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** As mentioned above, '[[https://www.youtube.com/watch?v=8PO5Bx0-vSs Stampede]]" is one of the greatest pieces of chase music ever written, supported tremendously by the choral work, and the evocative percussion.

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** As mentioned above, '[[https://www."[[https://www.youtube.com/watch?v=8PO5Bx0-vSs Stampede]]" is one of the greatest pieces of chase music ever written, supported tremendously by the choral work, and the evocative percussion.



** On the instrumental side, [[https://www.youtube.com/watch?v=V_E_pMCX5M4 Red Sea's]] masterful use of tempo and instrumentation make the listener feel every emotion present in the film, and while [[https://www.youtube.com/watch?v=t3rOPDSasxI Cry]] isn't particularly famous, Zimmer's use of motif and vocals accentuates the pain felt by the slaves.

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** On the instrumental side, [[https://www.youtube.com/watch?v=V_E_pMCX5M4 Red Sea's]] masterful use of tempo and instrumentation make the listener feel every emotion present in the film, and while [[https://www."[[https://www.youtube.com/watch?v=t3rOPDSasxI Cry]] Cry]]" isn't particularly famous, Zimmer's use of motif and vocals accentuates the pain felt by the slaves.



** "[[https://www.youtube.com/watch?v=t0v0_mc44Gk Goodbye, Brother]]." From the opening, where you can practically feel Moses' mounting rage at the injustices he witnesses, to the end, most especially the final chord before he runs away from Egypt forever, as Ramses calls out for him to stop.



** There's also the gentle, somber "[https://www.youtube.com/watch?v=7tr7t04QBwA Of Death and Dying]]."

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** There's also the gentle, somber "[https://www."[[https://www.youtube.com/watch?v=7tr7t04QBwA Of Death and Dying]]."
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* No discussion of Zimmer's work would be complete without mentioning ''WesternAnimation/TheLionKing1994'' -- quite possibly the CrowningMomentOfAwesome of his whole career.

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* No discussion of Zimmer's work would be complete without mentioning ''WesternAnimation/TheLionKing1994'' -- quite possibly the CrowningMomentOfAwesome SugarWiki/CrowningMomentOfAwesome of his whole career.

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*** Sadly the [[https://www.youtube.com/watch?v=xKx611dyQHk#t=0m50s music from the climactic scene]] mentioned above ("Part of the Ship"/"Hold On") is only used once in ''World's End'', and not in any other track. Zimmer said he had come up with a musical cue so good, he kicked himself for using it in an existing work.

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*** Sadly Sadly, the [[https://www.youtube.com/watch?v=xKx611dyQHk#t=0m50s music from the climactic scene]] mentioned above ("Part of the Ship"/"Hold On") is only used once in ''World's End'', and not in any other track. Zimmer said he had come up with a musical cue so good, he kicked himself for using it in an existing work.



* ''WesternAnimation/SpiritStallionOfTheCimarron'' is an animated movie about a horse. The horse, amazingly, never speaks more than a bit of narration. It doesn't matter, because Hans Zimmer wrote the soundtrack, and it is AWESOMELY expressive:
** [[https://www.youtube.com/watch?v=dZLcBLmph3Q "Run Free"]] and [[https://www.youtube.com/watch?v=PZiFQOrzgWc "Homeland"]]. Bryan Adams wrote the lyrics, and while they don't work for some, "You Can't Take Me" is a rousing anthem for freedom.
** "[[https://www.youtube.com/watch?v=I6HphiEUx1I Canyon Chase]]" must be, by far, his greatest chase cue to date, after "[[WesternAnimation/TheLionKing1994 Stampede]]".

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* ''WesternAnimation/SpiritStallionOfTheCimarron'' is an animated movie about a horse. The horse, amazingly, never speaks more than a bit of narration. It doesn't matter, because Hans Zimmer wrote the soundtrack, score, and co-wrote several of the songs, and it is AWESOMELY expressive:
** [[https://www.youtube.com/watch?v=dZLcBLmph3Q "Run Free"]] and [[https://www.youtube.com/watch?v=PZiFQOrzgWc "Homeland"]]. Bryan Adams wrote the lyrics, and while they don't work for some, "You Can't Take Me" is a rousing anthem for freedom.
** "[[https://www.youtube.com/watch?v=wIt0WCWcZWQ Homeland]]" is equally graceful and majestic, especially with the big musical swell at the 2:46 mark. It helps that this track is basically an instrumental version of the film's [[ThemeSong thematic anthem]], "[[https://www.youtube.com/watch?v=crYGDqtTtho I Will Always Return]]."
** "[[https://www.youtube.com/watch?v=GlfCzxSTAKU Reunion]]" -- it perfectly expresses Spirit's unbridled (pun intended) joy at seeing that Rain is OK, and finally being able to go home (though there ''is'' a brief moment where he shares a tear-jerking goodbye with Little Creek).
*** For that matter, there's "[[https://www.youtube.com/watch?v=2RW2bP8V4J0 Swimming]]," a sweet piece that plays over the scene where Spirit and Rain begin bonding. Both tracks are instrumentals of the song "[[https://www.youtube.com/watch?v=QPVOKCnMcOg Nothing I've Ever Known]]," which narrates Spirit's conflicting feelings over his deepening love for Rain and his desire to return to his homeland.
** "[[https://www.youtube.
com/watch?v=I6HphiEUx1I Canyon Chase]]" must be, by far, his Zimmer's greatest chase cue to date, after "[[WesternAnimation/TheLionKing1994 Stampede]]".Stampede]]." It never fails to get your adrenaline pumping.



* Zimmer definitely deserves a mention for composing the incidental music for ''WesternAnimation/TheLionKing1994''. "This Land", especially, is simply breathtaking.
** "[[https://www.youtube.com/watch?v=CwwRqxlOCUU King of Pride Rock]]" near the end of the film (which plays during Simba's AwesomeMomentOfCrowning) is very moving.
** It's one of the few scores to use heroic marches and victorious music performed exclusively by traditional African choirs. Simba's ascension theme, known unofficially as "Busa", bookends the movie during the end credits.
** [[https://www.youtube.com/watch?v=RE_1NGhMwHQ&t=5m19s "Remember,"]] the cue that plays when Mufasa apparates from the clouds, is a stunning accompaniment to Simba seeing his father for the first time since his death.
%%** "[[https://www.youtube.com/watch?v=vOf78z3Hi4U Under the Stars]]" is gorgeous as well.
%%** [[https://www.youtube.com/watch?v=HoqAHSEx82M Scar and Simba Fight]] (the first 40 seconds of that video).

