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Sadly, Moore died as a result of a car accident on November 23, 1952, after animating Mickey one last time in ''The Simple Things'' and Casey's daughters in ''Casey Bats Again''. Ollie Johnston, one of Creator/DisneysNineOldMen and an apprentice under Moore in the late 1930s, personally kept his pencil taped to his window as a memento. Moore posthumously received the Winsor [=McCay=] award in 1983 and was named a Disney Legend in 1995. He is also mentioned prominently in the book ''Literature/TheIllusionOfLife''.
to:
Sadly, Moore died as a result of a car accident on November 23, 1952, after animating Mickey one last time in ''The Simple Things'' and Casey's daughters in ''Casey Bats Again''. Ollie Johnston, one of Creator/DisneysNineOldMen and an apprentice under Moore in the late 1930s, personally kept his pencil taped to his window as a memento. Moore posthumously received the Winsor [=McCay=] award in 1983 and was named a Disney Legend in 1995. He is also mentioned prominently in the book ''Literature/TheIllusionOfLife''.
''Literature/TheIllusionOfLife'', notably authored by two of Moore's former assistant animators.
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* {{NSFW}}: His drawings of nude women, though rather ironic given that it was all done ''within'' work, not to mention Disney's known distaste against NSFW art.
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* {{NSFW}}: His drawings of nude women, though rather ironic given that it was all done ''within'' work.
to:
* {{NSFW}}: His drawings of nude women, though rather ironic given that it was all done ''within'' work.work, not to mention Disney's known distaste against NSFW art.
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Moore was fired from Disney in 1946 due to his increasingly heavy alcoholism, an issue allegedly hindering his output at the time. After several months of freelancing, his former colleague Dick Lundy, a director at Creator/WalterLantz Productions, hired him as an animator and character designer, where he helped slick up the design for WesternAnimation/WoodyWoodpecker within iconic shorts such as "Wet Blanket Policy" and "Wild and Woody!". After animating on a small number of shorts, the Lantz studio temporarily closed in 1948, sparking Moore's return to Disney, where he would remain for the rest of his career. This was, however, unfortunately destined to be short-lived.
to:
Moore was fired from Disney in 1946 due to his increasingly heavy alcoholism, an issue allegedly hindering his output at the time. After several months of freelancing, his former colleague Dick Lundy, a director at Creator/WalterLantz Productions, Lundy hired him as an animator and character designer, designer for Creator/WalterLantz Productions, where he helped slick up the design for WesternAnimation/WoodyWoodpecker within iconic shorts such as "Wet Blanket Policy" and "Wild and Woody!". After animating on a small number of shorts, the Lantz studio temporarily closed in 1948, sparking Moore's return to Disney, where he would remain for the rest of his career. This was, however, unfortunately destined to be short-lived.
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Changed line(s) 14,15 (click to see context) from:
Moore left the Disney studio for a while in 1946 to work at Creator/WalterLantz Productions, where he helped slick up the design for WesternAnimation/WoodyWoodpecker in what would be the wacky bird's best-known films. After the Lantz studio closed its doors for a brief time in 1948, Moore returned to Disney for the rest of his career, which was destined to be short-lived.
to:
Moore left the was fired from Disney studio for a while in 1946 due to work his increasingly heavy alcoholism, an issue allegedly hindering his output at the time. After several months of freelancing, his former colleague Dick Lundy, a director at Creator/WalterLantz Productions, hired him as an animator and character designer, where he helped slick up the design for WesternAnimation/WoodyWoodpecker in what would be the wacky bird's best-known films. within iconic shorts such as "Wet Blanket Policy" and "Wild and Woody!". After animating on a small number of shorts, the Lantz studio temporarily closed its doors for a brief time in 1948, Moore returned sparking Moore's return to Disney Disney, where he would remain for the rest of his career, which was career. This was, however, unfortunately destined to be short-lived.
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Around the studio staff, Fred was best known for drawing [[InnocentFanserviceGirl innocently nude women]], dubbed "Freddie Moore girls", that many of the staff artists wanted a sketch of. Some of these girl designs wound up in some of Disney's films, including the alluring centaurettes in ''WesternAnimation/{{Fantasia}}'', the teenage girls in ''WesternAnimation/MakeMineMusic'' (where he singlehandedly animated the scene where a girl showers and dresses while her little sister follows her) and the mermaids from ''WesternAnimation/PeterPan''.
