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Moving cut Critical Research Failure entries.
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* ArtisticLicenseGuns:
** A minor but rather jarring moment from the otherwise quite good film. When the script reads, "That's a Smith & Wesson, and you've had your six!", it's probably a good idea to make sure the man Bond is saying this to is holding a ''revolver''. Not a Colt M1911, one of the most recognizable ''semi-automatic pistols'' ever made and which almost everyone knows has a ''seven'' round magazine. And on top of this, Smith and Wesson didn't even manufacture a 1911 variant at the time. Even more perplexing is that Smith and Wesson revolvers were used later in the film, making it questionable why the props department chose to use a 1911 in the first place.
*** Definitely a mistake, and an even more perplexing one because after the 6th shot is fired, when Dent steps into the room, you can clearly see the slide locked back, showing that he IS out of rounds, and it would have been totally appropriate for Bond to point this out instead of the 'Smith and Wesson' line.
** A minor but rather jarring moment from the otherwise quite good film. When the script reads, "That's a Smith & Wesson, and you've had your six!", it's probably a good idea to make sure the man Bond is saying this to is holding a ''revolver''. Not a Colt M1911, one of the most recognizable ''semi-automatic pistols'' ever made and which almost everyone knows has a ''seven'' round magazine. And on top of this, Smith and Wesson didn't even manufacture a 1911 variant at the time. Even more perplexing is that Smith and Wesson revolvers were used later in the film, making it questionable why the props department chose to use a 1911 in the first place.
*** Definitely a mistake, and an even more perplexing one because after the 6th shot is fired, when Dent steps into the room, you can clearly see the slide locked back, showing that he IS out of rounds, and it would have been totally appropriate for Bond to point this out instead of the 'Smith and Wesson' line.
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* ObviouslyEvil: An organization named "[[FunWithAcronyms SPecial Executive for Counter-intelligence, Terrorism, Revenge and Extortion]]" is not probably going to be a charity. [[note]] ''Thunderball'' establishes that they ARE a charity- as a cover- but thats not the point[[/note]]
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* ObviouslyEvil: An organization named "[[FunWithAcronyms SPecial Executive for Counter-intelligence, Terrorism, Revenge and Extortion]]" is not probably going to be a charity. [[note]] ''Thunderball'' establishes that they ARE a charity- as a cover- but thats that’s not the point[[/note]]
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Changed line(s) 238 (click to see context) from:
* RippedFromTheHeadlines: Goya's "Portrait of the Duke of Wellington" can be seen hanging on the wall in Dr. No's lair; Bond clearly recognises the painting. In RealLife, this had been stolen from the National Gallery in London in August 1961, several months before filming began -- so the clear implication in the film is that ''Dr. No was responsible for the theft'' [[note]] Ken Adam, the film's Production Designer, had the idea to include this little detail and painted the copy ''over a weekend'' after getting a slide of the original from the National Gallery; the copy was later used for publicity for the film but, like the original, it was stolen while on display[[/note]]. The painting was returned in 1965.
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* RippedFromTheHeadlines: Goya's "Portrait ''Portrait of the Duke of Wellington" Wellington'' can be seen hanging on the wall in Dr. No's lair; Bond clearly recognises the painting. In RealLife, this had been stolen from the National Gallery in London in August 1961, several months before filming began -- so the clear implication in the film is that ''Dr. No was responsible for the theft'' [[note]] Ken Adam, Creator/KenAdam, the film's Production Designer, had the idea to include this little detail and painted the copy ''over a weekend'' after getting a slide of the original from the National Gallery; the copy was later used for publicity for the film but, like the original, it was stolen while on display[[/note]]. The painting was returned in 1965.
