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[[caption-width-right:350:The iconic "swirl" label design used on Capitol singles from 1962-1968.[[note]]It was also used from 1979 to 1981 on singles by The Knack.[[/note]]]]

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[[caption-width-right:350:The iconic "swirl" label design used on Capitol singles from 1962-1968.1962 to 1968.[[note]]It was also used from 1979 to 1981 on singles by The Knack.[[/note]]]]
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* Creator/MelBlanc [[note]]He recorded singles as himself and as his various ''WesternAnimation/LooneyTunes'' characters.[[/note]]

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* Creator/MelBlanc [[note]]He recorded singles as himself and as his various ''WesternAnimation/LooneyTunes'' characters.characters before Creator/WarnerBros created [[Creator/WarnerBrosRecords its own label]].[[/note]]
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* Creaqtor/BillCosbyCreator/BillCosby
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British music conglomerate EMI bought 96% of Capitol Records' stock in 1955, effectively acquiring the company.[[note]]EMI had already lost the right to distribute U.S. Columbia releases in Europe, and their contract with RCA was about to expire, so they wanted to make sure they would still have access to top American talent.[[/note]] The landmark Capitol Tower building began construction soon after and was completed a year later. Several artists joined the label during the 1950's, including Music/FrankSinatra, Music/DeanMartin, Music/TheFourFreshmen, Creator/StanFreberg and The Kingston Trio.

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British music conglomerate EMI bought 96% of Capitol Records' Capitol's stock in 1955, effectively acquiring the company.[[note]]EMI had already lost the right to distribute U.S. US Columbia releases in Europe, and their contract with RCA was about to expire, so they wanted to make sure they would still have access to top American talent.[[/note]] The landmark Capitol Tower building began construction soon after and was completed a year later. Several artists joined the label during the 1950's, including Music/FrankSinatra, Music/DeanMartin, Music/TheFourFreshmen, Creator/StanFreberg and The Kingston Trio.
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British music conglomerate EMI bought 96% of Capitol Records' stock in 1955, effectively acquiring the company.[[note]]EMI had already lost the right to distribute Columbia releases in Europe, and their contract with RCA was about to expire, so they wanted to make sure they would still have access to top American talent.[[/note]] The landmark Capitol Tower building began construction soon after and was completed a year later. Several artists joined the label during the 1950's, including Music/FrankSinatra, Music/DeanMartin, Music/TheFourFreshmen, Creator/StanFreberg and The Kingston Trio.

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British music conglomerate EMI bought 96% of Capitol Records' stock in 1955, effectively acquiring the company.[[note]]EMI had already lost the right to distribute U.S. Columbia releases in Europe, and their contract with RCA was about to expire, so they wanted to make sure they would still have access to top American talent.[[/note]] The landmark Capitol Tower building began construction soon after and was completed a year later. Several artists joined the label during the 1950's, including Music/FrankSinatra, Music/DeanMartin, Music/TheFourFreshmen, Creator/StanFreberg and The Kingston Trio.
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* Creator/WoodyAllen [[note]]One of his 1960s albums of RecordedAndStandUpComedy, ''[[ExactlyWhatItSaysOnTheTin The Third Woody Allen Album]]'', was originally released by Capitol.[[/note]]


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* Creator/CarlReiner & Creator/MelBrooks [[note]]Capitol released two of their RecordedAndStandUpComedy albums.[[/note]]


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* Creator/DavidMcCallum [[note]]A classically trained musician as well as an actor, he recorded a few instrumental albums for Capitol during the height ''Series/TheManFromUNCLE'''s popularity.[[/note]]

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* Creator/DavidMcCallum [[note]]A classically trained musician as well as an actor, he recorded a few instrumental albums for Capitol during the height of ''Series/TheManFromUNCLE'''s popularity.[[/note]]
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[[/index//

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[[caption-width-right:350:The iconic "swirl" label design used on Capitol singles from 1962-1968.[[note:†]]It was also used from 1979 to 1981 on singles by The Knack.[[/note]]]]

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[[caption-width-right:350:The iconic "swirl" label design used on Capitol singles from 1962-1968.[[note:†]]It [[note]]It was also used from 1979 to 1981 on singles by The Knack.[[/note]]]]
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[[caption-width-right:350:The iconic "swirl" label design used by Capitol from 1962-1968.[[labelnote:†]]It was also used from 1979 to 1981 on singles by The Knack.[[/labelnote]]]]

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[[caption-width-right:350:The iconic "swirl" label design used by on Capitol singles from 1962-1968.[[labelnote:†]]It [[note:†]]It was also used from 1979 to 1981 on singles by The Knack.[[/labelnote]]]]
[[/note]]]]



