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* GriefInducedSplit: John's spiral of grief following his daughter's death results in his firing and inability to keep further jobs. The strain this adds to his marriage culminates in his returning home from securing a new job to find Mary leaving. The trope is ultimately subverted, as she loves him too much to leave.
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* BigApplesauce: Inculudes a memorable [[https://www.youtube.com/watch?v=Er7kOfPGbmQ montage sequence]] when John first arrives in the city, which highlights the film's theme of urban alienation.

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* BigApplesauce: Inculudes Includes a memorable [[https://www.youtube.com/watch?v=Er7kOfPGbmQ montage sequence]] when John first arrives in the city, which highlights the film's theme of urban alienation.
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* IJustWantToBeSpecial: But he isn't. Or at least not enough to avoid ever actually applying himself enough to achieve the success he craves.

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* IJustWantToBeSpecial: But he isn't. Or at least not enough to avoid ever actually applying himself enough to achieve the success he craves. One of the tragedies of John's life is that he probably could be a big deal were he not focused on getting there through short cuts.
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* IJustWantToBeSpecial: But he isn't.

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* IJustWantToBeSpecial: But he isn't. Or at least not enough to avoid ever actually applying himself enough to achieve the success he craves.
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* {{Foreshadowing}}: While John and Mary are riding on top of a double-decker bus, they pass a man on the sidewalk in a clown suit, juggling and wearing a sandwich board sign advertising a diner. John mocks the man's job and appearance, unaware that [[spoiler: he'll be applying for that same job in desperation towards the end of the film.]]

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* {{Foreshadowing}}: While John and Mary are riding on top of a double-decker bus, they pass a man on the sidewalk in a clown suit, juggling balls and wearing a sandwich board sign advertising a diner.advertisement. John mocks the man's job and appearance, unaware that [[spoiler: he'll be applying for that same job in desperation towards the end of the film.]]
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* {{Foreshadowing}}: While John and Mary were riding on top of a double-decker bus, they pass a down-and-out juggling clown on the busy street, with a sandwich board sign plastered on his front advertising Brockton's". Then John mocked the man's job and appearance, unaware that [[spoiler: he would also be applying for that same job towards the end of the film as a desperate man trying to get a job after he quit his previous one.]]

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* {{Foreshadowing}}: While John and Mary were are riding on top of a double-decker bus, they pass a down-and-out man on the sidewalk in a clown suit, juggling clown on the busy street, with and wearing a sandwich board sign plastered on his front advertising Brockton's". Then a diner. John mocked mocks the man's job and appearance, unaware that [[spoiler: he would also he'll be applying for that same job in desperation towards the end of the film as a desperate man trying to get a job after he quit his previous one.film.]]
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!!''The Crowd'' provides Examples Of:

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!!''The Crowd'' provides Examples Of:
examples of:
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* BigApplesauce: Inculudes a [[https://www.youtube.com/watch?v=Er7kOfPGbmQ memorable sequence]] when John first arrives in the city, which highlights the film's theme of urban alienation.

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* BigApplesauce: Inculudes a memorable [[https://www.youtube.com/watch?v=Er7kOfPGbmQ memorable montage sequence]] when John first arrives in the city, which highlights the film's theme of urban alienation.
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Directed and co-written by one of the greatest filmmakers of the era, Creator/KingVidor, ''The Crowd'' (1928) stars James Murray as John Sims, an ordinary young man who's blissfully confident that he'll be a great success when he comes to the big city. The only problem is that John is a dreamer who believes he can win that success through shortcuts, like thinking up corny advertising slogans or hitting on some big idea, rather than by actually working hard or applying himself. Eleanor Boardman plays John's loving, supportive wife Mary.

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Directed and co-written by one of the greatest filmmakers of the era, Creator/KingVidor, ''The Crowd'' (1928) stars James Murray as John Sims, an ordinary young man who's who is blissfully confident that he'll be a great success when he comes to the big city. The only problem is that John is a dreamer who believes he can win that success through shortcuts, like thinking up corny advertising slogans or hitting on some big idea, rather than by actually working hard or applying himself. Eleanor Boardman plays John's loving, supportive wife Mary.
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Directed and co-written by one of the greatest filmmakers of the era, Creator/KingVidor, ''The Crowd'' (1928) stars James Murray as John Sims, an ordinary young man who's blissfully confident that he will be a great success when he comes to the big city. The only problem is that John is a dreamer who believes he can win that success through shortcuts, like thinking up corny advertising slogans or hitting on some big idea, rather than by actually working hard or applying himself. Eleanor Boardman plays John's loving, supportive wife Mary.

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Directed and co-written by one of the greatest filmmakers of the era, Creator/KingVidor, ''The Crowd'' (1928) stars James Murray as John Sims, an ordinary young man who's blissfully confident that he will he'll be a great success when he comes to the big city. The only problem is that John is a dreamer who believes he can win that success through shortcuts, like thinking up corny advertising slogans or hitting on some big idea, rather than by actually working hard or applying himself. Eleanor Boardman plays John's loving, supportive wife Mary.
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Directed by one of the great filmmakers of the era, Creator/KingVidor, ''The Crowd'' (1928) stars James Murray as John Sims, an ordinary young man who's blissfully confident that he will be a great success when he comes to the big city. The only problem is that John is a dreamer who believes he can attain that success by thinking up corny advertising slogans or finding some big idea rather than actually working hard or applying himself. Eleanor Boardman plays his loving, supportive wife Mary.