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* Zimmer definitely deserves a mention for composing No discussion of Zimmer's work would be complete without mentioning ''WesternAnimation/TheLionKing1994'' -- quite possibly the incidental CrowningMomentOfAwesome of his whole career.
** For one thing, it's one of the few scores to use heroic marches and victorious
music for ''WesternAnimation/TheLionKing1994''. "This Land", especially, performed primarily by traditional African choirs. One particularly notable example is simply breathtaking.
"[[https://www.youtube.com/watch?v=2iUsGMfjP1s Busa]]," which crops up throughout the score -- Simba's decision to return home after talking to Mufasa's ghost, the shot of him running through the desert, and, of course, his AwesomeMomentOfCrowning.
** "[[https://www.youtube.com/watch?v=CwwRqxlOCUU King of Pride Rock]]" near com/watch?v=UrYTfeZY4Os "Remember]]," the end of the film (which cue that plays during Simba's AwesomeMomentOfCrowning) is very moving.
** It's one of
when Mufasa apparates from the few scores clouds, is a stunning accompaniment to use heroic marches and victorious music performed exclusively by traditional African choirs. Simba's ascension theme, known unofficially as "Busa", bookends Simba seeing his father for the movie during the end credits.
first time since his death.
** [[https://www.As mentioned above, '[[https://www.youtube.com/watch?v=RE_1NGhMwHQ&t=5m19s "Remember,"]] com/watch?v=8PO5Bx0-vSs Stampede]]" is one of the cue that plays when Mufasa apparates from greatest pieces of chase music ever written, supported tremendously by the clouds, is a stunning accompaniment to Simba seeing his father for choral work, and the first time since his death.
%%** "[[https://www.
evocative percussion.
*** The [[https://www.
youtube.com/watch?v=vOf78z3Hi4U Under the Stars]]" is gorgeous as well.
%%** [[https://www.youtube.com/watch?v=HoqAHSEx82M Scar and Simba Fight]] (the first 40 seconds of that video).
com/watch?v=ASB7Zhmlhj0 Broadway remix]] takes this UpToEleven.



* Zimmer divided the score to ''WesternAnimation/ThePrinceOfEgypt'' with Stephen Schwartz, who wrote the vocal tracks while Zimmer wrote the instrumental music. Both sides of the soundtrack have many awesome moments.

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* Zimmer divided the score to ''WesternAnimation/ThePrinceOfEgypt'' with Stephen Schwartz, who wrote the vocal tracks while Zimmer wrote the instrumental music.score to ''WesternAnimation/ThePrinceOfEgypt'', as well as orchestrating Stephen Schwartz's songs. Both sides of the soundtrack have many awesome moments.



** Among vocal tracks, there is the powerful opening piece, "[[https://www.youtube.com/watch?v=_GbI2Tlt55w Deliver Us]]," sung by Ofra Haza.
** Try listening to "[[https://www.youtube.com/watch?v=Gur8ccqrQ9c When You Believe]]" and the multi-lingual [[https://www.youtube.com/watch?v=wfL6TxY2aMo version]] and not tear up.
** [[https://www.youtube.com/watch?v=UMBMxKHuBzE The Burning Bush]]. Just... wow. Moses talking to God, and the music SHOWS it.
** "[[https://www.youtube.com/watch?v=whDr4MJbIhs Heaven's Eyes]]" is just full of this really great, fun energy!
** [[https://www.youtube.com/watch?v=3oX-Kcx2BAc "The Plagues"]], incredibly powerful and dynamic.

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** Among vocal tracks, there is the powerful opening piece, "[[https://www.youtube.com/watch?v=_GbI2Tlt55w Deliver Us]]," sung by Ofra Haza.
featuring Creator/OfraHaza.
** Try listening to "[[https://www.youtube.com/watch?v=Gur8ccqrQ9c When You Believe]]" and (including the multi-lingual [[https://www.youtube.com/watch?v=wfL6TxY2aMo version]] multi-lingual version]]) and not tear up.
** [[https://www."[[https://www.youtube.com/watch?v=UMBMxKHuBzE The Burning Bush]]. " Just... wow. Moses talking to God, and the music SHOWS it.
** "[[https://www.youtube.com/watch?v=whDr4MJbIhs Through Heaven's Eyes]]" is just full of this really great, fun energy!
** [[https://www."[[https://www.youtube.com/watch?v=3oX-Kcx2BAc "The Plagues"]], The Plagues]]," incredibly powerful and dynamic.



** "[[https://www.youtube.com/watch?v=GuxZRf-OB7k Chariot Race]]" is worth mentioning, as well: Intense, exciting, and playful all at once.
** On the calmer end of the spectrum, there's the haunting "[[https://www.youtube.com/watch?v=q3xnbxmb9Pg Following Tzipporah]]."

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** "[[https://www.youtube.com/watch?v=GuxZRf-OB7k Chariot Race]]" is worth mentioning, as well: Race]]": Intense, exciting, and playful all at once.
** On the calmer end of the spectrum, there's the haunting haunting, ethereal, and appropriately Mideastern-flavored "[[https://www.youtube.com/watch?v=q3xnbxmb9Pg Following Tzipporah]]."


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* Mention should also be made of Hans Zimmer's first collaboration with Lebo M., ''Literature/ThePowerOfOne'' (1992):
** The opening track, "[[https://www.youtube.com/watch?v=PFp_puk7cRs The Rainmaker]]" is absolutely EPIC. If ever there was a piece of music that could be described as the spiritual predecessor to "Circle of Life," this would be the one.
** [[https://www.youtube.com/watch?v=GvC1LxBF2OQ Both]] [[https://www.youtube.com/watch?v=PZNp6AFBKdg versions]] of "Mother Africa." Pure musical ''gold''.
** There's also the gentle, somber "[https://www.youtube.com/watch?v=7tr7t04QBwA Of Death and Dying]]."
** Three words: "[[https://www.youtube.com/watch?v=65fXqyhO5fQ Penny Whistle Song]]." Playful, jaunty, and utterly [[EarWorm hummable]].
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** "[[https://www.youtube.com/watch?v=GuxZRf-OB7k Chariot Race]]"! Intense, exciting, and playful all at once.
%%** The haunting "[[https://www.youtube.com/watch?v=q3xnbxmb9Pg Following Tzipporah]]."

