Is there an issue? Send a MessageReason:
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Changed line(s) 11,12 (click to see context) from:
Liberty prospered in TheSixties, with acts such as TeenIdol Bobby Vee, {{Surf Rock}}ers Music/JanAndDean, {{Soul}} singer Gene [=McDaniels=], {{Pop}} band Gary Lewis and the Playboys, and [[UsefulNotes/TheBritishInvasion British Invasion]] group Billy J. Kramer and the Dakotas keeping it on the charts. The company also bought several smaller labels, including Blue Note, Imperial, Minit and World Pacific, among others. However, Liberty largely fell behind during the hippie era, despite popular "underground" signings such as proto-Americana group the Nitty Gritty Dirt Band and {{Blues Rock}}ers Canned Heat, whose releases included collaborations with both Music/JohnLeeHooker and The Chipmunks ([[NotMakingThisUpDisclaimer yes, really]]). Liberty's British and German subsidiaries were more closely attuned with the counterculture; they signed groups such as Music/TheBonzoDogBand, Brinsley Schwarz (featuring a young Music/NickLowe), Music/{{Hawkwind}}, Music/AmonDuulII and Music/{{Can}}, while licensing Music/CreedenceClearwaterRevival[[note]]as part of a deal with their US label, Fantasy Records[[/note]] and Music/CaptainBeefheart for European releases.
to:
Liberty prospered in TheSixties, with acts such as TeenIdol Bobby Vee, {{Surf Rock}}ers Music/JanAndDean, {{Soul}} singer Gene [=McDaniels=], {{Pop}} band Gary Lewis and the Playboys, and [[UsefulNotes/TheBritishInvasion British Invasion]] group Billy J. Kramer and the Dakotas keeping it on the charts. The company also bought several smaller labels, including Blue Note, Imperial, Minit and World Pacific, among others. However, Liberty largely fell behind during the hippie era, despite popular "underground" signings such as proto-Americana group the Nitty Gritty Dirt Band and {{Blues Rock}}ers Canned Heat, whose releases included collaborations with both Music/JohnLeeHooker and The Chipmunks ([[NotMakingThisUpDisclaimer yes, really]]). Liberty's British and German subsidiaries were more closely attuned with the counterculture; they signed groups such as Music/TheBonzoDogBand, Brinsley Schwarz (featuring a young Music/NickLowe), The Groundhogs, Music/{{Hawkwind}}, Music/AmonDuulII and Music/{{Can}}, while licensing Music/CreedenceClearwaterRevival[[note]]as part of a deal with their US label, Fantasy Records[[/note]] and Music/CaptainBeefheart for European releases.
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Changed line(s) 25 (click to see context) from:
* Music/{{Cher}}*
to:
* Music/{{Cher}}*Music/{{Cher}}* (from Imperial Records)
Changed line(s) 27 (click to see context) from:
* Music/FatsDomino*
to:
* Music/FatsDomino*Music/FatsDomino* (from Imperial Records)
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Changed line(s) 17 (click to see context) from:
[[folder:Original releases]]
to:
[[folder:Original releases]]releases, 1955-71]]
Deleted line(s) 31 (click to see context) :
* Music/{{Morrissey}}*
Deleted line(s) 33 (click to see context) :
* Creator/DennisQuaid (one single in 1983)
Deleted line(s) 35,36 (click to see context) :
* Music/{{Whitesnake}}
* Music/FrankZappa*
* Music/FrankZappa*
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[[folder:Transferred or reissued from United Artists]]
to:
Changed line(s) 42,45 (click to see context) from:
* Music/{{Buzzcocks}}
* Music/BillieHoliday
* Music/DonMcLean
* Music/KennyRogers
* Music/BillieHoliday
* Music/DonMcLean
* Music/KennyRogers
to:
* Music/{{Buzzcocks}}
Music/GarthBrooks
*Music/BillieHoliday
Music/{{Morrissey}}*
*Music/DonMcLean
Creator/DennisQuaid (one single in 1983)
*Music/KennyRogersMusic/{{Whitesnake}}
* Music/FrankZappa*
*
*
*
* Music/FrankZappa*
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[[folder:European releases licensed from Fantasy Records]]
to:
[[folder:Transferred or reissued from
Changed line(s) 51,52 (click to see context) from:
* Music/CreedenceClearwaterRevival*
* Music/CharlesMingus*
* Music/CharlesMingus*
to:
* Music/CreedenceClearwaterRevival*
Music/{{Buzzcocks}}
