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** Sole exception: the Roadmasters.
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* RealityEnsues: A small, humorous moment: during the chaos of Ellen's rescue, Tom smacks one of the Bombers in the face with a rifle butt and sends him tumbling down a staircase into a crowd of more Bombers. One of them shouts "Who is that guy?" The villains' lives don't revolve around the hero or even their boss's latest caper. As far as they're concerned, Tom is just some guy who's busting up their party for no reason that they can determine.
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** For his part, Raven at least cares enough to hold back Greer from doing anything foolish when McCoy has them at gunpoint.
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* ViceCity

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* %%* ViceCity



* WretchedHive
* TheXOfY

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* %%* WretchedHive
* %%* TheXOfY
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* HellBentForLeather

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* HellBentForLeatherHellBentForLeather: If you enjoy leather, Willem Dafoe is a FetishFuelStationAttendant.
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The song "Tonight Is What It Means To Be Young," which plays in the ending scene and over the credits (and whose title also appeared as the tagline for the film) was later adapted into "Der Tanz der Vampire" ("The Dance of the Vampires") in the German-language stage musical Theatre/TanzDerVampire. Another song, "I Can Dream About You," became the biggest hit of singer Dan Hartman's career.

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The song "Tonight Is What It Means To Be Young," which plays in the ending scene and over the credits (and whose title also appeared as the tagline for the film) was later adapted into "Der Tanz der Vampire" ("The Dance of the Vampires") in the German-language stage musical Theatre/TanzDerVampire.''Theatre/TanzDerVampire''. Another song, "I Can Dream About You," became the biggest hit of singer Dan Hartman's career.



* RecycledSoundtrack: The "Godspeed!" section of ''[[http://www.youtube.com/watch?v=nEV1B7RcJC4 Nowhere Fast]]'' was lifted from the title track of Music/JimSteinman's solo album, ''Bad For Good'', and the opening piano riff was recycled for the Music/MeatLoaf song ''Everything Louder Than Everything Else''. And as mentioned above, ''Tonight Is What It Means To Be Young'' was re-arranged to become the title track of ''TanzDerVampire''.

to:

* RecycledSoundtrack: The "Godspeed!" section of ''[[http://www.youtube.com/watch?v=nEV1B7RcJC4 Nowhere Fast]]'' was lifted from the title track of Music/JimSteinman's solo album, ''Bad For Good'', and the opening piano riff was recycled for the Music/MeatLoaf song ''Everything Louder Than Everything Else''. And as mentioned above, ''Tonight Is What It Means To Be Young'' was re-arranged to become the title track of ''TanzDerVampire''.''Theatre/TanzDerVampire''.
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* TheXOfY
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From Creator/WalterHill, the director of ''Film/TheWarriors'' and ''Film/FortyEightHours'', ''Streets of Fire'' is a 1984 film, described as a "Rock'n'Roll Fable". Its setting is a kind of AlternateUniverse, a mix of an over-the-top 50s and a dystopian near-future as seen from the 80s; a card in the opening title sequence tells us it's set in "another time, another place." The charm of this film lies in its darkly beautiful shots with lots of shadow and smoke and piercing colors, the comic-book style storytelling, and fantastic music. It is especially [[GermansLoveDavidHasselhoff popular in Japan]], despite having no initial success, commercially or critically. Notably, ''Anime/BubblegumCrisis'', ''VideoGame/FinalFight'', and ''Franchise/StreetFighter'' were influenced by this film -- not to mention the ''VideoGame/StreetsOfRage'' series.

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From Creator/WalterHill, the director of ''Film/TheWarriors'' and ''Film/FortyEightHours'', ''Streets of Fire'' is a 1984 film, described as a "Rock'n'Roll Fable". "Rock & Roll Fable." Its setting is a kind of AlternateUniverse, a mix of an over-the-top 50s and a dystopian near-future as seen from the 80s; a card in the opening title sequence tells us it's set in "another time, another place." The charm of this film lies in its darkly beautiful shots with lots of shadow and smoke and piercing colors, the comic-book style storytelling, and fantastic music. It is especially [[GermansLoveDavidHasselhoff popular in Japan]], despite having no initial success, commercially or critically. Notably, ''Anime/BubblegumCrisis'', ''VideoGame/FinalFight'', and ''Franchise/StreetFighter'' were influenced by this film -- not to mention the ''VideoGame/StreetsOfRage'' series.



