History EvilCounterpart / AnimatedFilms

*** Scar serves as this to Simba. Both start out as members of the royal family who yearn to be king for the benefits, but don't grasp the responsibility that comes with it. After the death of Mufasa, Simba's exile, and Scar's ascent both would wallow in a childish laziness, each wanting to live a cozy carefree life without much responsibility, be it Simba hiding out in a lush jungle away from personal responsibilities or Scar trying to simply shirk them off. However, Simba eventually manages to move on from his childishness and guilt rooted in his past in order to return to the Pride Lands and save them from Scar, who whilst indeed a sophisticated and cunning character, didn't grow past the entitled, self-centered, and whiny childish stage that Simba was at when the film started. A major contrast between the two is Simba's willingness to go back and atone for the mistakes of his past, even if he comes to learn wasn't truly responsible later, whilst Scar winds up getting killed by the Hyenas because of how he tried shifting the full blame of his crimes to them in an attempt to weasel his way out of facing the consequences of them. Also notable also is how both come to have chief sidekicks who are outcasts who live outside the Pride Lands and are obsessed with food, but while Simba treats his with genuine care, Scar constantly treats his hyena minions with utter apathy.

*** Both Aladin and Jafar are men who wish to move up in society and wind up resorting to trickery to do so. Including how both put up a façade in order to ingratiate themselves with the royal family. Whether it be Jafar putting up the image of a calm and stoic loyal vizier when in reality he is a maniacal and over-the-top power-mongering sorcerer who is aiming to take the throne of Agrabah for himself or Aladdin taking up his "Prince Ali" identity where he puts up a cocky and boisterous demeanor to cover up his humble street urchin true self. Both also abuse and become overly-reliant on magic in their pursuits. Whether it be Jafar using arcane tools such as his snake staff that hypnotizes the Sultan, Aladdin's use of the Genie to support his Prince Ali façade that he temporarily backs out of his promise to free him, and then Jafar's own use of the Genie later which included turning himself into the most powerful sorcerer in the world. Jafar becomes so caught up in the high of power that it becomes his undoing. Aladdin using his natural resourcefulness manages to trick Jafar into turning himself into a genie to become even stronger which seals him into the lamp that comes with it. Both also have little animal sidekicks almost always on their person. Jafar even seems to have taken notice of their similarities given the lines, "Just a con, need I go on? Take it from me." during his song the ''Prince Ali Reprise''. Itself a twisted perversion of the earlier song Aladdin used when introducing his new fake identity as Jafar is revealing his own true self.

* In {{WesternAnimation/Robots}}, Ratchet is one to Bigweld

* In ''WesternAnimation/{{Megamind}}'', [[SupermanSubstitute Metro Man]] is the GoodCounterpart to Megamind. Both are alien refugees that landed on Earth as infants, but Metro Man become a superpowered hero with good publicity, while Megamind became a SuperIntelligent villain who was an outcast.

** ''WesternAnimation/TheLionKing1994'': Scar serves as this to Simba. Both start out as members of the royal family who yearn to be king for the benefits, but don't grasp the responsibility that comes with it. After the death of Mufasa, Simba's exile, and Scar's ascent both would wallow in a childish laziness, each wanting to live a cozy carefree life without much responsibility, be it Simba hiding out in a lush jungle away from personal responsibilities or Scar trying to simply shirk them off. However, Simba eventually manages to move on from his childishness and guilt rooted in his past in order to return to the Pride Lands and save them from Scar, who whilst indeed a sophisticated and cunning character, didn't grow past the entitled, self-centered, and whiny childish stage that Simba was at when the film started. A major contrast between the two is Simba's willingness to go back and atone for the mistakes of his past, even if he comes to learn wasn't truly responsible later, whilst Scar winds up getting killed by the Hyenas because of how he tried shifting the full blame of his crimes to them in an attempt to weasel his way out of facing the consequences of them. Also notable also is how both come to have chief sidekicks who are outcasts who live outside the Pride Lands and are obsessed with food, but while Simba treats his with genuine care, Scar constantly treats his hyena minions with utter apathy.

