal. The more traditional and ceremonial the duel is, the more the duel-happy warrior Feraud tends to come out ahead, while the more professional soldier and reluctant duelist d'Hubert does better the more "battle-like" the conditions are.
Is there an issue? Send a MessageReason:
None


* TheReasonYouSuckSpeech: d'Hubert's girlfriend goes to Feraud at this camp the night before their second duel, telling him that he duels only to work out his spite on others.

to:

* TheReasonYouSuckSpeech: d'Hubert's girlfriend goes to Feraud at this his camp the night before their second duel, telling him that he duels only to work out his spite on others.

Added: 52

Changed: 65

Is there an issue? Send a MessageReason:
None



to:

[[caption-width-right:316:''[[{{Tagline}} Fencing is a science.\\
Loving is a passion.\\
Dueling is an obsession.]]'']]
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* UnPerson: Feraud's fate. After Napoleon's downfall, d'Hubert sees to it that his once-powerful rival is spared the guillotine, but Feraud has to live out his days in the province under police supervision and not consort with any other Bonapartists. He will simply be forgotten. [[spoiler:When he loses the final duel as well, d'Hubert forces Feraud to regard himself as a dead man and never approach him again.]]

Added: 350

Changed: 11

Is there an issue? Send a MessageReason:
None


* GetItOverWith: [[spoiler:After d'Hubert wins the final duel, Feraud eggs incites him to kill him. D'Hubert lets him live with his defeat instead.]]

to:

* GetItOverWith: [[spoiler:After d'Hubert wins the final duel, Feraud eggs incites him on to kill him. D'Hubert lets him live with his defeat instead.]]


Added DiffLines:

* WorthyOpponent: After more than two decades of feuding, Feraud still hates d'Hubert enough to smear his name and continue trying to kill him, but d'Hubert himself sees to it that Feraud is spared execution after Napoleon's downfall. While he regards Feraud as a stubborn fool, it's clear that he has grown to care for his arch-enemy in a weird way.
Is there an issue? Send a MessageReason:
None


Creator/RidleyScott's first feature film examines Féraud's consuming obsession, and d'Hubert's inability to say no to another potentially fatal challenge. The screenplay is based on the short story "The Duel" by Creator/JosephConrad. Winner of the Best Debut Film award at the 1977 Cannes Film Festival.

to:

Creator/RidleyScott's first feature film examines Féraud's consuming obsession, and d'Hubert's inability to say no to another potentially fatal challenge. The screenplay is based on the short story "The Duel" by Creator/JosephConrad. Winner of the Best Debut Film award at the 1977 Cannes Film Festival. Decades later, Scott returned to UsefulNotes/TheNapoleonicWars with ''Film/{{Napoleon|2023}}''.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* WhatYouAreInTheDark: d'Hubert uses his newfound influence with the royalists to spare his perennial rival -- condemned and attainted for Bonapartism -- an execution. Feraud [[DramaticIrony never discovers this grace]] and d'Hubert swears its only witness to secrecy.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* WarIsHell: The retreat of the Grande Armee from Russia is, naturally, pretty grim.

Added: 217

Changed: 1310

Removed: 1067

Is there an issue? Send a MessageReason:
None


-->'''d'Hubert:''' He's most unreasonable!
-->'''Jacquin:''' The enemies of reason have a certain blind look. Feraud has that look, don't you think?

to:

-->'''d'Hubert:''' --->'''d'Hubert:''' He's most unreasonable!
-->'''Jacquin:'''
unreasonable!\\
'''Jacquin:'''
The enemies of reason have a certain blind look. Feraud has that look, don't you think?



* MoodWhiplash

to:

* MoodWhiplashMoodWhiplash:



* ShownTheirWork: The movie has been praised by swordsmanship buffs for its highly accurate and realistic depiction of what 19th century duels [[TruthInTelevision were actually like]], short, vicious, and usually over the moment the first blow is landed.

to:

* ShownTheirWork: ShownTheirWork:
**
The movie has been praised by swordsmanship buffs for its highly accurate and realistic depiction of what 19th century duels [[TruthInTelevision were actually like]], like, short, vicious, and usually over the moment the first blow is landed.



* SoldierVsWarrior: A subtle theme of the film - Feraud is an arrogant, reputation-obsessed BloodKnight looking to escape boredom between battles via dueling, while d’Hubert is a calm professional who only accepts the challenges due to the expectations of the [[HonorBeforeReason period.]]) d’Hubert also never forgets that, technically, he and Feraud are brothers-in-arms, so even his application of HonorBeforeReason in saving Feraud is more professional than personal.
** Interestingly, the more traditional and ceremonial the duel is, the more the duel-happy warrior Feraud tends to come out ahead, while the more professional soldier and reluctant duelist d’Hubert does better the more “battle-like” the conditions are.
* SpiritualSuccessor: To ''Film/BarryLyndon''. Scott stated on the DVD commentary that he deliberately set out to mimic that film's lush cinematography. Gay Hamilton is in both films.
* SuaveSabre: Naturally since this story features two Hussars in Napoleon's army who develop a feud over some trifle and fight a series of duels with each other over a long period of years. The first, third, and fourth duels are fought with their cavalry sabres, while the last is fought with pistols. The major themes throughout are the pride and bravado of the Hussars, the macho military culture that created the expectation of dueling, and the personal obsession between the participants. The third duel, fought on foot with heavy sabres, actually subverts the trope by getting really ugly: it goes on for so long the duelists are gasping for breath, propping themselves up on their swords, and occasionally mustering the strength to make wild roundhouse swings at each other. The fight is ended by their seconds when they discard their swords and just start having at each other.