* AuthorAppeal: Part of the reason this was made was because the director wanted to make a movie with the things he thought were cool while he was growing up; "custom cars, kissing in the rain, neon, trains in the night, high-speed pursuit, rumbles, rock stars, motorcycles, jokes in tough situations, leather jackets and questions of honor".

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* AuthorAppeal: Part of the reason this was made was because the director wanted to make a movie with the things he thought were cool while he was growing up; "custom up: "Custom cars, kissing in the rain, neon, trains in the night, high-speed pursuit, rumbles, rock stars, motorcycles, jokes in tough situations, leather jackets and questions of honor".honor."
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* LivingProp: Ellens other bandmates (Presumably "The attackers"). Only one of whom tries to save her from the bikers. None of them join in the rescue mission and barely interact with anyone.

to:

* LivingProp: Ellens Ellen's other bandmates (Presumably (presumably "The attackers"). Only Attackers"), only one of whom tries to save her from the bikers. None of them join in the rescue mission and they barely interact with anyone.



* RetroUniverse: The setting is best described as being in Rock n' Roll land with minimal racial tensions, '50s-ish fashion sense, and '80s-ish urban decay. The intro card simply reads, "Another Time, Another Place".

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* RetroUniverse: The setting is best described as being in Rock n' Roll land with minimal racial tensions, '50s-ish fashion sense, and '80s-ish urban decay. The intro card simply reads, "Another Time, Another Place".Place."
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* RecycledSoundtrack: The "Godspeed!" section of ''[[http://www.youtube.com/watch?v=nEV1B7RcJC4 Nowhere Fast]]'' was lifted from the title track of Music/JimSteinman's solo album, ''Bad For Good'', and the opening piano riff was recycled for the MeatLoaf song ''Everything Louder Than Everything Else''. And as mentioned above, ''Tonight Is What It Means To Be Young'' was re-arranged to become the title track of ''TanzDerVampire''.

to:

* RecycledSoundtrack: The "Godspeed!" section of ''[[http://www.youtube.com/watch?v=nEV1B7RcJC4 Nowhere Fast]]'' was lifted from the title track of Music/JimSteinman's solo album, ''Bad For Good'', and the opening piano riff was recycled for the MeatLoaf Music/MeatLoaf song ''Everything Louder Than Everything Else''. And as mentioned above, ''Tonight Is What It Means To Be Young'' was re-arranged to become the title track of ''TanzDerVampire''.

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Removed: 77

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->''I don't see any angels in the city''
->''I don't hear any holy choirs sing''
->''And if I can't get an angel''
->''I can still get a boy''
->''And a boy'd be the next best thing''
->''The next best thing to an angel...''
->''A boy'd be the next best thing.''

to:

->''I don't see any angels in ->''Everybody's going nowhere slowly''
->''They're only fighting for
the city''
->''I don't hear any holy choirs sing''
->''And if I can't get an angel''
->''I can still get a boy''
->''And a boy'd
chance to be the next best thing''
->''The next best thing to an angel...''
->''A boy'd
last''
->''There's nothing wrong with going nowhere baby''
->''But we should
be the next best thing.''
going Nowhere Fast''
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From Creator/WalterHill, the director of ''Film/TheWarriors'' and ''Film/FortyEightHours'', ''Streets of Fire'' is a 1984 film, described as a "Rock'n'Roll Fable". Its setting is a kind of AlternateUniverse, a mix of an over-the-top 50s and a dystopian near-future as seen from the 80s; a card in the opening title sequence tells us it's set in "another time, another place." The charm of this film lies in its darkly beautiful shots with lots of shadow and smoke and piercing colors, the comic-book style storytelling, and fantastic music, and it is especially [[GermansLoveDavidHasselhoff popular in Japan]], despite having no initial success, commercially or critically. Notably, ''Anime/BubblegumCrisis'', ''VideoGame/FinalFight'', and ''Franchise/StreetFighter'' were influenced by this film -- not to mention the ''VideoGame/StreetsOfRage'' series.

to:

From Creator/WalterHill, the director of ''Film/TheWarriors'' and ''Film/FortyEightHours'', ''Streets of Fire'' is a 1984 film, described as a "Rock'n'Roll Fable". Its setting is a kind of AlternateUniverse, a mix of an over-the-top 50s and a dystopian near-future as seen from the 80s; a card in the opening title sequence tells us it's set in "another time, another place." The charm of this film lies in its darkly beautiful shots with lots of shadow and smoke and piercing colors, the comic-book style storytelling, and fantastic music, and it music. It is especially [[GermansLoveDavidHasselhoff popular in Japan]], despite having no initial success, commercially or critically. Notably, ''Anime/BubblegumCrisis'', ''VideoGame/FinalFight'', and ''Franchise/StreetFighter'' were influenced by this film -- not to mention the ''VideoGame/StreetsOfRage'' series.
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No relation to the song from the ''{{Initial D}}'' soundtrack. Or Music/BruceSpringsteen's one, part of ''Darkness on the Edge of Town'' - though it was intended as part of the film before the studio admitted they wouldn't get the rights before opening day.

to:

No relation to the song from the ''{{Initial D}}'' ''Manga/InitialD'' soundtrack. Or Music/BruceSpringsteen's one, part of ''Darkness on the Edge of Town'' - though it was intended as part of the film before the studio admitted they wouldn't get the rights before opening day.
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According to Wiki/{{Wikipedia}}, an unofficial FanSequel is being produced by Albert Pyun. Entitled ''Film/RoadToHell'', it will have Michael Pare and Deborah Van Valkenburgh reprising their roles from the original film. The website for the sequel can be found [[http://www.roadtohellmovie.com/ here]].

to:

According to Wiki/{{Wikipedia}}, an An unofficial FanSequel is being was released in 2010, produced by Albert Pyun. Entitled ''Film/RoadToHell'', it will have had Michael Pare and Deborah Van Valkenburgh reprising their roles from the original film. The website for the sequel can be found [[http://www.roadtohellmovie.com/ here]].
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No relation to the song from the ''{{Initial D}}'' soundtrack. Or the Music/BruceSpringsteen's one, part of ''Darkness on the Edge of Town''.

to:

No relation to the song from the ''{{Initial D}}'' soundtrack. Or the Music/BruceSpringsteen's one, part of ''Darkness on the Edge of Town''.Town'' - though it was intended as part of the film before the studio admitted they wouldn't get the rights before opening day.
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Badass is no longer a trope.


* FakeBand: Ellen Aim and the Attackers, and the Sorels. The band playing at Torchy's? Those were the Blasters, a ''real'' BadAss rockabilly group.

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* FakeBand: Ellen Aim and the Attackers, and the Sorels. The band playing at Torchy's? Those were the Blasters, a ''real'' BadAss badass rockabilly group.
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** The cover art for ''Act [=II=]: The Father of Death'', by Music/TheProtomen, is directly inspired by the movie poster. And the track ''Light up the Night'' is incredibly similar to ''[[http://www.youtube.com/watch?v=nEV1B7RcJC4 Nowhere Fast]]''.

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** The cover art for ''Act [=II=]: ''[[https://versionindustries.com/blog/wp-content/uploads/2009/09/cover_itunes2.jpg Act II: The Father of Death'', Death]]'', by Music/TheProtomen, is directly inspired by the movie poster. And the track ''Light up the Night'' is incredibly similar to ''[[http://www.youtube.com/watch?v=nEV1B7RcJC4 Nowhere Fast]]''.
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* GenreShift

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* GenreShiftGenreBusting: Hill likes to say that all his movies could be considered Westerns, and it shows; the rough and roguish gunslinger with complicated ethics, the damsel in distress, the showdown with the head bandit. But there's also 50's greaser punks and car chases, 80's-style crime drama and music, and a post-apocalyptic/cyberpunk vibe in that the authorities are only present to show how useless they are. And somehow, it all just ''works.''