*Music/CharlesMingus*Music/BillieHoliday
* Music/GeorgeJones
* Music/DonMcLean
* Music/KennyRogers
*
* Music/GeorgeJones
* Music/DonMcLean
* Music/KennyRogers
Added DiffLines:
[[folder:European releases licensed from Fantasy Records]]
[[index]]
* Music/CreedenceClearwaterRevival*
* Music/CharlesMingus*
[[/index]]
[[/folder]]
[[index]]
* Music/CreedenceClearwaterRevival*
* Music/CharlesMingus*
[[/index]]
[[/folder]]
Is there an issue? Send a MessageReason:
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Changed line(s) 11,12 (click to see context) from:
Liberty prospered in TheSixties, with acts such as TeenIdol Bobby Vee, {{Surf Rock}}ers Music/JanAndDean, {{Pop}} band Gary Lewis and the Playboys, and [[UsefulNotes/TheBritishInvasion British Invasion]] group Billy J. Kramer and the Dakotas keeping it on the charts. The company also bought several smaller labels, including Blue Note, Imperial, Minit and World Pacific, among others. However, Liberty largely fell behind during the hippie era, despite popular "underground" signings such as proto-Americana group the Nitty Gritty Dirt Band and {{Blues Rock}}ers Canned Heat, whose releases included collaborations with both Music/JohnLeeHooker and The Chipmunks ([[NotMakingThisUpDisclaimer yes, really]]). Liberty's British and German subsidiaries were more closely attuned with the counterculture; they signed groups such as Music/TheBonzoDogBand, Brinsley Schwarz (featuring a young Music/NickLowe), Music/{{Hawkwind}}, Music/AmonDuulII and Music/{{Can}}, while licensing Music/CreedenceClearwaterRevival[[note]]as part of a deal with their US label, Fantasy Records[[/note]] and Music/CaptainBeefheart for European releases.
to:
Liberty prospered in TheSixties, with acts such as TeenIdol Bobby Vee, {{Surf Rock}}ers Music/JanAndDean, {{Soul}} singer Gene [=McDaniels=], {{Pop}} band Gary Lewis and the Playboys, and [[UsefulNotes/TheBritishInvasion British Invasion]] group Billy J. Kramer and the Dakotas keeping it on the charts. The company also bought several smaller labels, including Blue Note, Imperial, Minit and World Pacific, among others. However, Liberty largely fell behind during the hippie era, despite popular "underground" signings such as proto-Americana group the Nitty Gritty Dirt Band and {{Blues Rock}}ers Canned Heat, whose releases included collaborations with both Music/JohnLeeHooker and The Chipmunks ([[NotMakingThisUpDisclaimer yes, really]]). Liberty's British and German subsidiaries were more closely attuned with the counterculture; they signed groups such as Music/TheBonzoDogBand, Brinsley Schwarz (featuring a young Music/NickLowe), Music/{{Hawkwind}}, Music/AmonDuulII and Music/{{Can}}, while licensing Music/CreedenceClearwaterRevival[[note]]as part of a deal with their US label, Fantasy Records[[/note]] and Music/CaptainBeefheart for European releases.
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None
Added DiffLines:
* [[Music/WarBand Eric Burdon and War]]*
Is there an issue? Send a MessageReason:
None
Changed line(s) 11,12 (click to see context) from:
Liberty prospered in TheSixties, with acts such as TeenIdol Bobby Vee, {{Surf Rock}}ers Music/JanAndDean, {{Pop}} band Gary Lewis and the Playboys, and [[UsefulNotes/TheBritishInvasion British Invasion]] group Billy J. Kramer and the Dakotas keeping it on the charts. The company also bought several smaller labels, including Blue Note, Imperial, Minit and World Pacific, among others. However, Liberty largely fell behind during the hippie era, despite popular "underground" signings such as proto-Americana group the Nitty Gritty Dirt Band and {{Blues Rock}}ers Canned Heat, whose releases included collaborations with both Music/JohnLeeHooker and The Chipmunks ([[NotMakingThisUpDisclaimer yes, really]]). Liberty's British and German subsidiaries were more closely attuned with the counterculture; they signed Music/TheBonzoDogBand, Music/{{Hawkwind}}, Music/AmonDuulII and Music/{{Can}}, while licensing Music/CreedenceClearwaterRevival[[note]]as part of a deal with their US label, Fantasy Records[[/note]] and Music/CaptainBeefheart for European releases.
