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* This is a major theme in ''ComicBook/{{Hellblazer}}''. Since the beginning of its publication, writers have been putting their own political and philosophical British ideals in it, and since it follows real time than ComicBookTime, a lot of those ideals are coming from what was happening in the then-contemporary UK. Examples of this include Jamie Delano's negative views of Thatcher's regime and by 2005, includes the War against Terrorism. When Garth Ennis took over writing, he included racism, drugs, and religious fanaticism, which were popular at that time. The most controversial writer, Brian Azzarello, tackled issues such as Neo-Nazism, prison rape, and homosexuality. During Warren Ellis' run, he included American school shootings in a one-shot issue which led to a major controversy. As such, much of Hellblazer's horror often arises from the crises and controversies of its time.
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* This is a major theme in ''ComicBook/{{Hellblazer}}''. Since the beginning of its publication, writers have been putting their own political and philosophical British ideals in it, and since it follows real time than ComicBookTime, a lot of those ideals are coming from what was happening in the then-contemporary UK. Examples of this include Jamie Delano's negative views of Thatcher's regime and by 2005, includes the War against Terrorism. When Garth Ennis Creator/GarthEnnis took over writing, he included racism, drugs, and religious fanaticism, which were popular at that time. The most controversial writer, Brian Azzarello, tackled issues such as Neo-Nazism, prison rape, and homosexuality. During Warren Ellis' run, he included American school shootings in a one-shot issue which led to a major controversy. As such, much of Hellblazer's horror often arises from the crises and controversies of its time.
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* ''ComicBook/TheAvengersJasonAaron'' #20 is pretty much an entire issue dedicated to Aaron using [[ComicBook/SheHulk Jennifer Walter/She-Hulk]] to [[TakeThatCritics deliver a meta-mockery of everyone who has criticized his run on her.]] The most infamous highlight has to be the sequence where she notes that [[ComicBook/IncredibleHulk Bruce Banner]] once confessed to envying her, because her Hulk form was far less threatening and more socially acceptable than his own deformed and monstrous body — and she, incensed by it, retorted by complaining to him how her form was less frightening, but she was also the target of constantly being hit on by her allies, lusted after by civilians, exploited by sleazy paparazzi, and groped during her fights with supervillains. The issue literally concludes with her stating that she loves being ugly and scary like Bruce, and she wouldn't go back to her older She-Hulk bodies if she had the choice.
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* ''ComicBook/TheAvengersJasonAaron'' #20 is pretty much an entire issue dedicated to Aaron using [[ComicBook/SheHulk Jennifer Walter/She-Hulk]] to [[TakeThatCritics deliver a meta-mockery of everyone who has criticized his run on her.]] The most infamous highlight has to be the sequence where she notes that [[ComicBook/IncredibleHulk [[ComicBook/TheIncredibleHulk Bruce Banner]] once confessed to envying her, because her Hulk form was far less threatening and more socially acceptable than his own deformed and monstrous body — and she, incensed by it, retorted by complaining to him how her form was less frightening, but she was also the target of constantly being hit on by her allies, lusted after by civilians, exploited by sleazy paparazzi, and groped during her fights with supervillains. The issue literally concludes with her stating that she loves being ugly and scary like Bruce, and she wouldn't go back to her older She-Hulk bodies if she had the choice.
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* Lampshaded by Creator/GrantMorrison when they literally show up in ''ComicBook/AnimalMan'' to (among other things) mention that they feel their own writing for the book has become too preachy and contrived. Also deconstructed, as they note a potential hypocrisy in the way they rather self-righteously used Animal Man as a voice box for their own feelings about animal rights and vegetarianism while at the same time using their position of author to inflict numerous cruelties on the character (including the horrible murder of his family), which suggests both a similar sadistic impulse to inflict harm from a position of power onto something which can't fight back and a lack of high ground from which to pompously lecture the audience about their potential moral failings.