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Changed line(s) 271 (click to see context) from:
** Shortly before the movie was made, Goya's "Portrait of the Duke of Wellington" had been stolen from a museum. It was a very high-profile crime that had recently seen that painting splashed across every newspaper, newsreel, and telecast, so the movie-going audience was quite familiar with it. (The painting would not be recovered for several more years.) In a moment of inspiration, the filmmakers placed a reproduction of the painting very prominently in Dr. No's lair, and had Connery do a brief double-take as he passed it. According to the commentary track, this gag elicited a good thirty seconds of laughter from the theatrical audiences. Modern audiences don't even realize there's a joke there.
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** Shortly Several months before the movie was made, Goya's "Portrait of the Duke of Wellington" had been stolen from a museum. It the National Gallery in London. This was a very high-profile crime that had recently seen that which saw the painting splashed across every newspaper, newsreel, cinema newsreel and telecast, TV news broadcast, so the a British movie-going audience was in 1962 would have been quite familiar with it. (The painting would not be recovered for several more years.) In a moment of inspiration, the filmmakers Production Designer Ken Adam painted a copy and placed a reproduction of the painting it very prominently in Dr. No's lair, and had Connery do a brief double-take as he passed it. According to the commentary track, this gag elicited a good thirty seconds of laughter from the theatrical audiences. Modern audiences don't even realize there's a joke there.
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Changed line(s) 238 (click to see context) from:
* RippedFromTheHeadlines: Goya's "Portrait of the Duke of Wellington" can be seen hanging on the wall in Dr. No's lair; Bond clearly recognises the painting. In RealLife, this had been stolen from the National Gallery in London in August 1961, several months before filming began -- so the clear implication in the film is that ''Dr. No was responsible for the theft''. The painting was returned in 1965.
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* RippedFromTheHeadlines: Goya's "Portrait of the Duke of Wellington" can be seen hanging on the wall in Dr. No's lair; Bond clearly recognises the painting. In RealLife, this had been stolen from the National Gallery in London in August 1961, several months before filming began -- so the clear implication in the film is that ''Dr. No was responsible for the theft''.theft'' [[note]] Ken Adam, the film's Production Designer, had the idea to include this little detail and painted the copy ''over a weekend'' after getting a slide of the original from the National Gallery; the copy was later used for publicity for the film but, like the original, it was stolen while on display[[/note]]. The painting was returned in 1965.
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Changed line(s) 238 (click to see context) from:
* RippedFromTheHeadlines: Goya's "Portrait of the Duke of Wellington" can be seen hanging on the wall in Dr. No's lair. In RealLife, this had been stolen from the National Gallery in London in August 1961, several months before filming began -- so the clear implication in the film is that ''Dr. No was responsible for the theft''. The painting was returned in 1965.
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* RippedFromTheHeadlines: Goya's "Portrait of the Duke of Wellington" can be seen hanging on the wall in Dr. No's lair.lair; Bond clearly recognises the painting. In RealLife, this had been stolen from the National Gallery in London in August 1961, several months before filming began -- so the clear implication in the film is that ''Dr. No was responsible for the theft''. The painting was returned in 1965.
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* RippedFromTheHeadlines: Goya's "Portrait of the Duke of Wellington" can be seen hanging on the wall in Dr. No's lair. In RealLife, this had been stolen from the National Gallery in London in August 1961, several months before filming began -- so the clear implication in the film is that ''Dr. No was responsible for the theft''. The painting was returned in 1965.
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* AdaptationalJobChange:
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* AdaptationalAttractiveness: While Honey is still described to be beautiful in [[Literature/DrNo the book]], she also has a busted nose.
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* AdaptationalAttractiveness: While In the book, Honey is still described as beautfiul, but her nose is broken (she even sells her shells to be beautiful in [[Literature/DrNo pay for the book]], she also has a busted nose.operation).
* AdaptationalJobChange: For Dr. No:
* AdaptationalJobChange:
** In the novel, he works for SMERSH. In the film, he works for SPECTRE. He has just as much disdain for the East and the West, as they both rejected his services.
** In the novel, he was a medical doctor. In the film, he's a nuclear physicist.
** In the novel, he dealt in bird guano as his cover story. In the film, he runs a bauxite mine.
* AdaptationalJobChange:
** In the novel, he works for SMERSH. In the film, he works for SPECTRE. He has just as much disdain for the East and the West, as they both rejected his services.
