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* OneOfUs
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* OneOfUs
OneOfUs[[invoked]]
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* DisabledCharacterDisabledActor: Notably, "Prince Randian" (who was born without limbs), Simon Metz (born with microcephaly, a smaller skull and brain), Minnie Woolsey (who suffered from Virchow Sekel Syndrome, a combination of skeletal malformation and dwarfism), and Johnny Eck (no body below the waist).
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* IncestuousCasting: romantic couple Hans and Frieda were played by siblings Harry and Daisy Earles. Naturally, the love scenes with them are ''really'' downplayed.
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* RealLifeRelative: See RealitySubtext, below.
* RealitySubtext: Notice that Frieda and Hans' romantic relationship is very muted. It's because they were played by brother and sister.
* RealitySubtext: Notice that Frieda and Hans' romantic relationship is very muted. It's because they were played by brother and sister.
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* OldShame: Before his death, Angelo Rossitto was asked about the film and this is what he said: "I don't want any publicity. When you look like me, walking down the street's enough publicity."
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* {{Expy}}: Not in the movie itself, but in ''Spurs'', Hans is basically this for Tweedledee, the BigBad of Tod Robbins' earlier work, ''Literature/TheUnholyThree''. [[spoiler:Essentially, he's what Tweedledee would have been like had he actually gotten away with his crimes]]. The movie version of Hans is nothing like Tweedledee, however (despite his actor playing the character in the Unholy Three movie adaptations).
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* {{Expy}}: Not in the movie itself, but in ''Spurs'', "Spurs", Jacques Coubré (renamed Hans for the movie) is basically this for Tweedledee, the BigBad of Tod Robbins' earlier work, ''Literature/TheUnholyThree''. [[spoiler:Essentially, he's what Tweedledee would have been like had he actually gotten away with his crimes]]. The movie version of Hans is nothing like Tweedledee, however (despite his actor playing the character in the Unholy Three movie adaptations).
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* ComicBookAdaptation: A four-issue miniseries came out in 1992, written by ''Comicbook/{{Frank}}'''s Jim Woodring and illustrated by F. Solano Lopez. Per TheDarkAgeOfComicBooksi, it's much more visually graphic.
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* ComicBookAdaptation: A four-issue miniseries came out in 1992, written by ''Comicbook/{{Frank}}'''s Jim Woodring and illustrated by F. Solano Lopez. Per TheDarkAgeOfComicBooksi, TheDarkAgeOfComicBooks, it's much more visually graphic.
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* ComicBookAdaptation: A four-issue miniseries came out in 1992, written by ''Comicbook/{{Frank}}'''s Jim Woodring and illustrated by F. Solano Lopez. Per TheDarkAgeOfComicBooksi, it's much more visually graphic.
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* AmbiguousEnding: It's unclear whether Cleopatra's ultimate fate was inflicted on her by the circus troupe, or by Mother Nature getting in on the act.
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* BittersweetEnding: The fate given to Cleo and Hercules, while well-deserved, most likely landed the freaks in prison or at least out of a job. Hans, feeling guilty over the whole thing (even though he only wanted Cleo exposed for her crime and the poison handed over), has lived as a recluse for years. But then we see Phroso and Venus together, and [[SugarWiki/HeartwarmingMoments Frieda gets back together with Hans, comforting him, telling him it wasn't his fault and that she loves him.]]
* EarnYourHappyEnding: The freaks take brutal revenge on Cleo and Hercules. Hans, feeling guilty over the whole thing (even though he only wanted Cleo exposed for her crime and the poison handed over), has lived as a recluse for years. But then we see Phroso and Venus together, and [[SugarWiki/HeartwarmingMoments Frieda gets back together with Hans, comforting him, telling him it wasn't his fault and that she loves him.]]
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** In the musical ''Side Show'', which is based on the lives of the same conjoined twins, there's a scene where the girls and their respective love interests are on a Tunnel of Love ride. Violet seems to be able to feel Daisy's reaction to being kissed by Terry (and notes that it's much stronger than her own response to being kissed by her fiancé).
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** In the musical ''Side Show'', which is based on the lives of the same conjoined twins, there's a The scene where one twin kisses her fiance and the girls and their respective love interests are on other twin lights up with pleasure is a Tunnel of Love ride. Violet seems surprisingly explicit allusion to be able to feel Daisy's reaction to being kissed by Terry (and notes that it's much stronger than her own response to being kissed by her fiancé). thisl
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* DiscreetDrinkDisposal: Hans spits out the poisoned medicine that Cleopatra gives him.