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* Lampshaded by Creator/GrantMorrison when they literally show up in ''ComicBook/AnimalMan'' to (among other things) mention that they feel their own writing for the book has become too preachy and contrived. Also deconstructed, as they note a potential hypocrisy in the way they rather self-righteously used Animal Man as a voice box for their own feelings about animal rights and vegetarianism while at the same time using their position of author to inflict numerous cruelties on the character (including the horrible murder of his family), which suggests both a similar sadistic impulse to inflict harm from a position of power onto something which can't fight back and consequently a lack of high ground from which to pompously lecture the audience about their potential moral failings.
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* Lampshaded by Creator/GrantMorrison when they literally show up in ''ComicBook/AnimalMan'' to (among other things) mention that they feel their own writing for the book has become too preachy and contrived. Also deconstructed, as they notes a potential hypocrisy in the way they rather self-righteously used Animal Man as a voice box for their own feelings about animal rights and vegetarianism while at the same time inflicting numerous cruelties on the character, including the horrible deaths of his family, and that there seems to be the same sadistic impulse to inflict harm on something which can't fight back going on there that means they don't have the high ground they might have initially thought.
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* Lampshaded by Creator/GrantMorrison when they literally show up in ''ComicBook/AnimalMan'' to (among other things) mention that they feel their own writing for the book has become too preachy and contrived. Also deconstructed, as they notes note a potential hypocrisy in the way they rather self-righteously used Animal Man as a voice box for their own feelings about animal rights and vegetarianism while at the same time inflicting using their position of author to inflict numerous cruelties on the character, including character (including the horrible deaths murder of his family, and that there seems to be the same family), which suggests both a similar sadistic impulse to inflict harm on from a position of power onto something which can't fight back going on there that means they don't have the and a lack of high ground they might have initially thought.from which to pompously lecture the audience about their potential moral failings.
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* Lampshaded by Creator/GrantMorrison when they literally show up in ''ComicBook/AnimalMan'' to (among other things) mention that they feel their own writing for the book has become too preachy and contrived.
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* Lampshaded by Creator/GrantMorrison when they literally show up in ''ComicBook/AnimalMan'' to (among other things) mention that they feel their own writing for the book has become too preachy and contrived. Also deconstructed, as they notes a potential hypocrisy in the way they rather self-righteously used Animal Man as a voice box for their own feelings about animal rights and vegetarianism while at the same time inflicting numerous cruelties on the character, including the horrible deaths of his family, and that there seems to be the same sadistic impulse to inflict harm on something which can't fight back going on there that means they don't have the high ground they might have initially thought.
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* ''ComicBook/TransformersDeviations'' was pretty much writer Brandon M. Easton shitting on the post-''WesternAnimation/TheTransformersTheMovie'' cast throughout the whole one-shot. [[spoiler:Pretty much every Autobot introduced in the movie, bar Blurr and Kup, die; Rodimus Prime dies using the Matrix, even though this didn't kill him in the film; and everyone is rude to Hot Rod when they weren't in the film -- and keep in mind that the the premise of the comic is Optimus was the one who walked away from the duel alive and Megatron was the one who died, so the other 'Bots have no good reason to treat Hot Rod like crap in this events when they didn't in the film despite Optimus's death.]]
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* ''ComicBook/TransformersDeviations'' was pretty much writer Brandon M. Easton shitting on the post-''WesternAnimation/TheTransformersTheMovie'' cast throughout the whole one-shot. [[spoiler:Pretty much every Autobot introduced in the movie, bar Blurr and Kup, die; Rodimus Prime dies using the Matrix, even though this didn't kill him in the film; and everyone is rude to Hot Rod when they weren't in the film -- and keep in mind that the the premise of the comic is Optimus was the one who walked away from the duel alive and Megatron was the one who died, so the other 'Bots have no good reason to treat Hot Rod like crap in this version of events when they didn't in the film despite Optimus's death.]]