** In the novel, he was a medical doctor. In the film, he's a nuclear physicist.
** In the novel, he dealt in bird guano as his cover story. In the film, he runs a bauxite mine.
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* IconicOutfit: Honey Ryder's white bikini.
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* IconicOutfit: IconicOutfit:
** Honey Ryder's whitebikini.bikini.
** Dr. No's white Nehru suit.
** Honey Ryder's white
** Dr. No's white Nehru suit.
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Changed line(s) 143 (click to see context) from:
* HollywoodSilencer: Bond and Professor Dent's handguns with silencers are whisper quiet when fired. But when Dent fires on an empty chamber, the "click" is much louder than the silenced gunshots.
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* HollywoodSilencer: Bond and Professor Dent's handguns with silencers are whisper quiet when fired. But when Dent fires on an empty chamber, the "click" is much louder than the silenced gunshots. Downplayed during Strangways' assassination at the start of the film, as the Three Blind Mice's silenced pistols produce loud "thud" noises which are much more in line with (albeit still quieter than) how a real silencer would sound.
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Changed line(s) 105 (click to see context) from:
** Q is only called by his name -- Major Boothroyd. He lacks the snarky dynamic with Bond that he would develop in later films. There are no major "gadgets" here, either: Q Branch sends Bond an ordinary Geiger counter and issues him a new pistol. He is also played by Peter Burton here, in his only appearance. In contrast, Creator/DesmondLlewelyn would take over the role starting with ''Film/FromRussiaWithLove'' and would continue playing it all the way up to ''Film/TheWorldIsNotEnough'', appearing in a total of 17 films[[note:]]Absent only from ''Film/LiveAndLetDie''[[/note]].
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** Q is only called by his name -- Major Boothroyd. He lacks the snarky dynamic with Bond that he would develop in later films. There are no major "gadgets" here, either: Q Branch sends Bond an ordinary Geiger counter and issues him a new pistol. He is also played by Peter Burton here, in his only appearance. In contrast, Creator/DesmondLlewelyn would take over the role starting with ''Film/FromRussiaWithLove'' and would continue playing it all the way up to ''Film/TheWorldIsNotEnough'', appearing in a total of 17 films[[note:]]Absent films[[note]]Absent only from ''Film/LiveAndLetDie''[[/note]].
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Changed line(s) 105 (click to see context) from:
** Q is only called by his name -- Major Boothroyd. He lacks the snarky dynamic with Bond that he would develop in later films. There are no major "gadgets" here, either: Q Branch sends Bond an ordinary Geiger counter and issues him a new pistol. He is also played by Peter Burton here, in his only appearance. In contrast, Creator/DesmondLlewelyn would take over the role starting with ''Film/FromRussiaWithLove'' and would continue playing it all the way up to ''Film/TheWorldIsNotEnough'', appearing in a total of 17 films[[labelnote:*]]Absent only from ''Film/LiveAndLetDie''[[/labelnote]].
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** Q is only called by his name -- Major Boothroyd. He lacks the snarky dynamic with Bond that he would develop in later films. There are no major "gadgets" here, either: Q Branch sends Bond an ordinary Geiger counter and issues him a new pistol. He is also played by Peter Burton here, in his only appearance. In contrast, Creator/DesmondLlewelyn would take over the role starting with ''Film/FromRussiaWithLove'' and would continue playing it all the way up to ''Film/TheWorldIsNotEnough'', appearing in a total of 17 films[[labelnote:*]]Absent films[[note:]]Absent only from ''Film/LiveAndLetDie''[[/labelnote]].''Film/LiveAndLetDie''[[/note]].
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Changed line(s) 105 (click to see context) from:
** Q is only called by his name -- Major Boothroyd. He lacks the snarky dynamic with Bond that he would develop in later films. There are no major "gadgets" here, either: Q Branch sends Bond an ordinary Geiger counter and issues him a new pistol.
