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* AdaptationInducedPlotHole: Rapunzel is actually the Baker's long lost sister, having been taken by the witch when he was a toddler. The Baker never finds this out in the stage shoe, and it's the same case here. The PlotHole comes from the fact that the Narrator is a separate character in the stage show. For [[CompositeCharacter convenience purposes]] the Baker also serves as the Narrator in the film. And the film ends with the Baker narrating the story to his newborn son. But since he never finds out Rapunzel is his sister, it begs the question of how he knows this in narration.[[note]] Though there is a small possibility [[spoiler: since Rapunzel [[SparedByTheAdaptation survives in the film]], that she and the Baker eventually do reconcile some time after the events of the story]] - as the narration says a lot of things the Baker wasn't witness to, so it could be assumed that the narration we hear is him telling the story much later after getting the rest of the information.[[/note]]
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* AdaptationInducedPlotHole: Rapunzel is actually the Baker's long lost sister, having been taken by the witch when he was a toddler. The Baker never finds this out in the stage shoe, show, and it's the same case here. The PlotHole comes from the fact that the Narrator is a separate character in the stage show. For [[CompositeCharacter convenience purposes]] the Baker also serves as the Narrator in the film. And the film ends with the Baker narrating the story to his newborn son. But since he never finds out Rapunzel is his sister, it begs the question of how he knows this in narration.[[note]] Though there is a small possibility [[spoiler: since Rapunzel [[SparedByTheAdaptation survives in the film]], that she and the Baker eventually do reconcile some time after the events of the story]] - as the narration says a lot of things the Baker wasn't witness to, so it could be assumed that the narration we hear is him telling the story much later after getting the rest of the information.[[/note]]
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* TrueCompanions: By the end of the play, [[spoiler: the Baker, Little Red, Cinderella, and Jack]] have become this, having bonded over their tragedies [[spoiler: and their killing of the Giantess]]
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%% * TrueCompanions: By the end of the play, [[spoiler: the Baker, Little Red, Cinderella, and Jack]] have become this, having bonded over their tragedies [[spoiler: and their killing of the Giantess]]Giantess]].
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* TrueCompanions: By the end of the play, [[spoiler: the Baker, Little Red, Cinderella, and Jack]] have become this, having bonded over their tragedies [[spoiler: and their killing of the Giantess]]
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* AdaptationInducedPlotHole: Rapunzel is actually the Baker's long lost sister, having been taken by the witch when he was a toddler. The Baker never finds this out in the stage shoe, and it's the same case here. The PlotHole comes from the fact that the Narrator is a separate character in the stage show. For [[CompositeCharacter convenience purposes]] the Baker also serves as the Narrator in the film. And the film ends with the Baker narrating the story to his newborn son. But since he never finds out Rapunzel is his sister, it begs the question of how he knows this in narration.[[note]] Though there is a small possibility [[spoiler: since Rapunzel [[SparedByTheAdaptation survives in the film]], that she and the Baker eventually do reconcile some time after the events of the story]] - as the narration says a lot of things the Baker wasn't witness to, so it could be assumed that the narration we hear is him telling the story much later after getting the rest of the information.[[/note]]
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* CutSong:
** "I Guess This Is Goodbye", "Maybe They're Magic", "Our Little World", "First Midnight", "Second Midnight", "Ever After", "So Happy", "Agony (Reprise)", "No More". Interestingly enough, several cut songs appear in the scenes as background music where the songs were. Listen to the music as the Baker [[spoiler:mourns his wife's passing]] and you'll hear "No More". "Ever After" is the march played as the first "act" ends at Cinderella's wedding, and it transitions into a snippet of "So Happy." Technically, "Cinderella At The Grave" is not cut, but only the mother's part remains (although the "shiver and quiver little tree" melody is heard as Cinderella's dress and slippers appear on her. Its short reprise (where the ghost and birds warn the prince about the slipper) is also cut; the Steward simply notices the blood when assisting Florinda, and Lucinda exposes herself by being completely unable to walk. The melody of "this is the proper bride for you" does return when the prince puts the slipper on Cinderella's foot.
** Also, the film originally had two new songs, "Rainbows" for the Baker and his wife and "She'll Be Back" for the Witch. Both were cut out of the final film.
** A few of the songs were also rewritten. "On The Steps of the Palace" is now primarily in the first person instead of the second, while "Your Fault" is noticeably slower, most likely because the actors couldn't keep up with the pace of the original.