Moore left the Disney studio for a while in 1946 to work at Creator/WalterLantz Productions, where he helped slick up the design for WesternAnimation/WoodyWoodpecker in what would be the wacky bird's best-known films. After the Lantz studio closed its doors for a brief time in 1948, Moore returned to Disney for the rest of his career.
Moore left the Disney studio for a while in 1946 to work at Creator/WalterLantz Productions, where he helped slick up the design for WesternAnimation/WoodyWoodpecker in what would be the wacky bird's best-known films. After the Lantz studio closed its doors for a brief time in 1948, Moore returned to Disney for the rest of his career.
to:
Around the studio staff, Fred was best known for drawing [[InnocentFanserviceGirl innocently nude women]], dubbed "Freddie Moore girls", that many of the staff artists wanted a sketch of. Some of these girl designs wound up in some of Disney's films, including the alluring centaurettes in ''WesternAnimation/{{Fantasia}}'', the teenage girls in ''WesternAnimation/MakeMineMusic'' (where he singlehandedly animated the scene where a girl showers and dresses while her little sister follows her) and the mermaids from ''WesternAnimation/PeterPan''.
''WesternAnimation/PeterPan'', which would sadly be the last Disney film to have him as an animator as he did not live to see this film released in 1953, due to his unexpected death in 1952.
Moore left the Disney studio for a while in 1946 to work at Creator/WalterLantz Productions, where he helped slick up the design for WesternAnimation/WoodyWoodpecker in what would be the wacky bird's best-known films. After the Lantz studio closed its doors for a brief time in 1948, Moore returned to Disney for the rest of hiscareer.
career, which was destined to be short-lived.
Moore left the Disney studio for a while in 1946 to work at Creator/WalterLantz Productions, where he helped slick up the design for WesternAnimation/WoodyWoodpecker in what would be the wacky bird's best-known films. After the Lantz studio closed its doors for a brief time in 1948, Moore returned to Disney for the rest of his
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Fred Moore joined the Walt Disney studio in 1931 as an assistant and later became a full-fledged animator in 1933, his first major assignment being the Oscar-winning Silly Symphony short ''WesternAnimation/TheThreeLittlePigs'' During that time, Moore refined the design of WesternAnimation/MickeyMouse to make him more flexible and expressive, including giving him a pear-shaped body (which debuted in ''WesternAnimation/PlutosJudgementDay'') and fixed white eyes with black pupils (which were made for the "Sorcerer's Apprentice" sequence from ''Disney/{{Fantasia}}'').
When Walt Disney began working on the studio's first feature film, ''Disney/SnowWhiteAndTheSevenDwarfs'', he was brought in to refine the designs of the dwarfs to make them more appealing and easier to animate. These designs were the basis of what would be called the "Golden Age" of Disney animation. His next assignment would be the lead animator for Lampwick in ''Disney/{{Pinocchio}}'', who was essentially a self-caricature.
Around the studio staff, Fred was best known for drawing [[InnocentFanserviceGirl innocently nude women]], dubbed "Freddie Moore girls", that many of the staff artists wanted a sketch of. Some of these girl designs wound up in some of Disney's films, including the alluring centaurettes in ''Disney/{{Fantasia}}'', the teenage girls in ''Disney/MakeMineMusic'' (where he singlehandedly animated the scene where a girl showers and dresses while her little sister follows her) and the mermaids from ''Disney/PeterPan''.
When Walt Disney began working on the studio's first feature film, ''Disney/SnowWhiteAndTheSevenDwarfs'', he was brought in to refine the designs of the dwarfs to make them more appealing and easier to animate. These designs were the basis of what would be called the "Golden Age" of Disney animation. His next assignment would be the lead animator for Lampwick in ''Disney/{{Pinocchio}}'', who was essentially a self-caricature.
