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* Eddie Valiant killing the weasels by doing nothing but act like a Toon-that is, doing silly dances, singing, and abusing himself. Hell, the entire climax probably counts as a [=CMoA=].
* Eddie solves the location of the will with just these pieces of largely circumstantial evidence.
** Roger telling him, categorically, that he took a piece of paper from Jessica's changing room and wrote on it.

to:

* Eddie Valiant killing the weasels by doing nothing but act like a Toon-that Toon -- that is, doing silly dances, singing, rhyming, and abusing himself. Hell, the entire climax probably counts as a [=CMoA=].
* Eddie solves the location of the will with just these pieces of largely circumstantial evidence.
evidence:
** Roger telling him, categorically, that he took found a piece blank sheet of paper from in Jessica's changing room and wrote on it.



** Marvin Acme sprayed him with his pen, causing a small ink stain.
*** Due to that, he had the key piece of evidence, the 'love letter', and also a small bit of less important evidence, namely that Marvin Acme was using special ink on his will.

to:

** Marvin Acme sprayed him with his fountain pen, causing a small ink stain.
stain that disappeared.
*** Due to that, he had the key piece of evidence, the 'love letter', "love letter," and also a small bit of less important evidence, namely that Marvin Acme was using had special ink on in his will.pen.



--> '''Bullet 1''': Eddie Valiant! You're a sight for sore eyes!
--> '''Bullet 2''': I ain't seen you for nigh onto five years!
--> '''Bullet 1''': Where ya been?
--> '''Eddie''': ...Drunk. Feelin' frisky tonight, fellas?
--> '''Bullets:''' Yeah!
--> '''Eddie:''' ''(clicks open the gun cylinder)'' Let's go.
--> '''Bullets:''' ''(hoot and holler as they jump into the chambers)''
** Right after this, Eddie - an admitted heavy drinker - pulls out his bottle, looks at it for a moment, and then ''pours the remaining alcohol out and into the street''. Then he tosses the bottle in the air and takes a practice shot with the gun. The cartoon bullet ''demolishes'' it.

to:

--> '''Bullet -->'''Bullet 1''': Eddie Valiant! You're a sight for sore eyes!
-->
eyes!\\
'''Bullet 2''': I ain't seen you for nigh onto five years!
-->
years!\\
'''Bullet 1''': Where ya been?
-->
been?\\
'''Eddie''': ...Drunk. Feelin' You feelin' frisky tonight, fellas?
-->
fellas?\\
'''Bullets:''' Yeah!
-->
Yeah!\\
'''Eddie:''' ''(clicks open the gun cylinder)'' Let's go.
-->
go.\\
'''Bullets:''' ''(hoot and holler as they jump into the chambers)''
** Right after this, Eddie - -- an admitted heavy drinker - -- pulls out his bottle, looks at it for a moment, and then ''pours the remaining alcohol out and into onto the street''. Then he tosses the bottle in the air and takes a practice shot with the gun. The cartoon bullet ''demolishes'' it.



* "I'm not bad,...I'm just ''drawn'' that way."

to:

* "I'm not bad,...bad. I'm just ''drawn'' that way."



-->'''Doom:''' The rabbit says one way or another he and his wife gonna be happy. Is that true?\\

to:

-->'''Doom:''' The rabbit says one way or another he and his wife are gonna be happy. Is that true?\\



* Judge Doom's NewEraSpeech about the freeway's construction. Thanks to Creator/ChristopherLloyd's very convincing performance it's both terryfing and amazing.

to:

* Judge Doom's NewEraSpeech about the freeway's construction. Thanks to Creator/ChristopherLloyd's very convincing performance it's both terryfing terrifying and amazing.