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* AndIMustScream: [[spoiler: Behold, the amazing Chicken Lady!]]
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* AndIMustScream: [[spoiler: Behold, the amazing Chicken Lady!]]Lady!
* BattleInTheRain: The final confrontaton between Cleo, Hercules, and the freaks, in a driving rain.
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* DarkerAndEdgier: The 1992 comic adaptation of the film by ''Comicbook/{{Frank}}'s'' Jim Woodring-- unsurprising given that it's during TheDarkAgeOfComicBooks.
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* FateWorseThanDeath: [[spoiler: Cleopatra and Hercules. They don't kill them. Oh, no. That would be far too kind.]]
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* FateWorseThanDeath: [[spoiler: Cleopatra and Hercules. They don't kill them. Oh, no. That would be far too kind.]]
* HowWeGotHere: The film opens with a carnival barker telling circus-goers about a beautiful woman who was turned into a terrible freak. Then the camera cuts to Cleopatra in her trapeze, and the story starts.
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* InstantSoprano: A now-lost alternate ending has a scene of [[spoiler: Hercules the misogynist singing soprano.]]
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* InstantSoprano: A now-lost alternate ending has a scene of [[spoiler: Hercules the misogynist singing soprano.]]
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* KarmicTransformation:[[spoiler: Cleo, Cleo, Cleo... do NOT piss off the circus freaks...]]
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* KarmicTransformation:[[spoiler: KarmicTransformation: Cleo, Cleo, Cleo... do NOT piss off the circus freaks...]]
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* TrueCompanions: The freaks are a family and they look after each other. Cleopatra and Hercules find this out too late.
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* DarkerAndEdgier: The 1992 comic adaptation of the film by ''Comicbook/{{Frank}}'s'' Jim Woodring-- unsurprising given that it's during TheDarkAgeOfComicBooks.
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Changed the general description slightly because parts of it were word for word exactly the same as the descrition on wikipedia.
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Browning had been a contortionist in a traveling circus in his early years, and much of the film was drawn from his personal experiences. In the film, the physically deformed "freaks" are inherently trusting and honorable people, while the real monsters are two of the "normal" members of the circus who conspire to murder one of the performers to obtain his large inheritance.
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Browning had been previously worked as a contortionist in a traveling circus in his early years, circus, and much of the film was drawn from his personal experiences. In the film, the physically deformed "freaks" are inherently trusting and honorable people, while the real monsters are generally kind, well-meaning people. This contrasts with two of the "normal" members of performers in the circus circus, who conspire to murder one of the performers to obtain freaks and steal his large inheritance.
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* OldShame: Before his death, Angelo Rossitto was asked about the film and this is what he said: "I don't want any publicity. When you look like me, walking down the street's enough publicity."
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* InsistentTerminology: "Children!? These are monsters!"
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* NiceToTheWaiter: Phroso being kind to Schlitzie and the Snow sisters, who are all mentally handicapped.
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* StalkerWithACrush: There's a scene where one of the circus workers is telling a story about a guy who keeps showing up in the audience and proposing to marry her, but the viewer is probably too busy watching the armless Frances O'Connor use a knife and fork to listen.
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* {{Determinator}}: The "freaks." Their lack of limbs and/or other essential parts would not stop them from trying to have as good a life as possible.
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!!! ''[=Freaks=]'' is the {{Trope Namer|s}} for:
* OneOfUs
* OneOfUs
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!!This film provides examples of:
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* {{Expy}}: Not in the movie itself, but in ''Spurs'', Hans is basically this for Tweedledee, the BigBad of Tod Robbins' earlier work, ''TheUnholyThree''. [[spoiler:Essentially, he's what Tweedledee would have been like had he actually gotten away with his crimes]]. The movie version of Hans is nothing like Tweedledee, however (despite his actor playing the character in the Unholy Three movie adaptations).
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* {{Expy}}: Not in the movie itself, but in ''Spurs'', Hans is basically this for Tweedledee, the BigBad of Tod Robbins' earlier work, ''TheUnholyThree''.''Literature/TheUnholyThree''. [[spoiler:Essentially, he's what Tweedledee would have been like had he actually gotten away with his crimes]]. The movie version of Hans is nothing like Tweedledee, however (despite his actor playing the character in the Unholy Three movie adaptations).