Founded in 1942 by songwriters Johnny Mercer and Buddy [=DeSylva=] and businessman Glenn Wallichs (owner of Wallichs Music City), it was the first West Coast-based label in the United States. By the end of the decade, it already acquired a stable of prominent artists such as Music/NatKingCole, Stan Kenton, Margaret Whiting and many others, allowing it to rank among the "Big Six" labels[[labelnote:†]](the other five were [[Creator/RCARecords RCA Victor]], [[Creator/ColumbiaRecords Columbia]], Mercury, Decca and Creator/{{MGM}} -- all of which, including Capitol, had their own pressing plants)[[/labelnote]]. The Canadian branch was established in 1949.

EMI bought 96% of Capitol Records' stock in 1955, effectively acquiring the company. The landmark Capitol Tower building began construction soon after and was completed a year later. Several artists joined the label during the 1950's, including Music/FrankSinatra, Music/DeanMartin, Music/TheFourFreshmen, Creator/StanFreberg and The Kingston Trio.

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Founded in 1942 by songwriters Johnny Mercer and Buddy [=DeSylva=] and businessman Glenn Wallichs (owner of Wallichs Music City), it was the first West Coast-based label in the United States. By the end of the decade, it already acquired a stable of prominent artists such as Music/NatKingCole, Stan Kenton, Margaret Whiting and many others, allowing it to rank among the "Big Six" labels[[labelnote:†]](the labels[[note]](the other five were [[Creator/RCARecords RCA Victor]], [[Creator/ColumbiaRecords Columbia]], Mercury, Decca and Creator/{{MGM}} -- all of which, including Capitol, had their own pressing plants)[[/labelnote]].plants)[[/note]]. The Canadian branch was established in 1949.

British music conglomerate EMI bought 96% of Capitol Records' stock in 1955, effectively acquiring the company. company.[[note]]EMI had already lost the right to distribute Columbia releases in Europe, and their contract with RCA was about to expire, so they wanted to make sure they would still have access to top American talent.[[/note]] The landmark Capitol Tower building began construction soon after and was completed a year later. Several artists joined the label during the 1950's, including Music/FrankSinatra, Music/DeanMartin, Music/TheFourFreshmen, Creator/StanFreberg and The Kingston Trio.



After several years of near-total ownership[[labelnote:†]](EMI increased their stake in Capitol Records to 98% in 1968 only to have Capitol merge with Audio Devices, Inc., causing their ownership to drop to 68% -- they increased their holdings back to 70.84% in 1972)[[/labelnote]], EMI purchased the remaining shares of Capitol by 1976.

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After several years of near-total ownership[[labelnote:†]](EMI ownership[[note]](EMI increased their stake in Capitol Records to 98% in 1968 only to have Capitol merge with Audio Devices, Inc., causing their ownership to drop to 68% -- they increased their holdings back to 70.84% in 1972)[[/labelnote]], 1972)[[/note]], EMI purchased the remaining shares of Capitol by 1976.

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From 1964 to 1970, Capitol had a subsidary label called Tower Records, which released "lower profile" artists such as The Standells and Music/PinkFloyd. As several of those artists were later recognized as "garage bands", Tower acquired a reputation as a GarageRock label. The Tower label was unique to the United States -- its artists were distributed on the main Capitol label in Canada and overseas. From 1968 onwards, Capitol was the North American distributor of The Beatles' Apple Records.

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From 1964 to 1970, Capitol had a subsidary label called Tower Records, which released "lower profile" artists such as The Standells Standells, Chocolate Watch Band and Music/PinkFloyd. As several of those artists were later recognized as "garage bands", Tower acquired a reputation as a GarageRock label. The Tower label was unique to the United States -- its artists were distributed on the main Capitol label in Canada and overseas. From 1968 onwards, Capitol was the North American distributor of The Beatles' Apple Records.


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* Creator/DavidMcCallum [[note]]A classically trained musician as well as an actor, he recorded a few instrumental albums for Capitol during the height ''Series/TheManFromUNCLE'''s popularity.[[/note]]
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!!Capitol performers, past and present, with TVTropes pages:

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!!Capitol performers, past and present, with TVTropes Wiki/TVTropes pages:




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[[index]]



* Music/TheYardbirds †

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* Music/TheYardbirds
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** 1970: ''Music/SongsOfTheHumpbackWhale''
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/the_beatles_i_want_to_hold_your_hand_1963_11.png]]
[[caption-width-right:350:The iconic "swirl" label design used by Capitol from 1962-1968.[[labelnote:†]]It was also used from 1979 to 1981 on singles by The Knack.[[/labelnote]]]]

Capitol Records is one of the major veteran labels in the United States.