Around the studio staff, Fred was best known for drawing [[InnocentFanserviceGirl innocently nude women]], dubbed "Freddie Moore girls", that many of the staff artists wanted a sketch of. Some of these girl designs wound up in some of Disney's films, including the alluring centaurettes in ''Disney/{{Fantasia}}'', the teenage girls in ''Disney/MakeMineMusic'' (where he singlehandedly animated the scene where a girl showers and dresses while her little sister follows her) and the mermaids from ''Disney/PeterPan''.
to:
Fred Moore joined the Walt Disney studio in 1931 as an assistant and later became a full-fledged animator in 1933, his first major assignment being the Oscar-winning Silly Symphony short ''WesternAnimation/TheThreeLittlePigs'' During that time, Moore refined the design of WesternAnimation/MickeyMouse to make him more flexible and expressive, including giving him a pear-shaped body (which debuted in ''WesternAnimation/PlutosJudgementDay'') and fixed white eyes with black pupils (which were made for the "Sorcerer's Apprentice" sequence from ''Disney/{{Fantasia}}'').
''WesternAnimation/{{Fantasia}}'').
When Walt Disney began working on the studio's first feature film,''Disney/SnowWhiteAndTheSevenDwarfs'', ''WesternAnimation/SnowWhiteAndTheSevenDwarfs'', he was brought in to refine the designs of the dwarfs to make them more appealing and easier to animate. These designs were the basis of what would be called the "Golden Age" of Disney animation. His next assignment would be the lead animator for Lampwick in ''Disney/{{Pinocchio}}'', ''WesternAnimation/{{Pinocchio}}'', who was essentially a self-caricature.
Around the studio staff, Fred was best known for drawing [[InnocentFanserviceGirl innocently nude women]], dubbed "Freddie Moore girls", that many of the staff artists wanted a sketch of. Some of these girl designs wound up in some of Disney's films, including the alluring centaurettes in''Disney/{{Fantasia}}'', ''WesternAnimation/{{Fantasia}}'', the teenage girls in ''Disney/MakeMineMusic'' ''WesternAnimation/MakeMineMusic'' (where he singlehandedly animated the scene where a girl showers and dresses while her little sister follows her) and the mermaids from ''Disney/PeterPan''.
''WesternAnimation/PeterPan''.
When Walt Disney began working on the studio's first feature film,
Around the studio staff, Fred was best known for drawing [[InnocentFanserviceGirl innocently nude women]], dubbed "Freddie Moore girls", that many of the staff artists wanted a sketch of. Some of these girl designs wound up in some of Disney's films, including the alluring centaurettes in
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--->--''Disney/SnowWhiteAndTheSevenDwarfs'' Signature Collection Featurette, "Bringing Snow White to Life"
to:
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Fred Moore joined the Walt Disney studio in 1931 as an assistant and later became a full-fledged animator in 1933, his first major assignment being the Oscar-winning Silly Symphony short ''WesternAnimation/TheThreeLittlePigs'' During that time, Moore refined the design of WesternAnimation/MickeyMouse to make him more flexible and expressive, including giving him a pear-shaped body (which debuted in ''Disney/PlutosJudgementDay'') and fixed white eyes with black pupils (which were made for the "Sorcerer's Apprentice" sequence from ''Disney/{{Fantasia}}'').
to:
Fred Moore joined the Walt Disney studio in 1931 as an assistant and later became a full-fledged animator in 1933, his first major assignment being the Oscar-winning Silly Symphony short ''WesternAnimation/TheThreeLittlePigs'' During that time, Moore refined the design of WesternAnimation/MickeyMouse to make him more flexible and expressive, including giving him a pear-shaped body (which debuted in ''Disney/PlutosJudgementDay'') ''WesternAnimation/PlutosJudgementDay'') and fixed white eyes with black pupils (which were made for the "Sorcerer's Apprentice" sequence from ''Disney/{{Fantasia}}'').