to:
Liberty prospered in TheSixties, with acts such as TeenIdol Bobby Vee, {{Surf Rock}}ers Music/JanAndDean, {{Pop}} band Gary Lewis and the Playboys, and [[UsefulNotes/TheBritishInvasion British Invasion]] group Billy J. Kramer and the Dakotas keeping it on the charts. The company also bought several smaller labels, including Blue Note, Imperial, Minit and World Pacific, among others. However, Liberty largely fell behind during the hippie era, despite popular "underground" signings such as proto-Americana group the Nitty Gritty Dirt Band and {{Blues Rock}}ers Canned Heat, whose releases included collaborations with both Music/JohnLeeHooker and The Chipmunks ([[NotMakingThisUpDisclaimer yes, really]]). Liberty's British and German subsidiaries were more closely attuned with the counterculture; they signed groups such as Music/TheBonzoDogBand, Brinsley Schwarz (featuring a young Music/NickLowe), Music/{{Hawkwind}}, Music/AmonDuulII and Music/{{Can}}, while licensing Music/CreedenceClearwaterRevival[[note]]as part of a deal with their US label, Fantasy Records[[/note]] and Music/CaptainBeefheart for European releases.
Is there an issue? Send a MessageReason:
None
Changed line(s) 11,12 (click to see context) from:
Liberty prospered in TheSixties, with acts such as TeenIdol Bobby Vee, {{Surf Rock}}ers Music/JanAndDean, {{Pop}} band Gary Lewis and the Playboys, and [[UsefulNotes/TheBritishInvasion British Invasion]] group Billy J. Kramer and the Dakotas keeping it on the charts. The company also bought several smaller labels, including Blue Note, Imperial, Minit and World Pacific, among others. However, Liberty largely fell behind during the hippie era, despite popular "underground" signings such as proto-Americana group the Nitty Gritty Dirt Band and {{Blues Rock}}ers Canned Heat, whose releases included collaborations with both Music/JohnLeeHooker and The Chipmunks ([[NotMakingThisUpDisclaimer yes, really]]). Liberty's British and German subsidiaries did with the counterculture; they signed Music/TheBonzoDogBand, Music/{{Hawkwind}}, Music/AmonDuulII and Music/{{Can}}, while licensing Music/CreedenceClearwaterRevival[[note]]as part of a deal with their US label, Fantasy Records[[/note]] and Music/CaptainBeefheart for European releases.
to:
Liberty prospered in TheSixties, with acts such as TeenIdol Bobby Vee, {{Surf Rock}}ers Music/JanAndDean, {{Pop}} band Gary Lewis and the Playboys, and [[UsefulNotes/TheBritishInvasion British Invasion]] group Billy J. Kramer and the Dakotas keeping it on the charts. The company also bought several smaller labels, including Blue Note, Imperial, Minit and World Pacific, among others. However, Liberty largely fell behind during the hippie era, despite popular "underground" signings such as proto-Americana group the Nitty Gritty Dirt Band and {{Blues Rock}}ers Canned Heat, whose releases included collaborations with both Music/JohnLeeHooker and The Chipmunks ([[NotMakingThisUpDisclaimer yes, really]]). Liberty's British and German subsidiaries did were more closely attuned with the counterculture; they signed Music/TheBonzoDogBand, Music/{{Hawkwind}}, Music/AmonDuulII and Music/{{Can}}, while licensing Music/CreedenceClearwaterRevival[[note]]as part of a deal with their US label, Fantasy Records[[/note]] and Music/CaptainBeefheart for European releases.
Is there an issue? Send a MessageReason:
None
Changed line(s) 11,12 (click to see context) from:
Liberty prospered in TheSixties, with acts such as TeenIdol Bobby Vee, {{Surf Rock}}ers Music/JanAndDean, {{Pop}} band Gary Lewis and the Playboys, and [[UsefulNotes/TheBritishInvasion British Invasion]] group Billy J. Kramer and the Dakotas keeping it on the charts. The company also bought several smaller labels, including Blue Note, Imperial, Minit and World Pacific, among others. However, Liberty largely fell behind during the hippie era, despite popular "underground" signings such as proto-Americana group the Nitty Gritty Dirt Band and {{Blues Rock}}ers Canned Heat, whose releases included collaborations with both Music/JohnLeeHooker and The Chipmunks (NotMakingThisUpDisclaimer yes, really). Liberty's British and German subsidiaries did with the counterculture; they signed Music/TheBonzoDogBand, Music/{{Hawkwind}}, Music/AmonDuulII and Music/{{Can}}, while licensing Music/CreedenceClearwaterRevival[[note]]as part of a deal with their US label, Fantasy Records[[/note]] and Music/CaptainBeefheart for European releases.