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* TropeNamer: OneOfUs
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''{{Freaks}}'' (1932) is a horror film about sideshow performers, directed and produced by Tod Browning and released by Metro-Goldwyn-Mayer, with a cast mostly composed of actual carnival performers. The film was based on Tod Robbins' short story "Spurs". Director Browning took the exceptional step of casting real people with deformities as the eponymous sideshow "freaks," rather than using costumes and makeup.
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* GroinAttack: A now-lost alternate ending has a scene of [[spoiler: Hercules the misogynist singing soprano.]]
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* InstantSoprano: A now-lost alternate ending has a scene of [[spoiler: Hercules the misogynist singing soprano.]]
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Zero Context Example, and misuse.
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* BeamMeUpScotty: "Gooble, gobble. We accept her. One of us, one of us."
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* AmbiguousEnding: It's unclear whether Cleopatra's ultimate fate was inflicted on her by the circus troupe, or by Mother Nature getting in on the act.
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* PlayedForLaughs: The scenes involving the conjoined twins and their romantic laugh were intended to be CringeComedy to some degree.
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* DisabledCharacterDisabledActor: Notably, "Prince Randian" (who was born without limbs), Simon Metz (born with microcephaly, a smaller skull and brain) and Minnie Woolsey (who suffered from Virchow Sekel Syndrome, a combination of skeletal malformation and dwarfism).
to:
* DisabledCharacterDisabledActor: Notably, "Prince Randian" (who was born without limbs), Simon Metz (born with microcephaly, a smaller skull and brain) and brain), Minnie Woolsey (who suffered from Virchow Sekel Syndrome, a combination of skeletal malformation and dwarfism).dwarfism), and Johnny Eck (no body below the waist).
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* IncestuousCasting: romantic couple Hans and Frieda were played by siblings Harry and Daisy Earles.
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* IncestuousCasting: romantic couple Hans and Frieda were played by siblings Harry and Daisy Earles. Naturally, the love scenes with them are ''really'' downplayed.
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* StockShoutOuts: The "One of Us" chant
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* RealLifeRelative: See RealitySubtext, below.
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** What the freaks do to Hercules and Cleo count as well. *shudder*
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One bit of influence the film has had: The "Gooble gobble, we accept you, one of us" chant with which the freaks welcome Cleo (not that she appreciates it) was worked into the song "[[RefrainFromAssuming Pinhead]]" by Music/TheRamones.[[hottip:*: [[MyFriendsAndZoidberg The same phrase also appears in a]] Music/{{Marillion}} song.]]
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One bit of influence the film has had: The "Gooble gobble, we accept you, one of us" chant with which the freaks welcome Cleo (not that she appreciates it) was worked into the song "[[RefrainFromAssuming Pinhead]]" by Music/TheRamones.[[hottip:*: [[MyFriendsAndZoidberg [[labelnote:*]][[MyFriendsAndZoidberg The same phrase also appears in a]] Music/{{Marillion}} [[MyFriendsAndZoidberg song.]]
]][[/labelnote]]
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Changed line(s) 9,10 (click to see context) from:
One bit of influence the film has had: The "Gooble gobble, we accept you, one of us" chant with which the freaks welcome Cleo (not that she appreciates it) was worked into the song "[[RefrainFromAssuming Pinhead]]" by Music/TheRamones.[[hottip: *: [[MyFriendsAndZoidberg The same phrase also appears in a Music/{{Marillion}} song.]]
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One bit of influence the film has had: The "Gooble gobble, we accept you, one of us" chant with which the freaks welcome Cleo (not that she appreciates it) was worked into the song "[[RefrainFromAssuming Pinhead]]" by Music/TheRamones.[[hottip: *: [[hottip:*: [[MyFriendsAndZoidberg The same phrase also appears in a a]] Music/{{Marillion}} song.]]
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* BeamMeUpScotty: "Gooble, gobble. We accept her. One of us, one of us."
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* TropeNamer: OneOfUs
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Changed line(s) 9,10 (click to see context) from:
One bit of influence the film has had: The "Gooble gobble, we accept you, one of us" chant with which the freaks welcome Cleo (not that she appreciates it) was worked into the song "[[RefrainFromAssuming Pinhead]]" by Music/TheRamones.[[hottip: *: [[MyFriendsAndZoidberg The same phrase also appears in a Music/{{Marillion}} [[MyFriendsAndZoidberg song]].]]