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/fredmoore463.jpg]]
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Fred Moore joined the Walt Disney studio in 1931 as an assistant and later became a full-fledged animator in 1933, his first major assignment being the Oscar-winning Silly Symphony short ''Disney/ThreeLittlePigs'' During that time, Moore refined the design of WesternAnimation/MickeyMouse to make him more flexible and expressive, including giving him a pear-shaped body (which debuted in ''Disney/PlutosJudgementDay'') and fixed white eyes with black pupils (which were made for the "Sorcerer's Apprentice" sequence from ''Disney/{{Fantasia}}'').
to:
Fred Moore joined the Walt Disney studio in 1931 as an assistant and later became a full-fledged animator in 1933, his first major assignment being the Oscar-winning Silly Symphony short ''Disney/ThreeLittlePigs'' ''WesternAnimation/TheThreeLittlePigs'' During that time, Moore refined the design of WesternAnimation/MickeyMouse to make him more flexible and expressive, including giving him a pear-shaped body (which debuted in ''Disney/PlutosJudgementDay'') and fixed white eyes with black pupils (which were made for the "Sorcerer's Apprentice" sequence from ''Disney/{{Fantasia}}'').
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'''Fred Moore''' (1911-1952) was an animator at the [[Creator/{{Disney}} Walt Disney Studios]] who is largely responsible for the look and feel that Disney is most known for.
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-->''"Somebody like that who has this natural gift for a medium just comes along once in a thousand years, I think."''
--->--'''Creator/AndreasDeja''', ''Disney/SnowWhiteAndTheSevenDwarfs'' Signature Collection Featurette, "Bringing Snow White to Life"
--->--'''Creator/AndreasDeja''', ''Disney/SnowWhiteAndTheSevenDwarfs'' Signature Collection Featurette, "Bringing Snow White to Life"
to:
--->--'''Creator/AndreasDeja''', ''Disney/SnowWhiteAndTheSevenDwarfs''
--->--''Disney/SnowWhiteAndTheSevenDwarfs'' Signature Collection Featurette, "Bringing Snow White to Life"
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Around the studio staff, Fred was best known for drawing [[InnocentFanserviceGirl innocently nude women]], dubbed "Freddie Moore girls", that many of the staff artists wanted a sketch of. Some of these girl designs wound up in some of Disney's films, including the alluring centaurettes in ''{{Disney/Fantasia}}'', the teenage girls in ''Disney/MakeMineMusic'' (where he singlehandedly animated the scene where a girl showers and dresses while her little sister follows her) and the mermaids from ''Disney/PeterPan''.
Moore left the Disney studio for a while in 1946 to work at Creator/WalterLantz Productions, where he helped slick up the design for WoodyWoodpecker in what would be the wacky bird's best-known films. After the Lantz studio closed its doors for a brief time in 1948, Moore returned to Disney for the rest of his career.
Moore left the Disney studio for a while in 1946 to work at Creator/WalterLantz Productions, where he helped slick up the design for WoodyWoodpecker in what would be the wacky bird's best-known films. After the Lantz studio closed its doors for a brief time in 1948, Moore returned to Disney for the rest of his career.
to:
Around the studio staff, Fred was best known for drawing [[InnocentFanserviceGirl innocently nude women]], dubbed "Freddie Moore girls", that many of the staff artists wanted a sketch of. Some of these girl designs wound up in some of Disney's films, including the alluring centaurettes in ''{{Disney/Fantasia}}'', ''Disney/{{Fantasia}}'', the teenage girls in ''Disney/MakeMineMusic'' (where he singlehandedly animated the scene where a girl showers and dresses while her little sister follows her) and the mermaids from ''Disney/PeterPan''.
Moore left the Disney studio for a while in 1946 to work at Creator/WalterLantz Productions, where he helped slick up the design forWoodyWoodpecker WesternAnimation/WoodyWoodpecker in what would be the wacky bird's best-known films. After the Lantz studio closed its doors for a brief time in 1948, Moore returned to Disney for the rest of his career.
Moore left the Disney studio for a while in 1946 to work at Creator/WalterLantz Productions, where he helped slick up the design for
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* InnocentFanserviceGirl
to:
* InnocentFanserviceGirlChildProdigy: He joined Disney at the age of 20, with an application consisting not of a portfolio, but a series of drawings done on supermarket paper bags. His talent helped him quickly rise to become one of the most important animators in Disney history.
-->''"Somebody like that who has this natural gift for a medium just comes along once in a thousand years, I think."''
