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Deleted line(s) 13 (click to see context) :
* WhatTheHellHero: Jordana calls Oliver out for being insensitive by not visiting her mother in the hospital, first sarcastically in a break-up letter, and then to his face.
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* WhatTheHellHero: Jordana calls Oliver out for being insensitive by not visiting her mother in the hospital, first sarcastically in a break-up letter, and then to his face.
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If he's just stalking people who interest him, then it's Stalker Without A Crush
Deleted line(s) 77 (click to see context) :
* StalkingIsLove: Oliver, although he just stalks anyone that interests him.
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Deleted line(s) 81 (click to see context) :
* WiseBeyondTheirYears: Oliver certainly seems to think so.
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* WiseBeyondTheirYears: Oliver certainly seems to think so.
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* TwentyMinutesIntoThePast: Set in TheEighties, made in the 2010s.
* WhatTheHellHero: Jordana calls Oliver out for being insensitive by not visiting her mother in the hospital, first sarcastically in a break-up letter, and then to his face.
* WhatTheHellHero: Jordana calls Oliver out for being insensitive by not visiting her mother in the hospital, first sarcastically in a break-up letter, and then to his face.
Changed line(s) 40 (click to see context) from:
* GilliganCut: After Jordana kisses Oliver, she tells him she plans on distributing the pictures she took of them kissing around school, and says, "Now there's conclusive proof that you're maybe not gay." Cut immediately to a scene the next day with a crowd of people chanting "gaylord" in a circle around Oliver while Mark demands Oliver admit that he's gay.
to:
* GilliganCut: After Jordana kisses Oliver, she tells him she plans on distributing the pictures she took of them kissing around school, and says, "Now there's conclusive proof that you're maybe not gay." gay". Cut immediately to a scene the next day with a crowd of people chanting "gaylord" in a circle around Oliver while Mark demands Oliver admit that he's gay.
Changed line(s) 54 (click to see context) from:
** Oliver wishes that life could be like American soap operas, because "whenever things got dramatic, you could just fade the picture down and pick things up again later." The scene [[FadeOut fades out]] immediately afterwards.
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** Oliver wishes that life could be like American soap operas, because "whenever things got dramatic, you could just fade the picture down and pick things up again later." later". The scene [[FadeOut fades out]] immediately afterwards.
Changed line(s) 56 (click to see context) from:
* ManicPixieDreamGirl: Jordana is somewhat of a Manic Pixie {{Jerkass}} early in the movie to the introspective and inward Oliver, in that her influence isn't necessarily positive, such as motivating him to join in on [[ButtMonkey Zoe]]'s bullying because it entertains her. [[spoiler:Subverted in that most males want the [=MPDG=] to reciprocate their feelings; Oliver breaks up with Jordana when he's worried she'll get too "gooey." Oliver is interested in her as long as she's livening up his life, but once he sees some depth and realizes that she has feelings and a personality too, he loses interest, which could be something of a deconstruction of the trope.]]
to:
* ManicPixieDreamGirl: Jordana is somewhat of a Manic Pixie {{Jerkass}} early in the movie to the introspective and inward Oliver, in that her influence isn't necessarily positive, such as motivating him to join in on [[ButtMonkey Zoe]]'s bullying because it entertains her. [[spoiler:Subverted in that most males want the [=MPDG=] to reciprocate their feelings; Oliver breaks up with Jordana when he's worried she'll get too "gooey." "gooey". Oliver is interested in her as long as she's livening up his life, but once he sees some depth and realizes that she has feelings and a personality too, he loses interest, which could be something of a deconstruction of the trope.]]
Changed line(s) 78,80 (click to see context) from:
* ThisIsThePartWhere: Oliver attempts to win Jordana back (while she's next to her new boyfriend, no less) by giving a brief rationale/apology, and outright says, "This is the moment where you leave him and come with me." Unsurprisingly, Jordana says no.
* TwentyMinutesIntoThePast: Set in TheEighties, made in the 2010s.
* WhatTheHellHero: Jordana calls Oliver out for being insensitive by not visiting her mother in the hospital, first sarcastically in a break-up letter, and then to his face.
* TwentyMinutesIntoThePast: Set in TheEighties, made in the 2010s.
* WhatTheHellHero: Jordana calls Oliver out for being insensitive by not visiting her mother in the hospital, first sarcastically in a break-up letter, and then to his face.
to:
* ThisIsThePartWhere: Oliver attempts to win Jordana back (while she's next to her new boyfriend, no less) by giving a brief rationale/apology, and outright says, "This is the moment where you leave him and come with me." me". Unsurprisingly, Jordana says no.
* TwentyMinutesIntoThePast: Set in TheEighties, made in the 2010s.
* WhatTheHellHero: Jordana calls Oliver out for being insensitive by not visiting her mother in the hospital, first sarcastically in a break-up letter, and then to his face.no.
* TwentyMinutesIntoThePast: Set in TheEighties, made in the 2010s.