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** "[[https://www.youtube.com/watch?v=GuxZRf-OB7k Chariot Race]]"! Race]]" is worth mentioning, as well: Intense, exciting, and playful all at once.
%%** The ** On the calmer end of the spectrum, there's the haunting "[[https://www.youtube.com/watch?v=q3xnbxmb9Pg Following Tzipporah]]."
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** Almost immediately thereafter, we have "[[https://www.youtube.com/watch?v=pgDzqM-JliY Leap of Faith]]" -- the icing on the cake.

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** *** Almost immediately thereafter, we have "[[https://www.youtube.com/watch?v=pgDzqM-JliY Leap of Faith]]" -- the icing on the cake.



* In addition to his film scores, Hans Zimmer has scored a fair number of TV series, as well. One of his earliest is ''[[https://www.youtube.com/playlist?list=PLtbPqxr-6l36G--GhjutrvorE5RHU6MEe Millennium: Tribal Wisdom and the Modern World]],'' in 1992. The score to this series boasts such musical gems as "[[https://www.youtube.com/watch?v=W0zhb5ovmhA Stories for a Thousand Years]]" and "[[https://www.youtube.com/watch?v=ipHNARK169s The Journey Begins]]" (the latter featured as the [[RecycledTrailerMusic trailer music]] for ''Film/FlyAwayHome'').

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* In addition to his film scores, Hans Zimmer has scored a fair number of TV series, as well. One of his Zimmer's earliest TV scores is that for ''[[https://www.youtube.com/playlist?list=PLtbPqxr-6l36G--GhjutrvorE5RHU6MEe Millennium: Tribal Wisdom and the Modern World]],'' World]]'', in 1992. The score to this series boasts such musical gems as "[[https://www.youtube.com/watch?v=W0zhb5ovmhA Stories for a Thousand Years]]" and "[[https://www.youtube.com/watch?v=ipHNARK169s The Journey Begins]]" (the latter featured of which was later used as the [[RecycledTrailerMusic trailer music]] for ''Film/FlyAwayHome'').

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All right, the zero-context example problem on this page is getting out of hand.


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%% Administrivia/ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Do not uncomment them without expanding them to explain what makes these tracks awesome. A video link is not context. Identifying when a track plays is not context. A single adjective is not context. WHY are these tracks AWESOME?
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* "[[https://www.youtube.com/watch?v=TG9-j3eevL4 Journey to the Line]]" from his score for ''Film/TheThinRedLine''. Starts as a weird repetitive pinging sound in the background; builds to a heart-rending climax.

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* ''Film/TheThinRedLine'':
**
"[[https://www.youtube.com/watch?v=TG9-j3eevL4 Journey to the Line]]" from his score for ''Film/TheThinRedLine''. Starts starts as a weird repetitive pinging sound in the background; builds to a heart-rending climax.



* ''{{Film/Gladiator}}'s'' musical finale is also extremely touching, climaxing with the track [[https://www.youtube.com/watch?v=vHAvjaHtlMA Now We Are Free]], which is sung in a language that no one can understand but conveys the ''exact'' message as the title. [[https://www.youtube.com/watch?v=ZAOTSO9ioZk The Battle]] is ten minutes of pure AWESOME.
* Similar is the epic finale to ''Film/KingArthur'' (2004), a film that [[WhatCouldHaveBeen sadly didn't quite come off]] because of [[SoOkayItsAverage the script]]... but Zimmer's score and Clive Owen makes you feel it at the end: [[https://www.youtube.com/watch?v=tloVx_b-YIs "All Of Them" (Marriage of Arthur and Guinevere).]] And as for [[https://www.youtube.com/watch?v=nsRgOS1K--c "Budget Meeting"]], face it - that sheerly epic instrumentation is the sole reason (aside from scrumptious donuts) that people would even bother to ''attend'' budget meetings in real life.

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* ''{{Film/Gladiator}}'s'' ''{{Film/Gladiator}}''[='=]s musical finale is also extremely touching, climaxing with the track [[https://www.youtube.com/watch?v=vHAvjaHtlMA Now We Are Free]], which is sung in a language that no one can understand but conveys the ''exact'' message as the title. [[https://www.youtube.com/watch?v=ZAOTSO9ioZk The Battle]] is ten minutes of pure AWESOME.
* Similar is the epic finale to ''Film/KingArthur'' (2004), a film that (2004) [[WhatCouldHaveBeen sadly didn't quite come off]] because of [[SoOkayItsAverage the script]]... but Zimmer's score and Clive Owen makes you feel it at the end: [[https://www.youtube.com/watch?v=tloVx_b-YIs "All Of Them" (Marriage of Arthur and Guinevere).]] And as for [[https://www.youtube.com/watch?v=nsRgOS1K--c "Budget Meeting"]], face it - that sheerly epic instrumentation is the sole reason (aside from scrumptious donuts) that people would even bother to ''attend'' budget meetings in real life.



** Then there is the incomparable, [[SugarWiki/FunnyMoments gut-busting]], and [[BigLippedAlligatorMoment completely random]] "[[https://www.youtube.com/watch?v=F-bbbQDjkTY Cabin Fever]]".

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** Then there is the The incomparable, [[SugarWiki/FunnyMoments gut-busting]], and [[BigLippedAlligatorMoment completely random]] "[[https://www.youtube.com/watch?v=F-bbbQDjkTY Cabin Fever]]".



** [[https://www.youtube.com/watch?v=9SIx1s750Ak Blackbeard's]] theme from ''On Stranger Tides''.
** The haunting and unsettling [[https://www.youtube.com/watch?v=yCyj0Or4Fw4 Mermaid's]] theme.

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** %%** [[https://www.youtube.com/watch?v=9SIx1s750Ak Blackbeard's]] theme from ''On Stranger Tides''.
** %%** The haunting and unsettling [[https://www.youtube.com/watch?v=yCyj0Or4Fw4 Mermaid's]] theme.



%%What about them? As written, these are zero-context examples. Add context to explain what makes these tracks awesome before uncommenting them.



* ''WesternAnimation/SpiritStallionOfTheCimarron'' is an animated movie about a horse. The horse, amazingly, never speaks more than a bit of narration. It doesn't matter, because Hans Zimmer wrote the soundtrack, and it is AWESOMELY expressive: [[https://www.youtube.com/watch?v=dZLcBLmph3Q "Run Free"]] and [[https://www.youtube.com/watch?v=PZiFQOrzgWc "Homeland"]]. Bryan Adams wrote the lyrics, and while they don't work for some, "You Can't Take Me" is a rousing anthem for freedom.

to:

* ''WesternAnimation/SpiritStallionOfTheCimarron'' is an animated movie about a horse. The horse, amazingly, never speaks more than a bit of narration. It doesn't matter, because Hans Zimmer wrote the soundtrack, and it is AWESOMELY expressive: expressive:
**
[[https://www.youtube.com/watch?v=dZLcBLmph3Q "Run Free"]] and [[https://www.youtube.com/watch?v=PZiFQOrzgWc "Homeland"]]. Bryan Adams wrote the lyrics, and while they don't work for some, "You Can't Take Me" is a rousing anthem for freedom.



