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The first was a 1933 version, directed by Henry King, starring Janet Gaynor, Will Rogers, and Lew Ayres. In 1945 there was a musical version directed by Walter Lang, starring Jeanne Crain and Creator/DanaAndrews. This version has music by Creator/RodgersAndHammerstein, and it was their only movie not based a Broadway musical, although it spawned a ScreenToStageAdaptation in the mid-1990s. A remake of the musical version, starring Pat Boone and Ann-Margret, was released in 1962.

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The first was a 1933 version, directed by Henry King, starring Janet Gaynor, Will Rogers, and Lew Ayres.Creator/LewAyres. In 1945 there was a musical version directed by Walter Lang, starring Jeanne Crain and Creator/DanaAndrews. This version has music by Creator/RodgersAndHammerstein, and it was their only movie not based a Broadway musical, although it spawned a ScreenToStageAdaptation in the mid-1990s. A remake of the musical version, starring Pat Boone and Ann-Margret, was released in 1962.
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The first was a 1933 version, directed by Henry King, starring Janet Gaynor, Will Rogers, and Lew Ayres. In 1945 there was a musical version directed by Walter Lang, starring Jeanne Crain and Dana Andrews. This version has music by Creator/RodgersAndHammerstein, and it was their only movie not based a Broadway musical, although it spawned a ScreenToStageAdaptation in the mid-1990s. A remake of the musical version, starring Pat Boone and Ann-Margret, was released in 1962.

to:

The first was a 1933 version, directed by Henry King, starring Janet Gaynor, Will Rogers, and Lew Ayres. In 1945 there was a musical version directed by Walter Lang, starring Jeanne Crain and Dana Andrews.Creator/DanaAndrews. This version has music by Creator/RodgersAndHammerstein, and it was their only movie not based a Broadway musical, although it spawned a ScreenToStageAdaptation in the mid-1990s. A remake of the musical version, starring Pat Boone and Ann-Margret, was released in 1962.
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* SettingUpdate: The Rodgers and Hammerstein movies take place in the decades of their respective premieres, instead of the '30s. The play takes place in 1946.
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The first was a 1933 version, directed by Henry King, starring Janet Gaynor, Will Rogers, and Lew Ayres. In 1945 there was a musical version directed by Walter Lang, starring Jeanne Crain and Dana Andrews. This version has music by Creator/RodgersAndHammerstein, and it was their only movie not based a Broadway musical, although it spawned a ScreenToStageAdaptation in the mid-1990s. A remake of the musical version, starring Pat Boone and Ann Margaret, was released in 1962.

to:

The first was a 1933 version, directed by Henry King, starring Janet Gaynor, Will Rogers, and Lew Ayres. In 1945 there was a musical version directed by Walter Lang, starring Jeanne Crain and Dana Andrews. This version has music by Creator/RodgersAndHammerstein, and it was their only movie not based a Broadway musical, although it spawned a ScreenToStageAdaptation in the mid-1990s. A remake of the musical version, starring Pat Boone and Ann Margaret, Ann-Margret, was released in 1962.



* SpotlightStealingSquad: The 1962 version's Pat Boone and Ann-Marget as Wayne and Emily, respectively. This has to do in part with the fact Pamela Tiffin acts so bland as Margy. (Pat Gilbert's actor, Bobby Darin, has a tendency to steal the spotlight from her as well.)

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* SpotlightStealingSquad: The 1962 version's Pat Boone and Ann-Marget Ann-Margret as Wayne and Emily, respectively. This has to do in part with the fact Pamela Tiffin acts so bland as Margy. (Pat Gilbert's actor, Bobby Darin, has a tendency to steal the spotlight from her as well.)
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As the Frake family prepares for a trip to Iowa's annual state fair, Abel Frake bets a friend that he and his family will achieve all the goals they set for the occasion. Abel has raised his pig, Blueboy, to become a contender for a blue ribbon. His wife, Melissa, has made mincemeat and pickles for cooking contests. Their son, Wayne, has brushed up his ring-tossing skills. Finally, Abel's and Melissa's daughter, Margy, hopes to find love during her temporary escape from mundane life on the farm. At the fair, Margy's dreams seem to start coming true when she meets a worldly reporter named Pat Gilbert. Wayne, meanwhile, has become attracted to a singer named Emily Edwards. As Abel, Melissa, and Wayne rack up prizes, an issue rises: can these new couples maintain their relationships after Iowa's state fair ends for another year?