Founded in 1942 by songwriters Johnny Mercer and Buddy [=DeSylva=] and businessman Glenn Wallichs (owner of Wallichs Music City), it was the first West Coast-based label in the United States. By the end of the decade, it already acquired a stable of prominent artists such as Music/NatKingCole, Stan Kenton, Margaret Whiting and many others, allowing it to rank among the "Big Six" labels[[labelnote:†]](the other five were [[Creator/RCARecords RCA Victor]], [[Creator/ColumbiaRecords Columbia]], Mercury, Decca and Creator/{{MGM}} -- all of which, including Capitol, had their own pressing plants)[[/labelnote]]. The Canadian branch was established in 1949.

EMI bought 96% of Capitol Records' stock in 1955, effectively acquiring the company. The landmark Capitol Tower building began construction soon after and was completed a year later. Several artists joined the label during the 1950's, including Music/FrankSinatra, Music/DeanMartin, Music/TheFourFreshmen, Creator/StanFreberg and The Kingston Trio.

The 1960's saw the arrival of Capitol's most famous artists: Music/TheBeachBoys and Music/TheBeatles. The former were signed to a seven-year contract in 1962 following huge local success with "Surfin'" on the independent Candix label. Meanwhile, despite the latter's huge popularity in England, Capitol, which had the right of first refusal on American distribution of EMI artists, turned down the Fab Four's first few singles, which were handled by smaller labels Vee-Jay and Swan. They did eventually change their mind with "I Want to Hold Your Hand", which became The Beatles' first major stateside hit and kick-started "Beatlemania" in the U.S.

The aforementioned Canadian branch also had their own right of first refusal for EMI releases. Since they had an A&R department of their own, this meant several artists that were passed over by Capitol in the U.S. were released by Captiol in Canada, including Music/ManfredMann, The Dave Clark Five, Gerry and the Pacemakers and The Beatles' pre-"I Want to Hold Your Hand" material. In American collectors' eyes, it is quite the curiosity to see those artists and early Beatles singles on the famous Capitol "swirl" label.

From 1964 to 1970, Capitol had a subsidary label called Tower Records, which released "lower profile" artists such as The Standells and Music/PinkFloyd. As several of those artists were later recognized as "garage bands", Tower acquired a reputation as a GarageRock label. The Tower label was unique to the United States -- its artists were distributed on the main Capitol label in Canada and overseas. From 1968 onwards, Capitol was the North American distributor of The Beatles' Apple Records.

After several years of near-total ownership[[labelnote:†]](EMI increased their stake in Capitol Records to 98% in 1968 only to have Capitol merge with Audio Devices, Inc., causing their ownership to drop to 68% -- they increased their holdings back to 70.84% in 1972)[[/labelnote]], EMI purchased the remaining shares of Capitol by 1976.

In 2012, the music operations of EMI were sold to the Universal Media Group, bringing Capitol Records under UMG ownership.

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!!Capitol performers, past and present, with TVTropes pages:

[=+=]: Signed in the U.S. and Canada only\\
†: Signed in Canada only\\
‡: Tower Records artists

* Music/TheAnimals †
* Music/TheBeachBoys
** Music/BrianWilson
* Music/TheBeatles +
* Creator/MelBlanc [[note]]He recorded singles as himself and as his various ''WesternAnimation/LooneyTunes'' characters.[[/note]]
* Music/NatKingCole [[note]]Both as part of the King Cole Trio and as a solo artist.[[/note]]
* Music/BobbyDarin
* Music/MilesDavis [[note]]He had a nonet from 1948-1950 that recorded 12 tracks for Capitol; they were issued on various singles and compilation albums before receiving a definitive release as the ''Birth of the Cool'' LP in 1956.[[/note]]
* Music/DukeEllington
* Music/TheFourFreshmen
* Music/HermansHermits † [[note]]The Canadian branch released their debut single in Canada.[[/note]]
* Music/TomJones ‡ [[note]]The label acquired six songs he recorded with Joe Meek in 1963, which were released on the strength of "It's Not Unusual" in 1965.[[/note]]
* Creator/JerryLewis [[note]]He recorded a few novelty singles for Capitol back in his "[[Creator/DeanMartin Martin]] and Lewis" days.[[/note]]
* Music/ManfredMann †
* Music/DeanMartin
* Music/PinkFloyd ‡
* Music/FrankSinatra
* Music/WeirdAlYankovic [[note]]His debut single, "My Bologna"/"School Cafeteria", was released by Capitol.[[/note]]
* Music/TheYardbirds †

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