--->--'''Creator/AndreasDeja''', ''Disney/SnowWhiteAndTheSevenDwarfs'' Signature Collection Featurette, "Bringing Snow White to Life"
* InnocentFanserviceGirl: The Freddie Moore girls.
-->''"Somebody like that who has this natural gift for a medium just comes along once in a thousand years, I think."''
--->--'''Creator/AndreasDeja''', ''Disney/SnowWhiteAndTheSevenDwarfs'' Signature Collection Featurette, "Bringing Snow White to Life"
* InnocentFanserviceGirl: The Freddie Moore girls.
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Fred Moore joined the Walt Disney studio in 1931 as an assistant and later became a full-fledged animator in 1933, his first major assignment being thge Oscar-winning Silly Symphony short ''Disney/ThreeLittlePigs'' During that time, Moore refined the design of MickeyMouse to make him more flexible and expressive, including giving him a pear-shaped body (which debuted in ''Disney/PlutosJudgementDay'') and fixed white eyes with black pupils (which were made for the "Sorcerer's Apprentice" sequence from ''{{Disney/Fantasia}}'').
When Walt Disney began working on the studios first feature film, ''Disney/SnowWhiteAndTheSevenDwarfs'', he was brought in to refine the designs of the dwarfs to make them more appealing and easier to animate. These designs were the basis of what would be called the "Golden Age" of Disney animation. His next assignment would be the lead animator for Lampwick in ''{{Disney/Pinocchio}}'', who was essentially a self-caricature.
Around the studio staff, Fred was best known for drawing innocently nude women, dubbed "Freddie Moore girls", that many of the staff artists wanted a sketch of. Some of these girl designs wound up in some of Disney's films, including the alluring centaurettes in ''{{Disney/Fantasia}}'', the teenage girls in ''Disney/MakeMineMusic'' (where he singlehandedly animated the scene where a girl showers and dresses while her little sister follows her) and the mermaids from ''Disney/PeterPan''.
When Walt Disney began working on the studios first feature film, ''Disney/SnowWhiteAndTheSevenDwarfs'', he was brought in to refine the designs of the dwarfs to make them more appealing and easier to animate. These designs were the basis of what would be called the "Golden Age" of Disney animation. His next assignment would be the lead animator for Lampwick in ''{{Disney/Pinocchio}}'', who was essentially a self-caricature.
Around the studio staff, Fred was best known for drawing innocently nude women, dubbed "Freddie Moore girls", that many of the staff artists wanted a sketch of. Some of these girl designs wound up in some of Disney's films, including the alluring centaurettes in ''{{Disney/Fantasia}}'', the teenage girls in ''Disney/MakeMineMusic'' (where he singlehandedly animated the scene where a girl showers and dresses while her little sister follows her) and the mermaids from ''Disney/PeterPan''.
to:
Fred Moore joined the Walt Disney studio in 1931 as an assistant and later became a full-fledged animator in 1933, his first major assignment being thge the Oscar-winning Silly Symphony short ''Disney/ThreeLittlePigs'' During that time, Moore refined the design of MickeyMouse WesternAnimation/MickeyMouse to make him more flexible and expressive, including giving him a pear-shaped body (which debuted in ''Disney/PlutosJudgementDay'') and fixed white eyes with black pupils (which were made for the "Sorcerer's Apprentice" sequence from ''{{Disney/Fantasia}}'').
''Disney/{{Fantasia}}'').
When Walt Disney began working on thestudios studio's first feature film, ''Disney/SnowWhiteAndTheSevenDwarfs'', he was brought in to refine the designs of the dwarfs to make them more appealing and easier to animate. These designs were the basis of what would be called the "Golden Age" of Disney animation. His next assignment would be the lead animator for Lampwick in ''{{Disney/Pinocchio}}'', ''Disney/{{Pinocchio}}'', who was essentially a self-caricature.