In the 1962 film, the Frakes attend Texas' state fair, where Wayne plans to win a car race, and Emily works as a showgirl with the last name Porter. This version also boasts six additional songs, written by Richard Rodgers.

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As the Frake family prepares for a trip to Iowa's annual state fair, Abel Frake bets a friend that he and his family will achieve all the goals they set for the occasion. Abel has raised his pig, Blueboy, to become a contender for a blue ribbon. His wife, Melissa, has made mincemeat and pickles for cooking contests. Their son, Wayne, has brushed up his ring-tossing skills. Finally, Abel's and Melissa's daughter, Margy, hopes to find love during her temporary escape from mundane life on the farm. At the fair, Margy's dreams seem to start coming true when she meets a worldly reporter named Pat Gilbert. Wayne, meanwhile, has become attracted to a singer named Emily Edwards.(her last name varies between versions). As Abel, Melissa, and Wayne rack up prizes, an issue rises: can these new couples maintain their relationships after Iowa's state fair ends for another year?

In the 1962 film, the Frakes attend Texas' state fair, where Wayne plans to win a car race, and Emily works as a showgirl with the last name Porter.showgirl. This version also boasts six additional songs, written by Richard Rodgers.
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* MusicalWorldHypotheses:
** Unusually for Rodgers and Hammerstein, the 1945 version has four of its six songs performed diegetically. Three of those four ("That's For Me", "It's a Grand Night For Singing", and "All I Owe Ioway") are sung as part of [[ShowWithinAShow Shows Within the Show]], while the singers of the fourth ("Isn't It Kinda Fun?") clearly have sheet music in front of them. Only "Our State Fair" and "It Might as Well Be Spring" seem to receive non-diegetic numbers.
** The 1962 version incorporates "Isn't It Kinda Fun?" and "It's a Grand Night For Singing" into Shows Within the Show, and has the other songs performed non-diegetically.

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* MusicalWorldHypotheses:
**
MusicalWorldHypotheses: Unusually for Rodgers and Hammerstein, the 1945 version has four of its six songs performed diegetically. Three of those four ("That's For Me", "It's a Grand Night For Singing", and "All I Owe Ioway") are sung as part of [[ShowWithinAShow Shows Within the Show]], while the singers of the fourth ("Isn't It Kinda Fun?") clearly have sheet music in front of them. Only "Our State Fair" and "It Might as Well Be Spring" seem to receive non-diegetic numbers.
**
numbers -- Both would instead fall under All In Their Heads (unless "Our State Fair" also exists in-universe, which would explain why three different people know it). The 1962 version incorporates "Isn't It Kinda Fun?" and "It's a Grand Night For Singing" into Shows Within the Show, play seem to vary between Diegetic, All In Their Head, and has Adaptation, depending on the other songs performed non-diegetically.number.
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** Unusually for Rodgers and Hammerstein, the 1945 version has four of its six songs performed diegetically. Three of those four ("That's For Me", "It's a Grand Night For Singing", and "All I Owe Ioway") are sung as part of a ShowWithinAShow, while the singers of the fourth ("Isn't It Kinda Fun?") clearly have sheet music in front of them. Only "Our State Fair" and "It Might as Well Be Spring" seem to receive non-diegetic numbers.

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** Unusually for Rodgers and Hammerstein, the 1945 version has four of its six songs performed diegetically. Three of those four ("That's For Me", "It's a Grand Night For Singing", and "All I Owe Ioway") are sung as part of a ShowWithinAShow, [[ShowWithinAShow Shows Within the Show]], while the singers of the fourth ("Isn't It Kinda Fun?") clearly have sheet music in front of them. Only "Our State Fair" and "It Might as Well Be Spring" seem to receive non-diegetic numbers.

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I don't know the ratio for the stage version


* JukeboxMusical: The Broadway version bolsters the soundtrack with songs taken from R&H's most obscure musicals, as well as some {{Cut Song}}s from ''Theatre/{{Oklahoma}}''
* OverlyNarrowSuperlative: "It's the best state fair in our state!"
** Could have been TruthInTelevision if only it had been set in Illinois, which has ''two'' state fairs.

