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** Among the Greyjoy family, domineering patriarch Balon is prematurely aged and gaunt, as opposed to his strikingly attractive and far more sympathetic daughter, Asha. However, this is also subverted with the rest of the family. Asha's brother Theon started the story as a very attractive youth and a complete {{Jerkass}}, but TookALevelInKindness [[spoiler: after being tortured, disfigured, and prematurely aged from trauma at the hands of Ramsey Snow.]] Of Balon's brothers, Aeron, who looks like a disheveled homeless man, is probably the most sympathetic due to his childhood trauma. Compare that to the tall and strapping Victarion, who is a violent brute without Aeron's FreudianExcuse, and ''especially'' Euron, who is both extremely attractive, [[RedRightHand if unconventionally so]], and a sociopathic [[spoiler: OmnicidalManiac.]]
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* ''Literature/OldMansWar'': Used in training to teach recruits not to make assumptions about aliens. One species looks like Lovecraftian nightmares; they are pathologically peaceful and one of the few species have an alliance with. Another species looks like friendly deer; they are ruthless cannibals who treat every other species as a food source.

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* ''Literature/OldMansWar'': Used in training to teach recruits not to make assumptions about aliens. One species looks like Lovecraftian nightmares; they are pathologically peaceful and one of the few species humans have an alliance with. Another species looks like friendly deer; they are ruthless cannibals who treat every other species as a food source.
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* ''Literature/OldMansWar'': Used in training to teach recruits not to make assumptions about aliens. One species looks like Lovecraftian nightmares; they are pathologically peaceful and one of the few species have an alliance with. Another species looks like friendly deer; they are ruthless cannibals who treat every other species as a food source.
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* Creator/CSLewis goes back and forth between this and BeautyIsBad in ''Literature/TheChroniclesOfNarnia''; the adventurers meet the star's daughter who became Caspian's wife and think, "when they looked at her they thought they had never before known what beauty meant." Swanwhite the (good) Queen who lived in one of the long periods of peace in-between the Chronicles "was so beautiful that when she looked into any forest pool the reflection of her face shone out of the water like a star by night for a year and a day afterwards." On the other hand, Jadis, aka The White Witch, and The Lady of the Green Kirtle (in her human form anyway), are also incredibly beautiful. Though, if you wonder which way Lewis wound up leaning, remember that, [[Literature/TheLastBattle concerning Susan,]] [[Literature/TheVoyageOfTheDawnTreader "Grown-ups thought her the pretty one of the family...."]]

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* Creator/CSLewis goes back and forth between sometimes uses this and BeautyIsBad in ''Literature/TheChroniclesOfNarnia''; ''Literature/TheChroniclesOfNarnia''. The most prominent instance: the adventurers meet ''Dawn Treader'' party meets the star's daughter [[spoiler: who became Caspian's wife wife]] and think, "when "When they looked at her they thought they had never before known what beauty meant." Another example, Swanwhite the (good) Queen who lived in one of the long periods of peace in-between the Chronicles Chronicles, "was so beautiful that when she looked into any forest pool the reflection of her face shone out of the water like a star by night for a year and a day afterwards." On the other hand, Jadis, aka The White Witch, and The Lady of the Green Kirtle (in her human form anyway), are also incredibly beautiful. Though, if you wonder which way Lewis wound up leaning, remember that, [[Literature/TheLastBattle concerning Susan,]] [[Literature/TheVoyageOfTheDawnTreader "Grown-ups thought her certainly did not believe that external beauty ''equalled'' internal goodness [[BeautyIsBad as demonstrated elsewhere in the pretty one of Chronicles,]], but he did believe in internal goodness expressing itself, eventually, as visible beauty. This is beautifully and ultimately demonstrated in Literature/TheLastBattle, when Emeth describes Polly, Lucy, and Jill with "O Ladies, whose beauty illuminates the family...."]]universe." Since he and everyone else still in the story is in [[{{Heaven}} a state where they both see and speak Truth]], it is the utterance of a truly reliable witness.
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* Creator/CSLewis goes back and forth between this and BeautyIsBad in ''Literature/TheChroniclesOfNarnia''; the adventurers meet the star's daughter who became Caspian's wife and think, "when they looked at her they thought they had never before known what beauty meant." Swanwhite the (good) Queen who lived in one of the long periods of peace in-between the Chronicles "was so beautiful that when she looked into any forest pool the reflection of her face shone out of the water like a star by night for a year and a day afterwards." On the other hand, Jadis, aka The White Witch, and The Lady of the Green Kirtle (in her human form anyway), are also incredibly beautiful. Though, if you wonder which way Lewis wound up leaning, remember that, [[Literature/TheLastBattle concerning Susan,]] [[Literature/TheVoyageOfTheDawnTreader "Grown-ups thought her the pretty one of the family...."]]

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!!(Mostly) Straight examples:

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!!(Mostly) [[foldercontrol]]

[[folder:(Mostly)
Straight examples:examples]]



-->In all this ancient and mysterious history, the most mysterious figures of all were without a doubt the Great Circling poets of Arium. These Circling Poets used to live in remote mountain passes where they would lie in wait for small bands of unwary travelers, circle around them, and throw rocks at them.
-->And when the travelers cried out, saying why didn't they go away and get on with writing some poems instead of pestering people with all this rock-throwing business, they would suddenly stop, and then break into one of the seven hundred and ninety-four great Song Cycles of Vassillian. These songs were all of extraordinary beauty, and more extraordinary length, and all fell into exactly the same pattern.
-->The first part of each song would tell how there once went forth from the City of Vassillian a party of five sage princes with four horses. The princes, who are of course brave, noble and wise, travel widely in distant lands, fight giant ogres, pursue exotic philosophies, take tea with weird gods and rescue beautiful monsters from ravening princesses before finally announcing that they have achieved enlightenment and that their wanderings are therefore accomplished.
-->The second, and much longer, part of each song would then tell of all their bickerings about which one of them is going to have to walk back.
* In ''Literature/AtlasShrugged'', all the protagonists are strikingly beautiful, while the villains' [[{{Anvilicious}} ugliness is often mentioned in connection with their ]][[StrawCharacter ridiculous beliefs]].

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-->In all this ancient and mysterious history, the most mysterious figures of all were without a doubt the Great Circling poets of Arium. These Circling Poets used to live in remote mountain passes where they would lie in wait for small bands of unwary travelers, circle around them, and throw rocks at them.
-->And
them.\\
And
when the travelers cried out, saying why didn't they go away and get on with writing some poems instead of pestering people with all this rock-throwing business, they would suddenly stop, and then break into one of the seven hundred and ninety-four great Song Cycles of Vassillian. These songs were all of extraordinary beauty, and more extraordinary length, and all fell into exactly the same pattern.
-->The
pattern.\\
The
first part of each song would tell how there once went forth from the City of Vassillian a party of five sage princes with four horses. The princes, who are of course brave, noble and wise, travel widely in distant lands, fight giant ogres, pursue exotic philosophies, take tea with weird gods and rescue beautiful monsters from ravening princesses before finally announcing that they have achieved enlightenment and that their wanderings are therefore accomplished.
-->The
accomplished.\\
The
second, and much longer, part of each song would then tell of all their bickerings about which one of them is going to have to walk back.
* In ''Literature/AtlasShrugged'', all the protagonists are strikingly beautiful, while the villains' [[{{Anvilicious}} ugliness is often mentioned in connection with their ]][[StrawCharacter their]] [[StrawCharacter ridiculous beliefs]].



* In Creator/EdgarRiceBurroughs's ''Literature/TheMonsterMen'', how Virginia deduces Bulan's character
-->''At first she wondered if he could be a fugitive from justice—the perpetrator of some horrid crime, who dared not divulge his true name even in the remote fastness of a Bornean wilderness; but a glance at his frank and noble countenance drove every vestige of the traitorous thought from her mind. Her woman's intuition was sufficient guarantee of the nobility of his character. ''

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* In Creator/EdgarRiceBurroughs's Creator/EdgarRiceBurroughs' ''Literature/TheMonsterMen'', how Virginia deduces Bulan's character
-->''At first she wondered if he could be a fugitive from justice—the perpetrator of some horrid crime, who dared not divulge his true name even in the remote fastness of a Bornean wilderness; but a glance at his frank and noble countenance drove every vestige of the traitorous thought from her mind. Her woman's intuition was sufficient guarantee of the nobility of his character. ''




!!Subversions and [[PlayingWithATrope played-with]] examples:

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\n!!Subversions [[/folder]]

[[folder:Subversions
and [[PlayingWithATrope played-with]] examples:played-with examples]]



* In ''Literature/TheRiftwarCycle'', beauty doesn't really equal anything. Villains are just as likely to be attractive as heroes (perhaps even more so), and most heroes are fairly unremarkable in their looks. Of the ones that stand apart, some are just ugly (Pradji with his squashed nose and pockmarks), others possibly attractive save for one or two off-putting qualities (Arutha's perpetual gloom, Erik's brutish face), and others are beautiful, but it doesn't do them any favors (Tomas's disturbing slightly-alien features, Sandreena's gorgeousness destroying her childhood). Similarly, all the elves of the series are beautiful, but you can't tell the good from the evil ones just at a glance.