* WhatTheHellHero: Jordana calls Oliver out for being insensitive by not visiting her mother in the hospital, first sarcastically in a break-up letter, and then to his face.
Changed line(s) 85 (click to see context) from:
** When he confronts Jordana after they've broken up, he says "This is the moment where you leave him and come with me," while she just stares at him.
to:
** When he confronts Jordana after they've broken up, he says "This is the moment where you leave him and come with me," me", while she just stares at him.
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Deleted line(s) 13,14 (click to see context) :
* DearJohnLetter: Jordana formally breaks up with Oliver via a letter informing him that she's seeing someone else.
* BookWorm: Oliver is given a dictionary and thesaurus as presents, and further gives Jordana three books as a present.
* BookWorm: Oliver is given a dictionary and thesaurus as presents, and further gives Jordana three books as a present.
* BookWorm: Oliver is given a dictionary and thesaurus as presents, and further gives Jordana three books as a present.
Changed line(s) 17 (click to see context) from:
* ButtMonkey: Zoe Preece gets bullied at school "because she's overweight and won't accept notes in class", and an early scene where a group of kids including Oliver and Jordana play "keep away" with her bookbag in the woods ends with her falling into a pond. She ends up moving schools due to her unhappiness from being bullied.
to:
* ButtMonkey: ButtMonkey:
** Zoe Preece gets bullied at school "because she's overweight and won't accept notes in class", and an early scene where a group of kids including Oliver and Jordana play "keep away" with her bookbag in the woods ends with her falling into a pond. She ends up moving schools due to her unhappiness from being bullied.
** Zoe Preece gets bullied at school "because she's overweight and won't accept notes in class", and an early scene where a group of kids including Oliver and Jordana play "keep away" with her bookbag in the woods ends with her falling into a pond. She ends up moving schools due to her unhappiness from being bullied.
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* DearJohnLetter: Jordana formally breaks up with Oliver via a letter informing him that she's seeing someone else.
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* EightiesHair: Surprisingly averted for a film set in TheEighties. Most of the characters have long, straight hair more befitting the 2010s. The only exception is Graham, who has a spectacular mullet.
Deleted line(s) 13 (click to see context) :
* EightiesHair: Surprisingly averted for a film set in TheEighties. Most of the characters have long, straight hair more befitting the 2010s. The only exception is Graham, who has a spectacular mullet.
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Changed line(s) 57 (click to see context) from:
* MaybeEverAfter: In the final scene of the film, Oliver and Jordana find each other on the beach. Jordana says that Oliver was "horrible" to her, and Oliver admits that he "made a mistake", but they end the film walking into the sea and standing side by side. What will come of their interaction is ambiguous, but it shows that at the very least, they don't mind each other's company.
to:
* MaybeEverAfter: In the final scene of the film, Oliver and Jordana find each other on the beach. Jordana says that Oliver was "horrible" to her, and Oliver admits that he "made a mistake", but they end the film walking into the sea and standing side by side. What will come of their interaction is ambiguous, but it shows that at the very least, they've now gotten to a point where they don't mind each other's company.company.
* MistakenFromBehind: The "end scene" Oliver envisions for his personal movie revolves around this playing out [[PlayedForDrama for dramatic effect]]. When he actually gets to live it out in the final scene of the film, he's caught off-guard when it's actually the person he thought it was -- Jordana.
-->"...it's getting dark and I mistake a girl for Jordana. A girl with the exact same frame and the exact same hair. And when she turns around, I see her face is nothing like Jordana's. And she asks, 'Do I know you?' And I look traumatized and say... 'No. You don't know me. You don't know me at all.'"
* MistakenFromBehind: The "end scene" Oliver envisions for his personal movie revolves around this playing out [[PlayedForDrama for dramatic effect]]. When he actually gets to live it out in the final scene of the film, he's caught off-guard when it's actually the person he thought it was -- Jordana.
-->"...it's getting dark and I mistake a girl for Jordana. A girl with the exact same frame and the exact same hair. And when she turns around, I see her face is nothing like Jordana's. And she asks, 'Do I know you?' And I look traumatized and say... 'No. You don't know me. You don't know me at all.'"
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Changed line(s) 18 (click to see context) from:
** On a meta level as well. In the book, she has a bigger role, having lost weight and enjoying her life in a new school after she's bullied out of her old one, and her success is contrasted with Oliver's immature victim complex. In the film, she's not shown again after Oliver and Jordana bullying her brings them together, and Oliver never gets comeuppance for his actions.
to:
** On May also exist on a meta level as well. In the book, she has a bigger role, having lost weight and enjoying her life in a new school after she's bullied out of her old one, and her success is contrasted with Oliver's immature victim complex. In the film, she's not shown again after Oliver and Jordana bullying her brings them together, and Oliver never gets comeuppance for his actions.