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* JukeboxMusical: The Broadway version bolsters the soundtrack with songs taken from R&H's most obscure musicals, as well as some {{Cut Song}}s from ''Theatre/{{Oklahoma}}''
''Theatre/{{Oklahoma}}''.
* MusicalWorldHypotheses:
** Unusually for Rodgers and Hammerstein, the 1945 version has four of its six songs performed diegetically. Three of those four ("That's For Me", "It's a Grand Night For Singing", and "All I Owe Ioway") are sung as part of a ShowWithinAShow, while the singers of the fourth ("Isn't It Kinda Fun?") clearly have sheet music in front of them. Only "Our State Fair" and "It Might as Well Be Spring" seem to receive non-diegetic numbers.
** The 1962 version incorporates "Isn't It Kinda Fun?" and "It's a Grand Night For Singing" into Shows Within the Show, and has the other songs performed non-diegetically.
* OverlyNarrowSuperlative: "It's the best state fair in our state!"
**
state!" Could have been TruthInTelevision if only it had been set in Illinois, which has ''two'' state fairs.



* ShowWithinAShow: In a move unusual for Rodgers and Hammerstein, half of the songs in the 1945 version are performed on a stage in front of fair-goers, like how people would sing them in real life.
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** In 1962, a billboard worker applies a "The End" banner over an ad for the fair.

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** In 1962, a billboard worker applies a "The End" banner over an a now-dated ad for the fair.

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->''Is the best [[DepartmentOfRedundancyDepartment state fair in our state!]]"''

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->''Is the best [[DepartmentOfRedundancyDepartment state fair in our state!]]"''
state!"''



* TheEnd: The RomanticRain and wind at the end of the 1933 movie causes portions of the "State Fair" poster to peel away. The peeled-off portions reveal another poster below that says "The End".

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* TheEnd: TheEnd:
**
The RomanticRain and wind at the end of the 1933 movie causes portions of the "State Fair" poster to peel away. The peeled-off portions reveal another poster below that says "The End".End".
** In 1962, a billboard worker applies a "The End" banner over an ad for the fair.
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[[quoteright:200:http://static.tvtropes.org/pmwiki/pub/images/State_Fair_1945_Poster_resized_8887.jpg]]

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[[quoteright:200:http://static.[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/State_Fair_1945_Poster_resized_8887.jpg]]
org/pmwiki/pub/images/state_fair_1945_poster.jpg]]



->''is the best [[DepartmentOfRedundancyDepartment state fair in our state!]]"''

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->''is ->''Is the best [[DepartmentOfRedundancyDepartment state fair in our state!]]"''
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* VerbalIrony: "You two don't seem like the same youngsters that came to the fair with us." Margy has fallen in love and Wayne has been de-virginated.

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* VerbalIrony: From the 1933 film. "You two don't seem like the same youngsters that came to the fair with us." Margy has fallen in love and Wayne has been de-virginated.

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There have been three films released with the title ''State Fair'', all based on a novel by Philip Strong. The first was a 1933 version, directed by Henry King, starring Janet Gaynor, Will Rogers, and Lew Ayres. In 1945 there was a musical version directed by Walter Lang, starring Jeanne Crain and Dana Andrews. This version has music by Creator/RodgersAndHammerstein, and it was their only movie not based a Broadway musical, although it spawned a ScreenToStageAdaptation in the mid-1990s. A remake of the musical version, starring Pat Boone and Ann Margaret, was released in 1962.

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There have been three films released with the title ''State Fair'', all based on a novel by Philip Strong.

The first was a 1933 version, directed by Henry King, starring Janet Gaynor, Will Rogers, and Lew Ayres. In 1945 there was a musical version directed by Walter Lang, starring Jeanne Crain and Dana Andrews. This version has music by Creator/RodgersAndHammerstein, and it was their only movie not based a Broadway musical, although it spawned a ScreenToStageAdaptation in the mid-1990s. A remake of the musical version, starring Pat Boone and Ann Margaret, was released in 1962.
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* TheEnd: The RomanticRain and wind at the end of the 1933 movie causes portions of the "State Fair" poster to peel away. The peeled-off portions reveal another poster below that says "The End".
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* VerbalIrony: "You two don't seem like the same youngsters that came to the fair with us." Margy has fallen in love and Wayne has been de-virginated.