to:
Liberty prospered in TheSixties, with acts such as TeenIdol Bobby Vee, {{Surf Rock}}ers Music/JanAndDean, {{Pop}} band Gary Lewis and the Playboys, and [[UsefulNotes/TheBritishInvasion British Invasion]] group Billy J. Kramer and the Dakotas keeping it on the charts. The company also bought several smaller labels, including Blue Note, Imperial, Minit and World Pacific, among others. However, Liberty largely fell behind during the hippie era, despite popular "underground" signings such as proto-Americana group the Nitty Gritty Dirt Band and {{Blues Rock}}ers Canned Heat, whose releases included collaborations with both Music/JohnLeeHooker and The Chipmunks (NotMakingThisUpDisclaimer ([[NotMakingThisUpDisclaimer yes, really).really]]). Liberty's British and German subsidiaries did with the counterculture; they signed Music/TheBonzoDogBand, Music/{{Hawkwind}}, Music/AmonDuulII and Music/{{Can}}, while licensing Music/CreedenceClearwaterRevival[[note]]as part of a deal with their US label, Fantasy Records[[/note]] and Music/CaptainBeefheart for European releases.
Is there an issue? Send a MessageReason:
None
Changed line(s) 11,12 (click to see context) from:
Liberty prospered in TheSixties, with acts such as TeenIdol Bobby Vee, {{Surf Rock}}ers Music/JanAndDean, {{Pop}} band Gary Lewis and the Playboys, and [[UsefulNotes/TheBritishInvasion British Invasion]] group Billy J. Kramer and the Dakotas keeping it on the charts. The company also bought several smaller labels, including Blue Note, Imperial, Minit and World Pacific, among others. However, Liberty largely fell behind during the hippie era, despite popular "underground" signings such as proto-Americana group the Nitty Gritty Dirt Band and {{Blues Rock}}ers Canned Heat (whose releases included collaborations with both Music/JohnLeeHooker and The Chipmunks [[[NotMakingThisUpDisclaimer yes, really]]]). Liberty's British and German subsidiaries did with the counterculture; they signed Music/TheBonzoDogBand, Music/{{Hawkwind}}, Music/AmonDuulII and Music/{{Can}}, while licensing Music/CreedenceClearwaterRevival[[note]]as part of a deal with their US label, Fantasy Records[[/note]] and Music/CaptainBeefheart for European releases.
to:
Liberty prospered in TheSixties, with acts such as TeenIdol Bobby Vee, {{Surf Rock}}ers Music/JanAndDean, {{Pop}} band Gary Lewis and the Playboys, and [[UsefulNotes/TheBritishInvasion British Invasion]] group Billy J. Kramer and the Dakotas keeping it on the charts. The company also bought several smaller labels, including Blue Note, Imperial, Minit and World Pacific, among others. However, Liberty largely fell behind during the hippie era, despite popular "underground" signings such as proto-Americana group the Nitty Gritty Dirt Band and {{Blues Rock}}ers Canned Heat (whose Heat, whose releases included collaborations with both Music/JohnLeeHooker and The Chipmunks [[[NotMakingThisUpDisclaimer (NotMakingThisUpDisclaimer yes, really]]]).really). Liberty's British and German subsidiaries did with the counterculture; they signed Music/TheBonzoDogBand, Music/{{Hawkwind}}, Music/AmonDuulII and Music/{{Can}}, while licensing Music/CreedenceClearwaterRevival[[note]]as part of a deal with their US label, Fantasy Records[[/note]] and Music/CaptainBeefheart for European releases.
Is there an issue? Send a MessageReason:
None
Changed line(s) 11,12 (click to see context) from:
Liberty prospered in TheSixties, with acts such as TeenIdol Bobby Vee, {{Surf Rock}}ers Music/JanAndDean, {{Pop}} band Gary Lewis and the Playboys, and [[UsefulNotes/TheBritishInvasion British Invasion]] group Billy J. Kramer and the Dakotas keeping it on the charts. The company also bought several smaller labels, including Blue Note, Imperial, Minit and World Pacific, among others. However, Liberty largely fell behind during the hippie era, despite popular "underground" signings such as proto-Americana group the Nitty Gritty Dirt Band and {{Blues Rock}}ers Canned Heat (whose releases included collaborations with both Music/JohnLeeHooker and The Chipmunks [[[NotMakingThisUpDisclaimer yes, really]]]). Liberty's British and German subsidiaries did with the counterculture; they signed Music/TheBonzoDogBand, Music/{{Hawkwind}}, Music/AmonDuulII and Music/{{Can}}, while licensing Music/CreedenceClearwaterRevival and Music/CaptainBeefheart for European releases.