Changed line(s) 39 (click to see context) from:
* GilliganCut: After Jordana kisses Oliver and tells him she plans on distributing the pictures over the school, she tells him "Now there's conclusive proof that you're maybe not gay." Cue an immediate cut to a scene the next day with a crowd of people chanting "gaylord" in a circle around Oliver while Mark demands Oliver admit that he's gay.
to:
* GilliganCut: After Jordana kisses Oliver and Oliver, she tells him she plans on distributing the pictures over the she took of them kissing around school, she tells him and says, "Now there's conclusive proof that you're maybe not gay." Cue an immediate cut Cut immediately to a scene the next day with a crowd of people chanting "gaylord" in a circle around Oliver while Mark demands Oliver admit that he's gay.
Changed line(s) 66 (click to see context) from:
* SexAsARiteOfPassage: Oliver makes it a goal to lose his virginity and clearly sees this as a key part of his coming of age narrative. After doing the deed, he's no more mature, and it doesn't advance his relationship. Subverted with Jordana-- she's only willing to sleep with him after he tells her she should just "get it[[note]]losing her virginity[[/note]] over with", avoiding the meaning and ritual usually associated with the event.
to:
* SexAsARiteOfPassage: Oliver makes it a goal to lose his virginity and clearly sees this as a key part of his coming of age narrative. After doing the deed, he's no more mature, and it doesn't advance his relationship. Subverted with Jordana-- Jordana -- she's only willing to sleep with him after he tells her she should just "get it[[note]]losing her virginity[[/note]] over with", avoiding the meaning and ritual usually associated with the event.
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* VoiceoverLetter: Several letters read in the film receive voiceovers by the character who wrote them. In some cases, we see an additional shot of them reciting the letter in person against a black void.
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Changed line(s) 5,6 (click to see context) from:
''Submarine'' is a 2010 British [[ComingOfAgeStory coming-of-age]] [[{{Dramedy}} comedy-drama film]] written and directed by Creator/RichardAyoade in his directorial debut. It was adapted from the 2008 novel of the same name by Joe Dunthorne, and features an original soundtrack by [[Music/ArcticMonkeys Alex Turner]]. Craig Roberts, Creator/YasminPaige, Creator/NoahTaylor, Creator/SallyHawkins, and Creator/PaddyConsidine star.
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''Submarine'' is a 2010 British [[ComingOfAgeStory coming-of-age]] [[{{Dramedy}} comedy-drama film]] comedy-drama]] film written and directed by Creator/RichardAyoade in his directorial debut. It was adapted from the 2008 novel of the same name by Joe Dunthorne, and features an original soundtrack by [[Music/ArcticMonkeys Alex Turner]]. Craig Roberts, Creator/YasminPaige, Creator/NoahTaylor, Creator/SallyHawkins, and Creator/PaddyConsidine star.
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Changed line(s) 12,13 (click to see context) from:
* BookWorm: Oliver is given a dictionary and thesaurus as presents, and gives Jordana three heavy novels as a present.
to:
* EightiesHair: Surprisingly averted for a film set in TheEighties. Most of the characters have long, straight hair more befitting the 2010s. The only exception is Graham, who has a spectacular mullet.
* BookWorm: Oliver is given a dictionary and thesaurus as presents, and further gives Jordana three
Changed line(s) 16,17 (click to see context) from:
* ButtMonkey: Poor Zoe Preece... On a meta level as well; In the book, she has a bigger role, having lost weight and enjoying her life in a new school after she's bullied out of her old one, and her success is contrasted with Oliver's immature victim complex. In the film she's not shown again after her bullying brings Jordana and Oliver together, and Oliver never gets comeuppance for his actions.
* TheCameo: Executive Producer Creator/BenStiller has a blink-and-you'll-miss-it cameo as an actor in a soap opera.
* TheCameo: Executive Producer Creator/BenStiller has a blink-and-you'll-miss-it cameo as an actor in a soap opera.
to:
* ButtMonkey: Poor Zoe Preece... Preece gets bullied at school "because she's overweight and won't accept notes in class", and an early scene where a group of kids including Oliver and Jordana play "keep away" with her bookbag in the woods ends with her falling into a pond. She ends up moving schools due to her unhappiness from being bullied.
** On a meta level aswell; well. In the book, she has a bigger role, having lost weight and enjoying her life in a new school after she's bullied out of her old one, and her success is contrasted with Oliver's immature victim complex. In the film film, she's not shown again after her Oliver and Jordana bullying her brings Jordana and Oliver them together, and Oliver never gets comeuppance for his actions.
* TheCameo: Executive Producer Creator/BenStiller has a blink-and-you'll-miss-it cameo as an actor in a soapopera.opera on TV.
** On a meta level as
* TheCameo: Executive Producer Creator/BenStiller has a blink-and-you'll-miss-it cameo as an actor in a soap
Deleted line(s) 32,33 (click to see context) :
* DearJohnLetter: Jordana formally breaks up with Oliver via a letter informing him that she's seeing someone else.