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One bit of influence the film has had: The "Gooble gobble, we accept you, one of us" chant with which the freaks welcome Cleo (not that she appreciates it) was worked into the song "[[RefrainFromAssuming Pinhead]]" by Music/TheRamones.[[hottip: *: [[MyFriendsAndZoidberg The same phrase also appears in a Music/{{Marillion}} [[MyFriendsAndZoidberg song]].song.]]
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None
Changed line(s) 9,10 (click to see context) from:
One bit of influence the film has had: The "Gooble gobble, we accept you, one of us" chant with which the freaks welcome Cleo (not that she appreciates it) was worked into the song "[[RefrainFromAssuming Pinhead]]" by Music/TheRamones.[[hottip: *: [[MyFriendsAndZoidberg The same phrase also appears in a]] Music/{{Marillion}} [[MyFriendsAndZoidberg song]].]]
to:
One bit of influence the film has had: The "Gooble gobble, we accept you, one of us" chant with which the freaks welcome Cleo (not that she appreciates it) was worked into the song "[[RefrainFromAssuming Pinhead]]" by Music/TheRamones.[[hottip: *: [[MyFriendsAndZoidberg The same phrase also appears in a]] a Music/{{Marillion}} [[MyFriendsAndZoidberg song]].]]
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[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/7.-Freaks-1932_imagelarge.jpg]]
->''ONE OF US! ONE OF US!''
''{{Freaks}}'' (1932) is a horror film about sideshow performers, directed and produced by Tod Browning and released by Metro-Goldwyn-Mayer, with a cast mostly composed of actual carnival performers. The film was based on Tod Robbins' short story "Spurs". Director Browning took the exceptional step of casting real people with deformities as the eponymous sideshow "freaks," rather than using costumes and makeup.
Browning had been a contortionist in a traveling circus in his early years, and much of the film was drawn from his personal experiences. In the film, the physically deformed "freaks" are inherently trusting and honorable people, while the real monsters are two of the "normal" members of the circus who conspire to murder one of the performers to obtain his large inheritance.
One bit of influence the film has had: The "Gooble gobble, we accept you, one of us" chant with which the freaks welcome Cleo (not that she appreciates it) was worked into the song "[[RefrainFromAssuming Pinhead]]" by Music/TheRamones.[[hottip: *: [[MyFriendsAndZoidberg The same phrase also appears in a]] Music/{{Marillion}} [[MyFriendsAndZoidberg song]].]]
Not to be confused with ''FreaksAndGeeks'', despite the etymology of the word {{Geek}}.
----
!!This film provides examples of:
* AmbiguousGender: Josephine Joseph. It's still unknown whether the performer was a man, woman, or a genuine hermaphrodite, as advertised.
* AndIMustScream: [[spoiler: Behold, the amazing Chicken Lady!]]
* {{Asshole Victim}}s: Hercules and Cleopatra.
* BeautyEqualsGoodness: inverted at first with the titular 'freaks' (who are not most people's idea of beauty, but are the good and sympathetic characters) and with Cleo (for whom it's entirely the opposite).
* BetaCouple: Phroso and Venus
* BewareTheNiceOnes: The freaks here generally are gentle and friendly people, but when someone plans the death of one of them, they will not let you get away with that...you gotta believe it.
* BigDamnHeroes: Phroso saving Venus from Hercules at the end, followed by the Freaks saving ''Phroso'' from Hercules.
* BitchInSheepsClothing: Cleopatra. She pretends to love Hans so she can marry him and then take all his money.
* BittersweetEnding: The fate given to Cleo and Hercules, while well-deserved, most likely landed the freaks in prison or at least out of a job. Hans, feeling guilty over the whole thing (even though he only wanted Cleo exposed for her crime and the poison handed over), has lived as a recluse for years. But then we see Phroso and Venus together, and [[SugarWiki/HeartwarmingMoments Frieda gets back together with Hans, comforting him, telling him it wasn't his fault and that she loves him.]]
* BodyHorror: What special effects? The eponymous freaks really looked like that.
* CircusOfFear: Used straight and averted. The freaks are fairly mellow people unless angered.
