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* BigJerkOnCampus: Upon transferring to his current school, his strength, wealth, and perpetual DeathGlare all allow him to strike fear in most of the other students. He immediately forces his classmates to become his servants, and anyone who even speaks out of line is instantly demoted to slavery. And given that he won't stand for opposition from even girls or babies, he has no problem whatsoever threatening and showing no mercy on Iyona or Taru.
* KnightOfCerebus: Subverted, At first, he's built up as the main threat that this series has to offer, causing more trouble than Jabao or Harako could even dream of. Despite all this, he's easily defeated by Taru's magic at the end of his introduction. It's not until the tournament arc, where his battle with Honmaru happens, that the series temporarily goes through a major GenreShift from a cute FantasticComedy series to your average ''[[Magazine/ShonenJump Jump]]'' series. The Famicom game, ''Mahou Daibouken'' even reflects this, as he's part of the reason why the game is a lot DarkerAndEdgier compared to its predecessor.
* KnightOfCerebus: Subverted, At first, he's built up as the main threat that this series has to offer, causing more trouble than Jabao or Harako could even dream of. Despite all this, he's easily defeated by Taru's magic at the end of his introduction. It's not until the tournament arc, where his battle with Honmaru happens, that the series temporarily goes through a major GenreShift from a cute FantasticComedy series to your average ''[[Magazine/ShonenJump Jump]]'' series. The Famicom game, ''Mahou Daibouken'' even reflects this, as he's part of the reason why the game is a lot DarkerAndEdgier compared to its predecessor.
Deleted line(s) 161,162 (click to see context) :
* BigJerkOnCampus: Upon transferring to his current school, his strength, wealth, and perpetual DeathGlare all allow him to strike fear in most of the other students. He immediately forces his classmates to become his servants, and anyone who even speaks out of line is instantly demoted to slavery. And given that he won't stand for opposition from even girls or babies, he has no problem whatsoever threatening and showing no mercy on Iyona or Taru.
* KnightOfCerebus: Subverted, At first, he's built up as the main threat that this series has to offer, causing more trouble than Jabao or Harako could even dream of. Despite all this, he's easily defeated by Taru's magic at the end of his introduction. It's not until the tournament arc, where his battle with Honmaru happens, that the series temporarily goes through a major GenreShift from a cute FantasticComedy series to your average ''[[Magazine/ShonenJump Jump]]'' series. The Famicom game, ''Mahou Daibouken'' even reflects this, as he's part of the reason why the game is a lot DarkerAndEdgier compared to its predecessor.
* KnightOfCerebus: Subverted, At first, he's built up as the main threat that this series has to offer, causing more trouble than Jabao or Harako could even dream of. Despite all this, he's easily defeated by Taru's magic at the end of his introduction. It's not until the tournament arc, where his battle with Honmaru happens, that the series temporarily goes through a major GenreShift from a cute FantasticComedy series to your average ''[[Magazine/ShonenJump Jump]]'' series. The Famicom game, ''Mahou Daibouken'' even reflects this, as he's part of the reason why the game is a lot DarkerAndEdgier compared to its predecessor.