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** Q is only called by his name -- Major Boothroyd. He lacks the snarky dynamic with Bond that he would develop in later films. There are no major "gadgets" here, either: Q Branch sends Bond an ordinary Geiger counter and issues him a new pistol. He is also played by Peter Burton here, in his only appearance. In contrast, Creator/DesmondLlewelyn would take over the role starting with ''Film/FromRussiaWithLove'' and would continue playing it all the way up to ''Film/TheWorldIsNotEnough'', appearing in a total of 17 films[[labelnote:*]]Absent only from ''Film/LiveAndLetDie''[[/labelnote]].
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Changed line(s) 96 (click to see context) from:
%%* TheDreaded: Dr. No.
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* UnbuiltTrope: The formula is barely there -- only in the next two many mainstays start to appear.
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* UnbuiltTrope: The formula is barely there there. No gadgets, cool cars and the kills are fairly simple and direct -- only in the next two many mainstays start to appear.
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* AdaptationalContextChange: In the novel, Puss Feller got his name from his legendary fight against an octopus. In the film, Quarrel mentions that he wrestles alligators, thus rendering his name meaningless.
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Reclassifying to the Looping Lines trope
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* SameLanguageDub:
** Ursula Andress has a very thick accent, so she was dubbed not once but actually twice in the movie. Nikki van der Zyl dubbed all of her dialogue, while the calypso was sung by Diana Coupland. Indeed, van der Zyl dubbed the voices of several of the women, including the original Bond girl, Sylvia Trench; the secretary to Strangways, Mary Trueblood; and CameraFiend Annabelle Chung.
** You can hear the original voice of Creator/EuniceGayson (Sylvia) in one of the original trailers for the film.
** Louis Blaazer, (Pleydell Smith) was also dubbed. Although a resident of Jamaica at the time of filming, he had been brought up in Aberdeen. The producers were concerned about the audiences hearing two Scottish accents during the actor's scenes with Connery and it was consequently decided to re-dub Pleydell-Smith's lines with a clipped Home Counties voice.
** Ursula Andress has a very thick accent, so she was dubbed not once but actually twice in the movie. Nikki van der Zyl dubbed all of her dialogue, while the calypso was sung by Diana Coupland. Indeed, van der Zyl dubbed the voices of several of the women, including the original Bond girl, Sylvia Trench; the secretary to Strangways, Mary Trueblood; and CameraFiend Annabelle Chung.
** You can hear the original voice of Creator/EuniceGayson (Sylvia) in one of the original trailers for the film.
** Louis Blaazer, (Pleydell Smith) was also dubbed. Although a resident of Jamaica at the time of filming, he had been brought up in Aberdeen. The producers were concerned about the audiences hearing two Scottish accents during the actor's scenes with Connery and it was consequently decided to re-dub Pleydell-Smith's lines with a clipped Home Counties voice.
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Changed line(s) 8,11 (click to see context) from:
%% The site owner himself has discussed TheOneWith and said they should stay. Please leave them alone.
[[TheOneWith The one]] that started it all.
%% The site owner himself has discussed TheOneWith and said they should stay. Please leave them alone.
[[TheOneWith The one]] that started it all.
%% The site owner himself has discussed TheOneWith and said they should stay. Please leave them alone.
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%% The site owner himself has discussed TheOneWith The One With and said they should stay. Please leave them alone.
[[TheOneWith The one]] JustForFun/{{The one|With}} that started it all.
%% The site owner himself has discussedTheOneWith The One With and said they should stay. Please leave them alone.
%% The site owner himself has discussed
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* DangerousClifftopRoad: A SPECTRE mook pursues Bond up a mountaintop road. Bond escapes by driving his convertible under a crane whose arm is across the road. The mook isn't brave enough, swerves to try and miss the crane, and goes over the side of the embankment [[EveryCarIsAPinto and explodes]].