*** And then, almost immediately thereafter, we have "[[https://www.youtube.com/watch?v=pgDzqM-JliY Leap of Faith]]" -- the icing on the cake.

to:

*** And then, almost ** Almost immediately thereafter, we have "[[https://www.youtube.com/watch?v=pgDzqM-JliY Leap of Faith]]" -- the icing on the cake.



* For an action movie example, ''Film/TheRock''. The first half of ''[[https://www.youtube.com/watch?v=qXmu-aLu3Mw Hummell Gets The Rockets]]'' (from the opening scene) is an emotionally powerful piece.

to:

* For an action movie example, ''Film/TheRock''. The first half of ''[[https://www.[[https://www.youtube.com/watch?v=qXmu-aLu3Mw Hummell "Hummell Gets The Rockets]]'' Rockets"]] (from the opening scene) is an emotionally powerful piece.



** It's one of the few scores to use heroic marches and victorious music performed exclusively by traditional African choirs. Simba's ascension theme, known nofficially as "Busa" bookends the movie during the end credits.
** "[[https://www.youtube.com/watch?v=vOf78z3Hi4U Under the Stars]]" is gorgeous as well.
** [[https://www.youtube.com/watch?v=HoqAHSEx82M Scar and Simba Fight]] (the first 40 seconds of that video).

to:

** It's one of the few scores to use heroic marches and victorious music performed exclusively by traditional African choirs. Simba's ascension theme, known nofficially unofficially as "Busa" "Busa", bookends the movie during the end credits.
** "[[https://www.youtube.com/watch?v=vOf78z3Hi4U Under the Stars]]" is gorgeous as well.
** [[https://www.youtube.com/watch?v=HoqAHSEx82M Scar and Simba Fight]] (the first 40 seconds of that video).
credits.



* ''Film/TearsOfTheSun'', particularly [[https://www.youtube.com/watch?v=F3thngs2mbw "Cameroon Border Post"]].
* From ''Film/TheLastSamurai'', "A Way of Life", "Red Warrior", "A Small Measure of Peace", and "The Way of the Sword".
* The first track from his score for ''[[Film/AngelsAndDemons Angels & Demons]]'', [[https://www.youtube.com/watch?v=RuzdgFCSE1c 160 BPM,]] also known as the Illuminati theme, is something diabolically epic and yet again entirely different from Zimmer.
** There's also [[https://www.youtube.com/watch?v=KNM3mFRsdcw The God Particle]], especially at the beginning.
** "Election by Adoration", carried by violin virtuoso Joshua Bell's solo, and an awesome backing on the organ. [[https://www.youtube.com/watch?v=Cf3Rv9x5WX4 'ere we go.]]

to:

* %%** "[[https://www.youtube.com/watch?v=vOf78z3Hi4U Under the Stars]]" is gorgeous as well.
%%** [[https://www.youtube.com/watch?v=HoqAHSEx82M Scar and Simba Fight]] (the first 40 seconds of that video).
%%*
''Film/TearsOfTheSun'', particularly [[https://www.youtube.com/watch?v=F3thngs2mbw "Cameroon Border Post"]].
* %%* From ''Film/TheLastSamurai'', "A Way of Life", "Red Warrior", "A Small Measure of Peace", and "The Way of the Sword".
* ''Film/AngelsAndDemons'':
**
The first track from his score for ''[[Film/AngelsAndDemons Angels & Demons]]'', track, [[https://www.youtube.com/watch?v=RuzdgFCSE1c 160 BPM,]] also known as the Illuminati theme, is something diabolically epic and yet again entirely different from Zimmer.
** There's also [[https://www.youtube.com/watch?v=KNM3mFRsdcw The God Particle]], especially at the beginning.
**
com/watch?v=Cf3Rv9x5WX4 "Election by Adoration", Adoration",]] carried by violin virtuoso Joshua Bell's solo, and an awesome backing on the organ. organ.
%%**
[[https://www.youtube.com/watch?v=Cf3Rv9x5WX4 'ere we go.]]com/watch?v=KNM3mFRsdcw The God Particle]], especially at the beginning.



** The song "[[https://www.youtube.com/watch?v=whDr4MJbIhs Heaven's Eyes]]" is just full of this really great, fun energy!
** And [[https://www.youtube.com/watch?v=3oX-Kcx2BAc "The Plagues"]], incredibly powerful and dynamic.

to:

** The song "[[https://www.youtube.com/watch?v=whDr4MJbIhs Heaven's Eyes]]" is just full of this really great, fun energy!
** And [[https://www.youtube.com/watch?v=3oX-Kcx2BAc "The Plagues"]], incredibly powerful and dynamic.



** And then we have the haunting "[[https://www.youtube.com/watch?v=q3xnbxmb9Pg Following Tzipporah]]."
** Don't forget "[[https://www.youtube.com/watch?v=GuxZRf-OB7k Chariot Race]]"! Intense, exciting, and playful all at once.
* The score of ''WesternAnimation/KungFuPanda'' deserves a mention for its awesome combination of Western and Chinese motifs. [[http://www.wat.tv/video/kung-fu-1yd7m_1xtbh_.html "Sacred Pool Of Tears"]] (stops at 2:55) is incredibly moving at the beginning, then made of awesomeness. [[https://www.youtube.com/watch?v=cdjnonJdxtM "Oogway Ascends"]] is a tear jerker.

to:

** And then we have the haunting "[[https://www.youtube.com/watch?v=q3xnbxmb9Pg Following Tzipporah]]."
** Don't forget "[[https://www.
youtube.com/watch?v=GuxZRf-OB7k Chariot Race]]"! Intense, exciting, and playful all at once.
%%** The haunting "[[https://www.youtube.com/watch?v=q3xnbxmb9Pg Following Tzipporah]]."
* The score of ''WesternAnimation/KungFuPanda'' deserves a mention for its awesome combination of Western and Chinese motifs. motifs.
**
[[http://www.wat.tv/video/kung-fu-1yd7m_1xtbh_.html "Sacred Pool Of Tears"]] (stops at 2:55) is incredibly moving at the beginning, then made of awesomeness. [[https://www.youtube.com/watch?v=cdjnonJdxtM "Oogway Ascends"]] is a tear jerker.