* Creator/BobHoskins deserves some major props for his phenomenal acting. He's [[https://www.youtube.com/watch?v=u_VnHAy1Vdc TALKING TO AIR]] for about 95% of the time, but you honestly believe that the cartoons are there with him. A crowning example is Eddie walking through the Maroon Cartoons lot, pausing to observe all of the cartoon antics going on around him. ''None of which is actually there'' '''''and you can't tell.'''''
** What's even more amazing is how he straddles the line between realism and cartoon, which is a testament to his skill and the fact he was cast in the first place.
* Another star of the movie is simply the SugarWiki/VisualEffectsOfAwesome. Never before has animation been so convincingly and brilliantly fused with live-action footage (''hardly any computers, mind you'') making cartoons actually look like they physically occupy space in reality. It really set the bar for Live-Action/Animation hybrid films even today.

to:

* Creator/BobHoskins deserves some major props for his phenomenal acting. He's [[https://www.youtube.com/watch?v=u_VnHAy1Vdc TALKING TO AIR]] for about 95% of the time, but you honestly believe that the cartoons are there with him. A crowning example is Eddie walking through the Maroon Cartoons lot, pausing to observe all of the cartoon antics going on around him. ''None of which is actually there'' '''''and there '''and you can't tell.'''''
** What's even more amazing is how he straddles the line between realism and cartoon, cartoonish exaggeration, which is a testament to his skill and the fact he was cast wisdom of casting him in the first place.
* Another star of the movie is simply the SugarWiki/VisualEffectsOfAwesome. Never before has animation been so convincingly and brilliantly fused with live-action footage (''hardly any computers, mind you'') making cartoons actually look like they physically occupy space in reality. It really set the bar for Live-Action/Animation live-action/animation hybrid films even today.



* If you know anything about the legal nightmare of Disney and WB allowing their characters to be used in the film, it's a clear miracle that the movie was made at all. In particular, the two companies' properties had to share ''exactly'' the same amount of screentime, which is so smoothly integrated that you'd never notice unless you're looking for it.

to:

* If you know anything about the legal nightmare of Disney and WB allowing their characters to be used in the film, it's a clear miracle that the movie was made at all. In particular, the two companies' properties had to share ''exactly'' the same amount of screentime, screen time, which is so smoothly integrated that you'd never notice unless you're looking for it.

Added DiffLines:

* Judge Doom's NewEraSpeech about the freeway's construction. Thanks to Creator/ChristopherLloyd's very convincing performance it's both terryfing and amazing.


* Judge Doom deserves a mention too. He is probably the only villain who can [[spoiler:pull off a high pitched squeaky voice and make it sound '''legitimately threatening''']].

to:

* Judge Doom deserves a mention too. He is probably the only villain (well, other than WesternAnimation/InvaderZim and ''anyone'' voiced by Chris Latta) who can [[spoiler:pull off a high pitched squeaky voice and make it sound '''legitimately threatening''']].


[[caption-width-right:350:Two of the biggest [[WesternAnimation/MickeyMouse cartoon]] [[WesternAnimation/BugsBunny characters]] ever interacting with other? Tell me that's not awesome!]]

to:

[[caption-width-right:350:Two of the biggest [[WesternAnimation/MickeyMouse cartoon]] [[WesternAnimation/BugsBunny characters]] ever interacting with each other? Tell me that's not awesome!]]


----






* The film's audio commentary reveals a delicious point: Never do you see Doom blink. Christopher Lloyd came up with the idea and they loved it as [[spoiler: it turns out Doom's "eyes" are just fakes to cover up his Toon form.]] Just try to go several minutes without blinking and see how hard it is.

to:

* The film's audio commentary reveals a delicious point: [[TheUnblinking Never do you see Doom blink. Christopher Lloyd blink]]. Creator/ChristopherLloyd came up with the idea and they loved it as [[spoiler: it turns out Doom's "eyes" are just fakes to cover up his Toon form.]] Just try to go several minutes without blinking and see how hard it is.


* Roger has NoStuntDouble! Every AmusingInjury and ZanyCartoon gag is all him! And considering some of those stunts include (but are not limited to) HarmlessElectrocution with XRaySparks, HotSauceDrinking / BlazingInfernoHellFireSauce, KnifeOutline with GroinAttack near miss, and an InflatingBodyGag that takes some serious dedication and guts.