* EightiesHair: Surprisingly averted for a film set in TheEighties. Most of the characters have long, straight hair more befitting the 2010s. The only exception is Graham, who has a spectacular mullet.
* EightiesHair: Surprisingly averted for a film set in TheEighties. Most of the characters have long, straight hair more befitting the 2010s. The only exception is Graham, who has a spectacular mullet.
Changed line(s) 35 (click to see context) from:
* FallingInLoveMontage: Subverted; the first scene at the beach ''seems'' like this, but Jordana will freely admit to not loving Oliver. Although the "Hiding Tonight" sequence shows some shades of this, as when Jordana gives Oliver a LongingLook when he's not looking.
to:
* FallingInLoveMontage: Subverted; the first scene at the beach ''seems'' like this, but Jordana will freely admit to not loving Oliver. Although However, the "Hiding Tonight" sequence shows some shades of this, as when Jordana gives Oliver a LongingLook when he's not looking.
Changed line(s) 37 (click to see context) from:
* FireWaterJuxtaposition: A central motif. The pyromaniac Jordana is strongly associated with fire, while Oliver and his father are associated with water, symbolizing depression and emotional distance. Scene transitions where Oliver is close to Jordana are given a red filter, while ones where he's not have a blue filter. Jordana's fire livens up Oliver's life, but they're not very compatible, fitting with the symbolism. The film also has a lot of shots of flame next to the ocean.
to:
* FireWaterJuxtaposition: A central motif. The pyromaniac Jordana is strongly associated with fire, while Oliver and his father are associated with water, symbolizing depression and emotional distance. Scene transitions where Oliver is close to Jordana are given a red filter, while ones where he's not have a blue filter. Jordana's fire livens up Oliver's life, but they're not very compatible, fitting with the symbolism. The film also has a lot of shots of flame flames next to the ocean.
Changed line(s) 42 (click to see context) from:
* HeroicBSOD: Oliver [[spoiler:after breaking up with Jordana]]; he copes with the pain in ways including going to the beach alone and "[waiting] till the sky catches up with my mood" and submerging himself into several bodies of water in a full suit.
to:
* HeroicBSOD: Oliver [[spoiler:after breaking up with Jordana]]; he copes with the pain in ways including going to the beach alone and "[waiting] till 'till the sky catches up with my mood" and submerging himself into several bodies of water in a full suit.
Changed line(s) 53 (click to see context) from:
** Oliver wishes that life could be like American soap operas, because "whenever things got dramatic, you could just fade the picture down and pick things up again later." The film [[FadeOut fades out]] immediately afterwards.
to:
** Oliver wishes that life could be like American soap operas, because "whenever things got dramatic, you could just fade the picture down and pick things up again later." The film scene [[FadeOut fades out]] immediately afterwards.
Changed line(s) 65 (click to see context) from:
* RedOniBlueOni: The capricious Jordana is a PyroManiac and dresses in red; introverted, thoughtful Oliver is surrounded by blue and images of water. This becomes important later in the film, where Oliver can tell that Jordana read his note because of her red markings.
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* RedOniBlueOni: The capricious Jordana is a PyroManiac and dresses in red; the introverted, thoughtful Oliver is surrounded by blue and images of water. This becomes important later in the film, where Oliver can tell that Jordana read his note because of her red markings.
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Changed line(s) 52 (click to see context) from:
* LeaningOnTheFourthWall: Oliver muses during one scene that, in a film of his life, he'd want the camera following him as he walks away, but all he could afford would probably be a zoom-out. Cue a hilariously clunky zoom-out.
to:
* LeaningOnTheFourthWall: Parts of Oliver's InnerMonologue show that he envisions his life as a movie, and at several points, cinematic techniques that he thinks his movie would use are then used by the actual film itself.
** Oliver wishes that life could be like American soap operas, because "whenever things got dramatic, you could just fade the picture down and pick things up again later." The film [[FadeOut fades out]] immediately afterwards.
** Oliver muses during one scenethat, in a film of his life, that he'd want the camera following him craning up as he walks away, but all he could afford would probably be a zoom-out. Cue a The camera does indeed zoom out on him (in hilariously clunky zoom-out.fashion at that) as he says this.
** Oliver wishes that life could be like American soap operas, because "whenever things got dramatic, you could just fade the picture down and pick things up again later." The film [[FadeOut fades out]] immediately afterwards.
** Oliver muses during one scene
Deleted line(s) 58,60 (click to see context) :
* PaintingTheMedium: Parts of Oliver's InnerMonologue show that he envisions his life as a movie, and at several points, cinematic techniques that he thinks his movie would use are then used by the actual film itself.
** Oliver wishes that life could be like American soap operas, because "whenever things got dramatic, you could just fade the picture down and pick things up again later." The film [[FadeOut fades out]] from the scene immediately afterwards.
** Later, after Oliver gives a pamphlet for Zoe to her friend Big Gene, he says, "I imagine the camera craning up as I walk away. But, unless things improve, the biopic of my life will only have the budget for a zoom out." The camera does indeed zoom out on him as he says this.
