Is there an issue? Send a MessageReason:
None
Changed line(s) 16 (click to see context) from:
* "I'm gonna need you to get ''all the way'' off my back", said by the Screenwriter in response to the Producer pointing out something particularly odd about a pitch. Sometimes answered by the Producer saying "Alright, let me get off of that thing."
to:
* "I'm gonna need you to get ''all the way'' off my back", said by the Screenwriter in response to the Producer pointing out something particularly odd about a pitch. Sometimes answered by the Producer saying saying, "Alright, let me get off of that thing."
Changed line(s) 19 (click to see context) from:
* "I don't know," "Because", "Unclear" or "That's what we’re going with!" said by the Screenwriter when the Producer asks him about a plot hole or the reason behind a specific plot element.
to:
* "I don't know," "Because", "Unclear" know!", "Because!", "Unclear!", or "That's what we’re going with!" said Said by the Screenwriter when the Producer asks him about a plot hole or the reason behind a specific plot element.
Changed line(s) 21 (click to see context) from:
** "I just told you." Said by the Screenwriter whenever this question is asked about a FlatCharacter. Alternatively: "They're... present"/"They're in the movie!"
to:
** "I just told you." Said by the Screenwriter whenever this question is asked about a FlatCharacter. Alternatively: "They're... present"/"They're present."/"They're in the movie!"
Changed line(s) 35 (click to see context) from:
* The Screenwriter will generally wrap up the pitch with "So what do you think?", to which the Producer will say "Well it sounds like a lot of fun!" or, if even he can't work up much enthusiasm, "Well it certainly sounds like a movie!"
to:
* The Screenwriter will generally wrap up the pitch with "So what do you think?", to which the Producer will say "Well "Well, it sounds like a lot of fun!" or, if even he can't work up much enthusiasm, "Well "Well, it certainly sounds like a movie!"
Is there an issue? Send a MessageReason:
None
Changed line(s) 14 (click to see context) from:
* "Well, okay then", "Fair enough" and "That works", said by the Producer whenever the Screenwriter justifies a terrible decision.
to:
* "Well, okay then", "Fair enough" and "That works", said by the Producer whenever the Screenwriter justifies "justifies" a terrible decision.
Changed line(s) 34 (click to see context) from:
* "There's literally no way for me to find out." Said by the Screenwriter when he gets a fact blatantly wrong and the Producer questions if it's accurate. (Often used when the screenwriter is describing a later movie in a series that directly contradicts a earlier movie.)
to:
* "There's literally no way for me to find out." Said by the Screenwriter when he gets a fact blatantly wrong and the Producer questions if it's accurate. (Often used when the screenwriter is describing a later movie in a series that directly contradicts a earlier movie.))
* The Screenwriter will generally wrap up the pitch with "So what do you think?", to which the Producer will say "Well it sounds like a lot of fun!" or, if even he can't work up much enthusiasm, "Well it certainly sounds like a movie!"
* The Screenwriter will generally wrap up the pitch with "So what do you think?", to which the Producer will say "Well it sounds like a lot of fun!" or, if even he can't work up much enthusiasm, "Well it certainly sounds like a movie!"
Is there an issue? Send a MessageReason:
None
Changed line(s) 34 (click to see context) from:
* "There's literally no way for me to find out." Said by the Screenwriter when he gets a fact blatantly wrong and the Producer questions if it's accurate.
to:
* "There's literally no way for me to find out." Said by the Screenwriter when he gets a fact blatantly wrong and the Producer questions if it's accurate. (Often used when the screenwriter is describing a later movie in a series that directly contradicts a earlier movie.)
Is there an issue? Send a MessageReason:
fixed typo
Changed line(s) 30 (click to see context) from:
* "A very (adjective) (noun)!", said by the Producer when he hears some contrived coincidence, usually with the adjective and the noun being in complete or near-complete opposition to one another ("A very considerate monster!", "A very well-maintained jungle!", etc). The Produce also often says "Oh, very rude!" in response to a villain doing something evil.
to:
* "A very (adjective) (noun)!", said by the Producer when he hears some contrived coincidence, usually with the adjective and the noun being in complete or near-complete opposition to one another ("A very considerate monster!", "A very well-maintained jungle!", etc). The Produce Producer also often says "Oh, very rude!" in response to a villain doing something evil.
