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* CreatorsOddball: Thomas McCarthy's other films have generally been low-stakes explorations of unconventional human relationships. This is a film in the style of the social-justice oriented 1970s action films where there's far less emphasis on characterization.
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* CreatorsOddball: Thomas McCarthy's other films have generally been low-stakes explorations of unconventional human relationships. This is a film in the style of the social-justice oriented 1970s action films where there's far less emphasis on characterization.
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* TokenGoodCop: Most of the Boston PD who know about the sex abuse have spent decades covering it up without much apparent introspection, although one rookie cop shows shock at this going on in the opening scene, and another officer cooperates with the media exposé into the scandal (albeit hesitantly).
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* CulturallyReligious: Catholicism as a culture is so steeped within Boston that locals can't help but feel its influence. This complicates the Spotlight investigation because non-observant Catholic members are awed by the Church while lapsed members are enraged by it, so their ability to objectively look into the allegations is clouded. This is why those who grew up outside of the Boston Archdiocese, like Mitch Garabedian (a non-Catholic of Armenian descent) and Marty Baron (the son of Jewish immigrants who settled in Florida), are the most clear-eyed about what's going on.
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* BaitAndSwitchTyrant: When told that the Judge hearing Garbedian's motion is a woman named Constance Sweeney, Ben and Robbie tell Barron that she's a "good Catholic girl" unlikely to rule against the church. Later, Sweeney's only actual scene in the movie has her speaking a bit sternly to Garbedian in the courtroom. But in the end, Sweeney turns out to be a more impartial judge than they gave her credit for and rules in favor of allowing Garbedian to submit incriminating letters from Law.

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* BaitAndSwitchTyrant: When told that the Judge hearing Garbedian's the Globe's motion to unseal the documents in Garabedian's case is a woman named Constance Sweeney, Ben and Robbie tell Barron that she's a "good Catholic girl" unlikely to rule against the church. There's [[SideBet a betting pool]], but it's only for people guessing how ''quickly'' she will rule against the paper. Later, Sweeney's only actual scene in the movie has her speaking a bit sternly to Garbedian the Globe's outside counsel, Jon Albano, in the courtroom. But in the end, Sweeney turns out to be a more impartial judge than they gave her credit for for, and rules in favor of allowing Garbedian public access to submit incriminating letters from Law.the damning documents.

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Daylight Horror is no longer a trope, don't link it anywhere.


* DaylightHorror: One day, Marty Baron comes into work and the camera depicts this with a long shot to show what a beautiful September morning it is, something that is even acknowledged is the script. Then he enters the office, and the staff are watching a news report indicating that a plane has hit the World Trade Center.


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* SceneryDissonance: One day, Marty Baron comes into work and the camera depicts this with a long shot to show what a beautiful September morning it is, something that is even acknowledged is the script. Then he enters the office, and the staff are watching a news report indicating that a plane has hit the World Trade Center.
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* CompetencePorn: The film is about a team of journalists doing their due diligence to uncover the full extent of the Catholic Church's child sex abuse scandal in Boston.
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* BlatantLies: When a filing clerk at the Globe stops by the Spotlight office to deliver some newspaper clips, she asks Matt Caroll directly if they are doing a story on the church. Matt deadpans, "No, we are not doing a story on the church."

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* BlatantLies: When a filing clerk at the Globe an intern (credits say her name is Wanda) stops by the Spotlight office to deliver some newspaper clips, she asks Matt Caroll directly if they are doing a story on the church. Matt deadpans, "No, we are not doing a story on the church."
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* BlatantLies: When a filing clerk at the Globe stops by the Spotlight office to deliver some newspaper clips, she asks Matt Caroll directly if they are doing a story on the church. Matt deadpans, "No, we are not doing a story on the church."
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** A minor one for the Church. It is true that these events did occur and there was indeed a cover-up; however, the film does gloss over the fact that the Church was receiving advice from psychologists who believed (as did many at the time) that the "rehabilitated" priests were safe to return to service. However, it should be noted that the psychologists were often in-house psychologists for the Church.[[note]]Including Paul [=McHugh=], head of the Sexual Disorders Clinic at Johns Hopkins, which set up a lot of the "treatment centers". Co-founder of the False Memory Syndrome Foundation, [=McHugh=] notoriously wrote off nearly ''all'' claims of child sexual abuse as fantasy or exaggeration until he was forced to confront the truth during a 2003-2004 investigation.[[/note]] Sometimes, the Church didn't even use psychologists or psychiatrists to treat offending priests, but rather general practitioners and the like. The fact is that the Church often failed to treat the molestation (including flat-out rape) of children as a big deal. So how much of a historical villain upgrade the film provides is at least open for debate.