** Frollo is this to Quasimodo. While Quasimodo is monstrous on the outside, Frollo is monstrous on the inside and it's also lampshaded in the intro ("It is a tale, a tale of a man and a monster...Who is the monster and who is the man?"). Then there's the contrast between their respective unrequited attraction to Esmeralda (Quasimodo's pure love vs Frollo's lust and obsession) emphasized by their respective songs: Quasimodo's "Heaven's Light" and Frollo's "Hellfire".

*** ''WesternAnimation/TheHunchbackOfNotreDameII'': Quasimodo also has such a dynamic with the sequel's villain Sarousch. Except for the fact that Sarousch himself is also ugly on the outside but covers it up with things like a wig and makeup. And he seems to overcompensate for his shortcomings by putting on an incredibly vain persona. This contrasts with Quasimodo who attains love and acceptance through being a good and kind person on the inside instead.

** ''WesternAnimation/TheLionKing1994'': Scar serves as this to Simba. Both are members of the royal family who have a yearning to be king, but for the admiration that comes with the title rather than wanting to do too much with the power that comes with it. These similarities being perfectly illustrated when one compares their ''I Just Can't Wait to be King'' and ''Be Prepared'' musical numbers to each other. After the death of Mufasa, Simba's exile, and Scar's ascent both would wallow in a childish laziness, each wanting to live a cozy carefree life without much responsibility, be it Simba hiding out in a lush jungle away from personal responsibilities or Scar trying to simply shirk them off to his subordinates like the lionesses. However, Simba eventually manages to move on from his childishness and guilt rooted in his past in order to return to the Pride Lands and save them from Scar, who whilst indeed a sophisticated and cunning character in key respects, didn't grow past the entitled, self-centered, and whiny childish stage that Simba was at when the film started. A major contrast between the two is Simba's willingness to go back and atone for the mistakes of his past, even if he comes to learn wasn't truly responsible later, whilst Scar winds up getting killed by the Hyenas because of how he tried shifting the full blame of his crimes to them in an attempt to weasel his way out of facing the consequences of them. Also notable also is how both come to have chief sidekicks who are outcasts who live outside the Pride Lands and are obsessed with food, but while Simba treats his with genuine care, Scar constantly treats his hyena minions with utter apathy.

** ''WesternAnimation/TheHunchbackOfNotreDame'': Frollo is this to Quasimodo. While Quasimodo is monstrous on the outside, Frollo is monstrous on the inside and it's also lampshaded in the intro ("It is a tale, a tale of a man and a monster...Who is the monster and who is the man?"). Then there's the contrast between their respective unrequited attraction to Esmeralda (Quasimodo's pure love vs Frollo's lust and obsession) emphasized by their respective songs: Quasimodo's "Heaven's Light" and Frollo's "Hellfire".

** ''Characters/{{Frozen}}'': [[spoiler:Hans]] to both sisters, but especially Anna. He even has a physical resemblance to her, and his [[MeaningfulName name]], which means "God is gracious," reflects his role as a [[ShadowArchetype mirror]] toward Elsa (whose own name has the meaning "God's oath") and Anna (whose name means "gracious"). Like Elsa, he [[spoiler:hides much of himself]], [[ArcSymbol symbolized]] by their shared habit of [[ClothingReflectsPersonality gloves]]. Like Anna, he also [[spoiler:grew up neglected and feeling rejected by his older siblings, and both have issues with being overshadowed by their powerful siblings]]. However, unlike the two of them, he became both ruthless and cruel. Whereas Elsa avoids hurting other people, he embraces it, and whereas Anna reacted to her life of feeling unloved by trying to spread love and help others, including the older, more powerful sibling who ignored her,[[note]]although in Elsa's case, it was [[JerkWithAHeartOfGold an act to protect her secret]][[/note]] [[spoiler:Hans]] plots to gain power and status at any cost, including murdering innocents and [[spoiler:forsaking any relationships he had with his estranged family]].
*** He is also this to Kristoff to a lesser extent. While both are set up as Anna's LoveInterest, Kristoff is a NiceGuy despite his initial appearance as a detached misanthrope while [[spoiler:Hans]] [[BaitTheDog is built up as someone]] who cares for others, but is [[TheReveal revealed]] to be a selfish and duplicitous man. [[WesternAnimation/FrozenII As of the sequel]], Kristoff essentially succeeds where [[spoiler:Hans]] failed, as Kristoff [[spoiler:becomes the King of Arendelle out of genuine love rather than lies and manipulation. And, intentional or not, Kristoff primarily wears black during the epilogue where we see for the first time Anna as queen, while Hans was primarily in white during Elsa's coronation.]]