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* In ''Literature/TheRiftwarCycle'', beauty doesn't really equal anything. Villains are just as likely to be attractive as heroes (perhaps even more so), and most heroes are fairly unremarkable in their looks. Of the ones that stand apart, some are just ugly (Pradji with his squashed nose and pockmarks), others possibly attractive save for one or two off-putting qualities (Arutha's perpetual gloom, Erik's brutish face), and others are beautiful, but it doesn't do them any favors (Tomas's (Tomas' disturbing slightly-alien features, Sandreena's gorgeousness destroying her childhood). Similarly, all the elves of the series are beautiful, but you can't tell the good from the evil ones just at a glance.



--> ''[[ScienceMarchesOn A disciple of such characterjudging anatomists as Gratiolet or Engel could have read this man's features like an open book]]. Without hesitation, I identified his dominant qualitiesselfconfidence, since his head reared like a nobleman's above the arc formed by the lines of his shoulders, and his black eyes gazed with icy assurance; calmness, since his skin, pale rather than ruddy, indicated tranquility of blood; energy, shown by the swiftly knitting muscles of his brow; and finally courage, since his deep breathing denoted tremendous reserves of vitality.''
--> ''I might add that this was a man of great pride, that his calm, firm gaze seemed to reflect thinking on an elevated plane, and that the harmony of his facial expressions and bodily movements resulted in an overall effect of unquestionable candoraccording to the findings of physiognomists, those analysts of facial character.''
--> ''[[IsThatWhatTheyreCallingItNow I felt "involuntarily reassured" in his presence]], and this boded well for our interview.''

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--> ''[[ScienceMarchesOn A disciple of such characterjudging anatomists as Gratiolet or Engel could have read this man's features like an open book]]. Without hesitation, I identified his dominant qualitiesselfconfidence, since his head reared like a nobleman's above the arc formed by the lines of his shoulders, and his black eyes gazed with icy assurance; calmness, since his skin, pale rather than ruddy, indicated tranquility of blood; energy, shown by the swiftly knitting muscles of his brow; and finally courage, since his deep breathing denoted tremendous reserves of vitality.''
--> ''I
\\
I
might add that this was a man of great pride, that his calm, firm gaze seemed to reflect thinking on an elevated plane, and that the harmony of his facial expressions and bodily movements resulted in an overall effect of unquestionable candoraccording to the findings of physiognomists, those analysts of facial character.''
--> ''[[IsThatWhatTheyreCallingItNow
\\
[[IsThatWhatTheyreCallingItNow
I felt "involuntarily reassured" in his presence]], and this boded well for our interview.''



-->'' On th' other side up rose\\
BELIAL, in act more graceful and humane;\\
A fairer person lost not Heav'n; he seemd\\
For dignity compos'd and high exploit:''

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-->'' On -->''On th' other side up rose\\
rose\\
BELIAL, in act more graceful and humane;\\
humane;\\
A fairer person lost not Heav'n; he seemd\\
seemd\\
For dignity compos'd and high exploit:''



** As Beatrice ascends closer to God throughout ''Paradiso'', she becomes increasingly beautiful until her smile would crack a human's brain and her face defies all description.

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** As Beatrice ascends closer to God throughout ''Paradiso'', she becomes increasingly beautiful until her smile would crack a human's brain and her face defies all description.description.
[[/folder]]
----
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* Used for {{tragedy}} in ''Literature/{{Frankenstein}}'': The monster is a hideous ghoul stitched together from various corpses, yet is the most warm, kind-hearted character in the book... at first. The people he meets are unable to see past his exterior and, with the obvious exception of the {{blind| and the beast}} man, assume his heart is as ugly as his face. Over time, this mistreatment twists him into the very thing people assume he is.

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* Used for {{tragedy}} in ''Literature/{{Frankenstein}}'': The monster is a hideous ghoul stitched together from various corpses, yet is the most warm, kind-hearted character in the book... at first. The people he meets are unable to see past his exterior and, with the obvious exception of the {{blind| and the beast}} man, assume his heart is as ugly as his face. Over time, this mistreatment twists him into the very thing people assume he is.is.
* ''Literature/TheDivineComedy'':
** Matelda is just a beautiful woman wandering through the woods, but she earns the trust of some strangers because they think her looks evidence her pure heart. As a servant of God, Matelda proves them right.
** As Beatrice ascends closer to God throughout ''Paradiso'', she becomes increasingly beautiful until her smile would crack a human's brain and her face defies all description.
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* ''Literature/ThePhantomOfTheOpera''. The adaptations have various takes on Erik's deformity. He still is evil, though. Though it's made explicitly clear that he became evil and insane because people shunned him for his appearance, instead of appreciating him for his considerable genius. Erik originally became evil because, with his deformity, people '''assumed''' this trope, and...[[ThenLetMeBeEvil well, it's very hard to turn out ''good'' if everybody insists you're evil from the moment you're born.]]

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* ''Literature/ThePhantomOfTheOpera''. The adaptations have various takes on Erik's deformity. He still is evil, though. Though it's made explicitly clear that he became evil and insane because people shunned him for his appearance, instead of appreciating him for his considerable genius. Erik originally became evil because, with his deformity, people '''assumed''' this trope, and...[[ThenLetMeBeEvil well, it's very hard to turn out ''good'' [[ThenLetMeBeEvil if everybody insists you're evil from the moment you're born.]]
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* ''Literature/ThePhantomOfTheOpera''. The adaptations have various takes on Erik's deformity. He still is evil, though. Though it's made explicitly clear that he became evil and insane because people shunned him for his appearance, instead of appreciating him for his considerable genius. Erik originally became evil because, with his deformity, people '''assumed''' this trope, and...well, it's very hard to turn out ''good'' if everybody insists you're evil from the moment you're born.

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* ''Literature/ThePhantomOfTheOpera''. The adaptations have various takes on Erik's deformity. He still is evil, though. Though it's made explicitly clear that he became evil and insane because people shunned him for his appearance, instead of appreciating him for his considerable genius. Erik originally became evil because, with his deformity, people '''assumed''' this trope, and...[[ThenLetMeBeEvil well, it's very hard to turn out ''good'' if everybody insists you're evil from the moment you're born.]]
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* A strange example - neither subversion nor aversion but not completely straight either - comes from the work of Rex Stout, the writer of the Literature/NeroWolfe novels. Stout wrote a short story called "Murder is No Joke" in late 1957. One of the characters, Flora Gallant, is a fat, shrewish, bitter, ugly, crude middle-aged female social misfit - virtually a perfect example of the trope played straight. The next year, Stout was asked by the ''Saturday Evening Post'' to expand the story into a novella. In this version, Flora Gallant is a gorgeous, vivacious young woman who romances Archie to some success - the opposite of the trope. The rest of the plot, including the identity of the killer, is identical, except that in the first story, Archie has Flora tagged as the killer; in the second, he thinks she's the next victim. [[spoiler: She's neither.]]

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* A strange example - neither subversion nor aversion but not completely straight either - comes from the work of Rex Stout, the writer of the Literature/NeroWolfe novels.Creator/RexStout. Stout wrote a short story called "Murder is No Joke" in late 1957. One of the characters, Flora Gallant, is a fat, shrewish, bitter, ugly, crude middle-aged female social misfit - virtually a perfect example of the trope played straight. The next year, Stout was asked by the ''Saturday Evening Post'' to expand the story into a novella. In this version, Flora Gallant is a gorgeous, vivacious young woman who romances Archie to some success - the opposite of the trope. The rest of the plot, including the identity of the killer, is identical, except that in the first story, Archie has Flora tagged as the killer; in the second, he thinks she's the next victim. [[spoiler: She's neither.]]
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* Often inverted in Creater/AgathaChristie novels, which are replete with examples of beautiful people using their looks to get away with a whole host of seedy behavior. In particular, in one of the few consistent tells throughout her writing, [[spoiler: if the narrative goes out of its way to describe a young man as handsome or pretty, nine times out of ten, he's the murderer.]]

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* Often inverted in Creater/AgathaChristie novels, which are replete with examples of beautiful people using their looks to get away with a whole host of seedy behavior. In particular, in one of the few consistent tells throughout her writing, [[spoiler: if the narrative goes out of its way to describe a young man as handsome or pretty, nine times out of ten, he's the murderer.]]]]
* Used for {{tragedy}} in ''Literature/{{Frankenstein}}'': The monster is a hideous ghoul stitched together from various corpses, yet is the most warm, kind-hearted character in the book... at first. The people he meets are unable to see past his exterior and, with the obvious exception of the {{blind| and the beast}} man, assume his heart is as ugly as his face. Over time, this mistreatment twists him into the very thing people assume he is.
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** Bellatrix is sort of in between subverting and playing straight this trope - while she [[IWasQuiteALooker ''was'']] clearly quite attractive, she is shown to be gaunt and worn from her time in Azkaban. On the other hand, the same is said about Sirius. And while Harry did think at one point that the Slytherins mostly appeared to be an unattractive lot[[note]]it is likely this meant personality-wise[[/note]], some, like Blaise Zabini, are considered to be quite attractive. Plus, seeing as Harry tended to be a bit biased against the Slytherins, there is a case of UnreliableNarrator to consider.

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** Bellatrix is sort of in between subverting and playing straight this trope - while she [[IWasQuiteALooker ''was'']] ''[[IWasQuiteALooker was]]'' clearly quite attractive, she is shown to be gaunt and worn from her time in Azkaban. On the other hand, the same is said about Sirius. And while Harry did think at one point that the Slytherins mostly appeared to be an unattractive lot[[note]]it is likely this meant personality-wise[[/note]], some, like Blaise Zabini, are considered to be quite attractive. Plus, seeing as Harry tended to be a bit biased against the Slytherins, there is a case of UnreliableNarrator to consider.