** Also from the sequel, [[https://www.youtube.com/watch?v=mHNCURegik8 "The Invasion Begins"]] and [[https://www.youtube.com/watch?v=BS3vRuZBlLA "Zen Ball Master"]] (which is a remix of "Hero").
* ''Film/RainMan'', primarily for "Las Vegas".
* His work on the soundtrack for ''Film/ThePacific'', particularly the opening theme, [[https://www.youtube.com/watch?v=XpdffyOFJso "Honor"]].

to:

** %%** Also from the sequel, [[https://www.youtube.com/watch?v=mHNCURegik8 "The Invasion Begins"]] and [[https://www.youtube.com/watch?v=BS3vRuZBlLA "Zen Ball Master"]] (which is a remix of "Hero").
* %%* ''Film/RainMan'', primarily for "Las Vegas".
* %%* His work on the soundtrack for ''Film/ThePacific'', particularly the opening theme, [[https://www.youtube.com/watch?v=XpdffyOFJso "Honor"]].



** [[https://www.youtube.com/watch?v=hiXyKU70iuc Walk Don't Rango]] will make you want to rango all day long
* His incredible theme for ''Film/{{Broken Arrow|1996}},'' which Marco Beltrami would later (controversially?) [[RecycledSoundtrack recycle]] for ''Film/{{Scream 2}}.'' [[https://www.youtube.com/watch?v=J0X8oKr6Hso Give it a listen.]]

to:

** [[https://www.youtube.com/watch?v=hiXyKU70iuc Walk Don't Rango]] will make you want to rango all day long
*
long.
%%*
His incredible theme for ''Film/{{Broken Arrow|1996}},'' which Marco Beltrami would later (controversially?) [[RecycledSoundtrack recycle]] for ''Film/{{Scream 2}}.'' [[https://www.youtube.com/watch?v=J0X8oKr6Hso Give it a listen.]]



* Hans Zimmer's score to ''Film/BlackRain'' definitely counts. [[https://www.youtube.com/watch?v=ur4kYdHHm-s An example]].

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* %%* Hans Zimmer's score to ''Film/BlackRain'' definitely counts.''Film/BlackRain''. [[https://www.youtube.com/watch?v=ur4kYdHHm-s An example]].



* In addition to his film scores, Hans Zimmer has scored a fair number of TV series, as well. One of his earliest is ''[[https://www.youtube.com/playlist?list=PLtbPqxr-6l36G--GhjutrvorE5RHU6MEe Millennium: Tribal Wisdom and the Modern World]],'' in 1992. The score to this series boasts such musical gems as "[[https://www.youtube.com/watch?v=W0zhb5ovmhA&list=PLQssAc9NIhNbIVQGYsw1SJT8Xmyf4zaf2&index=3 Stories for a Thousand Years]]" and "[[https://www.youtube.com/watch?v=ipHNARK169s The Journey Begins]]" (the latter featured as the [[RecycledTrailerMusic trailer music]] for ''Film/FlyAwayHome'').

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* In addition to his film scores, Hans Zimmer has scored a fair number of TV series, as well. One of his earliest is ''[[https://www.youtube.com/playlist?list=PLtbPqxr-6l36G--GhjutrvorE5RHU6MEe Millennium: Tribal Wisdom and the Modern World]],'' in 1992. The score to this series boasts such musical gems as "[[https://www.youtube.com/watch?v=W0zhb5ovmhA&list=PLQssAc9NIhNbIVQGYsw1SJT8Xmyf4zaf2&index=3 com/watch?v=W0zhb5ovmhA Stories for a Thousand Years]]" and "[[https://www.youtube.com/watch?v=ipHNARK169s The Journey Begins]]" (the latter featured as the [[RecycledTrailerMusic trailer music]] for ''Film/FlyAwayHome'').
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* In addition to his film scores, Hans Zimmer has scored a fair number of TV series, as well. One of his earliest is ''[[https://www.youtube.com/playlist?list=PLtbPqxr-6l36G--GhjutrvorE5RHU6MEe Millennium: Tribal Wisdom and the Modern World]]," in 1992. The score to this series boasts such musical gems as "[[https://www.youtube.com/watch?v=W0zhb5ovmhA&list=PLQssAc9NIhNbIVQGYsw1SJT8Xmyf4zaf2&index=3 Stories for a Thousand Years]]" and "[[https://www.youtube.com/watch?v=ipHNARK169s The Journey Begins]]" (the latter featured as the [[RecycledTrailerMusic trailer music]] for ''Film/FlyAwayHome'').

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* In addition to his film scores, Hans Zimmer has scored a fair number of TV series, as well. One of his earliest is ''[[https://www.youtube.com/playlist?list=PLtbPqxr-6l36G--GhjutrvorE5RHU6MEe Millennium: Tribal Wisdom and the Modern World]]," World]],'' in 1992. The score to this series boasts such musical gems as "[[https://www.youtube.com/watch?v=W0zhb5ovmhA&list=PLQssAc9NIhNbIVQGYsw1SJT8Xmyf4zaf2&index=3 Stories for a Thousand Years]]" and "[[https://www.youtube.com/watch?v=ipHNARK169s The Journey Begins]]" (the latter featured as the [[RecycledTrailerMusic trailer music]] for ''Film/FlyAwayHome'').
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* In addition to his film scores, Hans Zimmer has scored a fair number of TV series, as well. One of his earliest is ''[[https://www.youtube.com/playlist?list=PLtbPqxr-6l36G--GhjutrvorE5RHU6MEe Millennium: Tribal Wisdom and the Modern World]]," in 1992. The score to this series boasts such musical gems as "[[https://www.youtube.com/watch?v=W0zhb5ovmhA&list=PLQssAc9NIhNbIVQGYsw1SJT8Xmyf4zaf2&index=3 Stories for a Thousand Years]]" and "[[https://www.youtube.com/watch?v=ipHNARK169s The Journey Begins]]" (the latter featured as the [[RecycledTrailerMusic trailer music]] for ''Film/FlyAwayHome'').

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** "[[https://www.youtube.com/watch?v=I6HphiEUx1I Canyon Chase]]" must be, by far, his greatest chase cue to date, after "[[WesternAnimation/TheLionKing1994 Stampede]]".
*** And then, almost immediately thereafter, we have "[[https://www.youtube.com/watch?v=pgDzqM-JliY Leap of Faith]]" -- the icing on the cake.