** A more likely explanation for the adjusted tempo of "Your Fault" (and other tongue-twister lyrics, like the "Witch's Rap") is that filmmakers thought the wider movie audience would have more difficulty following such fast-paced songs than a theater audience did.
** "I Guess This Is Goodbye", "Maybe They're Magic", "Our Little World", "First Midnight", "Second Midnight", "Ever After", "So Happy", "Agony (Reprise)", "No More". Interestingly enough, several cut songs appear in the scenes as background music where the songs were. Listen to the music as the Baker [[spoiler:mourns his wife's passing]] and you'll hear "No More". "Ever After" is the march played as the first "act" ends at Cinderella's wedding, and it transitions into a snippet of "So Happy." Technically, "Cinderella At The Grave" is not cut, but only the mother's part remains (although the "shiver and quiver little tree" melody is heard as Cinderella's dress and slippers appear on her. Its short reprise (where the ghost and birds warn the prince about the slipper) is also cut; the Steward simply notices the blood when assisting Florinda, and Lucinda exposes herself by being completely unable to walk. The melody of "this is the proper bride for you" does return when the prince puts the slipper on Cinderella's foot.
** Also, the film originally had two new songs, "Rainbows" for the Baker and his wife and "She'll Be Back" for the Witch. Both were cut out of the final film.
** A few of the songs were also rewritten. "On The Steps of the Palace" is now primarily in the first person instead of the second, while "Your Fault" is noticeably slower, most likely because the actors couldn't keep up with the pace of the original.
** A more likely explanation for the adjusted tempo of "Your Fault" (and other tongue-twister lyrics, like the "Witch's Rap") is that filmmakers thought the wider movie audience would have more difficulty following such fast-paced songs than a theater audience did.
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** Or more likely, halfway through the story [[spoiler: It looks like everyone's going to live HappilyEverAfter, right before everything goes to hell.]]
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*** [[spoiler:Although the fact that Cinderella left her Prince would suggest that they no longer can enjoy the perks of being part of the royal family and, with Cinderella gone, must care for themselves (while the stepsisters are blind and with mutilated feet, no less).]]
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%% * SinsOfOurFathers: The Baker's problems all stem from his father's actions.
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-->"WHO CARES!?! Cow's gone! Get it back!"
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* DramaticPause: From the Prologue:
-->'''Witch:''' I was watching him crawl back over the wall WHEN BANG! CRASH! THE LIGHTNING FLASHED!\\
''(extended instrumental beat)''\\
'''Witch:''' But that's another story, nevermind! Anyway...
-->'''Witch:''' I was watching him crawl back over the wall WHEN BANG! CRASH! THE LIGHTNING FLASHED!\\
''(extended instrumental beat)''\\
'''Witch:''' But that's another story, nevermind! Anyway...
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[[caption-width-right:220:Be careful what you wish for...]] ''Into the Woods'' is a 2014 film adaptation of the [[Theatre/IntoTheWoods critically acclaimed James Lapine/Stephen Sondheim musical of the same name]]. Under the direction of Rob Marshall (who had previously worked on ''Film/{{Chicago}}'' and the 1999 MadeForTV adaptation of ''[[Theatre/{{Annie}} Annie]]'' respectively), the film features an AllStarCast led by Creator/MerylStreep (the Witch), James Corden (the Baker), Creator/EmilyBlunt (the Baker's Wife), Creator/AnnaKendrick (Cinderella), and Creator/ChrisPine (Cinderella's Prince), AndStarring Creator/JohnnyDepp (the Wolf). It also features newcomer Lilla Crawford (who had starred in the recent Broadway revival of ''Annie'') as Little Red, and Daniel Huttlestone (of ''[[Film/LesMiserables2012 Les Miserables]]'' fame) as Jack. The film was released on Christmas Day, 2014, and distributed by [[Creator/{{Disney}} Walt Disney Studios]].
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Oops.
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* One moment for the Witch. In most productions when Rapunzel refuses to go back with her, the Witch tries to attack both her and her prince. In the film, she only goes for the prince and even pulls Rapunzel back.
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* One moment for the Witch. In most productions when Rapunzel refuses to go back with her, the Witch tries to attack both her and her prince. In the film, she only goes for the prince and even pulls Rapunzel back.
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* BlondeBrunetteRedhead: The three main fairytale leads respectively; Rapunzel, Red Riding Hood and Cinderella.
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* BlondeBrunetteRedhead: The three main female fairytale leads respectively; Rapunzel, Red Riding Hood and Cinderella.