** ''Characters/{{Frozen}}'': [[spoiler:Hans]] to both sisters, but especially Anna. He even has a physical resemblance to her, and his [[MeaningfulName name]], which means "God is gracious," reflects his role as a [[ShadowArchetype mirror]] toward Elsa (whose own name has the meaning "God's oath") and Anna (whose name means "gracious"). Like Elsa, he [[spoiler:hides much of himself]], [[ArcSymbol symbolized]] by their shared habit of [[ClothingReflectsPersonality gloves]]. Like Anna, he also [[spoiler:grew up neglected and feeling rejected by his older siblings, and both have issues with being overshadowed by their powerful siblings]]. However, unlike the two of them, he became both ruthless and cruel. Whereas Elsa avoids hurting other people, he embraces it, and whereas Anna reacted to her life of feeling unloved by trying to spread love and help others, including the older, more powerful sibling who ignored her,[[note]]although in Elsa's case, it was a bitchy act[[/note]] [[spoiler:Hans]] plots to gain power and status at any cost, including murdering innocents and [[spoiler:forsaking any relationships he had with his estranged family]].

*** Both Aladin and Jafar are men who wish to move up in society and wind up resorting to trickery in order to do so. Including how both put up a façade in order to ingratiate themselves with those above their station. Whether it be Jafar putting up the image of a calm and stoic loyal vizier when in reality he is a maniacal and over-the-top power-mongering sorcerer who is aiming to take the throne of Agrabah for himself or Aladdin taking up his "Prince Ali" identity where he puts up a cocky and boisterous demeanor to cover up his mild-mannered and humble street urchin true self. Both also abuse and become overly-reliant on magic in their pursuits. Whether it be Jafar using arcane tools such as his snake staff that puts the Sultan in trance that makes him susceptible to suggestion, Aladdin's use of the Genie to support his Prince Ali façade that he becomes so fearful about that he says that he's going to have to back out of his promise to free him, and then Jafar's own use of the Genie later which included turning himself into the most powerful sorcerer in the world. Jafar becomes so caught up in the high of power that it becomes his undoing. Aladdin using his natural resourcefulness manages to trick Jafar into turning himself into a genie to become even stronger which works and winds up leaving him unwittingly sealed into the lamp that comes with it. Both also have little animal sidekicks almost always on their person with a greedy streak. Jafar even seems to have taken notice of their similarities given the lines, "Just a con, need I go on? Take it from me." during his song the ''Prince Ali Reprise''. Itself a twisted perversion of the earlier song Aladdin used when introducing his new fake identity as Jafar is revealing his own true self.

** ''WesternAnimation/{{Aladdin}}'': Jafar serves this role towards Aladdin. Both are men who wish to move up in society and wind up resorting to trickery in order to do so. Including how both put up a façade in order to ingratiate themselves with those above their station. Whether it be Jafar putting up the image of a calm and stoic loyal vizier when in reality he is a maniacal and over-the-top power-mongering sorcerer who is aiming to take the throne of Agrabah for himself or Aladdin taking up his "Prince Ali" identity where he puts up a cocky and boisterous demeanor to cover up his mild-mannered and humble street urchin true self. Both also abuse and become overly-reliant on magic in their pursuits. Whether it be Jafar using arcane tools such as his snake staff that puts the Sultan in trance that makes him susceptible to suggestion, Aladdin's use of the Genie to support his Prince Ali façade that he becomes so fearful about that he says that he's going to have to back out of his promise to free him, and then Jafar's own use of the Genie later which included turning himself into the most powerful sorcerer in the world. Jafar becomes so caught up in the high of power that it becomes his undoing. Aladdin using his natural resourcefulness manages to trick Jafar into turning himself into a genie to become even stronger which works and winds up leaving him unwittingly sealed into the lamp that comes with it. Both also have little animal sidekicks almost always on their person with a greedy streak. Jafar even seems to have taken notice of their similarities given the lines, "Just a con, need I go on? Take it from me." during his song the ''Prince Ali Reprise''. Itself a twisted perversion of the earlier song Aladdin used when introducing his new fake identity as Jafar is revealing his own true self.