to:
Liberty prospered in TheSixties, with acts such as TeenIdol Bobby Vee, {{Surf Rock}}ers Music/JanAndDean, {{Pop}} band Gary Lewis and the Playboys, and [[UsefulNotes/TheBritishInvasion British Invasion]] group Billy J. Kramer and the Dakotas keeping it on the charts. The company also bought several smaller labels, including Blue Note, Imperial, Minit and World Pacific, among others. However, Liberty largely fell behind during the hippie era, despite popular "underground" signings such as proto-Americana group the Nitty Gritty Dirt Band and {{Blues Rock}}ers Canned Heat (whose releases included collaborations with both Music/JohnLeeHooker and The Chipmunks [[[NotMakingThisUpDisclaimer yes, really]]]). Liberty's British and German subsidiaries did with the counterculture; they signed Music/TheBonzoDogBand, Music/{{Hawkwind}}, Music/AmonDuulII and Music/{{Can}}, while licensing Music/CreedenceClearwaterRevival Music/CreedenceClearwaterRevival[[note]]as part of a deal with their US label, Fantasy Records[[/note]] and Music/CaptainBeefheart for European releases.
[[foldercontrol]]
[[folder:Original releases]]
Deleted line(s) 18 (click to see context) :
* Music/{{Buzzcocks}}+
Deleted line(s) 23 (click to see context) :
* Music/CreedenceClearwaterRevival*
Deleted line(s) 25 (click to see context) :
* Music/BillieHoliday+
Deleted line(s) 27,28 (click to see context) :
* Music/DonMcLean+
* Music/CharlesMingus*
* Music/CharlesMingus*
Deleted line(s) 32 (click to see context) :
* Music/KennyRogers+
Changed line(s) 36,38 (click to see context) from:
[=*=] UK and Europe only\\
[=+=] Transferred or reissued from United Artists catalog
to:
[[folder:Transferred or reissued from United
[[index]]
* Music/{{Buzzcocks}}
* Music/BillieHoliday
* Music/DonMcLean
* Music/KennyRogers
[[/index]]
[[/folder]]
[[folder:European releases licensed from Fantasy Records]]
[[index]]
* Music/CreedenceClearwaterRevival*
* Music/CharlesMingus*
[[/index]]
[[/folder]]
[=*=] UK and Europe only
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* Music/EddieCochran
Added DiffLines:
* Creator/DennisQuaid (one single in 1983)
Is there an issue? Send a MessageReason:
None
Changed line(s) 11,12 (click to see context) from:
Liberty prospered in TheSixties, with acts such as TeenIdol Bobby Vee, {{Surf Rock}}ers Music/JanAndDean, {{Pop}} band Gary Lewis and the Playboys, and [[UsefulNotes/TheBritishInvasion British Invasion]] group Billy J. Kramer and the Dakotas keeping it on the charts. The company also bought several smaller labels, including Blue Note, Imperial, Minit and World Pacific, among others. However, Liberty largely fell behind during the hippie era, despite popular "underground" signings such as {{Blues Rock}}ers Canned Heat (who collaborated with both Music/JohnLeeHooker and The Chipmunks) and proto-Americana group the Nitty Gritty Dirt Band. Liberty's British and German subsidiaries did with the counterculture; they signed Music/TheBonzoDogBand, Music/{{Hawkwind}}, Music/AmonDuulII and Music/{{Can}}, while licensing Music/CreedenceClearwaterRevival and Music/CaptainBeefheart for European releases.
to:
Liberty prospered in TheSixties, with acts such as TeenIdol Bobby Vee, {{Surf Rock}}ers Music/JanAndDean, {{Pop}} band Gary Lewis and the Playboys, and [[UsefulNotes/TheBritishInvasion British Invasion]] group Billy J. Kramer and the Dakotas keeping it on the charts. The company also bought several smaller labels, including Blue Note, Imperial, Minit and World Pacific, among others. However, Liberty largely fell behind during the hippie era, despite popular "underground" signings such as {{Blues Rock}}ers Canned Heat (who collaborated with both Music/JohnLeeHooker and The Chipmunks) and proto-Americana group the Nitty Gritty Dirt Band.Band and {{Blues Rock}}ers Canned Heat (whose releases included collaborations with both Music/JohnLeeHooker and The Chipmunks [[[NotMakingThisUpDisclaimer yes, really]]]). Liberty's British and German subsidiaries did with the counterculture; they signed Music/TheBonzoDogBand, Music/{{Hawkwind}}, Music/AmonDuulII and Music/{{Can}}, while licensing Music/CreedenceClearwaterRevival and Music/CaptainBeefheart for European releases.