Added DiffLines:

* Hats off to the film for kickstarting the {{UsefulNotes/The Renaissance Age Of Animation}}, and saving animation in general as we know it. Without this film, any cartoon released after 1988 probably wouldn't have existed.


[[caption-width-right:350:Two cartoon characters from different studios interacting with other? Tell me that's not awesome!]]

to:

[[caption-width-right:350:Two cartoon characters from different studios of the biggest [[WesternAnimation/MickeyMouse cartoon]] [[WesternAnimation/BugsBunny characters]] ever interacting with other? Tell me that's not awesome!]]

Added DiffLines:

* Roger has NoStuntDouble! Every AmusingInjury and ZanyCartoon gag is all him! And considering some of those stunts include (but are not limited to) HarmlessElectrocution with XRaySparks, HotSauceDrinking / BlazingInfernoHellFireSauce, KnifeOutline with GroinAttack near miss, and an InflatingBodyGag that takes some serious dedication and guts.

Added DiffLines:

[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/mickey_mouse_bugs_bunny_113.jpg]]
[[caption-width-right:350:Two cartoon characters from different studios interacting with other? Tell me that's not awesome!]]


* Creator/BobHoskins deserves some major props for his phenomenal acting. He's TALKING TO AIR for about 95% of the time, but you honestly believe that the cartoons are there with him. A crowning example is Eddie walking through the Maroon Cartoons lot, pausing to observe all of the cartoon antics going on around him. ''None of which is actually there'' '''''and you can't tell.'''''

to:

* Creator/BobHoskins deserves some major props for his phenomenal acting. He's [[https://www.youtube.com/watch?v=u_VnHAy1Vdc TALKING TO AIR AIR]] for about 95% of the time, but you honestly believe that the cartoons are there with him. A crowning example is Eddie walking through the Maroon Cartoons lot, pausing to observe all of the cartoon antics going on around him. ''None of which is actually there'' '''''and you can't tell.'''''


** That cuff scene is more important for another element. The RunningGag of that scene is that Eddie keeps banging his head against an overhead lamp as he and Roger struggle against each other. The swing lamp causes the light to keep shifting and casting light all over the room throughout the entire scene, meaning the animators had to match up the light and shadows on and around Roger when they add him later. Most people in the audience wouldn't notice, and no other collection of artists would have likely cared to put in such a minor, inconsequential, agony-inducing detail, but they did it anyway. Such dedication and attention and care to detail has an unofficial name: Bumping the Lamp.

to:

** That cuff scene is more important for another element. The RunningGag of that scene is that Eddie keeps banging his head against an overhead lamp as he and Roger struggle against each other. The swing lamp causes the light to keep shifting and casting light all over the room throughout the entire scene, meaning the animators had to match up the light and shadows on and around Roger when they add him later. Most people in the audience wouldn't notice, and no other collection of artists would have likely cared to put in such a minor, inconsequential, agony-inducing detail, [[DoingItForTheArt but they this team did it anyway.anyway]]. Such dedication and attention and care to detail has an unofficial name: Bumping the Lamp.


** That cuff scene is more important for another element. The RunningGag of that scene is that Eddie keeps banging his head against an overhead lamp as he and Roger struggle against each other. The swing lamp causes the light to keep shifting and casting light all over the room throughout the entire scene, meaning the animators had to match up the light and shadows on Roger when they add him later. Most people in the audience didn't notice, and no other collection of artists would have likely cared to put in such a minor, inconsequential, agony-inducing detail, but they did it anyway. Such dedication and attention and care to detail has an unofficial name: Bumping the Lamp.

to:

** That cuff scene is more important for another element. The RunningGag of that scene is that Eddie keeps banging his head against an overhead lamp as he and Roger struggle against each other. The swing lamp causes the light to keep shifting and casting light all over the room throughout the entire scene, meaning the animators had to match up the light and shadows on and around Roger when they add him later. Most people in the audience didn't wouldn't notice, and no other collection of artists would have likely cared to put in such a minor, inconsequential, agony-inducing detail, but they did it anyway. Such dedication and attention and care to detail has an unofficial name: Bumping the Lamp.

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