to:

* SoldierVsWarrior: A subtle theme of the film - Feraud is an arrogant, reputation-obsessed BloodKnight looking to escape boredom between battles via dueling, while d’Hubert d'Hubert is a calm professional who only accepts the challenges due to the expectations of the [[HonorBeforeReason period.]]) d’Hubert d'Hubert also never forgets that, technically, he and Feraud are brothers-in-arms, so even his application of HonorBeforeReason in saving Feraud is more professional than personal.
** Interestingly, the
personal. The more traditional and ceremonial the duel is, the more the duel-happy warrior Feraud tends to come out ahead, while the more professional soldier and reluctant duelist d’Hubert d'Hubert does better the more “battle-like” "battle-like" the conditions are.
* SpiritualSuccessor: To ''Film/BarryLyndon''. Scott stated on the DVD commentary that he deliberately set out to mimic that film's lush cinematography. Gay Hamilton is in both films.
*
SuaveSabre: Naturally since Since this story features two Hussars in Napoleon's army who develop a feud over some trifle and fight a series of duels with each other over a long period of years. The first, third, and fourth duels are fought with their cavalry sabres, while the last is fought with pistols. The major themes throughout are the pride and bravado of the Hussars, the macho military culture that created the expectation of dueling, and the personal obsession between the participants. The third duel, fought on foot with heavy sabres, actually subverts the trope by getting really ugly: it goes on for so long the duelists are gasping for breath, propping themselves up on their swords, and occasionally mustering the strength to make wild roundhouse swings at each other. The fight is ended by their seconds when they discard their swords and just start having at each other.
Is there an issue? Send a MessageReason:
None



Not to be confused with ''{{Film/Duel}}'', another directorial debut by another [[Creator/StevenSpielberg prominent director]].
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* SuaveSabre: Naturally since this story features two Hussars in Napoleon's army who develop a feud over some trifle and fight a series of duels with each other over a long period of years. The first, third, and fourth duels are fought with their cavalry sabres, while the last is fought with pistols. The major themes throughout are the pride and bravado of the Hussars, the macho military culture that created the expectation of dueling, and the personal obsession between the participants. The third duel, fought on foot with heavy sabres, actually subverts the trope by getting really ugly: it goes on for so long the duelists are gasping for breath, propping themselves up on their swords, and occasionally mustering the strength to make wild roundhouse swings at each other. The fight is ended by their seconds when they discard their swords and just start having at each other.
Is there an issue? Send a MessageReason:
not a choice?


* SoldierVsWarrior: A subtle theme of the film - Feraud is an arrogant, reputation-obsessed BloodKnight looking to escape boredom between battles via dueling, while d’Hubert is a calm professional who only accepts the challenges due to the [[ButThouMust expectations]] of the [[HonorBeforeReason period.]]) d’Hubert also never forgets that, technically, he and Feraud are brothers-in-arms, so even his application of HonorBeforeReason in saving Feraud is more professional than personal.

to:

* SoldierVsWarrior: A subtle theme of the film - Feraud is an arrogant, reputation-obsessed BloodKnight looking to escape boredom between battles via dueling, while d’Hubert is a calm professional who only accepts the challenges due to the [[ButThouMust expectations]] expectations of the [[HonorBeforeReason period.]]) d’Hubert also never forgets that, technically, he and Feraud are brothers-in-arms, so even his application of HonorBeforeReason in saving Feraud is more professional than personal.
Is there an issue? Send a MessageReason:
None


* TestosteronePoisoning: When Jacquin asks what the issue was that led to Feraud challenging him, d'Hubert can only reply that is was a Cavalry thing.

to:

* TestosteronePoisoning: When Jacquin asks what the issue was that led to Feraud challenging him, d'Hubert can only reply that is it was a Cavalry thing.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* TestosteronePoisoning: When Jacquin asks what the issue was that led to Feraud challenging him, d'Hubert can only reply that is was a Cavalry thing.
Is there an issue? Send a MessageReason:
Dewicked trope


* BadassMustache: Both of the leads. Also Badass Pigtails.
Is there an issue? Send a MessageReason:
None


* ScarsAreForever: Feraud has a scar on his right forearm from his first duel with d'Hubert. After he loses an arm wrestling match, he complains that his arm muscle "never healed properly" prompting him to challenge d'Hubert to a second duel.

to:

* ScarsAreForever: Feraud has a scar on his right forearm from his first duel with d'Hubert. After he loses an arm wrestling match, he complains that his arm muscle "never healed properly" prompting him to challenge d'Hubert to a second duel. The cut on his forehead that ends the fourth duel also leaves a pale scar that becomes more apparent as Feraud ages.
Is there an issue? Send a MessageReason:
None


* TheQueensLatin: All the characters are French but most of the cast except the two American leads are British. Creator/RidleyScott actually wanted the leads to be played by two established British actors, see WhatCouldHaveBeen on the Trivia tab.

to:

* TheQueensLatin: All the characters are French but most of the cast except the two American leads are British. Creator/RidleyScott actually wanted the leads to be played by two established British actors, see WhatCouldHaveBeen on the Trivia tab.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* HotBlooded: Féraud, bordering on AxCrazy.

Top