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* HaveAGayOldTime: "I feel so gay/in a melancholy way/that it might as well be Spring."
* HeroesWantRedheads: Emily has red hair in both versions.

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* HaveAGayOldTime: HaveAGayOldTime:
**
"I feel so gay/in a melancholy way/that it might as well be Spring."
** In the 1933 film Margy wonders what people in New York would make of her, and Pat replies that "The men would make love to you and the women would hate you."
* HeroesWantRedheads: Emily has red hair in both the 1945 and 1962 versions.
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* ButLiquorIsQuicker: In the 1933 film Emily plies Wayne with a drink in an obvious ploy to get him ready for sex.


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* SexyDiscretionShot: In the 1933 film, after Emily dresses in a kimono, Wayne gasps "I didn't suppose anyone could be so lovely." The film then cuts to the next scene.
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* SlipIntoSomethingMoreComfortable: "I think I'll get into something more comfortable", says Sally in the 1933 film; her seduction of Wayne follows.
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* BestServedCold: Wayne was embarrassed by a carnival barker with a hoop-tossing concession at the previous year's fair, wasting $8 to eventually win a fake pearl-handle revolver. He spent the whole year practicing tossing hoops, finds the same barker, and embarrasses him and cleans him out of prizes until the barker gives him his $8 back.

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* TheBet: In the 1933 and 1945 films Abel bets a neighbor $5 that his hog will win the prize.



* TheCastShowoff: Ann-Margret as Emily Porter, to the extent where Wayne's and Emily's subplot threatens to overshadow Margy's and Pat's.



* CutSong: The Creator/RodgersAndHammerstein songs "When I Go Out Walking With My Baby" and "Boys And Girls Like You And Me" were both cut from ''Theatre/{{Oklahoma}}!'' and recycled over 50 years later in the ScreenToStageAdaptation of ''State Fair''. "Boys and Girls Like You and Me" is also sung by the King and Queen in the ScreenToStageAdaptation of ''Film/{{Cinderella}}''; it was also recorded but cut from the movie ''Meet Me in St. Louis'' (of all things).



* DownOnTheFarm: The Frakes are farmers. Abel has a prize pig that he wants to put in competition at the fair.



* [[spoiler:FirstGirlWins]]: Wayne ends up [[spoiler:getting dumped by Emily. After the fair ends, he returns to his previous girlfriend, Eleanor.]]

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* [[spoiler:FirstGirlWins]]: FirstGirlWins: Wayne ends up [[spoiler:getting getting dumped by Emily. After the fair ends, he returns to his previous girlfriend, Eleanor.]]



* SealedWithAKiss: [[spoiler:Margy and Pat kiss during their final scene together.]]

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* SealedWithAKiss: [[spoiler:Margy Margy and Pat kiss during their final scene together.]]
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A remake came out in 1962. The Frakes in this version attend Texas' state fair, where Wayne plans to win a car race, and Emily works as a showgirl with the last name Porter. This version also boasts six additional songs, written by Richard Rodgers.

to:

A remake came out in 1962. The In the 1962 film, the Frakes in this version attend Texas' state fair, where Wayne plans to win a car race, and Emily works as a showgirl with the last name Porter. This version also boasts six additional songs, written by Richard Rodgers.Rodgers.
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This 1945 movie musical, adapted from a novel by Philip Stong, bears the distinction of being Creator/RodgersAndHammerstein's only movie not based a Broadway musical, although it spawned a ScreenToStageAdaptation in the mid-1990s.

to:

This 1945 movie musical, adapted from There have been three films released with the title ''State Fair'', all based on a novel by Philip Stong, bears the distinction of being Creator/RodgersAndHammerstein's Strong. The first was a 1933 version, directed by Henry King, starring Janet Gaynor, Will Rogers, and Lew Ayres. In 1945 there was a musical version directed by Walter Lang, starring Jeanne Crain and Dana Andrews. This version has music by Creator/RodgersAndHammerstein, and it was their only movie not based a Broadway musical, although it spawned a ScreenToStageAdaptation in the mid-1990s.
mid-1990s. A remake of the musical version, starring Pat Boone and Ann Margaret, was released in 1962.
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->''Our state fair is a great state fair,''