-->'''Billy Fish:''' "Listen, Tom... I won't stand in your way with Ellen. I know how things are between you two."
-->'''Tom Cody:''' (after a beat) "I'd only slow her down. Besides, she needs you more than she needs me."
-->'''Billy Fish:''' "Sure, she needs me... but she ''loves'' you!"
-->'''Tom Cody:''' "She'll get over it. Besides, she's used to me being unreliable and disappearing on her."
-->'''Billy Fish:''' "Is that what I'm supposed to tell her?"
-->'''Tom Cody:''' (shrugs) "You're better with words than I am."

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-->'''Billy Fish:''' "Listen, Tom... I won't stand in your way with Ellen. I know how things are between you two."
-->'''Tom
"\\
'''Tom
Cody:''' (after a beat) "I'd only slow her down. Besides, she needs you more than she needs me."
-->'''Billy
"\\
'''Billy
Fish:''' "Sure, she needs me... but she ''loves'' you!"
-->'''Tom
you!"\\
'''Tom
Cody:''' "She'll get over it. Besides, she's used to me being unreliable and disappearing on her."
-->'''Billy
"\\
'''Billy
Fish:''' "Is that what I'm supposed to tell her?"
-->'''Tom
her?"\\
'''Tom
Cody:''' (shrugs) "You're better with words than I am."
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Badass is no longer a trope.


* {{Badass}}: Where to start. Tom Cody, [=McCoy=], Raven, Officer Price, Greer and most of the rest of the Bombers. Hell even Ed Begley Jr. played a {{Badass}} homeless guy. Even Billy Fish, the NonActionGuy (played by Creator/RickMoranis, no less), has a lot of guts.

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Changed the "Would Hit A Girl" to "Percussive Prevention" as that better explains why Tom punches Ellen in the train.


* PercussivePrevention: Tom [[WouldHitAGirl punches Ellen]] across the face to [[TapOnTheHead knock her out]] so she would stop fussing and he could focus on saving them.



* WouldHitAGirl: Tom punches Ellen across the face to [[TapOnTheHead knock her out]] so she would stop fussing and he could focus on saving them.
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[[quoteright:327:http://static.tvtropes.org/pmwiki/pub/images/streets_of_fire.png]]
[[caption-width-right:327:Another time, another place.]]

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[[quoteright:327:http://static.[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/streets_of_fire.png]]
[[caption-width-right:327:Another [[caption-width-right:300:Another time, another place.]]
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* PlayingAgainstType: Rick Moranis as the popular, powerful, and surprisingly street-smart Billy Fish. The role definitely makes for a double-take for anyone used to Rick Moranis' typecast HollywoodNerd roles.
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* PlayingAgainstType: Rick Moranis as the popular, powerful, and surprisingly street-smart Billy Fish. The role definitely makes for a double-take for anyone used to Rick Moranis' typecast HollywoodNerd roles.
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The song "Tonight Is What It Means To Be Young", which plays in the ending scene and over the credits (and whose title also appeared as the tagline for the film) was later adapted into "Der Tanz der Vampire" ("The Dance of the Vampires") in the German-language stage musical Theatre/TanzDerVampire.

to:

The song "Tonight Is What It Means To Be Young", Young," which plays in the ending scene and over the credits (and whose title also appeared as the tagline for the film) was later adapted into "Der Tanz der Vampire" ("The Dance of the Vampires") in the German-language stage musical Theatre/TanzDerVampire.
Theatre/TanzDerVampire. Another song, "I Can Dream About You," became the biggest hit of singer Dan Hartman's career.



* {{Foreshadowing}}: ''I Can Dream About You'' foreshadows that [[spoiler: Tom won't go with Ellen]].

to:

* {{Foreshadowing}}: ''I "I Can Dream About You'' You" foreshadows that [[spoiler: Tom won't go with Ellen]].
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From Walter Hill, the director of ''Film/TheWarriors'' and ''Film/FortyEightHours'', ''Streets of Fire'' is a 1984 film, described as a "Rock'n'Roll Fable". Its setting is a kind of AlternateUniverse, a mix of an over-the-top 50s and a dystopian near-future as seen from the 80s; a card in the opening title sequence tells us it's set in "another time, another place." The charm of this film lies in its darkly beautiful shots with lots of shadow and smoke and piercing colors, the comic-book style storytelling, and fantastic music, and it is especially [[GermansLoveDavidHasselhoff popular in Japan]], despite having no initial success, commercially or critically. Notably, ''Anime/BubblegumCrisis'', ''VideoGame/FinalFight'', and ''Franchise/StreetFighter'' were influenced by this film -- not to mention the ''VideoGame/StreetsOfRage'' series.