Is there an issue? Send a MessageReason:
None
Changed line(s) 11,12 (click to see context) from:
Liberty prospered in TheSixties, with acts such as TeenIdol Bobby Vee, {{Surf Rock}}ers Music/JanAndDean, {{Pop}} band Gary Lewis and the Playboys, and [[UsefulNotes/TheBritishInvasion British Invasion]] group Billy J. Kramer and the Dakotas keeping it on the charts. The company also bought several smaller labels, including Blue Note, Imperial and Minit, among others. However, Liberty largely fell behind during the hippie era, despite popular "underground" signings such as {{Blues Rock}}ers Canned Heat (who collaborated with both Music/JohnLeeHooker and The Chipmunks) and proto-Americana group the Nitty Gritty Dirt Band. Liberty's British and German subsidiaries did with the counterculture; they signed Music/TheBonzoDogBand, Music/{{Hawkwind}}, Music/AmonDuulII and Music/{{Can}}, while licensing Music/CreedenceClearwaterRevival and Music/CaptainBeefheart for European releases.
to:
Liberty prospered in TheSixties, with acts such as TeenIdol Bobby Vee, {{Surf Rock}}ers Music/JanAndDean, {{Pop}} band Gary Lewis and the Playboys, and [[UsefulNotes/TheBritishInvasion British Invasion]] group Billy J. Kramer and the Dakotas keeping it on the charts. The company also bought several smaller labels, including Blue Note, Imperial Imperial, Minit and Minit, World Pacific, among others. However, Liberty largely fell behind during the hippie era, despite popular "underground" signings such as {{Blues Rock}}ers Canned Heat (who collaborated with both Music/JohnLeeHooker and The Chipmunks) and proto-Americana group the Nitty Gritty Dirt Band. Liberty's British and German subsidiaries did with the counterculture; they signed Music/TheBonzoDogBand, Music/{{Hawkwind}}, Music/AmonDuulII and Music/{{Can}}, while licensing Music/CreedenceClearwaterRevival and Music/CaptainBeefheart for European releases.
Is there an issue? Send a MessageReason:
None
Changed line(s) 11,12 (click to see context) from:
Liberty prospered in TheSixties, with acts such as TeenIdol Bobby Vee, {{Surf Rock}}ers Music/JanAndDean, {{Pop}} band Gary Lewis and the Playboys, and [[UsefulNotes/TheBritishInvasion British Invasion]] group Billy J. Kramer and the Dakotas keeping it on the charts. It fell behind during the hippie era, despite popular "underground" signings such as {{Blues Rock}}ers Canned Heat (who collaborated with both Music/JohnLeeHooker and The Chipmunks) and proto-Americana group the Nitty Gritty Dirt Band. Liberty's British and German subsidiaries did with the counterculture; they signed Music/TheBonzoDogBand, Music/{{Hawkwind}}, Music/AmonDuulII and Music/{{Can}}, while licensing Music/CreedenceClearwaterRevival and Music/CaptainBeefheart for European releases.
to:
Liberty prospered in TheSixties, with acts such as TeenIdol Bobby Vee, {{Surf Rock}}ers Music/JanAndDean, {{Pop}} band Gary Lewis and the Playboys, and [[UsefulNotes/TheBritishInvasion British Invasion]] group Billy J. Kramer and the Dakotas keeping it on the charts. It The company also bought several smaller labels, including Blue Note, Imperial and Minit, among others. However, Liberty largely fell behind during the hippie era, despite popular "underground" signings such as {{Blues Rock}}ers Canned Heat (who collaborated with both Music/JohnLeeHooker and The Chipmunks) and proto-Americana group the Nitty Gritty Dirt Band. Liberty's British and German subsidiaries did with the counterculture; they signed Music/TheBonzoDogBand, Music/{{Hawkwind}}, Music/AmonDuulII and Music/{{Can}}, while licensing Music/CreedenceClearwaterRevival and Music/CaptainBeefheart for European releases.