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* AdaptationalSpeciesChange: In the novel, the villains try to kill Bond by placing a centipede in his bed. The filmmakers felt that a tarantula would present a more obvious danger.
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Changed line(s) 230 (click to see context) from:
* SameLanguageDub: Ursula Andress has a very thick accent, so she was dubbed not once but actually twice in the movie. Nikki van der Zyl dubbed all of her dialogue, while the calypso was sung by Diana Coupland. Indeed, van der Zyl dubbed the voices of several of the women, including the original Bond girl, Sylvia Trench; the secretary to Strangways, Mary Trueblood; and CameraFiend Annabelle Chung.
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* SameLanguageDub: SameLanguageDub:
** Ursula Andress has a very thick accent, so she was dubbed not once but actually twice in the movie. Nikki van der Zyl dubbed all of her dialogue, while the calypso was sung by Diana Coupland. Indeed, van der Zyl dubbed the voices of several of the women, including the original Bond girl, Sylvia Trench; the secretary to Strangways, Mary Trueblood; and CameraFiend Annabelle Chung.
** Ursula Andress has a very thick accent, so she was dubbed not once but actually twice in the movie. Nikki van der Zyl dubbed all of her dialogue, while the calypso was sung by Diana Coupland. Indeed, van der Zyl dubbed the voices of several of the women, including the original Bond girl, Sylvia Trench; the secretary to Strangways, Mary Trueblood; and CameraFiend Annabelle Chung.
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** Louis Blaazer, (Pleydell Smith) was also dubbed. Although a resident of Jamaica at the time of filming, he had been brought up in Aberdeen. The producers were concerned about the audiences hearing two Scottish accents during the actor's scenes with Connery and it was consequently decided to re-dub Pleydell-Smith's lines with a clipped Home Counties voice.
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Deleted line(s) 45 (click to see context) :
* ArtImitatesArt: Both fans and critics have likened Honey Rider's emergence from the sea in a white bikini to ''Botticelli's Venus'', a painting which depicts the goddess Venus, having emerged from the sea as a full grown woman, arriving naked at the sea-shore.
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%%* ClickHello: Done several times
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* ClickHello:
** Bond defeats Quarrel and Puss Feller and backs out of the room, only for Leiter to stick a gun in his back.
** Bond surprises Professor Dent by hiding behind a door while he empties his gun into a bed.
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* AdaptationExplanationExtrication: In the novel, Honey collects seashells in the hopes of paying for the surgery to get her broken nose fixed. The film omits this, thus implying that she collects shells purely for the money.
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Changed line(s) 95,96 (click to see context) from:
** The opening in particular is weird compared to the later formula. There is no ColdOpen. The BondGunBarrel is scored with a weird space-age ditty, with the Bond theme starting after the shot, but this film's particular arrangement makes it sound out of order compared to the ones in later films. Then the circle becomes part of the still colourful and artistic credits. And given there's no theme song per se, at a certain point the music changes to a calypso rendition of "Three Blind Mice", culminating in the eponymous assassins changing from silhouettes to the movie characters. Also no silhouettes of naked women; instead we have silhouettes of fully clothed female - and male - dancers, as well as the three actors portraying the aforementioned assassins.
** The Bond theme is not reserved for dramatic action sequences as it would be in later films; it is used in scenes such as Bond arriving at the airport.
** The Bond theme is not reserved for dramatic action sequences as it would be in later films; it is used in scenes such as Bond arriving at the airport.
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** The film has no ColdOpen, with the opening in particular credits immediately following on from the BondGunBarrel.
** The film does not have a "theme song" as virtually all the subsequent films would have, instead the Bond Theme itself plays over the opening credits.
** The design of the opening credits is weird compared to the laterformula. There is no ColdOpen.formula. The BondGunBarrel is scored with a weird space-age ditty, with the Bond theme starting after the shot, but this film's particular arrangement makes it sound out of order compared to the ones in later films. Then the circle becomes part of the still colourful and artistic credits. And given there's no theme song per se, at a certain point the music changes to a calypso rendition of "Three Blind Mice", culminating in the eponymous assassins changing from silhouettes to the movie characters. Also no silhouettes of naked women; instead we have silhouettes of fully clothed female - and male - dancers, as well as the three actors portraying the aforementioned assassins.