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Directed and co-written by one of the great greatest filmmakers of the era, Creator/KingVidor, ''The Crowd'' (1928) stars James Murray as John Sims, an ordinary young man who's blissfully confident that he will be a great success when he comes to the big city. The only problem is that John is a dreamer who believes he can attain win that success by through shortcuts, like thinking up corny advertising slogans or finding hitting on some big idea idea, rather than by actually working hard or applying himself. Eleanor Boardman plays his John's loving, supportive wife Mary.
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[[quoteright:345:https://static.tvtropes.org/pmwiki/pub/images/the_crowd_1928.Jpg]]

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[[quoteright:345:https://static.[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/the_crowd_1928.Jpg]]



Directed by one of the great filmmakers of the era, Creator/KingVidor, ''The Crowd'' (1928) stars James Murray as John Sims, an ordinary young man who's blissfully confident that he'll be a great success when he comes to the big city. The only problem is that John believes he can attain that success by thinking up corny advertising slogans or finding some big idea rather than actually working hard or applying himself. Eleanor Boardman plays his loving, supportive wife Mary.

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Directed by one of the great filmmakers of the era, Creator/KingVidor, ''The Crowd'' (1928) stars James Murray as John Sims, an ordinary young man who's blissfully confident that he'll he will be a great success when he comes to the big city. The only problem is that John is a dreamer who believes he can attain that success by thinking up corny advertising slogans or finding some big idea rather than actually working hard or applying himself. Eleanor Boardman plays his loving, supportive wife Mary.

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[[quoteright:320:https://static.tvtropes.org/pmwiki/pub/images/the_crowd_777.jpg]]

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[[quoteright:320:https://static.[[quoteright:345:https://static.tvtropes.org/pmwiki/pub/images/the_crowd_777.jpg]]
org/pmwiki/pub/images/the_crowd_1928.Jpg]]



One of the most daring, groundbreaking films made in UsefulNotes/TheSilentAgeOfHollywood--or ever, possibly. Directed by one of the great filmmakers of the era, Creator/KingVidor, ''The Crowd'' (1928) stars James Murray as John Sims, a young man who's blissfully confident that he'll be a great success when he comes to the big city. The only problem is that he thinks he'll succeed by thinking up corny advertising slogans or finding some big idea rather than actually working hard or applying himself. Eleanor Boardman plays his loving, supportive wife Mary.

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One of the most daring, groundbreaking films to be made in UsefulNotes/TheSilentAgeOfHollywood--or ever, possibly. possibly.

Directed by one of the great filmmakers of the era, Creator/KingVidor, ''The Crowd'' (1928) stars James Murray as John Sims, a an ordinary young man who's blissfully confident that he'll be a great success when he comes to the big city. The only problem is that John believes he thinks he'll succeed can attain that success by thinking up corny advertising slogans or finding some big idea rather than actually working hard or applying himself. Eleanor Boardman plays his loving, supportive wife Mary.



''The Crowd'' was recognized as brilliant at the time, earning nominations at the first UsefulNotes/AcademyAward ceremony for Best Director and Unique and Artistic Production (the latter being an alternate Best Picture award that was never given again). The years have not lessened its critical standing. In 1989 it was one of the first 25 films selected by the Library of Congress to be preserved in the National Film Registry.

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''The Crowd'' was recognized as brilliant at the time, earning nominations at the first UsefulNotes/AcademyAward ceremony for Best Director and Unique and Artistic Production (the latter being an alternate Best Picture award that was never given again). The years have not lessened its critical standing. In 1989 it was one of the first 25 films selected by the Library of Congress to be preserved for inclusion in the National Film Registry.UsefulNotes/NationalFilmRegistry.
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* TunnelOfLove: John and Mary go through a TunnelOfLove ride at Coney Island. The gag is that at the end, a curtain labeled "Do They Neck?" is pulled back, to show onlookers outside who is and isn't kissing at the end of the ride.
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We missed this.

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* {{Foreshadowing}}: While John and Mary were riding on top of a double-decker bus, they pass a down-and-out juggling clown on the busy street, with a sandwich board sign plastered on his front advertising Brockton's". Then John mocked the man's job and appearance, unaware that [[spoiler: he would also be applying for that same job towards the end of the film as a desperate man trying to get a job after he quit his previous one.]]
Is there an issue? Send a MessageReason:
None


One of the most daring, groundbreaking films made in UsefulNotes/TheSilentAgeOfHollywood--or ever, possibly. Directed by one of the great filmmakers of the era, Creator/KingVidor, ''The Crowd'' (1928) stars James Murray as John Sims, a young man blissfully confident that he'll be a great success when he comes to the big city. The only problem is that he thinks he'll succeed by thinking up corny advertising slogans or finding some big idea rather than actually working hard or applying himself. Eleanor Boardman plays his loving, supportive wife Mary.