*** The general rule is that ugliness will not make you become evil, but evilness will make you become ugly. Voldemort's looks began to deteriorate when he started using large amounts of dark magic resulting in his inhuman appearance, while Bellatrix lost her beauty through insanity and her stay in Azkaban. More morally ambiguous characters like the Malfoys are the middle ground; Lucius is never said to be particularly attractive in the books, and Draco is occasionally called ferret-like. Narcissa is beautiful because she's a Black ([[StrongFamilyResemblance they're ''all'' described as good-looking]], and [[spoiler:later redeems the family through [[MamaBear motherly love]]]], however her beauty is marred by her snootiness.

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*** The general rule is that ugliness will not make you become evil, but [[EvilMakesYouUgly evilness will make you become ugly.ugly]]. Voldemort's looks began to deteriorate when he started using large amounts of dark magic resulting in his inhuman appearance, while Bellatrix lost her beauty through insanity and her stay in Azkaban. More morally ambiguous characters like the Malfoys are the middle ground; Lucius is never said to be particularly attractive in the books, and Draco is occasionally called ferret-like. Narcissa is beautiful because she's a Black ([[StrongFamilyResemblance they're ''all'' described as good-looking]], and [[spoiler:later redeems the family through [[MamaBear motherly love]]]], however her beauty is marred by her snootiness.
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* Subverted, along with every other cliche of space opera, in Creator/HarryHarrison's ''Star Smashers of the Galaxy Rangers''. Arriving on a new planet, our heroes see a war between the Garnishee (hideous tentacled monsters) and the humanoid Ormoloo (who don't look too bad if you overlook the four arms), so they wade in on the side of the more-or-less-humanoids. Of course, it's only after exterminating 99.9% of the Garnishee race that they discover that the octopoids are the wise, gentle and cultured good guys and the Ormoloo are the equivalent of cattle being mind-controlled by evil PuppeteerParasite aliens out to conquer the galaxy.

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* Subverted, along with every other cliche of space opera, SpaceOpera, in Creator/HarryHarrison's ''Star Smashers of the Galaxy Rangers''.''Literature/StarSmashersOfTheGalaxyRangers''. Arriving on a new planet, our heroes see a war between the Garnishee (hideous tentacled monsters) and the humanoid Ormoloo (who don't look too bad if you overlook the four arms), so they wade in on the side of the more-or-less-humanoids. Of course, it's It's only after exterminating 99.9% of the Garnishee race that they discover that the octopoids are the wise, gentle and cultured good guys and the Ormoloo are the equivalent of cattle being mind-controlled by evil PuppeteerParasite aliens out to conquer the galaxy.
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* One ''Ghosts of Literature/FearStreet'' book has the protagonist acquire a ClingyMacGuffin whose owners turn out to be tentacled, sluglike aliens. Another alien who looks more humanoid shows up and ostensibly tries to help the protagonist. The fact that the slugs turn out to be the good guys, while the humanoid alien is an intergalactic criminal they're trying to catch, is meant to be a twist.

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* One ''Ghosts of Literature/FearStreet'' book has the protagonist acquire a ClingyMacGuffin whose owners turn out to be tentacled, sluglike aliens. Another alien who looks more humanoid shows up and ostensibly tries to help the protagonist. The fact that the slugs turn out to be the good guys, while the humanoid alien is an intergalactic criminal they're trying to catch, is meant to be a twist.twist.
* Often inverted in Creater/AgathaChristie novels, which are replete with examples of beautiful people using their looks to get away with a whole host of seedy behavior. In particular, in one of the few consistent tells throughout her writing, [[spoiler: if the narrative goes out of its way to describe a young man as handsome or pretty, nine times out of ten, he's the murderer.]]
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* Played with in ''Literature/ABrothersPrice''. There are the Whistlers, the hero's family, who are all very good-looking. Their neighbours, the Brindles, "look like horses" according to Jerin, and have a reputation for starting fights at markets and fairs and the like. Then there is Keifer Porter, who allegedly was very, very, pretty, but also very, very cruel towards his [[ExoticExtendedMarriage wives]], using psychological abuse against the older ones, while physically hurting at least one the defenseless, younger ones.

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* Played with in ''Literature/ABrothersPrice''. There are the Whistlers, the hero's family, who are all very good-looking. Their neighbours, the Brindles, "look like horses" according to Jerin, and have a reputation for starting fights at markets and fairs and the like. Then there is Keifer Porter, who allegedly was very, very, pretty, but also very, very cruel towards his [[ExoticExtendedMarriage wives]], using psychological abuse against the older ones, while physically hurting at least one of the defenseless, younger ones.
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** There is also an in-universe example: At the time of writing, this trope was considered universal truth, and Watson immediately fingers the ugliest suspect as the killer. Holmes merely tuts and points out that none of the killers he has put away was worse than average-looking, and that the ugliest man he has ever seen is a philanthropist who donates half a million pounds a year to charity.
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* In Declan Finn's ''Honor At Stake'', literally true with vampires, whose souls are more tightly bound to their bodies and have stronger effects than human's. Amanda is beautiful and avoids many limitations such as holy objects and invitations because she's not evil. (On the other hand, she's less powerful because she drinks less blood.)
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* One ''Ghosts of FearStreet'' book has the protagonist acquire a ClingyMacGuffin whose owners turn out to be tentacled, sluglike aliens. Another alien who looks more humanoid shows up and ostensibly tries to help the protagonist. The fact that the slugs turn out to be the good guys, while the humanoid alien is an intergalactic criminal they're trying to catch, is meant to be a twist.

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* One ''Ghosts of FearStreet'' Literature/FearStreet'' book has the protagonist acquire a ClingyMacGuffin whose owners turn out to be tentacled, sluglike aliens. Another alien who looks more humanoid shows up and ostensibly tries to help the protagonist. The fact that the slugs turn out to be the good guys, while the humanoid alien is an intergalactic criminal they're trying to catch, is meant to be a twist.
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* Brazilian book ''O Fantástico Mistério de Feiurinha'' displays this thoroughly when telling [[ShowWithinAShow Feiurinha]]'s story. The main character gets her name from the fact that she was kidnapped by three ugly witches as a baby, and raised to believe she was the ugly one and the witches were beautiful. It's not until she witnesses her companion goat turn into a handsome prince, due to her unwittingly breaking a curse cast on him by the witches, that she discovers the opposite is true.
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* In ''Literature/TheDresdenFiles'', if a woman appears who is devastatingly beautiful, chances are, she's ''bad news''. Most common with vampires of the White Court, succubi and incubi; for the most part, they are by nature impeccably beautiful and normally evil, cold, evil, manipulative, and evil. There are some notable exceptions, however: Thomas Raith, [[spoiler:Harry Dresden's half-brother]], is in a gray area. The Faeries, and especially the High Sidhe, are also perfectly formed but can be either nice or very not nice.

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* In ''Literature/TheDresdenFiles'', if a woman appears who is devastatingly beautiful, beautiful person (usually a woman) shows up, chances are, she's he/she's ''bad news''. Most common with vampires of the White Court, succubi and incubi; for the most part, they are by nature impeccably beautiful and normally evil, cold, evil, manipulative, and really evil. There are some notable exceptions, however: Thomas Raith, [[spoiler:Harry Dresden's half-brother]], is in a gray area. area, Karrin Murphy is described as being cute (though she's also a tough-as-nails cop), and Harry's early IntrepidReporter girlfriend Susan Rodriguez was very pretty and a definite good person. The Faeries, and especially the High Sidhe, are also perfectly formed but can be either nice or very not nice.run on BlueAndOrangeMorality.
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* In the ''Literature/EarthsChildren'' series by Jean Auel, Ayla is considered hideous by her Neanderthal foster family. She is described as being tall, muscular, blond, and blue-eyed - stereotypically lovely - but she suffers from her adoptive Neanderthal family treating her as ugly throughout ''Clan of the Cave Bear.'' It isn't until the second book, after she is exiled from her clan, that she runs into someone who looks like her and treats her as if she's beautiful.

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* In the ''Literature/EarthsChildren'' series by Jean Auel, Ayla is considered hideous this by her Neanderthal foster family. She is described as being tall, Cro-Magnon standards (she's muscular, blond, blonde, and blue-eyed - stereotypically lovely - blue-eyed), but she suffers from her adoptive Neanderthal family treating her as ugly throughout spends the first book, ''Clan of the Cave Bear.'' Bear'', adopted by a Neanderthal family with different standards of beauty, and so grows up thinking that she's ugly. It isn't until the second book, after she is exiled from her clan, that she runs into someone who looks like her and treats her as if she's beautiful.
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* Austin, the protagonist of ''Literature/HollowPlaces,'' has an enormous distaste for this train of thought, thinking it to be one of peoples' main faults. It's clear this pet peeve stems from being judged by his own appearance. Austin himself is probably the most moral character within the novel despite having a body covered in burn scars and missing an arm.
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* A noticeable trend throughout the ''Literature/{{Divergent}}'' series, all the good guys are described as pretty or beautiful. Averted with Peter, who is a complete jerk, but is repeatedly described as being good-looking.

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* ''Literature/ASongOfIceAndFire'' both follows and subverts this trope with various characters. Many of TheBeautifulElite are admired for their regal or exotic appearance, such as Cersei Lannister or Joffrey Baratheon, but are actually quite incompetent and cruel. Others are mocked, belittled or hated for their ugly appearance, including Brienne of Tarth and Tyrion Lannister, but show far more compassion and integrity than many others. However, other characters follow this trope straight. Many heroic characters are described as being quite handsome or beautiful, such as Daenerys Targaryen ([[WellIntentionedExtremist arguably]]) and Sansa Stark. Many villainous or anti-villainous characters are also quite hideous, such as Sandor Clegane (though he looks hideous due to his monstrous brother burning his face, leading to him becoming cynical and bad-tempered). In general, a character's appearance is more likely to be an influence on their personality rather than a reflection of it.