* Alongside ''Prince of Egypt'' and ''Lion King'', one can't overlook Hans' work on ''[[WesternAnimation/SpiritStallionOfTheCimarron Spirit]]'':
** "[[https://www.youtube.com/watch?v=I6HphiEUx1I Canyon Chase]]" must be, by far, his greatest chase cue to date, after "[[WesternAnimation/TheLionKing1994 Stampede]]".
*** And then, almost immediately thereafter, we have "[[https://www.youtube.com/watch?v=pgDzqM-JliY Leap of Faith]]" -- the icing on the cake.
** "[[https://www.youtube.com/watch?v=wIt0WCWcZWQ Homeland]]," quite possibly the greatest main titles track in animation history.

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** It's one of the few scores to use heroic marches and victorious music performed exclusively by traditional African choirs. Simba's King Theme, known unofficially as "Busa Simba" bookends the movie during the end credits.
** [[https://www.youtube.com/watch?v=vOf78z3Hi4U Under the Stars]] is gorgeous as well.

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** It's one of the few scores to use heroic marches and victorious music performed exclusively by traditional African choirs. Simba's King Theme, ascension theme, known unofficially nofficially as "Busa Simba" "Busa" bookends the movie during the end credits.
** [[https://www."[[https://www.youtube.com/watch?v=vOf78z3Hi4U Under the Stars]] Stars]]" is gorgeous as well.


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** And then we have the haunting "[[https://www.youtube.com/watch?v=q3xnbxmb9Pg Following Tzipporah]]."
** Don't forget "[[https://www.youtube.com/watch?v=GuxZRf-OB7k Chariot Race]]"! Intense, exciting, and playful all at once.


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* Alongside ''Prince of Egypt'' and ''Lion King'', one can't overlook Hans' work on ''[[WesternAnimation/SpiritStallionOfTheCimarron Spirit]]'':
** "[[https://www.youtube.com/watch?v=I6HphiEUx1I Canyon Chase]]" must be, by far, his greatest chase cue to date, after "[[WesternAnimation/TheLionKing1994 Stampede]]".
*** And then, almost immediately thereafter, we have "[[https://www.youtube.com/watch?v=pgDzqM-JliY Leap of Faith]]" -- the icing on the cake.
** "[[https://www.youtube.com/watch?v=wIt0WCWcZWQ Homeland]]," quite possibly the greatest main titles track in animation history.
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Awesome moments from Zimmer's scores for ''Film/TheDarkKnightTrilogy'', ''VideoGame/ModernWarfare 2'', the ''Franchise/DCExtendedUniverse'', ''Film/TheAmazingSpiderMan2'', ''Film/{{Interstellar}}'' and ''Film/DarkPhoenix'' can be found [[AwesomeMusic/{{Batman}} here]], [[AwesomeMusic/CallOfDuty here]], [[AwesomeMusic/DCExtendedUniverse here]], [[AwesomeMusic/SpiderMan here]], [[AwesomeMusic/{{Interstellar}} here]], and [[AwesomeMusic/XMenFilmSeries here]].

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Awesome moments from Zimmer's scores for ''Film/TheDarkKnightTrilogy'', ''VideoGame/ModernWarfare 2'', the ''Franchise/DCExtendedUniverse'', ''Film/TheAmazingSpiderMan2'', ''Film/{{Interstellar}}'' and ''Film/DarkPhoenix'' can be found [[AwesomeMusic/{{Batman}} [[AwesomeMusic/TheDarkKnightTrilogy here]], [[AwesomeMusic/CallOfDuty here]], [[AwesomeMusic/DCExtendedUniverse here]], [[AwesomeMusic/SpiderMan here]], [[AwesomeMusic/{{Interstellar}} here]], and [[AwesomeMusic/XMenFilmSeries here]].
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* From ''Film/TheDaVinciCode'': "Chevalier du Sangreal." Also a TearJerker. Say what you will about the rest of the movie; the last scene [[https://www.youtube.com/watch?v=KcfNpfaGejA WINS.]]

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* From ''Film/TheDaVinciCode'': "Chevalier du Sangreal." Also a TearJerker. Say what you will about the rest of the movie; the last scene [[https://www.youtube.com/watch?v=KcfNpfaGejA WINS.]]]] It's so good that it's become Robert Langdon's theme, appearing prominently in the subsequent two films, usually to close out the movie as well.
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* Zimmer definitely deserves a mention for composing the incidental music for ''Disney/TheLionKing''. "This Land", especially, is simply breathtaking.

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* Zimmer definitely deserves a mention for composing the incidental music for ''Disney/TheLionKing''.''WesternAnimation/TheLionKing1994''. "This Land", especially, is simply breathtaking.
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Awesome moments from Zimmer's scores for ''Film/TheDarkKnightTrilogy'', ''VideoGame/ModernWarfare 2'', the ''Franchise/DCExtendedUniverse'', ''Film/TheAmazingSpiderMan2'', and ''Film/DarkPhoenix'' can be found [[AwesomeMusic/{{Batman}} here]], [[AwesomeMusic/CallOfDuty here]], [[AwesomeMusic/DCExtendedUniverse here]], [[AwesomeMusic/SpiderMan here]], and [[AwesomeMusic/XMenFilmSeries here]].

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Awesome moments from Zimmer's scores for ''Film/TheDarkKnightTrilogy'', ''VideoGame/ModernWarfare 2'', the ''Franchise/DCExtendedUniverse'', ''Film/TheAmazingSpiderMan2'', ''Film/{{Interstellar}}'' and ''Film/DarkPhoenix'' can be found [[AwesomeMusic/{{Batman}} here]], [[AwesomeMusic/CallOfDuty here]], [[AwesomeMusic/DCExtendedUniverse here]], [[AwesomeMusic/SpiderMan here]], [[AwesomeMusic/{{Interstellar}} here]], and [[AwesomeMusic/XMenFilmSeries here]].
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Fair enough, but you deleted the right parenthesis here.


* ''Film/DrivingMissDaisy'' has easily one of the best all-electronic scores of any major motion picture. Even cooler is that there's not a single other musician playing in it other than Zimmer himself. Every note of it is him on synthesizers (it eventually got a proper orchestral version during his ''Live In Prague'' show and still managed to sound catchy.