** The Bond theme is not reserved for dramatic action sequences as it would be in later films; it is used in scenes such as Bond lighting a cigarette while introducing himself, and Bond arriving at the airport.
** The film does not have a "theme song" as virtually all the subsequent films would have, instead the Bond Theme itself plays over the opening credits.
** The design of the opening credits is weird compared to the later
** The Bond theme is not reserved for dramatic action sequences as it would be in later films; it is used in scenes such as Bond lighting a cigarette while introducing himself, and Bond arriving at the airport.
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Changed line(s) 96 (click to see context) from:
** Q is only called by his name -- Major Boothroyd. There are no major "gadgets" here, either: Q Branch sends Bond an ordinary Geiger counter and issues him a new pistol.
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** The Bond theme is not reserved for dramatic action sequences as it would be in later films; it is used in scenes such as Bond arriving at the airport.
** Q is only called by his name -- Major Boothroyd. He lacks the snarky dynamic with Bond that he would develop in later films. There are no major "gadgets" here, either: Q Branch sends Bond an ordinary Geiger counter and issues him a new pistol.
** Q is only called by his name -- Major Boothroyd. He lacks the snarky dynamic with Bond that he would develop in later films. There are no major "gadgets" here, either: Q Branch sends Bond an ordinary Geiger counter and issues him a new pistol.
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That's natter, not weirdness.
Deleted line(s) 97 (click to see context) :
** Bond does possess a glow-in-the-dark watch; these were relatively uncommon at the time, as the only glow-in-the-dark pigment then available involved radium, which is both expensive (accounting for rarity) and radioactive (accounting for its ability to trigger a Geiger counter).
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** The opening in particular is weird compared to the later formula. There is no ColdOpen. The BondGunBarrel is scored with a weird space-age ditty, with the Bond theme starting after the shot, but this film's particular arrangement makes it sound out of order compared to the ones in later films. Then the circle becomes part of the still colourful and artistic credits. And given there's no theme song per se, at a certain point the music changes to a calypso rendition of "Three Blind Mice", culminating in the eponymous assassins changing from silhouettes to the movie characters. Also no silhouettes of naked women; instead we have silhouettes of fully clothed female - and male - dancers, as well as the three actors portraying the aforementioned assassins.
Deleted line(s) 100 (click to see context) :
** The opening in particular is weird compared to the later formula. There is no ColdOpen. The BondGunBarrel is scored with a weird space-age ditty, with the Bond theme starting after the shot, but this film's particular arrangement makes it sound out of order compared to the ones in later films. Then the circle becomes part of the still colourful and artistic credits. And given there's no theme song per se, at a certain point the music changes to a calypso rendition of "Three Blind Mice", culminating in the eponymous assassins changing from silhouettes to the movie characters. Also no silhouettes of naked women; instead we have silhouettes of fully clothed female - and male - dancers, as well as the three actors portraying the aforementioned assassins.
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Changed line(s) 94 (click to see context) from:
* EarlyInstalmentWeirdness: They had just $1 million to spend, so the film is rather subdued (it helps that the franchise loves SequelEscalation). Also, Q is only called by his name -- Major Boothroyd. There are no major "gadgets" here, either: Q Branch sends Bond an ordinary Geiger counter and issues him a new pistol.
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* EarlyInstalmentWeirdness: They had just $1 million to spend, so the film is rather subdued (it helps that the franchise loves SequelEscalation). Also, SequelEscalation).
** Q is only called by his name -- Major Boothroyd. There are no major "gadgets" here, either: Q Branch sends Bond an ordinary Geiger counter and issues him a new pistol.