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** A minor one for the Church. It is true that these events did occur and there was indeed a cover-up; however, the film does gloss over the fact that the Church was receiving advice from psychologists who believed (as did many at the time) that the "rehabilitated" priests were safe to return to service. However, it should be noted that the psychologists were often in-house psychologists for the Church.[[note]]Including Paul [=McHugh=], head of the Sexual Disorders Clinic at Johns Hopkins, which set up a lot of the "treatment centers". Co-founder of the False Memory Syndrome Foundation, [=McHugh=] notoriously wrote off nearly ''all'' claims of child sexual abuse as fantasy or exaggeration until he was forced to confront the truth during a 2003-2004 investigation. The foundation closed down in 2019.[[/note]] Sometimes, the Church didn't even use psychologists or psychiatrists to treat offending priests, but rather general practitioners and the like. The fact is that the Church often failed to treat the molestation (including flat-out rape) of children as a big deal. So how much of a historical villain upgrade the film provides is at least open for debate.
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* GuileHero: All of the protagonists are this to some extent, as their only weapon is their intelligence, but Garabedian stands out among them as one who has spent the most time engaged in the legal BattleOfWits with the Church. See LoopholeAbuse below for his standout moment.

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* GuileHero: All of the protagonists are this to some extent, as their only weapon is their intelligence, but Garabedian stands out among them as the one who has spent the most time engaged in the legal BattleOfWits with the Church. See LoopholeAbuse below for his standout moment.
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* BasedOnATrueStory: With some elements condensed and one event added for dramatism. [[labelnote:Major Spoiler]] While Robby burrying the original Macleish lead is true, this wasn't picked up during the Spotlight investigation. It was picked by the script-writers of the film, almost 15 years after the fact.[[/labelnote]]

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* BasedOnATrueStory: With some elements condensed and one event added for dramatism. [[labelnote:Major Spoiler]] While Robby burrying burying the original Macleish lead is true, this wasn't picked up during the Spotlight investigation. It was picked by the script-writers of the film, almost 15 years after the fact.[[/labelnote]]
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Marty Baron arrives in Boston as new editor of the ''Globe'', and assigns the Spotlight investigative team to follow a trail of lawsuits pertaining to a priest accused of sexual abuse some years in the past. As they dig deeper, meeting with traumatized victims, corrupt clergy, and complicit lawyers, they discover that the menace of child sexual abuse in Boston's Catholic parishes runs deeper than anyone suspected. Starring Creator/MichaelKeaton, Creator/MarkRuffalo, Creator/RachelMcAdams, Creator/JohnSlattery, Creator/LievSchreiber, and Creator/StanleyTucci.

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Marty Baron arrives in Boston as the new editor of the ''Globe'', and assigns the Spotlight investigative team to follow a trail of lawsuits pertaining to a priest accused of sexual abuse some years in the past. As they dig deeper, meeting with traumatized victims, corrupt clergy, and complicit lawyers, they discover that the menace of child sexual abuse in Boston's Catholic parishes runs deeper than anyone suspected. Starring Creator/MichaelKeaton, Creator/MarkRuffalo, Creator/RachelMcAdams, Creator/JohnSlattery, Creator/LievSchreiber, and Creator/StanleyTucci.
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* BlindObedience: The devotion of congregants towards the institution that abused them and their families borders on this. One victim claims his mother baked cookies for the priest that wanted the charges to go away.


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* PsychopathicManchild: Sipes claims the priests he treated had the emotional maturity of preteens. The priest Sacha interviews, who was also a victim of the sexual abuse, behaves like an abused child who has internalized his mistreatment and honestly sees his actions as harmless.
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* SpiritualSuccessor: To ''Film/AllThePresidentsMen'', which was also about a group of investigative reporters who exposed one of the biggest scandals in American history. For bonus points, both involved someone by the name of Ben Bradlee (the sex abuse investigation actually involved his son, Ben Jr.). The only major difference, aside from subject matter, is that ''All the President's Men'' came out just two years after UsefulNotes/RichardNixon resigned from office, while ''Spotlight'' came out 13 years after the Catholic Church sex abuse scandal came to light.
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* TwentyMinutesIntoThePast: Released in 2015, set primarily in 2001-2002 (with a DistantPrologue in 1976).


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* DistantPrologue: The film opens in 1976 with a police station aiding the Catholic Church's cover-up of a child molestation case. The main events of the film start 25 years later in 2001.
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* ItsPersonal: Carroll (the father of two young children who discovers a "treatment center" for paedophilic priests is ''[[AdultFear one block away from his house]]'') definitely gives off this vibe when the scandal is published and he personally goes to leave a first edition of the newspaper at the centre's front door. Downplayed, however, in that he doesn't try to actually confront the priests, nor have his own children been victims.