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* ''Film/DrivingMissDaisy'' has easily one of the best all-electronic scores of any major motion picture. Even cooler is that there's not a single other musician playing in it other than Zimmer himself. Every note of it is him on synthesizers (it eventually got a proper orchestral version during his ''Live In Prague'' show and still managed to sound catchy.catchy).
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* His theme for ''WesternAnimation/TheCritic'', equal parts his score for ''Film/DrivingMissDaisy'' and Music/GeorgeGershwin, complete with a clarinet glissando right out of "Rhapsody In Blue." It perfectly encapsulates the BigApplesauce feel of the show, not to mention is ''[[EarWorm really]]'' [[EarWorm catchy]].
* ''Film/DrivingMissDaisy'' has easily one of the best all-electronic scores of any major motion picture. Even cooler is that there's not a single other musician playing in it other than Zimmer himself. Every note of it is him on synthesizers (it eventually got a proper orchestral version during his ''Live In Prague'' show and still managed to sound [[EarWorm catchy as hell]]).

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* His theme for ''WesternAnimation/TheCritic'', equal parts his score for ''Film/DrivingMissDaisy'' and Music/GeorgeGershwin, complete with a clarinet glissando right out of "Rhapsody In Blue." It perfectly encapsulates the BigApplesauce feel of the show, not to mention is ''[[EarWorm really]]'' [[EarWorm catchy]].
show.
* ''Film/DrivingMissDaisy'' has easily one of the best all-electronic scores of any major motion picture. Even cooler is that there's not a single other musician playing in it other than Zimmer himself. Every note of it is him on synthesizers (it eventually got a proper orchestral version during his ''Live In Prague'' show and still managed to sound [[EarWorm catchy as hell]]).catchy.

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The X-Men film series also has its own page.


Awesome moments from Zimmer's scores for ''Film/TheDarkKnightTrilogy'', ''VideoGame/ModernWarfare 2'', the ''Franchise/DCExtendedUniverse'', and ''Film/TheAmazingSpiderMan2'' can be found [[AwesomeMusic/{{Batman}} here]], [[AwesomeMusic/CallOfDuty here]], [[AwesomeMusic/DCExtendedUniverse here]], and [[AwesomeMusic/SpiderMan here]].

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Awesome moments from Zimmer's scores for ''Film/TheDarkKnightTrilogy'', ''VideoGame/ModernWarfare 2'', the ''Franchise/DCExtendedUniverse'', ''Film/TheAmazingSpiderMan2'', and ''Film/TheAmazingSpiderMan2'' ''Film/DarkPhoenix'' can be found [[AwesomeMusic/{{Batman}} here]], [[AwesomeMusic/CallOfDuty here]], [[AwesomeMusic/DCExtendedUniverse here]], and [[AwesomeMusic/SpiderMan here]], and [[AwesomeMusic/XMenFilmSeries here]].



* ''Film/DarkPhoenix'': For his return to superhero movies following a hiatus after ''Film/BatmanVSupermanDawnOfJustice'', Zimmer produced a suitably epic soundtrack for the GrandFinale of the ''[[Film/XMenFilmSeries X-Men]]'' film series.
** [[https://www.youtube.com/watch?v=iD3uGMy3KTg "Gap"]] is majestic when the X-Men are launched into space, then turns frightening and frantic when they're confronted by the "solar flare" in the void of space.
** [[https://www.youtube.com/watch?v=werMrMJ5bNc "Frameshift"]] has a massive slow-down when it turns out Jean Grey can spot Quicksilver no matter how fast he is. It's essentially Jean's {{leitmotif}}, and it's suitably powerful.

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* ''Film/DarkPhoenix'': For his return to superhero movies following a hiatus after ''Film/BatmanVSupermanDawnOfJustice'', Zimmer produced a suitably epic soundtrack for the GrandFinale of the ''[[Film/XMenFilmSeries X-Men]]'' film series. [[https://www.youtube.com/watch?v=iD3uGMy3KTg "Gap"]] is majestic when the X-Men are launched into space, then turns frightening and frantic when they're confronted by the "solar flare" in the void of space.

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* ''Film/DarkPhoenix'': For his return to superhero movies following a hiatus after ''Film/BatmanVSupermanDawnOfJustice'', Zimmer produced a suitably epic soundtrack for the GrandFinale of the ''[[Film/XMenFilmSeries X-Men]]'' film series.
**
[[https://www.youtube.com/watch?v=iD3uGMy3KTg "Gap"]] is majestic when the X-Men are launched into space, then turns frightening and frantic when they're confronted by the "solar flare" in the void of space.
** [[https://www.youtube.com/watch?v=werMrMJ5bNc "Frameshift"]] has a massive slow-down when it turns out Jean Grey can spot Quicksilver no matter how fast he is. It's essentially Jean's {{leitmotif}}, and it's suitably powerful.

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A single second-level bullet is always incorrect indentation. Also fixing grammar and spelling mistakes.


* ''Film/DarkPhoenix'': For his return to superhero movies following a hiatus after ''Film/BatmanVSupermanDawnOfJustice'', Zimmer produced a suitably epic soundtrack for the GrandFinale of the ''[[Film/XMenFilmSeries X-Men]]'' film series.
** [[https://www.youtube.com/watch?v=iD3uGMy3KTg "Gap"]] is majestic when the X-Men are launched into space, then turns frightening and frantic when they're confronted to the "solar flare" in the void os space.

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* ''Film/DarkPhoenix'': For his return to superhero movies following a hiatus after ''Film/BatmanVSupermanDawnOfJustice'', Zimmer produced a suitably epic soundtrack for the GrandFinale of the ''[[Film/XMenFilmSeries X-Men]]'' film series. \n** [[https://www.youtube.com/watch?v=iD3uGMy3KTg "Gap"]] is majestic when the X-Men are launched into space, then turns frightening and frantic when they're confronted to by the "solar flare" in the void os of space.
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* ''Film/DarkPhoenix'': For his return to superhero movies following a hiatus after ''Film/BatmanVSupermanDawnOfJustice'', Zimmer produced a suitably epic soundtrack for the GrandFinale of the ''[[Film/XMenFilmSeries X-Men]]'' film series.
** [[https://www.youtube.com/watch?v=iD3uGMy3KTg "Gap"]] is majestic when the X-Men are launched into space, then turns frightening and frantic when they're confronted to the "solar flare" in the void os space.
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Linking directly instead of through redirect.


*** Also in the grand finale of [[https://www.youtube.com/watch?v=cScVoZWVDLQ#t=1m30s "One Day"]]. First heard on the voyage to World's End, and then completed with the BigDamnKiss, it's basically the unifying song of the third movie.