*** He is also this to Kristoff to a lesser extent. While both are set up as Anna's LoveInterest, Kristoff is a NiceGuy despite his initial appearance as a detached misanthrope while [[spoiler:Hans]] [[BaitTheDog is built up as someone]] who cares for others, but is [[TheReveal revealed]] to be a selfish and duplicitous man.

** ''Characters/{{Frozen}}'': [[spoiler:Hans]] to both sisters, but especially Anna. He even has a physical resemblance to her, and his [[MeaningfulName name]], which means "God is gracious," reflects his role as a mirror toward Elsa (whose own name has the meaning "God's oath") and Anna (whose name means "gracious"). Like Elsa, he [[spoiler:hides much of himself]], [[ArcSymbol symbolized]] by their shared habit of [[ClothingReflectsPersonality gloves]]. Like Anna, he also [[spoiler:grew up neglected and feeling rejected by his older siblings, and both have issues with being overshadowed by their powerful siblings]]. However, unlike the two of them, he became both ruthless and cruel. Whereas Elsa avoids hurting other people, he embraces it, and whereas Anna reacted to her life of feeling unloved by trying to spread love and help others, including the older, more powerful sibling who ignored her,[[note]]although in Elsa's case, it was a bitchy act[[/note]] [[spoiler:Hans]] plots to gain power and status at any cost, including murdering innocents and [[spoiler:forsaking any relationships he had with his estranged family]].

* Franchise/DisneyAnimatedCanon: Disney villains in general are the evil counterparts to Franchise/{{Disney Princess}}es. Guess which one has more characters!

** ''WesternAnimation/{{Cars}}'': Chick Hicks is the evil counterpart to Lightning [=McQueen=]. Both are portrayed as mean and arrogant racecars who cared about nothing but themselves and made fun of other cars. What makes them different is that at the end of the film, [=McQueen=] ends up losing the final race but is now respected by the other cars since he actually now learned to accept defeat by helping another racecar, Strip "The King" Weathers, cross the finish line after he was crashed by Chick, while Chick ended up winning the same race but is ultimately betrayed by everyone else since they found out about what he did to The King, and that doing such is actually against the racing code.

*** While Mufasa is a wise king who genuinely cares for his subjects and family, Scar would abandon anyone at the drop of a hat to save his own hide, as shown by him pinning the blame on his hyena minions. The way they rule the Pride Lands also shows the difference between the two, with the kingdom turning into a literal hellhole under Scar's disastrous reign. In The Lion Guard, Scar even comes returns as a demonic, malevolent abomination who plans to destroy the Pride Lands out of spite compared to his brother's Messianic appearance.

*** [[spoiler: Helen Par aka Elasigirl and Evelyn Deavor are more overt counterparts being both women in power who both overshadowed by the men in their lives, Helen by her husband Mr Incredible and Evelyn by her brother Winston. Both women are tech savvy and have similar ideologies realizing they’re NotSoDifferent before and after Evelyn reveals herself as the villain, the true {{Irony}} is the reason why Elastigirl is such a good person i.e her family is the same reason why Evelyn is a vengeful bitter person because she lost her parents as result of superheroes. It's also fitting that is Evelyn Anti-Supers since Helen (despite being super herself) was against becoming a hero again for the sake of her family]].

