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* InelegantBlubbering: In the 2014 Swedish Arena Tour, Peter Johansson's Judas sings "I Don't Know How to Love Him (Reprise)" through brokenly weeping his soul out.
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* BigBad: The mastermind behind the death of Jesus, puppeteering Judas and influencing Pilate in such a way as to ensure they act as the means to his end.


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* GutturalGrowler: In the 2014 Swedish Arena Tour, Jan Åström portrays Caiaphas with such a growling bass, it occasionally borders on DeathMetal.

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* {{Jerkass}}:
** He makes no attempt to hide his contempt for the "carpenter king", who he calls a "hero of fools". He also sneers at Jesus' followers, calling them "blockheads" and "half-witted fans" who could easily get out of control. This is especially pronounced in the 2000 film, where the only thing he seems to feel or express is open, disparaging contempt for literally everyone.

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* {{Jerkass}}:
**
{{Jerkass}}: He makes no attempt to hide his contempt for the "carpenter king", who he calls a "hero of fools". He also sneers at Jesus' followers, calling them "blockheads" and "half-witted fans" who could easily get out of control. This is especially pronounced in the 2000 film, where the only thing he seems to feel or express is open, disparaging contempt for literally everyone.

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** He makes no attempt to hide his contempt for the "carpenter king", who he calls a "hero of fools". He also sneers at Jesus' followers, calling them "blockheads" and "half-witted fans" who could easily get out of control.
** He makes no attempt to empathize with a distraught Judas, dismissing his emotional breakdown as histrionics.
-->'''Annas:''' Cut the confessions. Forget the excuses. I don't understand why You're filled with remorse.

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** He makes no attempt to hide his contempt for the "carpenter king", who he calls a "hero of fools". He also sneers at Jesus' followers, calling them "blockheads" and "half-witted fans" who could easily get out of control.
**
control. This is especially pronounced in the 2000 film, where the only thing he seems to feel or express is open, disparaging contempt for literally everyone.
* KickTheDog:
He makes no attempt to empathize with a distraught Judas, dismissing his emotional breakdown as histrionics.
histrionics and suggesting that the only thing Judas should care about is being on the winning side.
-->'''Annas:''' Cut the confessions. Forget the excuses. I don't understand why You're you're filled with remorse.


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* LaughablyEvil: Herod and Annas are arguably in contention for being objectively the worst people in the show, but the distinction between them is that Annas is an openly unlikable bastard while Herod is ''[[LargeHam ridiculous]]''.
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* DreamingOfThingsToCome:"Pilate's Dream", in which he meets with Jesus and is responsible for his death.

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* DreamingOfThingsToCome:"Pilate's DreamingOfThingsToCome: "Pilate's Dream", in which he meets with Jesus and is responsible for his death.

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* CreepyHighPitchedVoice: Usually has the highest pitched male voice in the show, bordering on falsetto at times. How "creepy" he is varies between adaptations (the 2000 film version being probably the most unpleasant) but he's always a smug {{Jerkass}}.



* LooksLikeOrlok: In the 2000 film, he's depicted as completely bald, pale, and dressed in a long black coat/robe.

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* LooksLikeOrlok: In the 2000 film, film he's depicted as completely bald, pale, and dressed in a long black coat/robe.
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* LooksLikeOrlok: In the 2000 film, he's depicted as completely bald, pale, and dressed in a long black coat/robe.
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* PuttingOnTheReich: In the 2000 film the Roman outfit is a combination of armor and Nazi uniform, with Pilate [[HatOfAuthority distinguished]] by a CommissarCap. He ends up looking like a weird {{Expy}} of [[Franchise/StreetFighter M. Bison/Vega]].

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* PuttingOnTheReich: In the 2000 film the Roman outfit is Roman's outfits are a combination of armor and Nazi uniform, with Pilate [[HatOfAuthority distinguished]] by a CommissarCap. He ends up looking like a weird {{Expy}} of [[Franchise/StreetFighter M. Bison/Vega]].

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* ChewingTheScenery: Fred Johanson takes this to [[https://www.youtube.com/watch?v=xFUYxkdIv10 epic proportions]] in the 2000 film, as does Ben Daniels in the 2018 NBC performance.

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* ChewingTheScenery: Fred Johanson takes this to [[https://www.youtube.com/watch?v=xFUYxkdIv10 com/watch?v=QY_W_taKkXM epic proportions]] in the 2000 film, as does Ben Daniels in the 2018 NBC performance.



* PuttingOnTheReich: In the 2000 film. He ends up looking like a weird {{Expy}} of [[Franchise/StreetFighter M. Bison/Vega]].

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* PuttingOnTheReich: In the 2000 film.film the Roman outfit is a combination of armor and Nazi uniform, with Pilate [[HatOfAuthority distinguished]] by a CommissarCap. He ends up looking like a weird {{Expy}} of [[Franchise/StreetFighter M. Bison/Vega]].

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Single bullet points are against formatting policy, and they definitely shouldn't be used for the sole purpose of making jokes.


* PuttingOnTheReich: In the 2000 film.
** He ends up looking like a weird {{Expy}} of [[Franchise/StreetFighter M. Bison/Vega]].
*** "For you, the day Bison/Vega crucified your Christ was the most important day of your life. [[ButForMeItWasTuesday But For Me, It Was Friday.]]"