* CutlassBetweenTheTeeth: In the climax, the limbless Randian is seen wriggling towards the antagonist with a knife clenched between his teeth.
* DarkIsNotEvil
* DisabledCharacterDisabledActor: Notably, "Prince Randian" (who was born without limbs), Simon Metz (born with microcephaly, a smaller skull and brain) and Minnie Woolsey (who suffered from Virchow Sekel Syndrome, a combination of skeletal malformation and dwarfism).
* ElephantInTheLivingRoom: Nobody mentions that Daisy and Violet are conjoined twins, not even when the fiance of one meets the fiance of the other.
* EvenEvilHasStandards: While not evil, Roscoe was a bit of a jerk, and hung out with Hercules and mocked Josephine Joseph at the start. But toward the end, after it's learned that Hercules probably (and of course, did) have a hand in poisoning Hans, we see Roscoe and Hercules together in the same place, and this time Roscoe just glares at Hercules, says nothing, and walks away from him.
* {{Expy}}: Not in the movie itself, but in ''Spurs'', Hans is basically this for Tweedledee, the BigBad of Tod Robbins' earlier work, ''TheUnholyThree''. [[spoiler:Essentially, he's what Tweedledee would have been like had he actually gotten away with his crimes]]. The movie version of Hans is nothing like Tweedledee, however (despite his actor playing the character in the Unholy Three movie adaptations).
* FateWorseThanDeath: [[spoiler: Cleopatra and Hercules. They don't kill them. Oh, no. That would be far too kind.]]
* GroinAttack: A now-lost alternate ending has a scene of [[spoiler: Hercules the misogynist singing soprano.]]
* HostileWeather: Used memorably in the climax.
* IncestuousCasting: romantic couple Hans and Frieda were played by siblings Harry and Daisy Earles.
* JerkWithAHeartOfGold: Phroso, Roscoe
* KarmicTransformation:[[spoiler: Cleo, Cleo, Cleo... do NOT piss off the circus freaks...]]
* {{Mutants}}
* PorkyPigPronunciation: Roscoe.
* PunctuatedForEmphasis:
-->'''Cleopatra:''' "FILTHY! SLIMY! FREAKS!"
* RealitySubtext: Notice that Frieda and Hans' romantic relationship is very muted. It's because they were played by brother and sister.
* SexByProxy: Daisy and Violet, necessarily. They can each feel the other's emotions.
** In the musical ''Side Show'', which is based on the lives of the same conjoined twins, there's a scene where the girls and their respective love interests are on a Tunnel of Love ride. Violet seems to be able to feel Daisy's reaction to being kissed by Terry (and notes that it's much stronger than her own response to being kissed by her fiancé).
* SoundtrackDissonance: SCARY SCARY TITLE CARD! Perfectly normal hanging-out scene involving circus performers. Who are freaks.
* WrittenInInfirmity: Averted here, as they did ''not'' try to hide the fact that most of the cast is deformed.
----
->''ONE OF US! ONE OF US!''
''{{Freaks}}'' (1932) is a horror film about sideshow performers, directed and produced by Tod Browning and released by Metro-Goldwyn-Mayer, with a cast mostly composed of actual carnival performers. The film was based on Tod Robbins' short story "Spurs". Director Browning took the exceptional step of casting real people with deformities as the eponymous sideshow "freaks," rather than using costumes and makeup.
Browning had been a contortionist in a traveling circus in his early years, and much of the film was drawn from his personal experiences. In the film, the physically deformed "freaks" are inherently trusting and honorable people, while the real monsters are two of the "normal" members of the circus who conspire to murder one of the performers to obtain his large inheritance.
One bit of influence the film has had: The "Gooble gobble, we accept you, one of us" chant with which the freaks welcome Cleo (not that she appreciates it) was worked into the song "[[RefrainFromAssuming Pinhead]]" by Music/TheRamones.[[hottip: *: [[MyFriendsAndZoidberg The same phrase also appears in a]] Music/{{Marillion}} [[MyFriendsAndZoidberg song]].]]
Not to be confused with ''FreaksAndGeeks'', despite the etymology of the word {{Geek}}.
----
!!This film provides examples of:
* AmbiguousGender: Josephine Joseph. It's still unknown whether the performer was a man, woman, or a genuine hermaphrodite, as advertised.