** ''Disney/{{Aladdin}}'': Jafar serves this role towards Aladdin. Both are men who wish to move up in society and wind up resorting to trickery in order to do so. Including how both put up a façade in order to ingratiate themselves with those above their station. Whether it be Jafar putting up the image of a calm and stoic loyal vizier when in reality he is a maniacal and over-the-top power-mongering sorcerer who is aiming to take the throne of Agrabah for himself or Aladdin taking up his "Prince Ali" identity where he puts up a cocky and boisterous demeanor to cover up his mild-mannered and humble street urchin true self. Both also abuse and become overly-reliant on magic in their pursuits. Whether it be Jafar using arcane tools such as his snake staff that puts the Sultan in trance that makes him susceptible to suggestion, Aladdin's use of the Genie to support his Prince Ali façade that he becomes so fearful about that he says that he's going to have to back out of his promise to free him, and then Jafar's own use of the Genie later which included turning himself into the most powerful sorcerer in the world. Jafar becomes so caught up in the high of power that it becomes his undoing. Aladdin using his natural resourcefulness manages to trick Jafar into turning himself into a genie to become even stronger which works and winds up leaving him unwittingly sealed into the lamp that comes with it. Both also have little animal sidekicks almost always on their person with a greedy streak. Jafar even seems to have taken notice of their similarities given the lines, "Just a con, need I go on? Take it from me." during his song the ''Prince Ali Reprise''. Itself a twisted perversion of the earlier song Aladdin used when introducing his new fake identity as Jafar is revealing his own true self.
*** ''Disney/AladdinTheReturnOfJafar'': Jafar this time serves as this for Genie after he has made his wish to turn himself into a genie as well. However he's an evil genie instead of a BenevolentGenie. Jafar tries to arrange for his freedom through a deal with his current master similar to Genie's deal with Aladdin in the first film. Genie himself however was never self-serving, vindictive, or underhanded with his masters in contrast to Jafar who is all those things when serving Abis Mal. Doing things like twisting around his wishes to be negatives, pushing him around, and even threatening him with violence.
** While he was largely a [[FlatCharacter non-discript menace]] in [[Disney/{{Bambi}} the original film]], ''Disney/BambiII'' develops Ronno into a fully fledged one for Bambi as children. Both are conveyed as insecure and cowardly, however while Bambi is an Adorkable NiceGuy who [[LovableCoward steps up the game when others need him]], Ronno is an [[MilesGloriosus egomaniacal bully]] who grows [[InferioritySuperiorityComplex a petty grudge towards Bambi for accidentally upstaging him]]. Similarly while Bambi would shyly court Faline and become protective towards her, Ronno proved possessive and tried to force claim over her. Even dynamically nearly everything Ronno does to [[StartOfDarkness lead his character into darker territory]] galvanises Bambi's [[HeroesFrontierStep more heroic qualities to develop]].
** ''Disney/BeautyAndTheBeast'': Gaston is this to the Beast. They start out very similar to each other. Both are handsome (before the curse), indifferent to the pain they cause to others, aren't afraid to use violence to get what they want and both want to use Belle for their own selfish reasons (the Beast to break his curse and Gaston to be his baby-factory/housekeeper/trophy-wife). However, the Beast learns to see Belle as the kind, intelligent, courageous and independent woman she is, changes his behavior upon realizing that it's wrong and proves his own self-worth by letting her go be with her father, which helps break his curse. Gaston on the other hand refuses to change, still clinging to his opinions of self-worth.
** ''Disney/BigHero6'' [[spoiler: Professor Callaghan]] is this to Hiro. Both lost beloved members of their families and personally try to go after those who they believed were responsible in hopes of killing them. [[spoiler:If it wasn't for Baymax's ThouShaltNotKill rule, Hiro would have gone down that same dark path.]]
** ''Disney/TheBlackCauldron'': The Horned King to Taran. In his first scene, the Horned King is immersing himself in his vision of creating the Cauldron-Born and being worshiped as a god, while Taran daydreams several times about becoming a knight and a hero. They're both shown to be fairly unremarkable in spite of these aspirations, and the amazing feats they do perform only happened because they were using powerful artifacts. They also have cowardly and toady little sidekicks whom they don't respect (though Taran gets better about this over the course of the movie), and in the end, they both fail to accomplish their goals.
** ''Disney/TheFoxAndTheHound'': Although more {{Jerkass}} than evil, Amos Slade serves as this to Widow Tweed. Both are the human owners of the two main characters and they are very protective of their animals, but he's much more of an antagonistic KnightTemplar.