** Oliver wishes that life could be like American soap operas, because "whenever things got dramatic, you could just fade the picture down and pick things up again later." The film [[FadeOut fades out]] from the scene immediately afterwards.
** Later, after Oliver gives a pamphlet for Zoe to her friend Big Gene, he says, "I imagine the camera craning up as I walk away. But, unless things improve, the biopic of my life will only have the budget for a zoom out." The camera does indeed zoom out on him as he says this.
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Changed line(s) 69 (click to see context) from:
** In Oliver's disclaimer in the American release, he cites Creator/CatherineZetaJones and Music/TomJones as examples of famous Welsh people.
to:
** In Oliver's disclaimer in the American release, he cites Creator/CatherineZetaJones and Music/TomJones as examples of famous Welsh people.people American audiences might be familiar with.
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Added DiffLines:
* CreditsGag: The American release of the film opens with a disclaimer to American audiences directly from Oliver.
-->My Dear Americans,\\
The film you are about to see is a biopic of my life. The events take place (not so long ago) in a proud land called Wales. Wales is next to England, a country you pretend to treat as an equal. My homeland has produced Creator/CatherineZetaJones, Music/TomJones and some other people. You have not invaded my country and for this I thank you.\\
''Submarine'' is an important film. Watch it with respect.\\
Fond regards from your protagonist,\\
Oliver Tate.
-->My Dear Americans,\\
The film you are about to see is a biopic of my life. The events take place (not so long ago) in a proud land called Wales. Wales is next to England, a country you pretend to treat as an equal. My homeland has produced Creator/CatherineZetaJones, Music/TomJones and some other people. You have not invaded my country and for this I thank you.\\
''Submarine'' is an important film. Watch it with respect.\\
Fond regards from your protagonist,\\
Oliver Tate.
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* PaintingTheMedium: Parts of Oliver's InnerMonologue show that he envisions his life as a movie, and at several points, cinematic techniques that he thinks his movie would use are then used by the actual film itself.
** Oliver wishes that life could be like American soap operas, because "whenever things got dramatic, you could just fade the picture down and pick things up again later." The film [[FadeOut fades out]] from the scene immediately afterwards.
** Later, after Oliver gives a pamphlet for Zoe to her friend Big Gene, he says, "I imagine the camera craning up as I walk away. But, unless things improve, the biopic of my life will only have the budget for a zoom out." The camera does indeed zoom out on him as he says this.
** Oliver wishes that life could be like American soap operas, because "whenever things got dramatic, you could just fade the picture down and pick things up again later." The film [[FadeOut fades out]] from the scene immediately afterwards.
** Later, after Oliver gives a pamphlet for Zoe to her friend Big Gene, he says, "I imagine the camera craning up as I walk away. But, unless things improve, the biopic of my life will only have the budget for a zoom out." The camera does indeed zoom out on him as he says this.
Added DiffLines:
** In Oliver's disclaimer in the American release, he cites Creator/CatherineZetaJones and Music/TomJones as examples of famous Welsh people.
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Changed line(s) 49 (click to see context) from:
* OOCIsSeriousBusiness: Jordana HatesBeingTouched and shrugs off Oliver's attempts at putting his arm around her. After he meets her ill mother, however, she's seen hugging her upset father, and afterwards she shocks Oliver when she initiates a hug -- showing how much she needs him [[spoiler:and making it hurt all the worse when he breaks up with her for that exact reason.]]
to:
* MaybeEverAfter: In the final scene of the film, Oliver and Jordana find each other on the beach. Jordana says that Oliver was "horrible" to her, and Oliver admits that he "made a mistake", but they end the film walking into the sea and standing side by side. What will come of their interaction is ambiguous, but it shows that at the very least, they don't mind each other's company.
* OOCIsSeriousBusiness: Jordana HatesBeingTouched and shrugs off Oliver's attempts at putting his arm around her. After he meets her ill mother, however, she's seen hugging her upset father, and afterwards she shocks Oliver when she initiates a hug -- showing how much she needs him [[spoiler:and making it hurt all the worse when he breaks up with her for that exactreason.]]reason]].
* OOCIsSeriousBusiness: Jordana HatesBeingTouched and shrugs off Oliver's attempts at putting his arm around her. After he meets her ill mother, however, she's seen hugging her upset father, and afterwards she shocks Oliver when she initiates a hug -- showing how much she needs him [[spoiler:and making it hurt all the worse when he breaks up with her for that exact
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Changed line(s) 34 (click to see context) from:
* HalfwayPlotSwitch: The first half of the movie involves the development of Oliver's romance with Jordana. The second half involves him investigating his mother's infidelity, and the plots have little to do with each other.
to:
* HalfwayPlotSwitch: The first half of the movie involves the development of Oliver's romance with Jordana. The second half involves him investigating his mother's infidelity, and the plots have little to do with each other.infidelity.