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One of the most daring, groundbreaking films made in UsefulNotes/TheSilentAgeOfHollywood--or ever, possibly. Directed by one of the great filmmakers of the era, Creator/KingVidor, ''The Crowd'' (1928) stars James Murray as John Sims, a young man who's blissfully confident that he'll be a great success when he comes to the big city. The only problem is that he thinks he'll succeed by thinking up corny advertising slogans or finding some big idea rather than actually working hard or applying himself. Eleanor Boardman plays his loving, supportive wife Mary.
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One of the most daring, groundbreaking films made in UsefulNotes/TheSilentAgeOfHollywood--or ever, possibly. Directed by one of the great filmmakers of the era, Creator/KingVidor, ''The Crowd'' stars James Murray as John Sims, a young man blissfully confident that he'll be a great success when he comes to the big city. The only problem is that he thinks he'll succeed by thinking up corny advertising slogans or finding some big idea rather than actually working hard or applying himself. Eleanor Boardman plays his loving, supportive wife Mary.

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One of the most daring, groundbreaking films made in UsefulNotes/TheSilentAgeOfHollywood--or ever, possibly. Directed by one of the great filmmakers of the era, Creator/KingVidor, ''The Crowd'' (1928) stars James Murray as John Sims, a young man blissfully confident that he'll be a great success when he comes to the big city. The only problem is that he thinks he'll succeed by thinking up corny advertising slogans or finding some big idea rather than actually working hard or applying himself. Eleanor Boardman plays his loving, supportive wife Mary.
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One of the most daring, groundbreaking films made in Hollywood in the 1920s--or ever, possibly. Directed by one of the great filmmakers of the era, Creator/KingVidor, ''The Crowd'' stars James Murray as John Sims, a young man blissfully confident that he'll be a great success when he comes to the big city. The only problem is that he thinks he'll succeed by thinking up corny advertising slogans or finding some big idea rather than actually working hard or applying himself. Eleanor Boardman plays his loving, supportive wife Mary.

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One of the most daring, groundbreaking films made in Hollywood in the 1920s--or UsefulNotes/TheSilentAgeOfHollywood--or ever, possibly. Directed by one of the great filmmakers of the era, Creator/KingVidor, ''The Crowd'' stars James Murray as John Sims, a young man blissfully confident that he'll be a great success when he comes to the big city. The only problem is that he thinks he'll succeed by thinking up corny advertising slogans or finding some big idea rather than actually working hard or applying himself. Eleanor Boardman plays his loving, supportive wife Mary.
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* TokenMinority: Amongst John's ChildhoodFriends is one black boy.

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!!Provides Examples Of:

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!!Provides !!''The Crowd'' provides Examples Of:



* DisappearedDad: John's father dies unexpectedly four minutes into the film.



* InfantImmortality: Averted. The Sims' little daughter is run down in the street and killed.



** While on his first date with Mary, John spies a man juggling balls while dressed as a clown and wearing a sandwich-board advertisement. Laughing and pointing, he says: "The poor sap! And I bet his father thought he would be President!" (In the opening scene, John's father told the doctor attending his birth, "There's a little man the world is going to hear from all right.")
*** Doubly ironic, in that John winds up taking the very same juggling job toward the end of the film.

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** While on his first date with Mary, John spies a man juggling balls while dressed as a clown and wearing a sandwich-board advertisement. Laughing and pointing, he says: "The poor sap! And I bet his father thought he would be President!" (In the opening scene, John's father told the doctor attending his birth, "There's a little man the world is going to hear from all right.")
***
") Doubly ironic, in that John winds up taking the very same juggling job toward the end of the film.


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* NoNameGiven: Mary and John's daughter is unnamed despite being a pivotal character. Their son narrowly avoids fhis by being called "Junior" (thus it can be assumed he's named after his father).


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* PanickyExpectantFather:
** John's father is obviously nervous when he's born at the start.
** John himself is panicky at the birth of his first child.
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Useful Notes/ pages are not tropes


* NiagaraFalls: Where John and Mary go for their honeymoon.
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* FatBestFriend: Played with. Fat, jolly Bert seems like the prototypical sidekick to handsome protagonist John, but Bert actually works hard at his job and winds up far more successful in life than John does, to the point of becoming one of John’s bosses.

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* FatBestFriend: Played with. Fat, jolly Bert seems like the prototypical sidekick to handsome protagonist John, but Bert actually works hard at his job and winds up far more successful in life than John does, to the point of becoming one of John’s John's bosses.
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* FatBestFriend: Played with. Fat, jolly Bert seems like the prototypical sidekick to handsome protagonist John, but Bert actually works hard at his job and winds up far more successful in life than John does.

to:

* FatBestFriend: Played with. Fat, jolly Bert seems like the prototypical sidekick to handsome protagonist John, but Bert actually works hard at his job and winds up far more successful in life than John does.does, to the point of becoming one of John’s bosses.
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* DeathOfAChild: The death of John and Mary's little daughter, run down in the street by a truck, is the catalyst for the second half of the plot. Their lives and marriage unravel as John is unable to deal with his grief.

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