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* ''Literature/ASongOfIceAndFire'' both follows and subverts this trope with various characters. Many of TheBeautifulElite are admired for their regal or exotic appearance, such as Cersei Lannister or Joffrey Baratheon, but are actually quite incompetent and cruel. Others are mocked, belittled or hated for their ugly appearance, including Brienne of Tarth and Tyrion Lannister, but show far more compassion and integrity than many others. However, other characters follow this trope straight. Many heroic characters are described as being quite handsome or beautiful, such as Daenerys Targaryen ([[WellIntentionedExtremist arguably]]) and Sansa Stark. Many villainous or anti-villainous characters are also quite hideous, such as Sandor Clegane (though he looks hideous due to his monstrous brother burning his face, leading to him becoming cynical and bad-tempered).bad-tempered, though shows a kinder side occasionally, though it is very well-hidden). In general, a character's appearance is more likely to be an influence on their personality rather than a reflection of it.


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** With Aerys II [[TheCaligula "The Mad King"]] he ended up looking terrible due to his insanity, becoming gaunt due to malnourishment out of fear of being poisoned, and not cutting his nails and hair due to fear of blades. As a result, even though he died at the age of 39 he had a terrifying appearance, with long unwashed, matted and tangled hair and beard and long yellow fingernails.

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** Stannis and Renly Baratheon, {{Foil}}s to each other. Renly is very attractive and charismatic, but is privately shown to be vain and greedy, planning to usurp rule basically out of arrogance and because he can gather a [[AppealToForce large army]]. His older brother Stannis is a rather scary-looking man, with a stern face, baldness, and who barely smiles. As the books continue, due to his blood being used for magical rituals by Melissandre, he becomes more gaunt and ages greatly. However, he is arguably one of the most honorable people in the series, always trying to uphold the law and stick to his morals.

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** Stannis and Renly Baratheon, {{Foil}}s to each other. Renly is very attractive and charismatic, but is privately shown to be vain and greedy, planning to usurp rule basically out of arrogance and because he can gather a [[AppealToForce large army]]. His older brother Stannis is a rather scary-looking man, with a stern face, baldness, and who barely smiles. As the books continue, due to his blood being used for magical rituals by Melissandre, he becomes more gaunt and ages greatly. However, he is arguably one of the most honorable people in the series, always trying to uphold the law and stick to his morals.morals, only claiming the Iron Throne because he believes its his duty to do so even though he doesn't want it.
** Played straight with Janos Slynt, the slimy and incredibly corrupt commander of the City Watch, who is described as looking like a frog.

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** Played very straight with [[BastardBastard Ramsay Snow]] (later legitimized to Ramsay Bolton). He is one of the most evil and unattractive characters in the series, described as being fleshy, with pink blotchy skin, thick lips, dark dry hair and sloping shoulders. Ramsay is an incredibly psychotic {{Sadist}} who is believed to have murdered his legitimate [[CainAndAbel half-brother]] and has such a reputation as TheDreaded throughout the North that even his ruthless father tells him to tone it down as it is making their House unpopular.

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** Played very straight with [[BastardBastard Ramsay Snow]] (later legitimized to Ramsay Bolton). He is one of the most evil and unattractive characters in the series, described as being fleshy, with pink blotchy skin, thick lips, dark dry hair and sloping shoulders. Ramsay is an incredibly psychotic {{Sadist}} who is believed to have murdered his legitimate [[CainAndAbel half-brother]] and has such a reputation as TheDreaded throughout the North that even his ruthless father Roose Bolton tells him to tone it down as it is making their House unpopular.unpopular. Roose himself sounds very sinister, with a pale face that barely shows [[TheStoic emotion]] or age, and icy blue eyes that are shared by his son. [[spoiler:He ends up [[ObviousJudas murdering]] his King to usurp control of the North.]]


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** Similar to this, Jaime Lannister is very attractive but from early on in the books seems a clear villain and is one of the most hated men in the Seven Kingdoms for murdering the King he swore to protect. [[spoiler:After he becomes more unattractive due to months in captivity and having his right hand cut off he reveals his reasons for killing the King, to prevent them burning down a city, and undergoes CharacterDevelopment, becoming a much more sympathetic and likeable character.]]
** Stannis and Renly Baratheon, {{Foil}}s to each other. Renly is very attractive and charismatic, but is privately shown to be vain and greedy, planning to usurp rule basically out of arrogance and because he can gather a [[AppealToForce large army]]. His older brother Stannis is a rather scary-looking man, with a stern face, baldness, and who barely smiles. As the books continue, due to his blood being used for magical rituals by Melissandre, he becomes more gaunt and ages greatly. However, he is arguably one of the most honorable people in the series, always trying to uphold the law and stick to his morals.
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** Played very straight with [[BastardBastard Ramsay Snow]] (later legitimized to Ramsay Bolton). He is one of the most evil and unattractive characters in the series, described as being fleshy, with pink blotchy skin, thick lips, dark dry hair and sloping shoulders. Ramsay is an incredibly psychotic {{Sadist}} who is believed to have murdered his legitimate [[CainAndAbel half-brother]] and has such a reputation as TheDreaded throughout the North that even his ruthless father tells him to tone it down as it is making their House unpopular.
** Played with on Theon Greyjoy. When he first appears in the books he is quite an attractive character, but is an arrogant jerk, and [[spoiler:ends up betraying Robb Stark when the Ironborn attack the North and even murders children.]] However, when he is [[spoiler:captured by Ramsay Snow he is horrifically tortured, losing toes and fingers and ending up looking much older, with white brittle hair and pasty skin. He ends up becoming much more likable, even helping to save Jeyne Poole from Ramsay.]]
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!!(Mostly) Straight examples:
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* All of the protagonists of [[Literature/{{Dragons}} The Last Dragon Chronicles]] are described as - at the very least - good-looking at some point. Then, most bad guys are ugly as road kill. [[spoiler:AND THEN you have everyone who got infected by the Shadow - horribly deformed. But they're back to being pretty after it's gone.]]

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* All of the protagonists of [[Literature/{{Dragons}} The Last Dragon Chronicles]] are described as - at the very least - good-looking at some point. Then, most bad guys are ugly as road kill. [[spoiler:AND THEN you have everyone who got infected by the Shadow - horribly deformed. But they're back to being pretty after it's gone.]]]]