Changed line(s) 16 (click to see context) from:
* Music/AmonDuulII
to:
* Music/AmonDuulIIMusic/AmonDuulII*
Added DiffLines:
* Music/{{Cher}}*
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None
Changed line(s) 11,12 (click to see context) from:
Liberty prospered in TheSixties, with acts such as TeenIdol Bobby Vee, {{Surf Rock}}ers Music/JanAndDean, {{Pop}} band Gary Lewis and the Playboys, and [[UsefulNotes/TheBritishInvasion British Invasion]] group Billy J. Kramer and the Dakotas keeping it on the charts. It fell behind during the hippie era, despite popular "underground" signings such as {{Blues Rock}}ers Canned Heat (who collaborated with both Music/JohnLeeHooker and The Chipmunks) and proto-Americana group the Nitty Gritty Dirt Band. Liberty's British and German subsidiaries did with the counterculture; they signed Music/TheBonzoDogBand, Music/{{Hawkwind}}, Music/AmonDuullII and Music/{{Can}}, while licensing Music/CreedenceClearwaterRevival and Music/CaptainBeefheart for European releases.
to:
Liberty prospered in TheSixties, with acts such as TeenIdol Bobby Vee, {{Surf Rock}}ers Music/JanAndDean, {{Pop}} band Gary Lewis and the Playboys, and [[UsefulNotes/TheBritishInvasion British Invasion]] group Billy J. Kramer and the Dakotas keeping it on the charts. It fell behind during the hippie era, despite popular "underground" signings such as {{Blues Rock}}ers Canned Heat (who collaborated with both Music/JohnLeeHooker and The Chipmunks) and proto-Americana group the Nitty Gritty Dirt Band. Liberty's British and German subsidiaries did with the counterculture; they signed Music/TheBonzoDogBand, Music/{{Hawkwind}}, Music/AmonDuullII Music/AmonDuulII and Music/{{Can}}, while licensing Music/CreedenceClearwaterRevival and Music/CaptainBeefheart for European releases.
Added DiffLines:
* Music/CharlesMingus*
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None
Changed line(s) 27 (click to see context) from:
* Music/KennyRogers
to:
* Music/KennyRogersMusic/KennyRogers+
Is there an issue? Send a MessageReason:
None
Changed line(s) 11,12 (click to see context) from:
Liberty prospered in TheSixties, with acts such as TeenIdol Bobby Vee, {{Surf Rock}}ers Music/JanAndDean, {{Pop}} band Gary Lewis and the Playboys, and [[UsefulNotes/TheBritishInvasion British Invasion]] group Billy J. Kramer and the Dakotas kept it on the charts. It fell behind during the hippie era, despite popular "underground" signings such as {{Blues Rock}}ers Canned Heat (who collaborated with both Music/JohnLeeHooker and -- [[NotMakingThisUpDisclaimer yes, really!]] -- The Chipmunks) and proto-Americana group the Nitty Gritty Dirt Band.
to:
Liberty prospered in TheSixties, with acts such as TeenIdol Bobby Vee, {{Surf Rock}}ers Music/JanAndDean, {{Pop}} band Gary Lewis and the Playboys, and [[UsefulNotes/TheBritishInvasion British Invasion]] group Billy J. Kramer and the Dakotas kept keeping it on the charts. It fell behind during the hippie era, despite popular "underground" signings such as {{Blues Rock}}ers Canned Heat (who collaborated with both Music/JohnLeeHooker and -- [[NotMakingThisUpDisclaimer yes, really!]] -- The Chipmunks) and proto-Americana group the Nitty Gritty Dirt Band.
Band. Liberty's British and German subsidiaries did with the counterculture; they signed Music/TheBonzoDogBand, Music/{{Hawkwind}}, Music/AmonDuullII and Music/{{Can}}, while licensing Music/CreedenceClearwaterRevival and Music/CaptainBeefheart for European releases.
Is there an issue? Send a MessageReason:
None
Liberty prospered in TheSixties, with acts such as TeenIdol Bobby Vee, {{Surf Rock}}ers Music/JanAndDean, {{Pop}} band Gary Lewis and the Playboys, and [[UsefulNotes/TheBritishInvasion British Invasion]] group Billy J. Kramer and the Dakotas kept it on the charts. It fell behind during the hippie era, despite popular "underground" signings such as {{Blues Rock}}ers Canned Heat (who collaborated with both Music/JohnLeeHooker and -- [[NotMakingThisUpDisclaimer yes, really!]] -- The Chipmunks) and proto-Americana group the Nitty Gritty Dirt Band.