Around the studio staff, Fred was best known for drawing [[InnocentFanserviceGirl innocently nudewomen, women]], dubbed "Freddie Moore girls", that many of the staff artists wanted a sketch of. Some of these girl designs wound up in some of Disney's films, including the alluring centaurettes in ''{{Disney/Fantasia}}'', the teenage girls in ''Disney/MakeMineMusic'' (where he singlehandedly animated the scene where a girl showers and dresses while her little sister follows her) and the mermaids from ''Disney/PeterPan''.
When Walt Disney began working on the
Around the studio staff, Fred was best known for drawing [[InnocentFanserviceGirl innocently nude
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* {{NSFW}}: His drawings of nude women.
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* InnocentFanserviceGirl
* {{NSFW}}: His drawings of nudewomen.women, though rather ironic given that it was all done ''within'' work.
* {{NSFW}}: His drawings of nude
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Sadly, Moore died as a result of a car accident on November 23, 1952, after animating Mickey one last time in ''The Simple Things'' and Casey's daughters in ''Casey Bats Again''. Ollie Johnston, one of DisneysNineOldMen and an apprentice under Moore in the late 1930s, personally kept his pencil taped to his window as a memento. Moore posthumously received the Winsor [=McCay=] award in 1983 and was named a Disney Legend in 1995. He is also mentioned prominently in the book ''Literature/TheIllusionOfLife''.
to:
Sadly, Moore died as a result of a car accident on November 23, 1952, after animating Mickey one last time in ''The Simple Things'' and Casey's daughters in ''Casey Bats Again''. Ollie Johnston, one of DisneysNineOldMen Creator/DisneysNineOldMen and an apprentice under Moore in the late 1930s, personally kept his pencil taped to his window as a memento. Moore posthumously received the Winsor [=McCay=] award in 1983 and was named a Disney Legend in 1995. He is also mentioned prominently in the book ''Literature/TheIllusionOfLife''.
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* TheDanza: Moore voiced a caricature of himself alongside fellow animator Ward Kimball in the Mickey Mouse short ''The Nifty Nineties''.
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----
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----
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'''Fred Moore''' (1911-1952) was an animator at the [[{{Disney}} Walt Disney Studios]] who is largely responsible for the look and feel that Disney is most known for.
to:
'''Fred Moore''' (1911-1952) was an animator at the [[{{Disney}} [[Creator/{{Disney}} Walt Disney Studios]] who is largely responsible for the look and feel that Disney is most known for.
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* {{NSFW}}: His drawings of nude women.
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* {{NSFW}}: His drawings of nude women.women.
----
----
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Sadly, Moore died as a result of a car accident on November 23, 1952, after animating Mickey one last time in ''The Simple Things'' and Casey's daughters in ''Casey Bats Again''. Ollie Johnston, one of DisneysNineOldMen and an apprentice under Moore in the late 1930s, personally kept his pencil taped to his window as a memento. Moore posthumously received the Winsor [=McCay=] award in 1983 and was named a Disney Legend in 1995. He is also mentioned prominently in the book TheIllusionOfLife.
to:
Sadly, Moore died as a result of a car accident on November 23, 1952, after animating Mickey one last time in ''The Simple Things'' and Casey's daughters in ''Casey Bats Again''. Ollie Johnston, one of DisneysNineOldMen and an apprentice under Moore in the late 1930s, personally kept his pencil taped to his window as a memento. Moore posthumously received the Winsor [=McCay=] award in 1983 and was named a Disney Legend in 1995. He is also mentioned prominently in the book TheIllusionOfLife.
''Literature/TheIllusionOfLife''.
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'''Fred Moore''' (1911-1932) was an animator at the [[{{Disney}} Walt Disney Studios]] who is largely responsible for the look and feel that Disney is most known for.
to:
'''Fred Moore''' (1911-1932) (1911-1952) was an animator at the [[{{Disney}} Walt Disney Studios]] who is largely responsible for the look and feel that Disney is most known for.
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Fixing up.
->''"He was such a help to other guys. Guys would come in his room and say, 'Fred, how would you do this?' Fred would say, 'Well, here!' -- and he'd show them. He didn't lecture, he just did it."''