Changed line(s) 47 (click to see context) from:
* ManicPixieDreamGirl: Jordana is somewhat of a Manic Pixie Jerkass early in the movie to the introspective and inward Oliver; JerkAss in that her influence isn't necessarily positive, such as his joining in on [[ButtMonkey Zoe's]] bullying because it entertains Jordana. [[spoiler:Subverted in that most males want the [=MPDG=] to reciprocate their feelings; Oliver breaks up with Jordana when he's worried she'll get too "gooey." Oliver is interested in her as long as she's livening up his life, but once he sees some depth and realizes that she has feelings and a personality too, he loses interest, which could be something of a deconstruction of the trope.]]
to:
* ManicPixieDreamGirl: Jordana is somewhat of a Manic Pixie Jerkass {{Jerkass}} early in the movie to the introspective and inward Oliver; JerkAss Oliver, in that her influence isn't necessarily positive, such as his joining motivating him to join in on [[ButtMonkey Zoe's]] Zoe]]'s bullying because it entertains Jordana.her. [[spoiler:Subverted in that most males want the [=MPDG=] to reciprocate their feelings; Oliver breaks up with Jordana when he's worried she'll get too "gooey." Oliver is interested in her as long as she's livening up his life, but once he sees some depth and realizes that she has feelings and a personality too, he loses interest, which could be something of a deconstruction of the trope.]]
Changed line(s) 58 (click to see context) from:
* ShoutOut: Graham's persona is reminiscent of Creator/TomCruise's character from ''{{Film/Magnolia}}''.
to:
* ShoutOut: ShoutOut:
** Graham's persona is reminiscent of Creator/TomCruise's character from''{{Film/Magnolia}}''.''{{Film/Magnolia}}''.
** The film's depiction of a boy navigating a difficult home life and feelings of isolation greatly resembles ''Film/The400Blows''. The "end scene" of Oliver's personal movie that he envisions for himself sees him running down the shore of a beach towards the sea, which Antoine Doinel does at the end of ''The 400 Blows''.
** Graham's persona is reminiscent of Creator/TomCruise's character from
** The film's depiction of a boy navigating a difficult home life and feelings of isolation greatly resembles ''Film/The400Blows''. The "end scene" of Oliver's personal movie that he envisions for himself sees him running down the shore of a beach towards the sea, which Antoine Doinel does at the end of ''The 400 Blows''.
* ThisIsThePartWhere: Oliver attempts to win Jordana back (while she's next to her new boyfriend, no less) by giving a brief rationale/apology, and outright says, "This is the moment where you leave him and come with me." Unsurprisingly, Jordana says no.
* VomitIndiscretionShot: Out of defiance, Oliver vomits on the hood of Graham's van before going out one night. Unfortunately for him, it's a rainy night, so it's all washed off by the time he comes back.
Changed line(s) 67 (click to see context) from:
** When he confronts Jordana after they've broken up, he says "This is the part where you leave him, and come with me," while she just stares at him.
to:
** When he confronts Jordana after they've broken up, he says "This is the part moment where you leave him, him and come with me," while she just stares at him.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/SUBMARINE_QUAD_8282.jpg]]
''Submarine'' is a British dramedy released in 2010. It's the coming-of-age story of Oliver Tate, a teenage boy living in Swansea, Wales in the 1980s. He falls in love with Jordana, a fellow school student and committed mischief-maker, and at the same time starts to worry about his parents' health and marriage.
It's based on the 2008 novel of the same name by Joe Dunthorne, was the directorial debut of Creator/RichardAyoade, and featured an original soundtrack by [[Music/ArcticMonkeys Alex Turner]].
''Submarine'' is a British dramedy released in 2010. It's the coming-of-age story of Oliver Tate, a teenage boy living in Swansea, Wales in the 1980s. He falls in love with Jordana, a fellow school student and committed mischief-maker, and at the same time starts to worry about his parents' health and marriage.
It's based on the 2008 novel of the same name by Joe Dunthorne, was the directorial debut of Creator/RichardAyoade, and featured an original soundtrack by [[Music/ArcticMonkeys Alex Turner]].
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/SUBMARINE_QUAD_8282.jpg]]
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->''"Most people think of themselves as individuals, that there's no one on the planet like them. This thought motivates them to get out of bed, eat food, and walk around like nothing's wrong. My name is Oliver Tate."''
''Submarine'' is a 2010 Britishdramedy released in 2010. It's the coming-of-age story of Oliver Tate, a teenage boy living in Swansea, Wales in the 1980s. He falls in love with Jordana, a fellow school student [[ComingOfAgeStory coming-of-age]] [[{{Dramedy}} comedy-drama film]] written and committed mischief-maker, and at the same time starts to worry about directed by Creator/RichardAyoade in his parents' health and marriage.
It's based ondirectorial debut. It was adapted from the 2008 novel of the same name by Joe Dunthorne, was the directorial debut of Creator/RichardAyoade, and featured features an original soundtrack by [[Music/ArcticMonkeys Alex Turner]].