** ''Disney/TheHunchbackOfNotreDame'': Frollo is this to Quasimodo. While Quasimodo is monstrous on the outside, Frollo is monstrous on the inside and it's also lampshaded in the intro ("It is a tale, a tale of a man and a monster...Who is the monster and who is the man?"). Then there's the contrast between their respective unrequited attraction to Esmeralda (Quasimodo's pure love vs Frollo's lust and obsession) emphasized by their respective songs: Quasimodo's "Heaven's Light" and Frollo's "Hellfire".

*** ''Disney/TheHunchbackOfNotreDameII'': Quasimodo also has such a dynamic with the sequel's villain Sarousch. Except for the fact that Sarousch himself is also ugly on the outside but covers it up with things like a wig and makeup. And he seems to overcompensate for his shortcomings by putting on an incredibly vain persona. This contrasts with Quasimodo who attains love and acceptance through being a good and kind person on the inside instead.
** ''WesternAnimation/LeroyAndStitch'': whereas the [[GoodColorsEvilColors blue]] [[Disney/LiloAndStitch Stitch]] was designed to do evil but managed to reform thanks to [[NiceGirl Lilo]] and the concept of ''[[TrueCompanions 'ohana]]'', the [[GoodColorsEvilColors red]] [[EvilDoppelganger Leroy]] was made for Hämsterviel, who is a self-centered UngratefulBastard. Unlike Stitch, Leroy never reforms; he gets incapacitated thanks to a fail-safe programmed into him, then is sent to prison.
** ''Disney/TheLionKing'': Scar serves as this to Simba. Both are members of the royal family who have a yearning to be king, but for the admiration that comes with the title rather than wanting to do too much with the power that comes with it. These similarities being perfectly illustrated when one compares their ''I Just Can't Wait to be King'' and ''Be Prepared'' musical numbers to each other. After the death of Mufasa, Simba's exile, and Scar's ascent both would wallow in a childish laziness, each wanting to live a cozy carefree life without much responsibility, be it Simba hiding out in a lush jungle away from personal responsibilities or Scar trying to simply shirk them off to his subordinates like the lionesses. However, Simba eventually manages to move on from his childishness and guilt rooted in his past in order to return to the Pride Lands and save them from Scar, who whilst indeed a sophisticated and cunning character in key respects, didn't grow past the entitled, self-centered, and whiny childish stage that Simba was at when the film started. A major contrast between the two is Simba's willingness to go back and atone for the mistakes of his past, even if he comes to learn wasn't truly responsible later, whilst Scar winds up getting killed by the Hyenas because of how he tried shifting the full blame of his crimes to them in an attempt to weasel his way out of facing the consequences of them. Also notable also is how both come to have chief sidekicks who are outcasts who live outside the Pride Lands and are obsessed with food, but while Simba treats his with genuine care, Scar constantly treats his hyena minions with utter apathy.

** ''Disney/TheLionKingIISimbasPride'': Zira serves as the counterpoint to Simba. Both of them being the rulers of the groups of lions in conflict, those from the Pride Lands and the Outlanders respectively who look down upon each other. Both also stand in the way of their progeny, Kiara and Kovu, from fulfilling their romance with each other. Whilst Simba comes around to accept the Outlanders after his eyes become opened Zira never relents from her hatred and winds up dying because of it.
** ''Disney/{{Pocahontas}}'':

** ''Disney/ThePrincessAndTheFrog'': The characters of Mama Odie and Dr. Facilier. Each is a practitioner of voodoo magic who have dealings with the film's protagonists, but Facilier is evil and Mama Odie is benevolent. An interesting note is that Facilier was supposed to be Odie's ''son'' initially.
** ''Disney/SleepingBeauty'' has the evil fairy Maleficent to the three good fairies.
** ''Disney/WreckItRalph'': Turbo was this to Ralph. Ralph is the villain of his game, and is treated as an outcast, but who nevertheless is a decent guy whose reckless behavior are misguided attempts at respect. Turbo was the "hero" of his game, but was still an arrogant jerk who trashed another game and got it condemned out of pure jealously. [[spoiler: Turbo as it turns out, never vanished. He fled his abandoned game, and entered Sugar Rush, becoming the main character "King Candy". In the process and wrote out the main character, Vanellope, and turned her into an outcast]].
** Judy and [[spoiler:Bellweather]] in ''Disney/{{Zootopia}}''. Both are small prey animals who are looked down on and mistreated by others, especially predator animals, and want to be more appreciated for their efforts. Both also hold some anti-predator sentiment, as well. Whereas Judy wishes to coexist peacefully with everyone and does learn to acknowledge her hidden biases and work past them, [[spoiler:Bellweather]] gives in to her hatred for predators and starts a city-wide panic of prey against predator.