-->--'''Larry Clemmons''', veteran Disney storyman
-->--'''Larry Clemmons''', veteran Disney storyman
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When Walt Disney began working on the studios fist feature film, ''Disney/SnowWhiteAndTheSevenDwarfs'', he was brought in to refine the designs of the dwarfs to make them more appealing and easier to animate. These designs were the basis of what would be called the "Golden Age" of Disney animation. His next assignment would be the lead animator for Lampwick in ''{{Disney/Pinocchio}}'', who was essentially a self-caricature.
to:
When Walt Disney began working on the studios fist first feature film, ''Disney/SnowWhiteAndTheSevenDwarfs'', he was brought in to refine the designs of the dwarfs to make them more appealing and easier to animate. These designs were the basis of what would be called the "Golden Age" of Disney animation. His next assignment would be the lead animator for Lampwick in ''{{Disney/Pinocchio}}'', who was essentially a self-caricature.
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Sadly, Moore died as a result of a car accident on November 23, 1952, after animating Mickey one last time in ''The Simple Things'' and Casey's daughters in ''Casey bats Again''. Ollie Johnston, one of DisneysNineOldMen and an apprentice under Moore in the late 1930s, personally kept his pencil tapes to his window as a memento. Moore posthumously received the Winsor [=McCay=] award in 1983 and was named a Disney Legend in 1995. He is also mentioned prominently in the book TheIllusionOfLife.
to:
Sadly, Moore died as a result of a car accident on November 23, 1952, after animating Mickey one last time in ''The Simple Things'' and Casey's daughters in ''Casey bats Bats Again''. Ollie Johnston, one of DisneysNineOldMen and an apprentice under Moore in the late 1930s, personally kept his pencil tapes taped to his window as a memento. Moore posthumously received the Winsor [=McCay=] award in 1983 and was named a Disney Legend in 1995. He is also mentioned prominently in the book TheIllusionOfLife.
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* TheDanza: Moore voiced a caricature of himself alongside fellow animator Ward Kimball in ''The Nifty Nineties''.
to:
* TheDanza: Moore voiced a caricature of himself alongside fellow animator Ward Kimball in the Mickey Mouse short ''The Nifty Nineties''.
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Changed line(s) 11,12 (click to see context) from:
Sadly, Moore died as a result of a car accident on November 23, 1952, after animating Mickey one last time in ''The Simple Things'' and Casey's daughters in ''Casey bats Again''. Ollie Johnston, one of DisneysNineOldMen and an apprentice under Moore in the late 1930s, personally kept his pencil tapes to his window as a memento. Moore posthumously received the Winsor [=McCay=] award in 1983 and was named a Disney Legend in 1995.
to:
Sadly, Moore died as a result of a car accident on November 23, 1952, after animating Mickey one last time in ''The Simple Things'' and Casey's daughters in ''Casey bats Again''. Ollie Johnston, one of DisneysNineOldMen and an apprentice under Moore in the late 1930s, personally kept his pencil tapes to his window as a memento. Moore posthumously received the Winsor [=McCay=] award in 1983 and was named a Disney Legend in 1995.
1995. He is also mentioned prominently in the book TheIllusionOfLife.
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Moore left the Disney studio for a while in 1946 to work at Creator/WalterLantz Productions, where he helped slick up the design for Woody Woodpecker in what would be the wacky bird's best-known films. After the Lantz studio closed its doors for a brief time in 1948, Moore returned to Disney for the rest of his career.
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Moore left the Disney studio for a while in 1946 to work at Creator/WalterLantz Productions, where he helped slick up the design for Woody Woodpecker WoodyWoodpecker in what would be the wacky bird's best-known films. After the Lantz studio closed its doors for a brief time in 1948, Moore returned to Disney for the rest of his career.
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'''Fred Moore''' (1911-1932) was an animator at the [[{{Disney}} Walt Disney Studios]] who is largely responsible for the look and feel that Disney is most known for.
Fred Moore joined the Walt Disney studio in 1931 as an assistant and later became a full-fledged animator in 1933, his first major assignment being thge Oscar-winning Silly Symphony short ''Disney/ThreeLittlePigs'' During that time, Moore refined the design of MickeyMouse to make him more flexible and expressive, including giving him a pear-shaped body (which debuted in ''Disney/PlutosJudgementDay'') and fixed white eyes with black pupils (which were made for the "Sorcerer's Apprentice" sequence from ''{{Disney/Fantasia}}'').