Is there an issue? Send a MessageReason:
None
Changed line(s) 17 (click to see context) from:
* "Whoops!"/"Whoopsie!", said by the Producer and Screenwriter, in varying order, when the former points out a plot hole or UnfortunateImplications the Screenwriter didn't think of.
to:
* "Whoops!"/"Whoopsie!", said by the Producer and Screenwriter, in varying order, when the former points out a plot hole or UnfortunateImplications or a plot hole the Screenwriter didn't think of.
Is there an issue? Send a MessageReason:
None
Changed line(s) 17 (click to see context) from:
* "Woops"/"Woopsie!", said by the Producer and Screenwriter, in varying order, when the former points out a plot hole the Screenwriter didn't think of.
to:
* "Woops"/"Woopsie!", "Whoops!"/"Whoopsie!", said by the Producer and Screenwriter, in varying order, when the former points out a plot hole or UnfortunateImplications the Screenwriter didn't think of.
Is there an issue? Send a MessageReason:
None
Changed line(s) 19 (click to see context) from:
* "I don't know," "Because", "Unclear" or "That's what we are going with!" said by the Screenwriter when the Producer asks him about a plot hole or the reason behind a specific plot element.
to:
* "I don't know," "Because", "Unclear" or "That's what we are we’re going with!" said by the Screenwriter when the Producer asks him about a plot hole or the reason behind a specific plot element.
Is there an issue? Send a MessageReason:
None
Changed line(s) 33 (click to see context) from:
* “Hey, shut up!” Said quickly by the Screenwriter when the Producer notices a PlotHole.
to:
* “Hey, shut up!” Said quickly by the Screenwriter when the Producer notices a PlotHole.PlotHole.
* "There's literally no way for me to find out." Said by the Screenwriter when he gets a fact blatantly wrong and the Producer questions if it's accurate.
* "There's literally no way for me to find out." Said by the Screenwriter when he gets a fact blatantly wrong and the Producer questions if it's accurate.
Is there an issue? Send a MessageReason:
None
Changed line(s) 32 (click to see context) from:
* The Screenwriter likes referring to sequences that are tangentially relevant to the story at best(such as Canto Bight in ''Film/TheLastJedi'') as "[[IrrelevantSidequest sidequests]]."
to:
* The Screenwriter likes referring to sequences that are tangentially relevant to the story at best(such best (such as Canto Bight in ''Film/TheLastJedi'') as "[[IrrelevantSidequest sidequests]]."
Is there an issue? Send a MessageReason:
None
Changed line(s) 13 (click to see context) from:
** Sometimes it's played with, by having the Producer describe the pitch as something odd, like "so, you have an ''Avengers'' commercial for me?" for a Marvel movie.
to:
** Sometimes it's played with, by having the Producer describe the pitch as something odd, like "so, "So, you have an ''Avengers'' commercial for me?" for a Marvel movie.
Is there an issue? Send a MessageReason:
None
Changed line(s) 11,12 (click to see context) from:
---> '''Producer:''' So, you have a [whatever the pitch is about] for me?
---> '''Screenwriter:''' Yes, sir, I do!
---> '''Screenwriter:''' Yes, sir, I do!
to:
Changed line(s) 17 (click to see context) from:
* "Woops" "Woopsie!" said by the Producer and Screenwriter, in varying order, when the former points out a plot hole the Screenwriter didn't think of.
to:
* "Woops" "Woopsie!" "Woops"/"Woopsie!", said by the Producer and Screenwriter, in varying order, when the former points out a plot hole the Screenwriter didn't think of.
Is there an issue? Send a MessageReason:
None
Changed line(s) 30 (click to see context) from:
* "A very (adjective) (noun)!", said by the Producer when he hears some contrived coincidence, usually with the adjective and the noun being in complete or near-complete opposition to one another ("A very considerate monster!", "A very well-maintained jungle!", etc).
to:
* "A very (adjective) (noun)!", said by the Producer when he hears some contrived coincidence, usually with the adjective and the noun being in complete or near-complete opposition to one another ("A very considerate monster!", "A very well-maintained jungle!", etc). The Produce also often says "Oh, very rude!" in response to a villain doing something evil.