Turner]]. Craig Roberts, Creator/YasminPaige, Creator/NoahTaylor, Creator/SallyHawkins, and Creator/PaddyConsidine star.
Set in 1980s Wales, the film follows Oliver Tate (Roberts), a precocious 15-year-old boy of unrivaled genius -- according to [[SmallNameBigEgo no one but himself]]. He struggles with bullying and alienation from his peers, but when he falls in love with Jordana Bevan (Paige), a mischievous, straight-talking girl in his year, he sets out to become "the best boyfriend in the world".
Meanwhile, the rocky relationship between Oliver's parents Jill (Hawkins) and Lloyd (Taylor) is threatened when Jill's ex-boyfriend, new-age guru Graham Purvis (Considine), moves in next door. This motivates Oliver to make some unorthodox plans to ensure that his parents stay together and that his relationship with Jordana can thrive.
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->''"Most people think of themselves as individuals, that there's no one on the planet like them. This thought motivates them to get out of bed, eat food, and walk around like nothing's wrong. My name is Oliver Tate."''
''Submarine'' is a 2010 British
It's based on
Set in 1980s Wales, the film follows Oliver Tate (Roberts), a precocious 15-year-old boy of unrivaled genius -- according to [[SmallNameBigEgo no one but himself]]. He struggles with bullying and alienation from his peers, but when he falls in love with Jordana Bevan (Paige), a mischievous, straight-talking girl in his year, he sets out to become "the best boyfriend in the world".
Meanwhile, the rocky relationship between Oliver's parents Jill (Hawkins) and Lloyd (Taylor) is threatened when Jill's ex-boyfriend, new-age guru Graham Purvis (Considine), moves in next door. This motivates Oliver to make some unorthodox plans to ensure that his parents stay together and that his relationship with Jordana can thrive.
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* TheCameo: Executive Producer Creator/BenStiller has a blink-and-you'll-miss-it cameo.
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* TheCameo: Executive Producer Creator/BenStiller has a blink-and-you'll-miss-it cameo.cameo as an actor in a soap opera.
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* ComingOfAgeStory: Played with. The film has the typical arc of a coming of age story, with a teenage protagonist who gets his first girlfriend, and has some adventures, but he ends the movie with less self-assurance and sense of place in the world than he had the beginning. Oliver certainly seems to think he's the star of a coming of age story.
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* ComingOfAgeStory: Played with. The film has the typical arc of a coming of age coming-of-age story, with a teenage protagonist who gets his first girlfriend, and has some adventures, but he ends the movie with less self-assurance and sense of place in the world than he had the beginning. Oliver certainly seems to think he's the star of a coming of age one such story.
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* GilliganCut: After Jordana kisses Oliver and tells him she plans on distributing the pictures over the school, she tells him "Now there's conclusive proof that you're maybe not gay." Cue immediate cut to a scene the next day with a crowd of people chanting "gaylord" in a circle around Oliver while Mark demands Oliver admit that he's gay.
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* GilliganCut: After Jordana kisses Oliver and tells him she plans on distributing the pictures over the school, she tells him "Now there's conclusive proof that you're maybe not gay." Cue an immediate cut to a scene the next day with a crowd of people chanting "gaylord" in a circle around Oliver while Mark demands Oliver admit that he's gay.
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* HeroicBSOD: Oliver, [[spoiler:after breaking up with Jordana.]]
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* HeroicBSOD: Oliver, Oliver [[spoiler:after breaking up with Jordana.]]Jordana]]; he copes with the pain in ways including going to the beach alone and "[waiting] till the sky catches up with my mood" and submerging himself into several bodies of water in a full suit.
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** Oliver, already one from the start, [[spoiler:[[TookALevelInJerkass takes a level in Jerkass]] later on, when he's the one pushing Jordana away when she needs him.]]
** Chips is a much straighter example, a school bully with no redeeming features.
** Chips is a much straighter example, a school bully with no redeeming features.
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** Oliver, already one from the start, [[spoiler:[[TookALevelInJerkass takes a level in Jerkass]] jerkass]] later on, on when he's the one he ends up pushing Jordana away when she needs him.]]
** Chips is a much straighter example, being a school bully with no redeeming features.
** Chips is a much straighter example, being a school bully with no redeeming features.
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* ShoutOut: Graham's persona is reminiscent of Tom Cruise's from {{Film/Magnolia}}.
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* ShoutOut: Graham's persona is reminiscent of Tom Cruise's Creator/TomCruise's character from {{Film/Magnolia}}.''{{Film/Magnolia}}''.
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* TwentyMinutesIntoThePast: Set in TheEighties, made in the 2010's.
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* TwentyMinutesIntoThePast: Set in TheEighties, made in the 2010's.2010s.
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* PlayingGertrude: Sally Hawkins was only 34 when the film was made, a bit young to be the mother of a teenager, especially given the bourgeois setting.