When Walt Disney began working on the studios fist feature film, ''Disney/SnowWhiteAndTheSevenDwarfs'', he was brought in to refine the designs of the dwarfs to make them more appealing and easier to animate. These designs were the basis of what would be called the "Golden Age" of Disney animation. His next assignment would be the lead animator for Lampwick in ''{{Disney/Pinocchio}}'', who was essentially a self-caricature.
Around the studio staff, Fred was best known for drawing innocently nude women, dubbed "Freddie Moore girls", that many of the staff artists wanted a sketch of. Some of these girl designs wound up in some of Disney's films, including the alluring centaurettes in ''{{Disney/Fantasia}}'', the teenage girls in ''Disney/MakeMineMusic'' (where he singlehandedly animated the scene where a girl showers and dresses while her little sister follows her) and the mermaids from ''Disney/PeterPan''.
Moore left the Disney studio for a while in 1946 to work at Creator/WalterLantz Productions, where he helped slick up the design for Woody Woodpecker in what would be the wacky bird's best-known films. After the Lantz studio closed its doors for a brief time in 1948, Moore returned to Disney for the rest of his career.
Sadly, Moore died as a result of a car accident on November 23, 1952, after animating Mickey one last time in ''The Simple Things'' and Casey's daughters in ''Casey bats Again''. Ollie Johnston, one of DisneysNineOldMen and an apprentice under Moore in the late 1930s, personally kept his pencil tapes to his window as a memento. Moore posthumously received the Winsor [=McCay=] award in 1983 and was named a Disney Legend in 1995.
!!Tropes associated with him:
* TheDanza: Moore voiced a caricature of himself alongside fellow animator Ward Kimball in ''The Nifty Nineties''.
* {{NSFW}}: His drawings of nude women.
Fred Moore joined the Walt Disney studio in 1931 as an assistant and later became a full-fledged animator in 1933, his first major assignment being thge Oscar-winning Silly Symphony short ''Disney/ThreeLittlePigs'' During that time, Moore refined the design of MickeyMouse to make him more flexible and expressive, including giving him a pear-shaped body (which debuted in ''Disney/PlutosJudgementDay'') and fixed white eyes with black pupils (which were made for the "Sorcerer's Apprentice" sequence from ''{{Disney/Fantasia}}'').
When Walt Disney began working on the studios fist feature film, ''Disney/SnowWhiteAndTheSevenDwarfs'', he was brought in to refine the designs of the dwarfs to make them more appealing and easier to animate. These designs were the basis of what would be called the "Golden Age" of Disney animation. His next assignment would be the lead animator for Lampwick in ''{{Disney/Pinocchio}}'', who was essentially a self-caricature.
Around the studio staff, Fred was best known for drawing innocently nude women, dubbed "Freddie Moore girls", that many of the staff artists wanted a sketch of. Some of these girl designs wound up in some of Disney's films, including the alluring centaurettes in ''{{Disney/Fantasia}}'', the teenage girls in ''Disney/MakeMineMusic'' (where he singlehandedly animated the scene where a girl showers and dresses while her little sister follows her) and the mermaids from ''Disney/PeterPan''.
Moore left the Disney studio for a while in 1946 to work at Creator/WalterLantz Productions, where he helped slick up the design for Woody Woodpecker in what would be the wacky bird's best-known films. After the Lantz studio closed its doors for a brief time in 1948, Moore returned to Disney for the rest of his career.
Sadly, Moore died as a result of a car accident on November 23, 1952, after animating Mickey one last time in ''The Simple Things'' and Casey's daughters in ''Casey bats Again''. Ollie Johnston, one of DisneysNineOldMen and an apprentice under Moore in the late 1930s, personally kept his pencil tapes to his window as a memento. Moore posthumously received the Winsor [=McCay=] award in 1983 and was named a Disney Legend in 1995.
!!Tropes associated with him:
* TheDanza: Moore voiced a caricature of himself alongside fellow animator Ward Kimball in ''The Nifty Nineties''.
* {{NSFW}}: His drawings of nude women.