Is there an issue? Send a MessageReason:
"that works"
Changed line(s) 14 (click to see context) from:
* "Well, okay then" and "Fair enough" said by the Producer whenever the Screenwriter justifies a terrible decision.
to:
* "Well, okay then" and then", "Fair enough" and "That works", said by the Producer whenever the Screenwriter justifies a terrible decision.
Is there an issue? Send a MessageReason:
None
Changed line(s) 32 (click to see context) from:
* The Screenwriter likes referring to sequences that are tangentially relevant to the story at best(such as Canto Bight in ''Film/TheLastJedi'') as "[[IrrelevantSidequest sidequests]]."
to:
* The Screenwriter likes referring to sequences that are tangentially relevant to the story at best(such as Canto Bight in ''Film/TheLastJedi'') as "[[IrrelevantSidequest sidequests]].""
* “Hey, shut up!” Said quickly by the Screenwriter when the Producer notices a PlotHole.
* “Hey, shut up!” Said quickly by the Screenwriter when the Producer notices a PlotHole.
Is there an issue? Send a MessageReason:
None
Changed line(s) 32 (click to see context) from:
* The Screenwriter likes referring to sequences that are tangentially relevant to the story at best(such as Canto Bight in ''Film/TheLastJedi'') as "sidequests."
to:
* The Screenwriter likes referring to sequences that are tangentially relevant to the story at best(such as Canto Bight in ''Film/TheLastJedi'') as "sidequests."[[IrrelevantSidequest sidequests]]."
Is there an issue? Send a MessageReason:
None
Changed line(s) 31 (click to see context) from:
* "That might as well happen." Said by the Producer when the Screenwriter has an idea the Producer isn't very interested in.
to:
* "That might as well happen." Said by the Producer when the Screenwriter has an idea the Producer isn't very interested in.in.
* The Screenwriter likes referring to sequences that are tangentially relevant to the story at best(such as Canto Bight in ''Film/TheLastJedi'') as "sidequests."
* The Screenwriter likes referring to sequences that are tangentially relevant to the story at best(such as Canto Bight in ''Film/TheLastJedi'') as "sidequests."
Is there an issue? Send a MessageReason:
None
Changed line(s) 8 (click to see context) from:
* "Super easy, barely an inconvenience," said by the Screenwriter when the Producer thinks something would be difficult to do/explain or ill advised. [[https://www.youtube.com/playlist?list=PL--PgETgAz5FGoatB9KQzbnpv0bgZqU2l It's downright the name of the show's playlist!]] The phrase is usually followed by an incredulous "Oh, ''really''!" from the Producer.
to:
* "Super easy, barely an inconvenience," said by the Screenwriter when the Producer thinks something would be difficult to do/explain or ill advised.ill-advised. [[https://www.youtube.com/playlist?list=PL--PgETgAz5FGoatB9KQzbnpv0bgZqU2l It's downright even the name of the show's playlist!]] The phrase is usually followed by an incredulous "Oh, ''really''!" ''really''?" from the Producer.
Changed line(s) 11,12 (click to see context) from:
---> '''Producer:''' "So, you have a [whatever the pitch is about] for me?"
---> '''Screenwriter:''' "Yes, sir, I do!"
---> '''Screenwriter:''' "Yes, sir, I do!"
to:
---> '''Producer:''' "So, So, you have a [whatever the pitch is about] for me?"
me?
---> '''Screenwriter:'''"Yes, Yes, sir, I do!"do!
---> '''Screenwriter:'''
Changed line(s) 22 (click to see context) from:
* "Wow wow wow. Wow," said by the Producer either when he's genuinely shocked and impressed, or more usually when he's only pretending to be to something that's actually underwhelming.
to:
* "Wow wow wow. Wow," said Wow." Said by the Producer either when he's genuinely shocked and impressed, or more usually when he's only pretending to be to something that's actually underwhelming.