!!Subversions and [[PlayingWithATrope played-with]] examples:
* In English literature, ''Literature/ThePictureOfDorianGray'', is a {{deconstruction}}. Wilde was critiquing the commonly held belief during the 19th Century that physical appearance both reflected and was influenced by morality, piety, and social status. The trope still applies to the portrait of the protagonist and would have applied to him had he not sold his soul.
* A strange example - neither subversion nor aversion but not completely straight either - comes from the work of Rex Stout, the writer of the Literature/NeroWolfe novels. Stout wrote a short story called "Murder is No Joke" in late 1957. One of the characters, Flora Gallant, is a fat, shrewish, bitter, ugly, crude middle-aged female social misfit - virtually a perfect example of the trope played straight. The next year, Stout was asked by the ''Saturday Evening Post'' to expand the story into a novella. In this version, Flora Gallant is a gorgeous, vivacious young woman who romances Archie to some success - the opposite of the trope. The rest of the plot, including the identity of the killer, is identical, except that in the first story, Archie has Flora tagged as the killer; in the second, he thinks she's the next victim. [[spoiler: She's neither.]]
* Shakespeare's [[http://en.wikipedia.org/wiki/Sonnet_130 Sonnet CXXX]], a poetic TakeThat towards his contemporaries (and predecessors. [[OverlyLongGag and successors.]])
* Creator/CharlotteBronte stated that she deliberately created ''Literature/JaneEyre'' to be "as poor and plain as myself," in contrast to the beautiful and elegant romance heroines of her time. Consequently, Jane Eyre herself is never seen as anything but plain and unassuming, except in the eyes of her beloved - who in turn is not particularly handsome, but is loved by Jane for his sharp-pricked devotion to her. And, of course, the novel's prettiest characters are all extremely problematic in one way or the other. Blanche Ingram is a self-involved GoldDigger; Rosamond Oliver, while sweet, is nevertheless represented as a fluttery socialite-type; and St. John Rivers, although not a villain, is extremely manipulative and egotistical.
* In "[[Literature/TheSilmarillion The Silmarillion]]" the Elf Prince (later Elf King) Fëanor is described as being quite good-looking, fitting in with his quality as TheAce among [[OurElvesAreBetter elves]]. However he is very arrogant, hot-blooded and obsessive, and comes across as a jerk, his actions, such as the kinslaying of the Teleri, leading to the Noldor being cursed for centuries.
* Often subverted in ''Literature/HarryPotter.'' [[AdaptationalAttractiveness No matter how attractive the movie actors may be]], characters are often described with more negative physical traits than positive---for example Harry is introduced as having knobby knees, messy hair, and perpetually-broken glasses. Other evil characters, like Bellatrix Black and the teenage Voldemort, are attractive.
** Bellatrix is sort of in between subverting and playing straight this trope - while she [[IWasQuiteALooker ''was'']] clearly quite attractive, she is shown to be gaunt and worn from her time in Azkaban. On the other hand, the same is said about Sirius. And while Harry did think at one point that the Slytherins mostly appeared to be an unattractive lot[[note]]it is likely this meant personality-wise[[/note]], some, like Blaise Zabini, are considered to be quite attractive. Plus, seeing as Harry tended to be a bit biased against the Slytherins, there is a case of UnreliableNarrator to consider.
** There are further aversions with the likes of Mad-eye Moody. Played straight with a few villains like the Carrows, and Millicent Bulstrode and Pansy Parkinson, the latter who is described as looking like "a pug".
** It's also worth mentioning Gilderoy Lockheart. He's represented as very handsome and charming and has published several books about his various heroic deeds. It's then found out that he's been finding people who banish werewolves and such and modify their memory, then taking their credit. He claims that one reason he did this is that the people who did these things weren't very pretty.
*** The general rule is that ugliness will not make you become evil, but evilness will make you become ugly. Voldemort's looks began to deteriorate when he started using large amounts of dark magic resulting in his inhuman appearance, while Bellatrix lost her beauty through insanity and her stay in Azkaban. More morally ambiguous characters like the Malfoys are the middle ground; Lucius is never said to be particularly attractive in the books, and Draco is occasionally called ferret-like. Narcissa is beautiful because she's a Black ([[StrongFamilyResemblance they're ''all'' described as good-looking]], and [[spoiler:later redeems the family through [[MamaBear motherly love]]]], however her beauty is marred by her snootiness.
* Creator/TerryPratchett's ''Literature/{{Discworld}}'' books take this entire concept, set it in the street, and kick it until it runs squealing. Consider how three of its major characters are usually drawn: Rincewind looks like an older Shaggy from ''Franchise/ScoobyDoo''; Sam Vimes resembles a cross between a craggier, unshaven Creator/ClintEastwood and Pete Postlethwaite; and Granny Weatherwax, while blessed with excellent bone structure, is (by WordOfGod) a crabby old woman. Regardless of personal tastes, they're not exactly what you would call "universally attractive"... and they're also three of the main heroes of the Discworld (although Rincewind is not one by choice).
** Compare to [[TheFairFolk how elves are portrayed]]: beautiful and otherworldly... but here, "otherworldly" is used in the sense of "not from this world", i.e. disturbing and wrong. Elves in the Discworld universe are [[EldritchAbomination vicious dimensional parasites]]. Of course, they don't ''actually'' look like that; it's also part of the PsychicPowers.
** In ''Witches Abroad'', the evil Lady Lilith (Granny Weatherwax's elder sister) is described as, essentially, looking like Granny would if she was a few years younger. This is partially an extension of Granny's subversion of the trope, and partly a straight-up VainSorceress.
** On the other hand, a lot of ''younger'' female heroes are portrayed as quite attractive, especially love interests; look at Angua, Sacharissa, Susan, Adora Belle Dearheart, and Cohen the Barbarian's daughter Conina.
** In the manner of middle ground, Moist von Lipwig, one of the more recent protagonists, is described as being utterly unmemorable, a trait he used to his advantage in his previous job... as a con man. Unmemorable to the extent that his own mother previously took the wrong child home from kindergarten, and he has to attract attention to himself while shaving.
** Not that there aren't ''any'' good-looking heroes or unattractive villains on the Disc; for instance, Captain Carrot, TheCape, is as handsome as fits the character type (described by a ''female vampire'' as having godlike proportions--the better class of god, even), and Mr. Teatime, from ''Hogfather'', is boyishly handsome but has [[EyepatchOfPower one glass eye]], and [[RedRightHand one "normal" eye that's even more disturbing]]. Sensibly, there's no easy way to tell alignment from appearance on the Disc. Not even if said appearance is standing on top of a massive pile of skulls... because said person might just happen to be Cohen the Barbarian.
** Played straight and sarcastically lampshaded in ''Going Postal''. A minor villain is described as being obese and looking like "a piglet having a bright idea", with a voice like "a small, breathless, neurotic but ridiculously expensive dog". He has exactly the personality one would [[FatIdiot stereotypically]] associate with these physical traits. In a {{footnote|Fever}}, the author notes that "it is wrong to judge by appearances" and that "snap judgements can be so unfair" but strongly suggests that such judgements are actually correct most of the time.
** IN SHORT: Discworld averts (most of the time).
* ''Literature/ASongOfIceAndFire'' both follows and subverts this trope with various characters. Many of TheBeautifulElite are admired for their regal or exotic appearance, such as Cersei Lannister or Joffrey Baratheon, but are actually quite incompetent and cruel. Others are mocked, belittled or hated for their ugly appearance, including Brienne of Tarth and Tyrion Lannister, but show far more compassion and integrity than many others. However, other characters follow this trope straight. Many heroic characters are described as being quite handsome or beautiful, such as Daenerys Targaryen ([[WellIntentionedExtremist arguably]]) and Sansa Stark. Many villainous or anti-villainous characters are also quite hideous, such as Sandor Clegane (though he looks hideous due to his monstrous brother burning his face, leading to him becoming cynical and bad-tempered). In general, a character's appearance is more likely to be an influence on their personality rather than a reflection of it.
** A lot of the problems in the setting exist because the general populace believe this trope is true all of the time when it really isn't.
** House Frey plays this straight -- its darker members are obnoxious, scheming, backstabbers who are described as looking like weasels. There are, however, a few attractive Freys who are not as evil, most prominently Roslin Frey. Her oldest half-brother, Ser Stevron Frey, has his father's weasel look but is apparently amiable and good-natured, placing great importance on family.
* Literature/SherlockHolmes was not ''described'' as terribly good-looking -- and in fact his creator Conan Doyle criticized the stories' illustrators for their portrayals of the character, saying that he had always imagined Holmes as "uglier" than they had depicted him in their drawings (though he added that "perhaps from the point of view of my lady readers, it was as well"). ''Watson'' was supposed to be the attractive one (and quite a ladies' man to boot). Unsurprisingly, this is generally ignored in screen adaptations.
* Both played straight and subverted in ''Literature/WildCards'', where most of the characters have hideous mutations. Most of the human-looking leads are not spectacular, either: the Turtle is a plain, chubby nerd; Fatman is, well, fat; and private detective Jay Ackroyd is good at blending in because he looks entirely average and nondescript. Golden Boy is handsome and has eternal youth to boot, but he's almost universally despised as a traitor (he didn't know the youth was eternal when he did it). Doctor Tachyon is handsome, as are his (mostly backstabbing) relatives, because Takisians are bred for beauty; thus, he often has trouble dealing with the less attractive Jokers because he was raised to believe that this trope was gospel truth. His psychotic grandson Blaise is described as the most attractive and evil character in the series.
* Subverted wonderfully in Creator/LoisMcMasterBujold's ''Literature/VorkosiganSaga'', in which the main character, thanks to his mother being poisoned while pregnant with him, is a brittle-boned dwarf who is considered worse than unattractive by his mutation-horrified homeworld. Unsurprisingly, most of the women who look past that are 'galactics'; one of these is a genetically engineered prototype-soldier who's eight feet tall and as strong as two men. Eventually, even more subversive to this trope, Vorkosigan [[spoiler:marries a woman from his own planet who loves him much more than her former, physically-attractive-but-a-total-jerk husband and thinks he's perfect the way he is.]]