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IUEO now
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* AwesomeMcCoolName: Jordana Bevan, nicknamed by classmates as "Banana Heaven".
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* BrainyBrunette: Oliver and Lloyd.
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* BrainyBrunette: Oliver and Lloyd.Lloyd are smart brunettes, though Oliver is pretentiously so.
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** Jordana becomes ''slightly'' more sympathetic to others[[spoiler: following her mother's tumour. This causes Oliver to distance himself from her]].
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** Jordana becomes ''slightly'' more sympathetic to others[[spoiler: following others [[spoiler:following her mother's tumour. This causes Oliver to distance himself from her]].her.]]
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* CloudCuckooLander: Graham, a psychic who thinks he can see colors in everyone's personality.
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* CloudCuckooLander: {{Cloudcuckoolander}}: Graham, a psychic who thinks he can see colors in everyone's personality.
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* CrazyJealousGuy: Oliver.
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* HeroicBSOD: Oliver, [[spoiler:after breaking up with Jordana]].
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* HeroicBSOD: Oliver, [[spoiler:after breaking up with Jordana]].Jordana.]]
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* {{Jerkass}}: Almost everyone in the movie, with the exceptions of Llyod and Zoe.
** Jordana, even after her CharacterDevelopment; Oliver states that she likes to bully "in moderation" despite not being popular herself. She's a lot less so in the novel. She may be considered a JerkWithAHeartOfGold... Well, not a golden heart, perhaps, but a softer side. The scene where Oliver has an "early Christmas" dinner with her family shows her tender side, first by hugging her upset father and later showing some emotion to Oliver, hugging him first. [[spoiler:When Oliver breaks up with her, it's also obvious how hurt she is by him]].
** Jordana, even after her CharacterDevelopment; Oliver states that she likes to bully "in moderation" despite not being popular herself. She's a lot less so in the novel. She may be considered a JerkWithAHeartOfGold... Well, not a golden heart, perhaps, but a softer side. The scene where Oliver has an "early Christmas" dinner with her family shows her tender side, first by hugging her upset father and later showing some emotion to Oliver, hugging him first. [[spoiler:When Oliver breaks up with her, it's also obvious how hurt she is by him]].
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* {{Jerkass}}: Almost everyone in the movie, with the exceptions of Llyod Lloyd and Zoe.
** Jordana, even after her CharacterDevelopment; Oliver states that she likes to bully "in moderation" despite not being popular herself. She's a lot less so in the novel. She may be considered a JerkWithAHeartOfGold... Well, not a golden heart, perhaps, but a softer side. The scene where Oliver has an "early Christmas" dinner with her family shows her tender side, first by hugging her upset father and later showing some emotion to Oliver, hugging him first. [[spoiler:When Oliver breaks up with her, it's also obvious how hurt she is byhim]].him.]]
** Jordana, even after her CharacterDevelopment; Oliver states that she likes to bully "in moderation" despite not being popular herself. She's a lot less so in the novel. She may be considered a JerkWithAHeartOfGold... Well, not a golden heart, perhaps, but a softer side. The scene where Oliver has an "early Christmas" dinner with her family shows her tender side, first by hugging her upset father and later showing some emotion to Oliver, hugging him first. [[spoiler:When Oliver breaks up with her, it's also obvious how hurt she is by
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* ManicPixieDreamGirl: Jordana is somewhat of a Manic Pixie Jerkass early in the movie to the introspective and inward Oliver; JerkAss in that her influence isn't necessarily positive, such as his joining in on [[ButtMonkey Zoe's]] bullying because it entertains Jordana. [[spoiler:Subverted in that most males want the [=MPDG=] to reciprocate their feelings; Oliver breaks up with Jordan when he's worried she'll get too "gooey." Oliver is interested in her as long as she's livening up his life, but once he sees some depth and realizes that she has feelings and a personality too, he loses interest, which could be something of a deconstruction of the trope.]]
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* ManicPixieDreamGirl: Jordana is somewhat of a Manic Pixie Jerkass early in the movie to the introspective and inward Oliver; JerkAss in that her influence isn't necessarily positive, such as his joining in on [[ButtMonkey Zoe's]] bullying because it entertains Jordana. [[spoiler:Subverted in that most males want the [=MPDG=] to reciprocate their feelings; Oliver breaks up with Jordan Jordana when he's worried she'll get too "gooey." Oliver is interested in her as long as she's livening up his life, but once he sees some depth and realizes that she has feelings and a personality too, he loses interest, which could be something of a deconstruction of the trope.]]
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* BlackComedy
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* TheFilmOfTheBook
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Moved from Trivia.
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* PlayingGertrude: Sally Hawkins was only 34 when the film was made, a bit young to be the mother of a teenager, especially given the bourgeois setting.
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No longer a trope.
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* YourCheatingHeart: [[spoiler:Jill gives Graham a hand job in his van, though that was the end of it.]]