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->''Our ->''"Our state fair is a great state fair,''



->''is the best [[DepartmentOfRedundancyDepartment state fair in our state!]]''

to:

->''is the best [[DepartmentOfRedundancyDepartment state fair in our state!]]''
state!]]"''
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None


This 1945 movie musical, adapted from a novel by Philip Stong, bears the distinction of being RodgersAndHammerstein's only movie not based a Broadway musical, although it spawned a ScreenToStageAdaptation in the mid-1990s.

to:

This 1945 movie musical, adapted from a novel by Philip Stong, bears the distinction of being RodgersAndHammerstein's Creator/RodgersAndHammerstein's only movie not based a Broadway musical, although it spawned a ScreenToStageAdaptation in the mid-1990s.



* CutSong: The RodgersAndHammerstein songs "When I Go Out Walking With My Baby" and "Boys And Girls Like You And Me" were both cut from ''Theatre/{{Oklahoma}}!'' and recycled over 50 years later in the ScreenToStageAdaptation of ''State Fair''. "Boys and Girls Like You and Me" is also sung by the King and Queen in the ScreenToStageAdaptation of ''Film/{{Cinderella}}''; it was also recorded but cut from the movie ''Meet Me in St. Louis'' (of all things).

to:

* CutSong: The RodgersAndHammerstein Creator/RodgersAndHammerstein songs "When I Go Out Walking With My Baby" and "Boys And Girls Like You And Me" were both cut from ''Theatre/{{Oklahoma}}!'' and recycled over 50 years later in the ScreenToStageAdaptation of ''State Fair''. "Boys and Girls Like You and Me" is also sung by the King and Queen in the ScreenToStageAdaptation of ''Film/{{Cinderella}}''; it was also recorded but cut from the movie ''Meet Me in St. Louis'' (of all things).
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* EarlyInstallmentWeirdness: Since the 1945 movie predates the advent of widescreen film, it became Rodgers' and Hammerstein's only live-action movie filmed in neither [=CinemaScope=], TODD-AO, nor Panavision.

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* EarlyInstallmentWeirdness: Since the 1945 movie predates the advent of widescreen film, it became Rodgers' and Hammerstein's only live-action movie filmed in neither [=CinemaScope=], TODD-AO, nor Panavision.the Academy ratio.
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Added DiffLines:

* EarlyInstallmentWeirdness: Since the 1945 movie predates the advent of widescreen film, it became Rodgers' and Hammerstein's only live-action movie filmed in neither [=CinemaScope=], TODD-AO, nor Panavision.
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Added DiffLines:

* [[spoiler:FirstGirlWins]]: Wayne ends up [[spoiler:getting dumped by Emily. After the fair ends, he returns to his previous girlfriend, Eleanor.]]


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* GiantPoofySleeves: In the 1945 version, the dresses that Margy wears to the fair all have these.


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* SealedWithAKiss: [[spoiler:Margy and Pat kiss during their final scene together.]]


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* SpellingSong: "All I Owe Ioway" has a sequence in which the singers try to spell out, "Iowa".
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[[quoteright:200:http://static.tvtropes.org/pmwiki/pub/images/State_Fair_1945_Poster_resized_8887.jpg]]

->''Our state fair is a great state fair,''
->''Don't miss it! Don't even be late.''
->''It's dollars to donuts that our state fair''
->''is the best [[DepartmentOfRedundancyDepartment state fair in our state!]]''

This 1945 movie musical, adapted from a novel by Philip Stong, bears the distinction of being RodgersAndHammerstein's only movie not based a Broadway musical, although it spawned a ScreenToStageAdaptation in the mid-1990s.

As the Frake family prepares for a trip to Iowa's annual state fair, Abel Frake bets a friend that he and his family will achieve all the goals they set for the occasion. Abel has raised his pig, Blueboy, to become a contender for a blue ribbon. His wife, Melissa, has made mincemeat and pickles for cooking contests. Their son, Wayne, has brushed up his ring-tossing skills. Finally, Abel's and Melissa's daughter, Margy, hopes to find love during her temporary escape from mundane life on the farm. At the fair, Margy's dreams seem to start coming true when she meets a worldly reporter named Pat Gilbert. Wayne, meanwhile, has become attracted to a singer named Emily Edwards. As Abel, Melissa, and Wayne rack up prizes, an issue rises: can these new couples maintain their relationships after Iowa's state fair ends for another year?