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* BlondeBrunetteRedhead: The three main fairytale leads respectively; Rapunzel, Red Riding Hood and Cinderella.
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* SeparatedAtBirthCasting: Simon Russell Beale was a good choice to play James Corden's father.
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* TheDungAges: Muck everywhere.
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%% * TheDungAges: Muck everywhere.
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** A more likely explanation for the adjusted tempo of "Your Fault" (and other tongue-twister lyrics, like the "Witch's Rap") is that filmmakers thought the wider movie audience would have more difficulty following such past-paced songs than a theater audience did.
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** A more likely explanation for the adjusted tempo of "Your Fault" (and other tongue-twister lyrics, like the "Witch's Rap") is that filmmakers thought the wider movie audience would have more difficulty following such past-paced fast-paced songs than a theater audience did.
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** Snow White and Sleeping Beauty's cameos, given that the storyline for the princes has changed slightly.
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* AdaptationPersonalityChange: Because Rapunzel's Prince's affair with Snow White was cut, he comes across as less of an unlikable womanizer. He's still boastful, but his interactions with Rapunzel are sweet and {{Adorkable}} at times.
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* AdaptationPersonalityChange: AdaptationPersonalityChange:
** Because Rapunzel's Prince's affair with Snow White was cut, he comes across as less of an unlikable womanizer. He's still boastful, but his interactions with Rapunzel are sweet and {{Adorkable}} attimes.times.
** Likewise Rapunzel herself is TheOphelia in the play. None of these traits show up in the film and [[spoiler: she doesn't commit suicide by running into the Giantess]].
** Because Rapunzel's Prince's affair with Snow White was cut, he comes across as less of an unlikable womanizer. He's still boastful, but his interactions with Rapunzel are sweet and {{Adorkable}} at
** Likewise Rapunzel herself is TheOphelia in the play. None of these traits show up in the film and [[spoiler: she doesn't commit suicide by running into the Giantess]].
** Snow White and Sleeping Beauty's cameos, given that the storyline for the princes has changed slightly.
* LettingHerHairDown: Inverted. The Witch has her hair down in hag form. [[spoiler: When she becomes beautiful again]] her hair is tied back.
* NamedByTheAdaptation: Averted in the film itself, as nobody who didn't have a name in the play gains one here. However on set the Baker and his wife were referred to as Geoff and Margery by crew members. Although Lucinda ''is'' the official name of the other stepsister, it's never said in the play and only AllThereInTheManual. Here it's said on-screen a couple of times.
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** As in the musical, Milky White disappears after the first half of the film.
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** As in the musical, Milky White disappears after the first half of the film. Likewise we don't know what becomes of the cow that the Baker bought with the gold pieces.
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** And Red falling into the Wolf's belly looked very Alice in Wonderland to this troper.
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** And Red falling into the Wolf's belly looked very Alice in Wonderland to this troper.
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* BiggerOnTheInside: During "I Know Things Now", a flashback shows Little Red plunging into the Wolf's belly, which appears to be the size of a large pit. Since the song is portrayed as a story that she tells the Baker, this could be interpreted as being part of her imagination.
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* BiggerOnTheInside: During "I Know Things Now", a flashback shows Little Red plunging into the Wolf's belly, which appears to be the size of a large pit. Since the song is portrayed as a story that she tells the Baker, this could be interpreted as being part of her imagination. On the other hand she and her grandmother were both alive and intact inside it's stomach, and the wolf is only human size, so this has to be at least ''somewhat'' the case.
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* MusicalisInterruptus: Downplayed. ''No One Is Alone'' is sung in its entirety, but the very last line is interrupted by the [[spoiler: Giantess's footsteps]]. But thankfully, the soundtrack averts this.
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* AdaptationalHeroism: Rapunzel's Prince, contrasting his brother's AdaptationalVillainy. It's clear that he truly loves Rapunzel, and he stays faithful to her for the entire film (unlike his stage show counterpart, who tosses her aside during their marriage to pursue Snow White). He's even willing to go out and search for Rapunzel while ''[[TheDeterminator blind]]''.
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* AdaptationalHeroism: AdaptationalHeroism:
** Rapunzel's Prince, contrasting his brother's AdaptationalVillainy. It's clear that he truly loves Rapunzel, and he stays faithful to her for the entire film (unlike his stage show counterpart, who tosses her aside during their marriage to pursue Snow White). He's even willing to go out and search for Rapunzel while ''[[TheDeterminatorblind]]''.blind]]''.