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*** Also in the grand finale of [[https://www.youtube.com/watch?v=cScVoZWVDLQ#t=1m30s "One Day"]]. First heard on the voyage to World's End, and then completed with the BigDamnKiss, TheBigDamnKiss, it's basically the unifying song of the third movie.
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* [[https://www.youtube.com/watch?v=QEAiRutzej4 "Skipping Stones"]] is a collaboration with Dan Reynolds of Music/ImagineDragons fame. If that doesn't convince you it's awesome, the rich violins and Dan's crooning voice will. It's probably the most heartwarming Hans Zimmer song this side of "Aurora".
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* While he is known largely for his movie soundtracks, he also composed the soundtracks for {{Creator/HBO}} shows''Series/BandOfBrothers'' and ''Series/ThePacific''. The latter's opening theme, [[https://www.youtube.com/watch?v=0P47yvI7SWM Honor,]] is particularly breathtaking.

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You haven't added one letter of context to these examples. Why did you uncomment them?


** [[http://www.youtube.com/watch?v=OReELb8wtsE "Dream is Collapsing"]].
** [[http://www.youtube.com/watch?v=EbwNnJ7UMek "528491"]].
** [[http://www.youtube.com/watch?v=tj-f8h3e-8o "Mombasa"]].

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** %%** [[http://www.youtube.com/watch?v=OReELb8wtsE "Dream is Collapsing"]].
** %%** [[http://www.youtube.com/watch?v=EbwNnJ7UMek "528491"]].
** %%** [[http://www.youtube.com/watch?v=tj-f8h3e-8o "Mombasa"]]."Mombasa"]].
%%Administrivia/WeblinksAreNotExamples.
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%%** [[http://www.youtube.com/watch?v=OReELb8wtsE "Dream is Collapsing"]].
%%** [[http://www.youtube.com/watch?v=EbwNnJ7UMek "528491"]].
%%** [[http://www.youtube.com/watch?v=tj-f8h3e-8o "Mombasa"]].

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%%** ** [[http://www.youtube.com/watch?v=OReELb8wtsE "Dream is Collapsing"]].
%%** ** [[http://www.youtube.com/watch?v=EbwNnJ7UMek "528491"]].
%%** ** [[http://www.youtube.com/watch?v=tj-f8h3e-8o "Mombasa"]].
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* The ''Film/SherlockHolmes'' soundtrack, especially "[[http://www.youtube.com/watch?v=b1WKLy84amg Psychological Recovery...6 Months]]", which gets bonus points for being more than [[EpicRocking eighteen minutes long]]. If you haven't got that kind of time, [[http://www.youtube.com/watch?v=cJwLGXfajuc Discombobulate]] manages to encapsulate pretty much everything you need to know about the Downey Jr.'s portrayal of Holmes, the setting, and the music for the rest of the film in one quirkily awesome two and a half minute package. And while it's more sedate at the beginning, [[http://www.youtube.com/watch?feature=player_detailpage&v=NgzRXTZ36lg#t=192s the last three minutes of "Catatonic"]] build up to an absolutely furiously paced climax that must have set a more than a couple violins on fire.

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* The ''Film/SherlockHolmes'' ''Film/SherlockHolmes2009'' soundtrack, especially "[[http://www.youtube.com/watch?v=b1WKLy84amg Psychological Recovery...6 Months]]", which gets bonus points for being more than [[EpicRocking eighteen minutes long]]. If you haven't got that kind of time, [[http://www.youtube.com/watch?v=cJwLGXfajuc Discombobulate]] manages to encapsulate pretty much everything you need to know about the Downey Jr.'s portrayal of Holmes, the setting, and the music for the rest of the film in one quirkily awesome two and a half minute package. And while it's more sedate at the beginning, [[http://www.youtube.com/watch?feature=player_detailpage&v=NgzRXTZ36lg#t=192s the last three minutes of "Catatonic"]] build up to an absolutely furiously paced climax that must have set a more than a couple violins on fire.
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Awesome moments from Zimmer's scores for ''Film/TheDarkKnightTrilogy'', ''VideoGame/ModernWarfare 2'', the ''Film/DCExtendedUniverse'', and ''Film/TheAmazingSpiderMan2'' can be found [[AwesomeMusic/{{Batman}} here]], [[AwesomeMusic/CallOfDuty here]], [[AwesomeMusic/DCExtendedUniverse here]], and [[AwesomeMusic/SpiderMan here]].

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Awesome moments from Zimmer's scores for ''Film/TheDarkKnightTrilogy'', ''VideoGame/ModernWarfare 2'', the ''Film/DCExtendedUniverse'', ''Franchise/DCExtendedUniverse'', and ''Film/TheAmazingSpiderMan2'' can be found [[AwesomeMusic/{{Batman}} here]], [[AwesomeMusic/CallOfDuty here]], [[AwesomeMusic/DCExtendedUniverse here]], and [[AwesomeMusic/SpiderMan here]].
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** The wonderful Morricone hommage "Parley" from the ''[[Film/PiratesOfTheCaribbeanAtWorldsEnd At World's End]]'' Soundtrack.

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** The wonderful Morricone hommage homage "Parley" from the ''[[Film/PiratesOfTheCaribbeanAtWorldsEnd At World's End]]'' Soundtrack.
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Examples should never refer to nearby examples with Word Cruft like "Speaking of [X]". Pages are re-organised or split all the time.


* Speaking of ''Film/DrivingMissDaisy'', that film has easily one of the best all-electronic scores of any major motion picture. Even cooler is that there's not a single other musician playing in it other than Zimmer himself. Every note of it is him on synthesizers (it eventually got a proper orchestral version during his ''Live In Prauge'' show and still managed to sound [[EarWorm catchy as hell]]).

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* Speaking of ''Film/DrivingMissDaisy'', that film ''Film/DrivingMissDaisy'' has easily one of the best all-electronic scores of any major motion picture. Even cooler is that there's not a single other musician playing in it other than Zimmer himself. Every note of it is him on synthesizers (it eventually got a proper orchestral version during his ''Live In Prauge'' Prague'' show and still managed to sound [[EarWorm catchy as hell]]).
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* Speaking of ''Film/DrivingMissDaisy'', that film has easily one of the best all-electronic scores of any major motion picture. Even cooler is that there's not a single other musician playing in it other than Zimmer himself. Every note of it is him on synthesizers (it eventually got a proper orchestral version during his ''Live In Prauge'' show and still managed to sound [[EarWorm catchy as hell]]).

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