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Cameron Bruce Crowe (born July 13, 1957) started out as a rock journalist for ''Magazine/RollingStone'' at the age of 15 in TheSeventies. While his colleagues at the magazine were indifferent to (if not contemptuous of) the HardRock, ProgressiveRock, and other popular music of the decade (including such groups/musicians as Music/JoniMitchell, Music/FleetwoodMac and Music/{{Eagles}}), Crowe was a fan of most of it, and was often the only journalist at the magazine willing or able to snare interviews with those bands/musicians.
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Cameron Bruce Crowe (born July 13, 1957) is an American director, screenwriter and producer.
He started out as a rock journalist for ''Magazine/RollingStone'' at the age of 15 in TheSeventies. While his colleagues at the magazine were indifferent to (if not contemptuous of) the HardRock, ProgressiveRock, and other popular music of the decade (including such groups/musicians as Music/JoniMitchell, Music/FleetwoodMac and Music/{{Eagles}}), Crowe was a fan of most of it, and was often the only journalist at the magazine willing or able to snare interviews with those bands/musicians.
He started out as a rock journalist for ''Magazine/RollingStone'' at the age of 15 in TheSeventies. While his colleagues at the magazine were indifferent to (if not contemptuous of) the HardRock, ProgressiveRock, and other popular music of the decade (including such groups/musicians as Music/JoniMitchell, Music/FleetwoodMac and Music/{{Eagles}}), Crowe was a fan of most of it, and was often the only journalist at the magazine willing or able to snare interviews with those bands/musicians.
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Because of the many positive things he wrote about them during his time at ''Rolling Stone'', Cameron Crowe films may be the only time you can hear a Music/LedZeppelin song at the movies.
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Because of the many positive things he wrote about them during his time at ''Rolling Stone'', Cameron Crowe films may be the only time you can hear a has been allowed to use Music/LedZeppelin song at the songs in quite a few of his movies.
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* SlidingScaleOfIdealismVersusCynicism: All of his films come out as idealistic, though they also show how tough it is to maintain that idealism. Best summed up by a line in ''Film/{{Singles}}'', when one character tells another, "You're a realist/dreamer."
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* SlidingScaleOfIdealismVersusCynicism: All of his films come out as idealistic, though they also show how tough it is to maintain that idealism. Best summed up by a line in ''Film/{{Singles}}'', when one character tells another, "You're a realist/dreamer.""
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