** ''Characters/{{Frozen}}'': [[spoiler:Hans]] to both sisters, but especially Anna. He even has a physical resemblance to her, and his [[MeaningfulName name]], which means "God is gracious," reflects his role as a mirror toward Elsa (whose own name has the meaning "God's oath") and Anna (whose name means "gracious"). Like Elsa, he [[spoiler:hides much of himself]], [[ArcSymbol symbolized]] by their shared habit of [[ClothingReflectsPersonality gloves]]. Like Anna, he also [[spoiler:grew up neglected and feeling rejected by his older siblings, and both have issues with being overshadowed by their powerful siblings]]. However, unlike the two of them, he became both ruthless and cruel. Whereas Elsa avoids hurting other people, he embraces it, and whereas Anna reacted to her life of feeling unloved by trying to spread love and help others, including the older, more powerful sibling who ignored her,[[note]]although in Elsa's case, it was a bitchy act[[/note]] [[spoiler:Hans]] plots to gain power and status at any cost, including murdering innocent people and forsaking any relationships he had with his family.

*** And of course, Sid was Andy's evil counterpart in [[WesternAnimation/ToyStory the first movie]]. Andy is a kid who was so protective with his toys and plays a lot with them, Sid instead used toys for his twisted experiments and usually throws them away when he doesn't care about them anymore and search for more for his experiments.

** ''Characters/{{Frozen}}'': [[spoiler:Hans]] to both sisters, but especially Anna. He even has a physical resemblance to her, and his [[MeaningfulName name]], which means "God is gracious," reflects his role as a mirror toward Elsa (whose own name has the meaning "God's oath") and Anna (whose name means "gracious"). Like Elsa, he [[spoiler:hides much of himself]], [[ArcSymbol symbolized]] by their shared habit of [[ClothingReflectsPersonality gloves]]. Like Anna, he also [[spoiler:grew up neglected and feeling rejected by his older siblings, and both have issues with being overshadowed by their powerful siblings]]. However, unlike the two of them, he became both ruthless and cruel. Whereas Elsa avoids hurting other people, he embraces it, and whereas Anna reacted to her life of feeling unloved by trying to spread love and help others, including the older, more powerful sibling who ignored her,[[note]]although in Elsa's case, it was a bitchy act[[/note]] [[spoiler:Hans]] plots to gain power and status at any cost, including murdering innocent people.

** Miles has a dark reflection in [[spoiler: his CoolUncle Aaron who is actually the Prowler, both Miles and his uncle are creative and rebellious which opposes Jefferson (Miles's dad) stricter discipline however Aaron has led a life of crime while Miles despite indulging in some graffiti is still a good kid. Aaron represents what Miles could end up as if he didn't have the love and care of his parents as well as guidance from Spider-Man]].

** Peter B Parker reflects the Wilson Fisk aka Kingpin from Miles's universe, both are middle-aged, jaded (chubby) men who see an opportunity to make amends with an AlternateUniverse portal. Interestingly Kingpin's motivations and anger in the movie stem from losing his family, while Peter B Parker's depression and regret come from the fact he was too scared to start a family MJ in the first place which led to divorce and sadness. By the end of the movie Peter B Parker has gained an appreciation for family, while Fisk’s VillainousBreakdown gets worse when it becomes clear he can't bring his wife and son back and takes his rage out upon the heroes.
** Miles has a dark reflection in [[spoiler: in his CoolUncle Aaron who is actually the Prowler, both Miles and his uncle are creative and rebellious which opposes Jefferson (Miles's dad) stricter discipline however Aaron has led a life of crime while Miles despite indulging in some graffiti is still a good kid. Aaron represents what Miles could end up as if he didn't have the love and care of his parents as well as guidance from Spider-Man]].

* ''WesternAnimation/SpiderManIntoTheSpiderVerse'' has a couple.