Changed line(s) 15,18 (click to see context) from:
* Music/TheBonzoDogBand
* Music/{{Can}}
* Music/CaptainBeefheart
* Music/CreedenceClearwaterRevival
* Music/{{Can}}
* Music/CaptainBeefheart
* Music/CreedenceClearwaterRevival
to:
* Music/TheBonzoDogBand
Music/TheBonzoDogBand*
*Music/{{Can}}
Music/{{Buzzcocks}}+
*Music/CaptainBeefheart
Music/{{Can}}*
*Music/CreedenceClearwaterRevivalMusic/CaptainBeefheart*
* Music/CreedenceClearwaterRevival*
*
*
*
* Music/CreedenceClearwaterRevival*
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* Music/{{Morrissey}}
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* Music/{{Morrissey}}Music/BillieHoliday+
* Music/JanAndDean
* Music/{{Morrissey}}*
* Music/WillieNelson
* Music/KennyRogers
* [[Music/TinaTurner Ike & Tina Turner]]
* Music/{{Whitesnake}}
* Music/JanAndDean
* Music/{{Morrissey}}*
* Music/WillieNelson
* Music/KennyRogers
* [[Music/TinaTurner Ike & Tina Turner]]
* Music/{{Whitesnake}}
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[=*=] UK and Europe only\\
[=+=] Transferred or reissued from United Artists catalog
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[[quoteright:321:https://static.tvtropes.org/pmwiki/pub/images/liberty_records.jpg]]
[[caption-width-right:321:As opposed to a product of someone else?]]
->''"Liberty: The First Family of Recorded Entertainment"''
-->--Slogan of Liberty Records during TheSixties
Launched in 1955, Liberty Records took its logo from the Art/StatueOfLiberty. It evolved into one of the most biggest independent labels of TheSixties.
One of Liberty's earliest signings, chanteuse Julie London, had a Top 10 hit with "Cry Me A River". The label also got into the new RockAndRoll scene with performers such as hitmaker Music/EddieCochran. Despite these successes, the fledgling company was on the verge of bankruptcy by 1958. However, it came back from the brink thanks to songwriter Ross Bagdasarian, aka David Seville, whose smash novelty hit "Witch Doctor" used sped-up vocals. Bagdasarian soon spun off this gimmick into Franchise/AlvinAndTheChipmunks, a trio of singing cartoon rodents named Liberty's top executives: Alvin (after label president Al Bennett), Simon (chairman Simon Waronker), and Theodore (chief engineer Ted Keep). The Chipmunks became the stars of a franchise that still continues today.
!!Liberty Records performers with Wiki/TVTropes pages:
[[index]]
* Music/AlvinAndTheChipmunks
* Music/AmonDuulII
* Music/TheBonzoDogBand
* Music/{{Can}}
* Music/CaptainBeefheart
* Music/CreedenceClearwaterRevival
* Music/{{Hawkwind}}
* Music/{{Morrissey}}
[[/index]]
----
[[caption-width-right:321:As opposed to a product of someone else?]]
->''"Liberty: The First Family of Recorded Entertainment"''
-->--Slogan of Liberty Records during TheSixties
Launched in 1955, Liberty Records took its logo from the Art/StatueOfLiberty. It evolved into one of the most biggest independent labels of TheSixties.
One of Liberty's earliest signings, chanteuse Julie London, had a Top 10 hit with "Cry Me A River". The label also got into the new RockAndRoll scene with performers such as hitmaker Music/EddieCochran. Despite these successes, the fledgling company was on the verge of bankruptcy by 1958. However, it came back from the brink thanks to songwriter Ross Bagdasarian, aka David Seville, whose smash novelty hit "Witch Doctor" used sped-up vocals. Bagdasarian soon spun off this gimmick into Franchise/AlvinAndTheChipmunks, a trio of singing cartoon rodents named Liberty's top executives: Alvin (after label president Al Bennett), Simon (chairman Simon Waronker), and Theodore (chief engineer Ted Keep). The Chipmunks became the stars of a franchise that still continues today.
!!Liberty Records performers with Wiki/TVTropes pages:
[[index]]
* Music/AlvinAndTheChipmunks
* Music/AmonDuulII
* Music/TheBonzoDogBand
* Music/{{Can}}
* Music/CaptainBeefheart
* Music/CreedenceClearwaterRevival
* Music/{{Hawkwind}}
* Music/{{Morrissey}}
[[/index]]
----