Is there an issue? Send a MessageReason:
None
Changed line(s) 3,4 (click to see context) from:
-->--Pitch meeting for ''Series/TheBigBangTheory''
to:
Is there an issue? Send a MessageReason:
None
Changed line(s) 19 (click to see context) from:
* "I don't know," "Because, "Unclear" or "That's what we are going with!" said by the Screenwriter when the Producer asks him about a plot hole or the reason behind a specific plot element.
to:
* "I don't know," "Because, "Because", "Unclear" or "That's what we are going with!" said by the Screenwriter when the Producer asks him about a plot hole or the reason behind a specific plot element.
Is there an issue? Send a MessageReason:
None
Changed line(s) 24 (click to see context) from:
* "That's the name of the movie!". Said by the Producer whenever the Screenwriter does a TitleDrop.
to:
* "That's the name of the movie!". movie!" Said by the Producer whenever the Screenwriter does a TitleDrop.TitleDrop.
** A variation when a character originally from another movie shows up in a sequel/reboot: "He's/she's/they're from the other movie!"
** A variation when a character originally from another movie shows up in a sequel/reboot: "He's/she's/they're from the other movie!"
Is there an issue? Send a MessageReason:
None
Changed line(s) 8 (click to see context) from:
* "Super easy, barely an inconvenience," said by the Screenwriter when the Producer thinks something would be difficult to do/explain or ill advised. [[https://www.youtube.com/playlist?list=PL--PgETgAz5FGoatB9KQzbnpv0bgZqU2l It's downright the name of the show's playlist!]]
to:
* "Super easy, barely an inconvenience," said by the Screenwriter when the Producer thinks something would be difficult to do/explain or ill advised. [[https://www.youtube.com/playlist?list=PL--PgETgAz5FGoatB9KQzbnpv0bgZqU2l It's downright the name of the show's playlist!]]playlist!]] The phrase is usually followed by an incredulous "Oh, ''really''!" from the Producer.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
->'''Producer''': Oh, catchphrases are ''tight.'' Are they hard to come up with?\\
'''Screenwriter''': No, actually, super easy, barely an inconvenience.
-->--Pitch meeting for ''Series/TheBigBangTheory''
'''Screenwriter''': No, actually, super easy, barely an inconvenience.
-->--Pitch meeting for ''Series/TheBigBangTheory''
Is there an issue? Send a MessageReason:
None
Changed line(s) 15 (click to see context) from:
* "I don't know," "Because," or "Unclear!" said by the Screenwriter when the Producer asks him about a plot hole or the reason behind a specific plot element.
to:
* "I don't know," "Because," "Because, "Unclear" or "Unclear!" "That's what we are going with!" said by the Screenwriter when the Producer asks him about a plot hole or the reason behind a specific plot element.
Is there an issue? Send a MessageReason:
None
Changed line(s) 25 (click to see context) from:
* "A very (adjective) (noun)!", said by the Producer when he hears some contrived coincidence, usually with the adjective and the noun being in complete or near-complete opposition to one another ("A very considerate monster!", "A very well-maintained jungle!", etc).
to:
* "A very (adjective) (noun)!", said by the Producer when he hears some contrived coincidence, usually with the adjective and the noun being in complete or near-complete opposition to one another ("A very considerate monster!", "A very well-maintained jungle!", etc).etc).
* "That might as well happen." Said by the Producer when the Screenwriter has an idea the Producer isn't very interested in.
* "That might as well happen." Said by the Producer when the Screenwriter has an idea the Producer isn't very interested in.
Is there an issue? Send a MessageReason:
None
Changed line(s) 24 (click to see context) from:
* "Very considerate!" The Producer's reaction when a villain [[WhyDontYouJustShootHim refrains from just shooting a hero when they're doing something dramatic or are distracted]].
to:
* "Very considerate!" The Producer's reaction when a villain [[WhyDontYouJustShootHim refrains from just shooting a hero when they're doing something dramatic or are distracted]].distracted]].
* "A very (adjective) (noun)!", said by the Producer when he hears some contrived coincidence, usually with the adjective and the noun being in complete or near-complete opposition to one another ("A very considerate monster!", "A very well-maintained jungle!", etc).