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* PuttingOnTheReich: In the 2000 film.
**
film. He ends up looking like a weird {{Expy}} of [[Franchise/StreetFighter M. Bison/Vega]].
*** "For you, the day Bison/Vega crucified your Christ was the most important day of your life. [[ButForMeItWasTuesday But For Me, It Was Friday.]]"
Bison/Vega]].

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* WellIntentionedExtremist: Like Caiaphas, Annas is driven by a desire to save the Jewish people from Rome's wrath.

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* WellIntentionedExtremist: Like Caiaphas, Annas is driven by a desire to save the Jewish people from Rome's wrath.wrath, although he's more of a {{Jerkass}} about it than Caiaphas.
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* GoodWearsWhite: In many productions.
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* IronicEcho: Jesus says "Get out!" first when clearing the temple then to Judas. Herod drives him away with the same words.

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* IronicEcho: Jesus says "Get out!" first when clearing the temple temple, then to Judas. Herod drives him away with the same words.
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* DeathByAdaptation: The play ends if we find out whether he resurrects or not.

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* DeathByAdaptation: The play ends if before we find out whether he resurrects or not.
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* IgnoredEpiphany: Takes little no no note of his prophetic dream. Some productions, as well as the 2000 film, avert this when, during the "Trial Before Pilate", he backs away in shock as the "Pilate's Dream" motif plays, showing that he has recognised the Galilean from his dream.

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* IgnoredEpiphany: Takes little no to no note of his prophetic dream. Some productions, as well as the 2000 film, avert this when, during the "Trial Before Pilate", he backs away in shock as the "Pilate's Dream" motif plays, showing that he has recognised the Galilean from his dream.
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** PetTheDog: Oddly enough, in the 1973 film he and Anna's both place comforting hands on Judas' shoulders after this.

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** PetTheDog: Oddly enough, in the 1973 film he and Anna's Annas both place comforting hands on Judas' shoulders after this.
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Those Two Bad Guys is replaced by Bumbling Henchmen Duo with a slightly different definition, as per this thread.


* ThoseTwoBadGuys: With Annas.



* ThoseTwoBadGuys: With Caiaphas.

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* GettingCrapPastTheRadar:
-->'''Mary:''' "[[LampshadedDoubleEntendre And I've had so many men before, in very many ways]], he's (Jesus) just one more."

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%% * GettingCrapPastTheRadar:
-->'''Mary:''' "[[LampshadedDoubleEntendre And I've had so many men before,
GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in very many ways]], he's (Jesus) just one more."the future, please check the trope page to make sure your example fits the current definition.
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* MythologyGag: In the 2019 Barbican production, his servants had wide silver platter collars, referring back to Herod's execution of John the Baptist and his DecapitationPresentation on such a platter.
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* IgnoredEpiphany: Takes little no no note of his prophetic dream.

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* IgnoredEpiphany: Takes little no no note of his prophetic dream. Some productions, as well as the 2000 film, avert this when, during the "Trial Before Pilate", he backs away in shock as the "Pilate's Dream" motif plays, showing that he has recognised the Galilean from his dream.
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** Played completely straight in the 2018 NBC performance casts an African American performer as Jesus.

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** Played completely straight in the 2018 NBC performance casts an African American performer performance, which cast the black Music/JohnLegend as Jesus.



* RaceLift: Judas was a Middle Eastern man in the Gospels, but he's depicted as an African American man in some versions of ''Jesus Christ Superstar''.

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* RaceLift: Judas was a Middle Eastern man in the Gospels, but he's depicted as an African American a black man in some versions of ''Jesus Christ Superstar''.
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* EvenEvilHasStandards: In the 1973 film, despite demanding Jesus be executed, he looks extremely unnerved during the 39 lashes.
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* IWantMyMommy: Asks for his mother while on the cross.


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* UncertainDoom: Definitely dies but the play ends after the crucifixion and not showing his resurrection. Some versions imply he survives to appease Christian protesters.
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* {{Bishonen}}: In the 2018 concert version, as played by Jason Tam.
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** KarmaHoudiniWarranty if you want to look at it that way, he is eventually crucified himself, requesting an upside cross as he does not feel worthy to die in the same manner as Jesus.
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Per TRS, Jerkass Facade is deprecated, primarily in favor of Hidden Heart Of Gold.


* JerkassFacade: In public, he's an angry, judgmental contrarian. Beneath the surface, he's worried about the future of Jesus' ministry, conflicted about betraying him, and later devastated by the harm he brought down on his friend.

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* JerkassFacade: HiddenHeartOfGold: In public, he's an angry, judgmental contrarian. Beneath the surface, he's worried about the future of Jesus' ministry, conflicted about betraying him, and later devastated by the harm he brought down on his friend.
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* GodTest: Tries to goad Jesus into proving he's the son of God by performing miracles.
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* DeathByAdaptation: The play ends if we find out whether he resurrects or not.
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* WalkOnWateer: In the 2012 tour, when he tells Jesus to walk across his swimming pool, an image of Herod walking across one appears in the background.

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* WalkOnWateer: WalkOnWater: In the 2012 tour, when he tells Jesus to walk across his swimming pool, an image of Herod walking across one appears in the background.
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* WalkOnWateer: In the 2012 tour, when he tells Jesus to walk across his swimming pool, an image of Herod walking across one appears in the background.

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