** A small case for the steward. In the stage show he kills [[spoiler: Jack's mother]] by clubbing her over the head. In this, he only pushes her to the ground and she hits her head off a log. He's shown to instantly regret it as well.
** Rapunzel's Prince, contrasting his brother's AdaptationalVillainy. It's clear that he truly loves Rapunzel, and he stays faithful to her for the entire film (unlike his stage show counterpart, who tosses her aside during their marriage to pursue Snow White). He's even willing to go out and search for Rapunzel while ''[[TheDeterminator
** A small case for the steward. In the stage show he kills [[spoiler: Jack's mother]] by clubbing her over the head. In this, he only pushes her to the ground and she hits her head off a log. He's shown to instantly regret it as well.
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%% * {{Adorkable}}: Rapunzel's prince.
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* AgeLift: Due to casting Meryl Streep, the Witch is older than she was in most versions of the stage show.
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* AgeLift: AgeLift:
** Due to casting Meryl Streep, the Witch is older than she was in most versions of the stageshow.show. Notably in the stage show, the character is usually played by an actress in make-up to make her appear older - and [[spoiler: when she transforms into her beautiful self]] the actress just removes the make-up. Streep meanwhile commented that it took more make-up for her to appear younger.
** A partial example. Although Jack and Red Riding Hood are children in the story, they're usually played by teenagers or young adults ''acting'' like children. Here they're played by actual children.
** Due to casting Meryl Streep, the Witch is older than she was in most versions of the stage
** A partial example. Although Jack and Red Riding Hood are children in the story, they're usually played by teenagers or young adults ''acting'' like children. Here they're played by actual children.
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%% * DoesThisRemindYouOfAnything: If you know that Little Red Riding Hood was in fact a cautionary tale... yeah. See its radar page.
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%% * FeatheredFiend: Of the ZergRush variety.
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%% * LighterAndSofter: Compared to the stage show. (Only marginally.)
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%% * PrinceCharming: Cinderella's prince. ExactWords count here.
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--> "I was raised to be charming, not sincere."
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* OverlyLongScream: Red Riding Hood does this when the Baker tries to take her red cape by force.
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* OverlyLongScream: When the Baker attempts to take Red Riding Hood does this when Hood's cape by force, she responds with an 8-second scream, not pausing until the Baker tries to take brings back her red cape by force.and puts it back on her.
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* OverlyLongScream: Red Riding Hood does this when the Baker tries to take her red cape by force.
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The film retools some of the story's content to make the film slightly shorter than the stage play, with especially the second act containing some departures from the source material. It should also be noted that all of the changes were personally approved by Sondheim himself, and original stage writer Lapine is also the film's sole credited screenwriter.
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The film retools some of the story's content to make the film slightly shorter than the stage play, with especially the second act containing some departures from the source material. It should also be noted that all of the changes were personally approved by Sondheim himself, and original stage writer Lapine is also himself adapted the musical to the screen as the film's sole credited screenwriter.
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Changed line(s) 14 (click to see context) from:
The film retools some of the story's content to make the film slightly shorter than the stage play, with especially the second act containing some departures from the source material. It should also be noted that all of the changes were personally approved by Sondheim himself, and Lapine adapted the film as the sole credited screenwriter.
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The film retools some of the story's content to make the film slightly shorter than the stage play, with especially the second act containing some departures from the source material. It should also be noted that all of the changes were personally approved by Sondheim himself, and original stage writer Lapine adapted is also the film as the film's sole credited screenwriter.
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The film retools some of the story's content to make the film slightly shorter than the stage play, with especially the second act containing some departures from the source material. It should also be noted that all of the changes were personally approved by Sondheim himself.
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The film retools some of the story's content to make the film slightly shorter than the stage play, with especially the second act containing some departures from the source material. It should also be noted that all of the changes were personally approved by Sondheim himself.himself, and Lapine adapted the film as the sole credited screenwriter.
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** Averted with the Wolf, who has a surprisingly sexual tone in his voice and facial expressions during "Hello Little Girl". Not to mention the added pimp-suit.
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** Averted Subverted with the Wolf, who Wolf. In the original play, the Wolf has a surprisingly fake rubber penis with no pants. The Disney movie adaptation didn't include it, but there was still a sexual tone vibe in his voice voice, actions, and facial expressions during "Hello Little Girl". Not to mention the Girl." The added pimp-suit.pimp suit and the fact that JohnnyDepp plays the Wolf just puts more gasoline on the fire.