* "A very (adjective) (noun)!", said by the Producer when he hears some contrived coincidence, usually with the adjective and the noun being in complete or near-complete opposition to one another ("A very considerate monster!", "A very well-maintained jungle!", etc).
Is there an issue? Send a MessageReason:
None
Changed line(s) 24 (click to see context) from:
* "Very considerate!" The Producer's reaction when a villain [[WhyDontYouJustShootHim? refrains from just shooting a hero when they're doing something dramatic or are distracted]].
to:
* "Very considerate!" The Producer's reaction when a villain [[WhyDontYouJustShootHim? [[WhyDontYouJustShootHim refrains from just shooting a hero when they're doing something dramatic or are distracted]].
Is there an issue? Send a MessageReason:
None
Changed line(s) 24 (click to see context) from:
* "Very considerate!" The Producer's reaction when a villain [[WhyDon'tYouJustShootHim? refrains from just shooting a hero when they're doing something dramatic or are distracted]].
to:
* "Very considerate!" The Producer's reaction when a villain [[WhyDon'tYouJustShootHim? [[WhyDontYouJustShootHim? refrains from just shooting a hero when they're doing something dramatic or are distracted]].
Is there an issue? Send a MessageReason:
None
Changed line(s) 23 (click to see context) from:
* "Oh, money? Did you say money?" The Producer's reaction to any plot development choices that is sorely made for a sequel or ProductPlacement.
to:
* "Oh, money? Did you say money?" The Producer's reaction to any plot development choices that is sorely made for a sequel or ProductPlacement.ProductPlacement.
* "Very considerate!" The Producer's reaction when a villain [[WhyDon'tYouJustShootHim? refrains from just shooting a hero when they're doing something dramatic or are distracted]].
* "Very considerate!" The Producer's reaction when a villain [[WhyDon'tYouJustShootHim? refrains from just shooting a hero when they're doing something dramatic or are distracted]].
Is there an issue? Send a MessageReason:
None
** "I just told you." Said by the Screenwriter whenever this question is asked about a FlatCharacter. Alternatively: "They're... present"/"They're in the movie!"
Deleted line(s) 20 (click to see context) :
* "I just told you." Said by the Screenwriter whenever the Producer wants to know more about a FlatCharacter.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
It can be said the show might as well be 50% catch phrase.
----
* "Super easy, barely an inconvenience," said by the Screenwriter when the Producer thinks something would be difficult to do/explain or ill advised. [[https://www.youtube.com/playlist?list=PL--PgETgAz5FGoatB9KQzbnpv0bgZqU2l It's downright the name of the show's playlist!]]
** In the episode on ''Film/{{Wonder Woman|2017}}'', the Screenwriter returns after the meeting to simply say those words (as he didn't say them during the pitch), and when the Producer asks why he came back, the Screenwriter replies [[LeaningOnTheFourthWall that he felt he had to say those words at least once or people would get mad]].
* Every episode begins with this exchange.
---> '''Producer:''' "So, you have a [whatever the pitch is about] for me?"
---> '''Screenwriter:''' "Yes, sir, I do!"
** Sometimes it's played with, by having the Producer describe the pitch as something odd, like "so, you have an ''Avengers'' commercial for me?" for a Marvel movie.
* "Well, okay then" and "Fair enough" said by the Producer whenever the Screenwriter justifies a terrible decision.
* "X is/are tight!," where X is some actor, trend, or other thing the Producer is really into. [[RuleOfCool Sometimes he's so into them that he doesn't care how they might not make sense with the narrative]]. Sometimes he [[DoubleEntendre doesn't think how that specific sentence is going to sound]], [[ThatCameOutWrong and ends up regretting it]].
* "I'm gonna need you to get ''all the way'' off my back", said by the Screenwriter in response to the Producer pointing out something particularly odd about a pitch. Sometimes answered by the Producer saying "Alright, let me get off of that thing."
* "Woops" "Woopsie!" said by the Producer and Screenwriter, in varying order, when the former points out a plot hole the Screenwriter didn't think of.
* "Oh my god" delivered in a deadpan manner from the Producer, when the Screenwriter either reveals a surprising plot twist or plot hole or otherwise shocks the Producer.