* In ''Literature/TheDresdenFiles'', if a woman appears who is devastatingly beautiful, chances are, she's ''bad news''. Most common with vampires of the White Court, succubi and incubi; for the most part, they are by nature impeccably beautiful and normally evil, cold, evil, manipulative, and evil. There are some notable exceptions, however: Thomas Raith, [[spoiler:Harry Dresden's half-brother]], is in a gray area. The Faeries, and especially the High Sidhe, are also perfectly formed but can be either nice or very not nice.
* Subverted in Creator/GrahamMcNeill's ''TabletopGame/{{Warhammer 40000}}'' Literature/{{Ultramarines}} novel ''Dead Sky Black Sun''. Confronted with the Unfleshed -- twisted, hideously malformed, with no skin on their bodies -- Vaanes is horror-struck ("Look at them. They're evil"), but Uriel tells him he's not certain. He remembers the [[ChildrenAreInnocent innocent children]] he saw herded to the process that transformed them, and sees that they have remembered the God-Emperor, erecting a huge statue of Him. [[spoiler:Vaanes deserts him, but the Unfleshed are willing to support him in his [[TheQuest quest]]. When [[HeroicSacrifice most of them have died]] carrying it out, the handful of survivors need only be assured that [[SoProudOfYou the Emperor is pleased]] to be delighted.]]
** Interestingly enough, this is in opposition to traditional Imperial dogma in the setting; creatures such as the Unfleshed would be seen as Chaos-tainted mutants and unworthy of acknowledgment as the Emperor's children- or indeed of basic human consideration as kindred.
* In William King's ''TabletopGame/{{Warhammer 40000}}: Literature/SpaceWolf'' novel ''Wolfblade'', Ragnar reflects on how his Wolf Lord is the very image of a great hero, and his opponent in dispute is rather less preposing. Then, the opponent also had to be a great warrior and leader, to reach the same post as Berek -- and while the opponent is arguing against Ragnar partly out of [[DividedWeFall rivalry]], by the same token, Berek is defending Ragnar partly from the same motive.
* In Creator/MadeleineLEngle's ''Literature/AWrinkleInTime'', they escape to the planet Ixchel where they encounter the faceless tentacled aliens, who look after and protect them. Indeed, one, in charge of Meg, is surprised by the terms she uses, such as "beast" to describe them, and Meg ends up referring to her as [[HonoraryUncle Aunt]] Beast.
* Technically subverted in the ''Karavans'' series by Jennifer Roberson, as TheBeautifulElite are mostly evil. Everything ugly is evil too. Indeed, AlwaysChaoticEvil is rather a common species trait in these books...
* The ''Literature/DoomsdayBook'' by Creator/ConnieWillis included as one of the heroes a villainous looking priest who is clearly presented as one of the finest people in the tale.
* Voltaire famously penned a rather scathing poem, "Marquise", dedicated to a vain aristocrat who had spurned his advances because he was too old for her, despite being one of the smartest, wittiest guys of his time. The gist of the poem is "[[TakeThat So I'm old and wrinkled. You will be too, sooner than you think]]". In a double subversion, Tristan Bernard later wrote a last stanza to the poem, his imagined answer from the Marquess : "But until then old man, I'm 26, and fuck you too". In those terms, because French poetry is hardcore.
* Subverted, along with every other cliche of space opera, in Creator/HarryHarrison's ''Star Smashers of the Galaxy Rangers''. Arriving on a new planet, our heroes see a war between the Garnishee (hideous tentacled monsters) and the humanoid Ormoloo (who don't look too bad if you overlook the four arms), so they wade in on the side of the more-or-less-humanoids. Of course, it's only after exterminating 99.9% of the Garnishee race that they discover that the octopoids are the wise, gentle and cultured good guys and the Ormoloo are the equivalent of cattle being mind-controlled by evil PuppeteerParasite aliens out to conquer the galaxy.
* In Meredith Anne Pierce's ''Literature/TheDarkangelTrilogy'', the titular angel (or vampire) is described as stunningly beautiful. He's also completely evil (securing his immortality by drinking the souls of young women), and the main character (who is described as average looking), falls in love with him, partly because of his beauty. The trope is played with however because the female protagonist ''knows'' that this is a terrible reason to love a person, and yet cannot bring herself to kill him. She eventually [[spoiler:restores his humanity]] and in doing so he is said to lose some of his supernatural good-looks.
** Another character in the story also claimed that the vampire is beautiful ''because'' he is not completely irredeemable; his soul was still there under all the evil, but when his soul was lost he would become hideously ugly.
* Mostly averted in the ''Literature/HowToTrainYourDragon'' series, where none of the characters are actually that pretty. The only exceptions to this would be Humungously Hotshot the Hero, [[spoiler:and Alvin the Treacherous, who is steadily getting uglier with each book (most of it being consequences of ''his'' actions, mind)]].
* In A. Merritt's classic novel ''The Moon Pool'', The BigBad is a [[LightIsNotGood beautiful being of light]] called the Shining One, who enslaves and vampirizes human souls. The lost race who worship it are classically handsome, but decadent and cruel. The forces of good, meanwhile, are represented by three decidedly weird-looking aliens and a race of frog-people.
* In ''Literature/TheRiftwarCycle'', beauty doesn't really equal anything. Villains are just as likely to be attractive as heroes (perhaps even more so), and most heroes are fairly unremarkable in their looks. Of the ones that stand apart, some are just ugly (Pradji with his squashed nose and pockmarks), others possibly attractive save for one or two off-putting qualities (Arutha's perpetual gloom, Erik's brutish face), and others are beautiful, but it doesn't do them any favors (Tomas's disturbing slightly-alien features, Sandreena's gorgeousness destroying her childhood). Similarly, all the elves of the series are beautiful, but you can't tell the good from the evil ones just at a glance.
** On the other hand, the idea comes up: When Martin and Garrett run across a moredhel woman, the latter is surprised by her beauty, so the intrinsic expectation that evil enemies would look monstrous while good allied elves are the ones who are allowed to look beautiful is there.
* The Gentleman With Thistle-Down Hair in ''Literature/JonathanStrangeAndMrNorrell'' explicitly considers handsomeness to be a sign of one's superiority and nobility over everyone else. A large factor in his decision to make Steven Black the King of England was his good looks. Since he's one of the worst of TheFairFolk this view is not particularly sensible, and it's not evident elsewhere in the books.
* ''Literature/TwentyThousandLeaguesUnderTheSea'': Lampshaded when WideEyedIdealist Aronnax uses [[ScienceMarchesOn physiognomy to justify]] that a stocky character is a fool and the good looking man is someone good, but then is subverted when Aronnax thinks again this theory when the good looking man (Captain Nemo) left him starving with their companions in a cell.
--> ''[[ScienceMarchesOn A disciple of such characterjudging anatomists as Gratiolet or Engel could have read this man's features like an open book]]. Without hesitation, I identified his dominant qualitiesselfconfidence, since his head reared like a nobleman's above the arc formed by the lines of his shoulders, and his black eyes gazed with icy assurance; calmness, since his skin, pale rather than ruddy, indicated tranquility of blood; energy, shown by the swiftly knitting muscles of his brow; and finally courage, since his deep breathing denoted tremendous reserves of vitality.''
--> ''I might add that this was a man of great pride, that his calm, firm gaze seemed to reflect thinking on an elevated plane, and that the harmony of his facial expressions and bodily movements resulted in an overall effect of unquestionable candoraccording to the findings of physiognomists, those analysts of facial character.''
--> ''[[IsThatWhatTheyreCallingItNow I felt "involuntarily reassured" in his presence]], and this boded well for our interview.''
* In Creator/JohnCWright's ''Literature/CountToATrillion'', Menelaus watches how this trope plays out after he released some technology that allowed the rich to become more beautiful, not just through the ErmineCapeEffect, but actually. He doesn't approve.
* Inverted in ''Literature/TheTwits''. ''Goodness equals beauty.'' Mrs. Twit was once a beautiful woman, until she started thinking ugly thoughts which led to the transformation into her hideous appearance. The narration states that people who are ugly can still have beauty shine through if they have pleasant thoughts and demeanor, accompanied by a drawing of such a person.
-->''"You can have a wonky nose and a crooked mouth and a double chin and stick-out teeth, but if you have good thoughts they will shine out of your face like sunbeams and you will always look lovely."''
* Subverted in the school chapter of ''Literature/{{Buddenbrooks}}''. In Hanno's class there's the student Wasservogel who's described as very ugly, but all the teachers treat him very generously to prove to themselves and the world that they don't fall victim to this trope.
* ''Literature/CountAndCountess'' seems especially fond of averting and subverting this. Vlad Tepes and Sultan Mehmed are given physical descriptions that sound very attractive, but the former is an utterly repulsive human being while the latter flip-flops between MagnificentBastard and ChaoticNeutral. Elizabeth Bathory, the most sympathetic character in the book (though that's not saying much), sounds plain by her own description, or even ugly. Vlad is in love with her, though, so he only sees her as beautiful.
* In [[Literature/DivineBloodNovels Divine Blood]] you have [[Myth/NorseMythology Hel]] [[MeaningfulName Logesdottir]], who is a cripple with her left arm and leg being withered and non-functional and the left side of her face likewise being paralyzed and withered. On the one hand, she's a bit [[LittleMissSnarker caustic, and downright rude]], referring to one of the other characters as "[[FantasticSlurs deep one]]" soon after meeting her. She's also a Demoness with a bit of an ego. However, she is decidedly not evil and ends up being the DamselInDistress for part of the plot.
** At the same time you also have Lady Tinia who is [[FaceOfAnAngelMindOfADemon angelic]] appears through most of the story as a beautiful, stern blond woman wearing a pristine white trenchcoat. She's the [[FantasticRacism bigoted]] Captain of the Tinia Royal Guard and is thus one of the two [[BigBadWannabe competing antagonists]] of the first novel.
* Averted in ''Literature/DragonBones'': The nobles Tisala of Callis, as well as her father, Haverness of Callis, are described as having large noses and overall rather unattractive features, and they're both heroic. [[spoiler: There is also the BeautifulSlaveGirl Bastilla, who betrays the heroes.]] Some of the heroes are quite attractive, but this is described as something that affects their popularity with the opposite (or their own) sex, not as something that has any connection with their morality.
