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* TheEnd: At one point Paul says that there aren't any smaller words that there aren't any smaller words that one can make out of "FEMININ". At the end, the word "FEMININ" comes onscreen, the gunshot sound that Godard uses for scene transitions rings out, and the only letters remaining are "F__IN__". That is, "FIN".
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* TheEnd: At one point Paul says that there aren't any smaller words that there aren't any smaller words that one can make out of "FEMININ". At the end, the word "FEMININ" comes onscreen, the gunshot sound that Godard uses for scene transitions rings out, and the only letters remaining are "F__IN__". That is, "FIN".
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->''This film could be called The Children of Creator/KarlMarx and Coca-Cola.''-'''TitleCard'''
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* ShoutOut: To Godard's previous film. When Paul says he's gotten a car, Madeline says "You're not Film/PierrotLeFou! He steals cars for his woman!".
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* ShoutOut: To Godard's previous film. When Paul says he's gotten a car, we get two references for the price of one, one to Godard's previous films and one to Léaud's; Madeline says "You're not Film/PierrotLeFou! He steals cars for his woman!".woman!", while Paul says he requested the car in the name of General [[Film/TheAdventuresOfAntoineDoinel Doinel]].
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It is his rather free-form rumination on the contemporary youth of 1966, featuring numerous monologues where characters express their thoughts on what it is to be young. Creator/JeanPierreLeaud stars as a young man of 21 who has just completed his 18 months of compulsory service in the French army. He is spending time with Madeline, a fashion model who is branching out into pop music and has a single on the verge of release. Eventually they start a relationship, one which eventually includes Madeline's roommates Catherine and Elisabeth. All of the above is really just a framework on which to hang Godard's thoughts on youth and desire.
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It is his rather free-form rumination on the contemporary youth of 1966, featuring numerous monologues where characters express their thoughts on what it is to be young. Creator/JeanPierreLeaud stars as a young man of 21 who has just completed his 18 months of compulsory service in the French army. He is spending time with Madeline, Madeline (Chantal Goya), a fashion model who is branching out into pop music and has a single on the verge of release. Eventually they start a relationship, one which eventually includes Madeline's roommates Catherine Catherine-Isabelle (Catherine-Isabelle Duport) and Elisabeth. Elisabeth (Creator/MarleneJobert). All of the above is really just a framework on which to hang Godard's thoughts on youth and desire.
desire.
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* DiabolusExMachina: The film ends with Paul falling off a balcony on a high rise to his death, by accident--and it isn't shown, only described to the police afterwards.
* TheEnd: At one point Paul says that there aren't any smaller words that there aren't any smaller words that one can make out of "FEMININ". At the end, the word "FEMININ" comes onscreen, the gunshot sound that Godard uses for scene transitions rings out, and the only letters remaining are "F__IN__". That is, "FIN".
* TheEnd: At one point Paul says that there aren't any smaller words that there aren't any smaller words that one can make out of "FEMININ". At the end, the word "FEMININ" comes onscreen, the gunshot sound that Godard uses for scene transitions rings out, and the only letters remaining are "F__IN__". That is, "FIN".
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* TheMovieGeek: Paul is enough of a film buff that when he's watching a movie and realizes it's in the wrong AspectRatio, he charges into the projection booth to yell at the projectionist.
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* TheMovieGeek: TheMovieBuff: Paul is enough of a film buff that when he's watching a movie and realizes it's in the wrong AspectRatio, he charges into the projection booth to yell at the projectionist.
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* ShoutOut: To Godard's previous film. When Paul says he's gotten a car, Madeline says "You're not Film/PierrotLeFou! He steals cars for his woman!".
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* EroticFilm: InUniverse, Paul and the girls go to see one. Madeline's roommates don't care for it but Madeline does. The [[ShowWithinAShow Film Within A Film]] includes some overtly suggested (but not actually shown) fellatio, which even in France was pretty daring for 1965.
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* TheMovieGeek: Paul is enough of a film buff that when he's watching a movie and realizes it's in the wrong AspectRatio, he charges into the projection booth to yell at the projectionist.
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* EpicTrackingShot: A scene where Paul and Madeline go into a cafe to talk about their relationship, only to be interrupted by a couple of dudes reading out loud from a pornographic magazine, runs three minutes without a cut.
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* TheOner: A scene where Paul and Madeline go into a cafe to talk about their relationship, only to be interrupted by a couple of dudes reading out loud from a pornographic magazine, runs three minutes without a cut.
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* TheOner: A very uncomfortable scene has Paul, offscreen, interviewing an extremely pretty but vapid young woman. Over the course of the conversation he fires questions at her both personal (asking her about birth control) and political (asking her to name all the places in the world where Paul and Madeline go into a cafe to talk about their relationship, only to be interrupted by a couple of dudes reading out loud from a pornographic magazine, there are wars going on). It runs three six minutes without a cut.and the camera never moves.