** Q is only called by his name -- Major Boothroyd. There are no major "gadgets" here, either: Q Branch sends Bond an ordinary Geiger counter and issues him a new pistol.
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Changed line(s) 25,26 (click to see context) from:
* AdaptationalModesty: Occurs during the iconic scene where Honey Ryder [[SexySurfacingShot comes up out of the sea and walks up the beach]]. As generations of short-changed Bond fans have pointed out, in [[Literature/DrNo the novel]], Honey Ryder is [[SkinnyDipping only wearing a diving mask and her knife belt]] when she emerges from the ocean. In the film, Creator/UrsulaAndress wore a white bikini that has become associated with her character and the idea of the Bond girl as a symbol of glamor, sophistication, sex appeal, and danger.
* AdaptationalSelfDefense: The original script called for Dent to get shot right off the bat, but execs chewed them out and the scene was changed so that Dent actually fires a gun's worth of missed bullets into a decoy before Bond interrogates him and picks him off. One snafu with this is that they took a line verbatim from the book for the new version of the scene, even though it made no sense anymore (in the book, the scene relied on Dent using a six-shot revolver; in the movie, he now has an automatic that should have held at least one more bullet).
* AdaptationalSelfDefense: The original script called for Dent to get shot right off the bat, but execs chewed them out and the scene was changed so that Dent actually fires a gun's worth of missed bullets into a decoy before Bond interrogates him and picks him off. One snafu with this is that they took a line verbatim from the book for the new version of the scene, even though it made no sense anymore (in the book, the scene relied on Dent using a six-shot revolver; in the movie, he now has an automatic that should have held at least one more bullet).
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* AdaptationalModesty: Occurs during the iconic scene where Honey Ryder [[SexySurfacingShot comes up out of the sea and walks up the beach]]. As generations of short-changed Bond fans have pointed out, in [[Literature/DrNo the novel]], Honey Ryder is [[SkinnyDipping only wearing a diving mask and her knife belt]] when she emerges from the ocean. In the film, Creator/UrsulaAndress wore a white bikini that has become associated with her character and the idea of the Bond girl as a symbol of glamor, glamuor, sophistication, sex appeal, and danger.
*AdaptationalSelfDefense: AdaptationalSelfDefence: The original script called for Dent to get shot right off the bat, but execs chewed them out and the scene was changed so that Dent actually fires a gun's worth of missed bullets into a decoy before Bond interrogates him and picks him off. One snafu with this is that they took a line verbatim from the book for the new version of the scene, even though it made no sense anymore (in the book, the scene relied on Dent using a six-shot revolver; in the movie, he now has an automatic that should have held at least one more bullet).
*
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Changed line(s) 26 (click to see context) from:
* [[AdaptationalSelfDefense Adaptational Self Defence]]: The original script called for Dent to get shot right off the bat, but execs chewed them out and the scene was changed so that Dent actually fires a gun's worth of missed bullets into a decoy before Bond interrogates him and picks him off. One snafu with this is that they took a line verbatim from the book for the new version of the scene, even though it made no sense anymore (in the book, the scene relied on Dent using a six-shot revolver; in the movie, he now has an automatic that should have held at least one more bullet).
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* [[AdaptationalSelfDefense Adaptational Self Defence]]: AdaptationalSelfDefense: The original script called for Dent to get shot right off the bat, but execs chewed them out and the scene was changed so that Dent actually fires a gun's worth of missed bullets into a decoy before Bond interrogates him and picks him off. One snafu with this is that they took a line verbatim from the book for the new version of the scene, even though it made no sense anymore (in the book, the scene relied on Dent using a six-shot revolver; in the movie, he now has an automatic that should have held at least one more bullet).
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* AdaptationAmalgamation: The film follows the novel pretty closely, though it also takes scenes from ''Literature/CasinoRoyale'' (Bond using a strand of hair to see if someone's been in his room and his first meeting with Felix Leiter) and ''Literature/TheSpyWhoLovedMe'' (Bond fooling an assassin with the three-pillow trick).