A remake came out in 1962. The Frakes in this version attend Texas' state fair, where Wayne plans to win a car race, and Emily works as a showgirl with the last name Porter. This version also boasts six additional songs, written by Richard Rodgers.
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!!This work contains examples of:
* BetaCouple: Abel and Melissa most prominently, but Blueboy finds love as well.
* BookEnds: Shots of a billboard for the respective fair more or less begin and end each movie.
* TheCastShowoff: Ann-Margret as Emily Porter, to the extent where Wayne's and Emily's subplot threatens to overshadow Margy's and Pat's.
* CrowdSong: "It's a Grand Night For Singing"
* CutSong: The RodgersAndHammerstein songs "When I Go Out Walking With My Baby" and "Boys And Girls Like You And Me" were both cut from ''Theatre/{{Oklahoma}}!'' and recycled over 50 years later in the ScreenToStageAdaptation of ''State Fair''. "Boys and Girls Like You and Me" is also sung by the King and Queen in the ScreenToStageAdaptation of ''Film/{{Cinderella}}''; it was also recorded but cut from the movie ''Meet Me in St. Louis'' (of all things).
* DisneyAcidSequence: "Isn't it Kinda Fun?" became one in the 1962 version.
* DrivingADesk: Used in scenes of the Frake family driving to and from the fair, as well as the scene of the 1945 version in which Margy and Pat meet while riding a roller coaster.
* TheFaceless: Blueboy in the stage version, due to the impracticability of keeping a giant pig in a theater every night.
* GRatedSex:
** Some people watch the 1945's version scene in which Margy and Pat lie together in a field, and consider the implications that Margy lost her virginity offscreen.
** The 1962 version has a song about Wayne and Emily engaging in G-Rated Sex, "Willing and Eager".
* HaveAGayOldTime: "I feel so gay/in a melancholy way/that it might as well be Spring."
* HeroesWantRedheads: Emily has red hair in both versions.
* IWantSong: "It Might As Well Be Spring"
* IncrediblyLamePun: From the 1962 version: "It's ''Dallas'' to donuts that our state fair is the best state fair in our state!"
* IntoxicationEnsues: After one of the judges at the cooking contest helps himself to leftovers of Melissa's mincemeat.
* JerkWithAHeartOfGold: Pat
* JukeboxMusical: The Broadway version bolsters the soundtrack with songs taken from R&H's most obscure musicals, as well as some {{Cut Song}}s from ''Theatre/{{Oklahoma}}''
* OverlyNarrowSuperlative: "It's the best state fair in our state!"
** Could have been TruthInTelevision if only it had been set in Illinois, which has ''two'' state fairs.
* {{Retronym}}: Some TV broadcasts of the 1945 version used the title ''It Happened One Summer'', to avoid confusion with the remake. Eventually, the remake's critical and financial failures lessened the chance of people mistaking the '45 movie for it.
* ShowWithinAShow: In a move unusual for Rodgers and Hammerstein, half of the songs in the 1945 version are performed on a stage in front of fair-goers, like how people would sing them in real life.
* SingleStanzaSong: "Our State Fair" has a four-line refrain and no verse, not even an unused one.
* SomeonesTouchingMyButt: When the 1945 version's Margy and Pat ride a roller coaster car through a dark tunnel, one of the female passengers asks her boyfriend not to touch her, then shrieks.
* SpotlightStealingSquad: The 1962 version's Pat Boone and Ann-Marget as Wayne and Emily, respectively. This has to do in part with the fact Pamela Tiffin acts so bland as Margy. (Pat Gilbert's actor, Bobby Darin, has a tendency to steal the spotlight from her as well.)
* TooManyCooksSpoilTheSoup: Played with: Melissa refuses Abel's suggestion to sweeten the mincemeat with brandy, so Abel decides to add some without her noticing. After he leaves, Melissa decides to add some brandy herself. Even though the dish ends up having an abnormally high alcohol level, the judges still reward Melissa with a blue ribbon.
----

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