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''Masculin féminin: 15 faits précis'' is a 1966 film by Creator/JeanLucGodard. It is his rather free-form rumination on the contemporary youth of 1966. It features numerous monologues where characters express their thoughts on what it is to be young. The plot is not very much relevant here.
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''Masculin féminin: 15 faits précis'' is a 1966 film by Creator/JeanLucGodard.
It is his rather free-form rumination on the contemporary youth of1966. It features 1966, featuring numerous monologues where characters express their thoughts on what it is to be young. The plot Creator/JeanPierreLeaud stars as a young man of 21 who has just completed his 18 months of compulsory service in the French army. He is not very much relevant here.
spending time with Madeline, a fashion model who is branching out into pop music and has a single on the verge of release. Eventually they start a relationship, one which eventually includes Madeline's roommates Catherine and Elisabeth. All of the above is really just a framework on which to hang Godard's thoughts on youth and desire.
It is his rather free-form rumination on the contemporary youth of
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!! Tropes
* AsHimself: Creator/BrigitteBardot and Creator/FrancoiseHardy appear as themselves.
* AsHimself: Creator/BrigitteBardot and Creator/FrancoiseHardy appear as themselves.
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* AsHimself: Creator/BrigitteBardot and
* AsideGlance: Paul glances at the camera repeatedly in a scene where he leaves a cafe and heads to the Metro station.
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* TheOner: A scene where Paul and Madeline go into a cafe to talk about their relationship, only to be interrupted by a couple of dudes reading out loud from a pornographic magazine, runs three minutes without a cut.
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* IceCreamKoan: Some of the title cards that Godard puts up between scenes.
--> "The mole has no consciousness, yet it burrows in a specific direction."
--> "The mole has no consciousness, yet it burrows in a specific direction."
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* SpeechCentricWork: Lots and lots of talking.
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* MythologyGag: Paul keeps trying to flip a cigarette into his mouth the way Creator/JeanPaulBelmondo did in another Godard film, ''Film/{{Breathless}}''. He can't quite get the hang of it.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/masculine_feminine_in_15_acts_movie_poster_1966_1020462843.jpg]]
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* As Herself:
** Creator/BrigitteBardot
** Creator/FrancoiseHardy
** Creator/BrigitteBardot
** Creator/FrancoiseHardy
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* As Herself:
** Creator/BrigitteBardot
** Creator/FrancoiseHardyAsHimself: Creator/BrigitteBardot and Creator/FrancoiseHardy appear as themselves.
** Creator/BrigitteBardot
** Creator/FrancoiseHardy
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Changed line(s) 1,2 (click to see context) from:
''Masculin féminin : 15 faits précis'' is a 1966 film by Creator/JeanLucGodard. It is his rather free-form rumination on the contemporary youth of 1966. It features numerous monologues where characters express their thoughts on what it is to be young. The plot is not very much relevant here.
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''Masculin féminin : féminin: 15 faits précis'' is a 1966 film by Creator/JeanLucGodard. It is his rather free-form rumination on the contemporary youth of 1966. It features numerous monologues where characters express their thoughts on what it is to be young. The plot is not very much relevant here.
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* UntranslatedTitle: It remains Masculin Féminin in the English.
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* UntranslatedTitle: It remains Masculin Féminin ''Masculin Féminin'' in the English.
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Changed line(s) 1,2 (click to see context) from:
Masculin féminin : 15 faits précis is a 1966 film by Creator/JeanLucGodard. It is his rather free-form rumination on the contemporary youth of 1966. It features numerous monologues where characters express their thoughts on what it is to be young. The plot is not very much relevant here.
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* SeinfeldianConversation: Also happens a lot.
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* UntranslatedTitle: It remains Masculin Féminin in the French.
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* UntranslatedTitle: It remains Masculin Féminin in the French.English.
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Masculin féminin : 15 faits précis is a 1966 film by Creator/JeanLucGodard. It is his rather free-form rumination on the contemporary youth of 1966. It features numerous monologues where characters express their thoughts on what it is to be young. The plot is not very much relevant here.
----
!! Tropes
* As Herself:
** Creator/BrigitteBardot
** Creator/FrancoiseHardy
* CharacterFilibuster: Omnipresent trope here. All young characters report on their relations with the opposite sex as well as their political views. They deliver some pretty lengthy monologues.
* UntranslatedTitle: It remains Masculin Féminin in the French.
----
!! Tropes
* As Herself:
** Creator/BrigitteBardot
** Creator/FrancoiseHardy
* CharacterFilibuster: Omnipresent trope here. All young characters report on their relations with the opposite sex as well as their political views. They deliver some pretty lengthy monologues.
* UntranslatedTitle: It remains Masculin Féminin in the French.