* AndIMustScream: [[spoiler: Behold, the amazing Chicken Lady!]]
* {{Asshole Victim}}s: Hercules and Cleopatra.
* BeautyEqualsGoodness: inverted at first with the titular 'freaks' (who are not most people's idea of beauty, but are the good and sympathetic characters) and with Cleo (for whom it's entirely the opposite).
* BetaCouple: Phroso and Venus
* BewareTheNiceOnes: The freaks here generally are gentle and friendly people, but when someone plans the death of one of them, they will not let you get away with that...you gotta believe it.
* BigDamnHeroes: Phroso saving Venus from Hercules at the end, followed by the Freaks saving ''Phroso'' from Hercules.
* BitchInSheepsClothing: Cleopatra. She pretends to love Hans so she can marry him and then take all his money.
* BittersweetEnding: The fate given to Cleo and Hercules, while well-deserved, most likely landed the freaks in prison or at least out of a job. Hans, feeling guilty over the whole thing (even though he only wanted Cleo exposed for her crime and the poison handed over), has lived as a recluse for years. But then we see Phroso and Venus together, and [[SugarWiki/HeartwarmingMoments Frieda gets back together with Hans, comforting him, telling him it wasn't his fault and that she loves him.]]
* BodyHorror: What special effects? The eponymous freaks really looked like that.
* CircusOfFear: Used straight and averted. The freaks are fairly mellow people unless angered.
* CutlassBetweenTheTeeth: In the climax, the limbless Randian is seen wriggling towards the antagonist with a knife clenched between his teeth.
* DarkIsNotEvil
* DisabledCharacterDisabledActor: Notably, "Prince Randian" (who was born without limbs), Simon Metz (born with microcephaly, a smaller skull and brain) and Minnie Woolsey (who suffered from Virchow Sekel Syndrome, a combination of skeletal malformation and dwarfism).
* ElephantInTheLivingRoom: Nobody mentions that Daisy and Violet are conjoined twins, not even when the fiance of one meets the fiance of the other.
* EvenEvilHasStandards: While not evil, Roscoe was a bit of a jerk, and hung out with Hercules and mocked Josephine Joseph at the start. But toward the end, after it's learned that Hercules probably (and of course, did) have a hand in poisoning Hans, we see Roscoe and Hercules together in the same place, and this time Roscoe just glares at Hercules, says nothing, and walks away from him.
* {{Expy}}: Not in the movie itself, but in ''Spurs'', Hans is basically this for Tweedledee, the BigBad of Tod Robbins' earlier work, ''TheUnholyThree''. [[spoiler:Essentially, he's what Tweedledee would have been like had he actually gotten away with his crimes]]. The movie version of Hans is nothing like Tweedledee, however (despite his actor playing the character in the Unholy Three movie adaptations).
* FateWorseThanDeath: [[spoiler: Cleopatra and Hercules. They don't kill them. Oh, no. That would be far too kind.]]
* GroinAttack: A now-lost alternate ending has a scene of [[spoiler: Hercules the misogynist singing soprano.]]
* HostileWeather: Used memorably in the climax.
* IncestuousCasting: romantic couple Hans and Frieda were played by siblings Harry and Daisy Earles.
* JerkWithAHeartOfGold: Phroso, Roscoe
* KarmicTransformation:[[spoiler: Cleo, Cleo, Cleo... do NOT piss off the circus freaks...]]
* {{Mutants}}
* PorkyPigPronunciation: Roscoe.
* PunctuatedForEmphasis:
-->'''Cleopatra:''' "FILTHY! SLIMY! FREAKS!"
* RealitySubtext: Notice that Frieda and Hans' romantic relationship is very muted. It's because they were played by brother and sister.
* SexByProxy: Daisy and Violet, necessarily. They can each feel the other's emotions.
** In the musical ''Side Show'', which is based on the lives of the same conjoined twins, there's a scene where the girls and their respective love interests are on a Tunnel of Love ride. Violet seems to be able to feel Daisy's reaction to being kissed by Terry (and notes that it's much stronger than her own response to being kissed by her fiancé).
* SoundtrackDissonance: SCARY SCARY TITLE CARD! Perfectly normal hanging-out scene involving circus performers. Who are freaks.
* WrittenInInfirmity: Averted here, as they did ''not'' try to hide the fact that most of the cast is deformed.
----