* Subverted with Geoffrey ae'Magi in ''Literature/{{Masques}}''. He is beautiful, and everyone loves him. Turns out he's very, very evil, and [[spoiler: the love all the people have for him is caused by magic, too.]] Oh, and his looks, while somewhat natural, are improved by magic that stops aging. Played somewhat straight with the close-to-nature shapechangers, who are all ''potentially'' beautiful, as they can change their appearance at will, but not all do so. Aralorn, the heroine, is rather plain in her true form, and usually walks around like that, when she's not on a mission as spy. [[spoiler: And then there's Cain, whose face is full of burn scars, but who looks like his father Geoffrey if he removes the scars with magic. For most of the plot he prefers to let the scars be and wear a mask. He's rather challenged in the empathy-department, but one of the good guys.]]
* In Creator/JohnMilton's ''Literature/ParadiseLost'', he makes a point of how Belial's appearance ''should'' have indicated nobility of soul.
-->'' On th' other side up rose\\
BELIAL, in act more graceful and humane;\\
A fairer person lost not Heav'n; he seemd\\
For dignity compos'd and high exploit:''
* Averted in ''Literature/TheUglyAmerican'': the title character is one of the good guys.
* In ''Literature/EnchantedForestChronicles'', almost all of the princesses, princes, and knights are described as being very attractive, but most are oblivious, self-centered, and generally useless. Some are shown somewhat sympathetically (at one point, Cimorene points out that it wasn't their fault they were raised to be so idiotic), but Cimorene's thick-headed unwanted fiance, Prince Therandril, is still one of the obstacles she has to deal with in the first book (he just can't accept that she won't marry him). In ''Talking With Dragons'', the princess and knight that Daystar and Shiara meet are shown to be ridiculously incompetent to the point of it being hilarious, though they still have the redeeming feature of truly loving each other. Meanwhile, the books have a variety of magical creatures of various degrees of beauty, none of whom are universally good or bad (the last book states that even some of the wizards were on the side of the Enchanted Forest). In particular, the dragons are shown as being terrifying, but they're all intelligent and mostly pretty helpful, if one gets their respect.
* Played with in ''Literature/WhichWitch'', where Belladona, the only white witch, is also the only one who's beautiful and all the dark witches are incredibly ugly. However Belladona desperately aspires to be dark and Arriman, the greatest dark wizard of England, is noted as being very handsome. Not to mention the three-headed Wizard-Finder is very polite and kind (at the story's end, the heads discuss in detail how to look after [[spoiler:Terrance]]) and the baby Kraken, while described as a tiny squid-monster, acts like a regular baby.
* Zig-zagged in the ''Literature/LunarChronicles''. Our heroine Cinder is considered disfigured due to being a cyborg but her appearance is otherwise average. Her stepmother and stepsister are described as beautiful but cruel and abusive, while the kinder stepsister is also pretty. [[GodSaveUsFromTheQueen Queen Levana]] is beautiful but it's only a Lunar glamor she's projecting and is possibly average-looking or even ugly. Played straight with the handsome Prince Kai, Cress and Thorne.
* One ''Ghosts of FearStreet'' book has the protagonist acquire a ClingyMacGuffin whose owners turn out to be tentacled, sluglike aliens. Another alien who looks more humanoid shows up and ostensibly tries to help the protagonist. The fact that the slugs turn out to be the good guys, while the humanoid alien is an intergalactic criminal they're trying to catch, is meant to be a twist.
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* Played with in ''Literature/ABrothersPrice''. There are the Whistlers, the hero's family, who are all very good-looking. Their neighbours, the Brindles, "look like horses" according to Jerin, and have a reputation for starting fights at markets and fairs and the like. Then there is Keifer Porter, who allegedly was very, very, pretty, but also very, very cruel towards his [[ExoticExtendedMarriage wives]], using psychological abuse against the older ones, while physically hurting at least one the defenseless, younger ones.
* In Jaqueline Carey's ''Literature/KushielsLegacy'', we are sympathetic (politically) towards the D'Angeline people, who are all beautiful. That is not to say that there aren't D'Angeline villains, and non-D'Angeline heroes, but for the most part, this fits into the trope. More often than not, Non-D'Angeline characters of importance are either attractive or 'skilled' enough for their heritage to not matter.
* Miss Honey from ''Literature/{{Matilda}}''.
* Naturally, played for laughs in ''Literature/TheHitchhikersGuideToTheGalaxy'':
-->In all this ancient and mysterious history, the most mysterious figures of all were without a doubt the Great Circling poets of Arium. These Circling Poets used to live in remote mountain passes where they would lie in wait for small bands of unwary travelers, circle around them, and throw rocks at them.
-->And when the travelers cried out, saying why didn't they go away and get on with writing some poems instead of pestering people with all this rock-throwing business, they would suddenly stop, and then break into one of the seven hundred and ninety-four great Song Cycles of Vassillian. These songs were all of extraordinary beauty, and more extraordinary length, and all fell into exactly the same pattern.
-->The first part of each song would tell how there once went forth from the City of Vassillian a party of five sage princes with four horses. The princes, who are of course brave, noble and wise, travel widely in distant lands, fight giant ogres, pursue exotic philosophies, take tea with weird gods and rescue beautiful monsters from ravening princesses before finally announcing that they have achieved enlightenment and that their wanderings are therefore accomplished.
-->The second, and much longer, part of each song would then tell of all their bickerings about which one of them is going to have to walk back.
* In ''Literature/AtlasShrugged'', all the protagonists are strikingly beautiful, while the villains' [[{{Anvilicious}} ugliness is often mentioned in connection with their ]][[StrawCharacter ridiculous beliefs]].
* In the ''Literature/EarthsChildren'' series by Jean Auel, Ayla is considered hideous by her Neanderthal foster family. She is described as being tall, muscular, blond, and blue-eyed - stereotypically lovely - but she suffers from her adoptive Neanderthal family treating her as ugly throughout ''Clan of the Cave Bear.'' It isn't until the second book, after she is exiled from her clan, that she runs into someone who looks like her and treats her as if she's beautiful.
* Played almost [[{{Narm}} laughably]] straight with Hester Prynne of ''Literature/TheScarletLetter'', whose beauty the narrator goes into ridiculous amounts of detail describing. On the opposite side, her neglectful and vengeful husband has mildly deformed shoulders and becomes more malevolent-looking as the book goes on. A bit of a subversion exists, though, in that the main narrative thrust of the book centers around the fact that Hester is a sinner and an adulteress, and how she suffers for her actions; it's somewhat debatable as to just how much sympathy Nathaniel Hawthorne has for his character. This applies even more straightly to Hester's ''daughter'' (who is even named Pearl), though, as among other things Hawthorne [[{{Anvilicious}} drives home the fact (with a piledriver)]] that the sins of the parents do not apply to the [[ChildrenAreInnocent innocent children]]. And in the mid-19th century, [[SomeAnvilsNeedToBeDropped some people really needed to be told that]], to be honest.
* In Creator/JRRTolkien's [[Literature/TheSilmarillion Middle]]-[[Literature/TheLordOfTheRings earth]] world, this trope shows up most prominently with the Elves and the Orcs. The Elves are especially fair while the Orcs are especially ugly. In their case, Elves are created to be especially fair among the children of [[{{God}} Ilúvatar]] - "elven-fair" is a descriptor indicating great beauty. The Orcs are ugly due to the malicious corruption of the first Dark Lord Morgoth - they came into being through his twisting and corrupting of Elves. For Men, heroes like Aragorn and Túrin follow this trope, their looks even being compared to those of Elves. Hobbits and Dwarves tend to be plain looking, if not ugly - but Frodo is fairer than most other hobbits.
** On the other hand, the trope is also subverted through elements like the Druédain or Wild Men, who are ugly compared to other Men but firmly aligned with good. They remain so for thousands of years while most of the Númenoreans, the most Elf-like of Men (specifically blessed by Ilúvatar to be so) are corrupted by Sauron - who himself had a fair physical form before the events of ''The Lord of the Rings''. While Frodo may follow this trope, Sam is not especially handsome. Hobbits generally look "good-natured rather than beautiful".
* An example who was once a subversion: To the vast surprise of most people, Lancelot in ''[[KingArthur Le Morte d'Arthur]]'' and other early Arthurian works is not the handsome "PrinceCharming" figure he tends to be portrayed as in modern media, but a stocky, barrel-chested walking meat wall who is notably plain in appearance. (He's also a mentally unstable berserker given to complete psychotic breakdowns at the drop of a hat. Naturally, since Creator/JohnCleese is an Arthurian scholar, ''Film/MontyPythonAndTheHolyGrail'' got him completely right.)
** T.H. White takes this even further in ''The Ill-Made Knight'', the third volume of ''Literature/TheOnceAndFutureKing'', and makes his version of Lancelot extraordinarily ugly, so much so that he is said to resemble an ape.
*** Further subverted ''The Once and Future King'' series with Elaine. She starts off as being young and beautiful, but becomes plump and reclusive from society when Lancelot abandons her. The narrator even mentions that she did the "wrong thing", and ought to have turned "thin and interesting" as Guenevere would have done in that situation. Elaine is still portrayed very sympathetically (even if she does [[DoubleStandardRapeFemaleOnMale trick Lancelot into sleeping with her]] ''again'')
** Creator/BernardCornwell's Literature/TheWarlordChronicles retained the good-looking "Prince Charming" Lancelot and then thoroughly subverted it, turning him into a cowardly, snivelling, petulant bastard with [[AlternateCharacterInterpretation no redeeming features whatsoever.]] He didn't even have the good grace to be {{magnificent|Bastard}} about it. One could argue in fact that Lancelot is the major villain of the series- he's certainly one of the least likable characters.
* The series ''Literature/{{Twilight}}'' is especially notorious for this trope, seeing as Bella's narration does nothing but describe other characters' physical appearances and how wonderful or horrible it makes them as a being, depending on how they look. She primarily judges people based on their looks, so you can tell how important and "nice" a character's going to be based on how Bella finds them attractive. The only exception to this rule is Rosalie, who's depicted as [[DumbBlonde shallow and vain]], but that's just Meyer expressing her [[AuthorFilibuster blonde-female hate]].