to:

From Walter Hill, Creator/WalterHill, the director of ''Film/TheWarriors'' and ''Film/FortyEightHours'', ''Streets of Fire'' is a 1984 film, described as a "Rock'n'Roll Fable". Its setting is a kind of AlternateUniverse, a mix of an over-the-top 50s and a dystopian near-future as seen from the 80s; a card in the opening title sequence tells us it's set in "another time, another place." The charm of this film lies in its darkly beautiful shots with lots of shadow and smoke and piercing colors, the comic-book style storytelling, and fantastic music, and it is especially [[GermansLoveDavidHasselhoff popular in Japan]], despite having no initial success, commercially or critically. Notably, ''Anime/BubblegumCrisis'', ''VideoGame/FinalFight'', and ''Franchise/StreetFighter'' were influenced by this film -- not to mention the ''VideoGame/StreetsOfRage'' series.
Is there an issue? Send a MessageReason:
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From Walter Hill, the director of ''Film/TheWarriors'' and ''Film/FortyEightHours'', ''Streets of Fire'' is a 1984 film, described as a "Rock'n'Roll Fable". Its setting is a kind of AlternateUniverse, a mix of an over-the-top 50s and a dystopian near-future as seen from the 80s; a card in the opening title sequence tells us it's set in "another time, another place." The charm of this film lies in its darkly beautiful shots with lots of shadow and smoke and piercing colors, the comic-book style storytelling, and fantastic music, and it is especially [[GermansLoveDavidHasselhoff popular in Japan]], despite having no initial success, commercially or critically. Notably, ''Anime/BubblegumCrisis'', ''VideoGame/FinalFight'', and ''Franchise/StreetFighter'' were influenced by this film.

to:

From Walter Hill, the director of ''Film/TheWarriors'' and ''Film/FortyEightHours'', ''Streets of Fire'' is a 1984 film, described as a "Rock'n'Roll Fable". Its setting is a kind of AlternateUniverse, a mix of an over-the-top 50s and a dystopian near-future as seen from the 80s; a card in the opening title sequence tells us it's set in "another time, another place." The charm of this film lies in its darkly beautiful shots with lots of shadow and smoke and piercing colors, the comic-book style storytelling, and fantastic music, and it is especially [[GermansLoveDavidHasselhoff popular in Japan]], despite having no initial success, commercially or critically. Notably, ''Anime/BubblegumCrisis'', ''VideoGame/FinalFight'', and ''Franchise/StreetFighter'' were influenced by this film.
film -- not to mention the ''VideoGame/StreetsOfRage'' series.
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No relation to the song from the ''{{Initial D}}'' soundtrack.

to:

No relation to the song from the ''{{Initial D}}'' soundtrack. Or the Music/BruceSpringsteen's one, part of ''Darkness on the Edge of Town''.
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None


* TheEighties

to:

* TheEightiesTheEighties: But most of the film takes on a TheFifties aesthetic.
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* WrenchWench: [=McCoy=]

Added: 182

Changed: 101

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* DidNotGetTheGirl: More like 'Didn't Want The Girl'; Tom loved her, and Billy even offered to stand down, but Cody wasn't the kind of man to be a groupie. He ''does'' drive off with the girl sidekick, though she keeps protesting that he's "not her type."

to:

* DidNotGetTheGirl: More like 'Didn't Want The Girl'; Tom loved her, and Billy even offered to stand down, but Cody wasn't the kind of man to be a groupie. He ''does'' drive off with the girl sidekick, though she keeps protesting that he's "not her type."she's still playing hard to get.



* OnlyInItForTheMoney: Cody goes to save Ellen for money, not love.

to:

* OnlyInItForTheMoney: Cody goes to save states that he's only saving Ellen for money, not love.love, but reveals his true feelings later.


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* PlayingHardToGet: When Reva notes how [=McCoy=] spent the night on the couch instead of in Cody's bed, [=McCoy=] says. "Sometimes it helps a guy out if you don't make it so easy."

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