* "I don't know," "Because," or "Unclear!" said by the Screenwriter when the Producer asks him about a plot hole or the reason behind a specific plot element.
* "And what's his/her/their deal?" is how the Producer always responds to a new character being mentioned.
* "Wow wow wow. Wow," said by the Producer either when he's genuinely shocked and impressed, or more usually when he's only pretending to be to something that's actually underwhelming.
* "So the (insert media here) can happen." - spoken by the screenwriter when the producer asks him about the reason for some action or inaction without which the plot would be resolved much more quickly.
* "That's the name of the movie!". Said by the Producer whenever the Screenwriter does a TitleDrop.
* "I just told you." Said by the Screenwriter whenever the Producer wants to know more about a FlatCharacter.
* "There it is." - Said by the Producer when he anticipated something completely out of touch with the theme/purpose/target audience/etc of the movie, or something just plain weird and disturbing, and the Writer proves him right by describing something precisely like that.
* The Screenwriter likes describing particularly unlikable characters, especially {{Jerkass}}es, as "the worst."
* "Oh, money? Did you say money?" The Producer's reaction to any plot development choices that is sorely made for a sequel or ProductPlacement.
----
* "Super easy, barely an inconvenience," said by the Screenwriter when the Producer thinks something would be difficult to do/explain or ill advised. [[https://www.youtube.com/playlist?list=PL--PgETgAz5FGoatB9KQzbnpv0bgZqU2l It's downright the name of the show's playlist!]]
** In the episode on ''Film/{{Wonder Woman|2017}}'', the Screenwriter returns after the meeting to simply say those words (as he didn't say them during the pitch), and when the Producer asks why he came back, the Screenwriter replies [[LeaningOnTheFourthWall that he felt he had to say those words at least once or people would get mad]].
* Every episode begins with this exchange.
---> '''Producer:''' "So, you have a [whatever the pitch is about] for me?"
---> '''Screenwriter:''' "Yes, sir, I do!"
** Sometimes it's played with, by having the Producer describe the pitch as something odd, like "so, you have an ''Avengers'' commercial for me?" for a Marvel movie.
* "Well, okay then" and "Fair enough" said by the Producer whenever the Screenwriter justifies a terrible decision.
* "X is/are tight!," where X is some actor, trend, or other thing the Producer is really into. [[RuleOfCool Sometimes he's so into them that he doesn't care how they might not make sense with the narrative]]. Sometimes he [[DoubleEntendre doesn't think how that specific sentence is going to sound]], [[ThatCameOutWrong and ends up regretting it]].
* "I'm gonna need you to get ''all the way'' off my back", said by the Screenwriter in response to the Producer pointing out something particularly odd about a pitch. Sometimes answered by the Producer saying "Alright, let me get off of that thing."
* "Woops" "Woopsie!" said by the Producer and Screenwriter, in varying order, when the former points out a plot hole the Screenwriter didn't think of.
* "Oh my god" delivered in a deadpan manner from the Producer, when the Screenwriter either reveals a surprising plot twist or plot hole or otherwise shocks the Producer.
* "I don't know," "Because," or "Unclear!" said by the Screenwriter when the Producer asks him about a plot hole or the reason behind a specific plot element.
* "And what's his/her/their deal?" is how the Producer always responds to a new character being mentioned.
* "Wow wow wow. Wow," said by the Producer either when he's genuinely shocked and impressed, or more usually when he's only pretending to be to something that's actually underwhelming.
* "So the (insert media here) can happen." - spoken by the screenwriter when the producer asks him about the reason for some action or inaction without which the plot would be resolved much more quickly.
* "That's the name of the movie!". Said by the Producer whenever the Screenwriter does a TitleDrop.
* "I just told you." Said by the Screenwriter whenever the Producer wants to know more about a FlatCharacter.
* "There it is." - Said by the Producer when he anticipated something completely out of touch with the theme/purpose/target audience/etc of the movie, or something just plain weird and disturbing, and the Writer proves him right by describing something precisely like that.
* The Screenwriter likes describing particularly unlikable characters, especially {{Jerkass}}es, as "the worst."
* "Oh, money? Did you say money?" The Producer's reaction to any plot development choices that is sorely made for a sequel or ProductPlacement.