** As an even more subtle example, James (the BigBad of the first book) is described more than once as extremely plain, as compared to the Cullens' inhuman beauty. The reason? [[WordOfGod Meyer]] has said that he was a total {{gonk}} as a human, and only the powerful beautifying nature of vampirism turned him barely average. On the flipside, all the Cullens (the good guys) were already gorgeous before they were turned, and just got hotter as vamps.
** Bella never gets over her prejudice for looks. In ''Breaking Dawn'', an Amazonian vampire vows to protect the Cullens against an invasion and offers to train Bella to fight and use her superpowers. Bella's response is to never feel comfortable around the woman because her "wild" looks "scared me to death". The Amazonians ultimately prove loyal, but Bella never apologizes or admits that she was wrong.
*** Bella's prejudice towards those she doesn't think are good-looking goes to such an extent that she treats those she doesn't find attractive with utter contempt, even if they're being friendly to her, but if a good-looking person does questionable things to her, she doesn't mind at all. She actually thinks that a person's physical beauty makes up for any of their flaws, and shows far more respect to the beautiful Cullens than to her own father. When Edward admits to [[StalkingIsLove watching her sleep]] every night, Bella thinks it's very sweet of him. If he was any less attractive, she would have had him arrested.
** The only human person she considers "helpful" instead of "annoying" in the first book is Mike, who acts exactly like everyone else except he's the cute jock versus the eccentric and the nerd. Even when dismissively comparing him to a dog, Bella still thinks that Mike is "easy to like" and attractive, while Eric is "oily" and "overly-helpful" and Tyler merits no special attention at all, except to say that he's irritating (he nearly killed Bella once, when he lost control of his truck, and desperately wants to make amends to her; but Bella dismisses him as a nuisance).
** Also Lauren, who is nasty to Bella out of pure jealousy and described as having "fishy" eyes and a "nasal" voice. Or when Bella first sees Bree the newborn vampire and her first thought is to determine if Bree is attractive or not. It's not limited to Bella either - the final chapter of Eclipse that is told from Jacob's point of view has him reflecting that he once thought Leah was attractive but now he finds her repulsive ever since she got all upset over Sam dumping her for Emily.
*** Tellingly, Lauren is only described unflatteringly ''after'' she makes it clear she dislikes Bella - the description of her voice as "nasal" takes place ''while she's mocking Bella'', and most of the negative comments about her appearance are during a passive-aggressive verbal spar the two are having.
** It is made clear that [[OurVampiresAreDifferent Edward]] is gorgeous-looking very early in the book. It is also made clear that he's perfect: irresistible voice, super senses, many supernatural abilities, etc. Creator/StephenieMeyer describes his dazzling beauty and perfection to the reader over and over again until it feels like listening to [[VideoGame/TheLegendOfZeldaOcarinaOfTime Kaepora Gaebora]].
* In Creator/JaneAusten's ''Literature/PrideAndPrejudice'' the first thing characters note about one another is how physically attractive a person is. Considering the original title of the book was First Impressions...
** Jane Bennet, who is considered to be the most beautiful women in the neighborhood, has a 'good' personality, such as being sweet, kind, patient, and understanding and always sees the best in people.
* This turns out to be the case with [[DefrostingIceQueen Astrid]] in ''Literature/EightDaysOfLuke'', who's described as "quite pretty" from the outset even while she's being lumped in with protagonist David's other uncaring relatives. As the plot unfolds, Astrid comes to realize how poorly she's treated David, and she eventually becomes his loving guardian and friend, while their unattractive relatives are revealed to be outright evil.
* ''Literature/ThePhantomOfTheOpera''. The adaptations have various takes on Erik's deformity. He still is evil, though. Though it's made explicitly clear that he became evil and insane because people shunned him for his appearance, instead of appreciating him for his considerable genius. Erik originally became evil because, with his deformity, people '''assumed''' this trope, and...well, it's very hard to turn out ''good'' if everybody insists you're evil from the moment you're born.
* This trope is believed by the fairies in ''Literature/JonathanStrangeAndMrNorrell'', and the person he's specifically applying it to is indeed good. But otherwise the trope isn't particularly in play.
* Partly lampshaded, partly averted in ''Literature/TheManOfFeeling'' by Henry Mackenzie, where many times, instead of giving the reader a physical description of characters, Mackenzie simply has the main character Harley employ his knowledge of "physiognomy" (the science of determining personality by someone's appearance), and goes straight for the moral judgement.
* With the possible exception of ''Literature/TheLostSymbol'', most Creator/DanBrown novels have a female lead who's an expert in her chosen academic field and is impossibly attractive to boot. Of course, the [[AuthorAvatar vaguely handsome nerd]] [[WishFulfillment ALWAYS gets the girl at the end]].
* ''Literature/TheHouseOfNight'':
** When Stevie Rae [[spoiler:died and then un-died]], she was repulsive and smelt really bad. When the ritual [[spoiler:to give her and the other Red Fledglings their humanity back]] was complete, they were all pretty again.
** Also, the [[spoiler:Bull of Light, which is black]] is described as "deep, mysterious and beautiful to behold," compared to the [[spoiler:Bull of Darkness, which is white]] and is described as "a nightmare come alive."
** Elliot is probably the only fledgling in the entire series who is not super gorgeous, being described as fat, pasty, freckled with nappy carrot red hair. He's also supposedly annoying, lazy, and stupid, and in his first appearance a teacher berates him for not being special and unique like every other male vampire, and this is never shown as a problem. [[spoiler:When he starts coughing in class, a sign that everyone knows to mean death is imminent for a fledgling, all Zoey can think of is how he's being annoying and should ugh, just get a cough drop already! When he finally does die, all Zoey can say about him is that it's not sad that he died, it's sad that no one liked him. In his subsequent appearances as a Red Fledgling, Zoey doesn't even refer to him as a person like she does the others, instead referring to him as "That horrid Elliot creature."]]
** Any old person of significance that is on the side of good, like Grandma Redbird or Mary Angela, are strangely bereft of wrinkles for people their age.
** Kalona is stated to be a serial rapist demon god who will supposedly destroy the world, but Zoey thinks he can change. Why? Because he's the most beautiful guy ever. In Destined, [[spoiler:Kalona pulls a HeelFaceTurn.]]
** The Raven Mockers are half human, half raven monstrosities, but [[spoiler:Rephaim, when he falls in love with Stevie Rae and becomes good, it’s revealed he can become an extremely hot human if he wants.]]
** The cats aren't even immune. Of course Zoey's cat Nala is cute and Likable, while Aphrodite's cat is horrible and mean, and the only cat described as being ugly in the books. She's named [[Disney/SleepingBeauty Maleficent]] if it isn't obvious already that she's horrible.
** Zoey's stepdad, a Straw Fundamentalist religious fanatic is described as having thinning hair, Chicken legs and horrible fashion sense. He's portrayed as a cartoonishly closed minded bigot who berates anyone for the smallest of differences, cheats on his wife, and drinks beer even though he says he doesn't. Other women in the Peoples of Faith, the stereotypical religious fanatic group he's an elder for, are described as fat, balding and beady eyed with pedophile husbands.
%%* Subverted in Literature/ThePaleKing with Meredith, who becomes a vain, neurotic mess if you let her talk about her problems long enough.
* Literature/SisterhoodSeries by Creator/FernMichaels: Played straight as an arrow! Check [[http://fernmichaels.com/series-characters-sisterhood-series/ this]] out for proof. The bad guys are mostly ugly as sin to start with or beautiful in a fake way but become ugly by the end. Of course, Lizzie Fox's marriage with Cosmo Cricket cheerfully goes into UglyGuyHotWife territory.
* A short story by Creator/DickKingSmith might count as an inversion where the protagonist is a male fairy and is ridiculed by all the others except one who is described as "not very pretty but had a kind face". At the end when said fairy is kind to him he realises how beautiful she actually is, suggesting that maybe goodness equals beauty.
* Played with ''all over the damn place'' in the ''Literature/SwordOfTruth''. The list of hot evil chicks and handsome evil dudes is about as long as their good counterparts. In fact, its implied that their good looks helped them on the road to be big enough bads to seriously break things.
* In Creator/EdgarRiceBurroughs's ''Literature/TheMonsterMen'', how Virginia deduces Bulan's character
-->''At first she wondered if he could be a fugitive from justice—the perpetrator of some horrid crime, who dared not divulge his true name even in the remote fastness of a Bornean wilderness; but a glance at his frank and noble countenance drove every vestige of the traitorous thought from her mind. Her woman's intuition was sufficient guarantee of the nobility of his character. ''
* Played straight and inverted in ''Literature/InheritanceCycle''. On the one hand, a lot of the protagonists are described as attractive, especially the elves. On the other hand, said elves can and do use magic to shape their own bodies. One character says something to the effect of every elf looking exactly like they want, and some are described as terrifying and animalistic. Not to mention that some of the elves, like Vanir, may be on the protagonist's side, but hardly embody "[[FantasticRacism good]]".
* In keeping with the interested study of good versus bad, competent versus incompetent, and the hilarious world of deadly political machinations, ''Literature/TheWheelOfTime'' has the important characters as beautiful more often than good or evil ''per se''. Some of the more attractive characters are important in part because of how they use their looks to get ahead, such as Berelain using her sexuality to help play the neighboring rulers off of each other.
* Every single one of Creator/{{Danielle Steel}}'s protagonists is stunningly gorgeous or handsome, without any extra effort or help needed, and if they're over forty, it's frequently mentioned that they look much younger than they are. The closest she's come to an unattractive heroine is the HollywoodPudgy title character of the novel "Big Girl". The beauty is just the tip of the iceberg, as most of them border on PuritySue--intelligent, hard-working, etc. Any "flaws" only serve to make them more endearing and appealing.
* In "Literature/PrinceCharming", this seems to be true of Vasilisa, though Prince Dmitriv and the other courtiers can hardly believe it. Only because they are cynical, though.
* All of the protagonists of [[Literature/{{Dragons}} The Last Dragon Chronicles]] are described as - at the very least - good-looking at some point. Then, most bad guys are ugly as road kill. [[spoiler:AND THEN you have everyone who got infected by the Shadow - horribly deformed. But they're back to being pretty after it's gone.]]

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