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* ItsPersonal: Carroll (the father of two young children who discovers a "treatment center" for paedophilic priests is ''[[AdultFear one ''one block away from his house]]'') house'') definitely gives off this vibe when the scandal is published and he personally goes to leave a first edition of the newspaper at the centre's front door. Downplayed, however, in that he doesn't try to actually confront the priests, nor have his own children been victims.
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Adult Fear is now a disambig


* AdultFear:
** The idea that your spiritual guide, someone you might look up to, could exploit your trust and sexually abuse you.
** Matt Carroll, who is a father of two young children, is clearly the most affected by reporting on the story. [[FromBadToWorse It gets worse]] when he finds out that a treatment center (or, a group home for priests who have been caught molesting children) is ''one block away'' from his house. He tapes a photo of the treatment center to his fridge with a note warning his kids to stay away. As the real Matt Carroll wrote, [[https://medium.com/3-to-read/spotlight-the-movie-a-personal-view-f0fa39900afc#.3u4wx5g1e that part was 100% true]] (the only difference being that he actually had four children at the time), and the scene was filmed in Carroll's real West Roxbury neighborhood.
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* RaisedCatholic:
** All the Spotlight reporters describe themselves as lapsed Catholics when they interview Phil Saviano near the beginning of the movie. The investigation doesn't do much to strengthen their faith. [[spoiler: Sacha, the most practicing of the four, stops going to Mass with her grandmother after it becomes difficult to not picture the victims while at services]]
** Subverted with Marty Baron, who is Jewish, and Mitchell Garabedian, a non-Catholic Armenian. It's theorized by Garabedian that this is why they can take on the church: they don't have a personal connection.
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* BrokenPedestal: PlayedForDrama. Phil Saviano explains why so many survivors turn to drugs (or even suicide): seeing an institution they have so much faith in abuse them so horribly harms them spiritually, leaving them with a void they can only fill through vice.
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** Phil Saviano is zealous about fighting pedophilia, and can get emotional to a point where it puts others off, which is why no one listened to him before. He seems like a TinfoilHat conspiracy nut -- until Sipe reveals that "thirteen priests" is inaccurate ''[[WhamLine because it's too low]]''.

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** Phil Saviano is zealous about fighting pedophilia, and can get emotional to a point where it puts others off, which is why no one listened to him before. He seems like a TinfoilHat conspiracy nut -- until Sipe reveals that "thirteen priests" is inaccurate ''[[WhamLine because it's way too low]]''.
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* PoliteVillainsRudeHeroes: The Catholic church officials complicit in covering up the scandal are all charming smooth talkers who use their demeanor to convince others to go along with the lie. Most of all is Cardinal Law who comes off as a sweet and friendly grandpa even as he uses all his influence to protect child rapists in his own church. On the other hand, the ones working to expose the abuse and punish the priests are rather rude, abrupt and blunt. Mitch Garabedian, the lawyer representing the victims is introduced yelling at his secretary while Phil Saviano, the leader of a support group for victims of priest sex abuse comes off more as a conspiracy nut. This is [[DeconstructedTrope deconstructed]] as the rougher nature of the heroes make it off putting and difficult for the Globe to report on their experience, while the charming villains make it easier for people to buy into their lies.
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Well, its true.


* BasedOnATrueStory: With some elements condensed.

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* BasedOnATrueStory: With some elements condensed.condensed and one event added for dramatism. [[labelnote:Major Spoiler]] While Robby burrying the original Macleish lead is true, this wasn't picked up during the Spotlight investigation. It was picked by the script-writers of the film, almost 15 years after the fact.[[/labelnote]]
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* JerkWithAHeartOfGold: Mitch Garabedian is introduced screaming at his secretary and rudely turning Rezendes away from his office and generally seems to have a bad temper and poor people skills. Despite this, he is the ONLY lawyer in Boston willing to take a stand against the church and refuses to back down even when they've nearly disbarred them. This is best highlighted at the very end where he genuninely congratulates Rezendes on successfully revealing the scandal before putting on a cheerful face on to comfort a recent child rape victim.

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* JerkWithAHeartOfGold: Mitch Garabedian is introduced screaming at his secretary and rudely turning Rezendes away from his office and generally seems to have a bad temper and poor people skills. Despite this, he is the ONLY lawyer in Boston willing to take a stand against the church and refuses to back down even when they've nearly disbarred them. This is best highlighted at the very end where he genuninely congratulates Rezendes on successfully revealing the scandal before putting on a cheerful face on to comfort a recent child rape victim.

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* TroubledAbuser: A particularly horrific example: One of the [[PedophilePriest Pedophile Priests]] was himself sexually abused as a child, which is why [[ConditionedToAcceptHorror he insists, in all sincerity, that what he did wasn't at all wrong]].



** The Catholic Church in general has this. In the opening, which takes place in 1976, a bishop is reassuring a mother whose children were molested by Father Geoghan, and one of the things he is sure to mention is "how much good the Church does for the community."

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** The Catholic Church in general has this. In the opening, which takes place in 1976, a bishop is reassuring a mother whose children were molested by Father Geoghan, and one of the things he is sure to mention is "how much good the Church does for the community." The glowing image of the church is what makes the extant of their crimes so shocking to a lot of people.
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* AffablyEvil: Cardinal Law, if you see him as evil. It's clear he let abuse go unaddressed and simply covered it up but he's a sincerely polite and friendly man in private and is also mentioned as having been a supporter of civil rights in his youth and we see him make a genuine plea for tolerance and unity with followers of Islam after 9/11.

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