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* ''ComicBook/JasonAaronsAvengers'' #20 is pretty much an entire issue dedicated to Aaron using [[ComicBook/SheHulk Jennifer Walter/She-Hulk]] to [[TakeThatCritics deliver a meta-mockery of everyone who has criticized his run on her.]] The most infamous highlight has to be the sequence where she notes that [[ComicBook/IncredibleHulk Bruce Banner]] once confessed to envying her, because her Hulk form was far less threatening and more socially acceptable than his own deformed and monstrous body — and she, incensed by it, retorted by complaining to him how her form was less frightening, but she was also the target of constantly being hit on by her allies, lusted after by civilians, exploited by sleazy paparazzi, and groped during her fights with supervillains. The issue literally concludes with her stating that she loves being ugly and scary like Bruce, and she wouldn't go back to her older She-Hulk bodies if she had the choice.
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* ''ComicBook/JasonAaronsAvengers'' ''ComicBook/TheAvengersJasonAaron'' #20 is pretty much an entire issue dedicated to Aaron using [[ComicBook/SheHulk Jennifer Walter/She-Hulk]] to [[TakeThatCritics deliver a meta-mockery of everyone who has criticized his run on her.]] The most infamous highlight has to be the sequence where she notes that [[ComicBook/IncredibleHulk Bruce Banner]] once confessed to envying her, because her Hulk form was far less threatening and more socially acceptable than his own deformed and monstrous body — and she, incensed by it, retorted by complaining to him how her form was less frightening, but she was also the target of constantly being hit on by her allies, lusted after by civilians, exploited by sleazy paparazzi, and groped during her fights with supervillains. The issue literally concludes with her stating that she loves being ugly and scary like Bruce, and she wouldn't go back to her older She-Hulk bodies if she had the choice.
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* ''ComicBook/TransformersDeviations'' was pretty much writer Brandon M. Easton shitting on the post-''WesternAnimation/TheTransformersTheMovie'' cast throughout the whole one-shot. [[spoiler:Pretty much every Autobot introduced in the movie, bar Blurr and Kup, die; Rodimus Prime dies using the Matrix, even though this didn't kill him in the film, thus he lived; and everyone is rude to Hot Rod when they weren't in the film -- and keep in mind Optimus Prime died in the film, and the premise of the comic is Optimus was the one who walked away from the duel alive and Megatron was the one who died, so the other 'Bots have no good reason to treat Hot Rod like crap in this events when they didn't in the film despite Optimus's death.]]
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* ''ComicBook/TransformersDeviations'' was pretty much writer Brandon M. Easton shitting on the post-''WesternAnimation/TheTransformersTheMovie'' cast throughout the whole one-shot. [[spoiler:Pretty much every Autobot introduced in the movie, bar Blurr and Kup, die; Rodimus Prime dies using the Matrix, even though this didn't kill him in the film, thus he lived; film; and everyone is rude to Hot Rod when they weren't in the film -- and keep in mind Optimus Prime died in that the film, and the premise of the comic is Optimus was the one who walked away from the duel alive and Megatron was the one who died, so the other 'Bots have no good reason to treat Hot Rod like crap in this events when they didn't in the film despite Optimus's death.]]
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* ''ComicBook/TransformersDeviations'' was pretty much writer Brandon M. Easton shitting on the post-''WesternAnimation/TheTransformersTheMovie'' cast throughout the whole one-shot. [[spoiler:Pretty much every Autobot introduced in the movie, bar Blurr and Kup, die; Rodimus Prime dies using the Matrix, even though he survived in the film; and everyone is rude to Hot Rod when they weren't in the film -- and keep in mind Optimus Prime died in the film, and the premise of the comic is Optimus was the one who walked away from the duel alive and Megatron was the one who died, so the other 'Bots have no damn reason to treat Hot Rod like crap.]]
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* ''ComicBook/TransformersDeviations'' was pretty much writer Brandon M. Easton shitting on the post-''WesternAnimation/TheTransformersTheMovie'' cast throughout the whole one-shot. [[spoiler:Pretty much every Autobot introduced in the movie, bar Blurr and Kup, die; Rodimus Prime dies using the Matrix, even though he survived this didn't kill him in the film; film, thus he lived; and everyone is rude to Hot Rod when they weren't in the film -- and keep in mind Optimus Prime died in the film, and the premise of the comic is Optimus was the one who walked away from the duel alive and Megatron was the one who died, so the other 'Bots have no damn good reason to treat Hot Rod like crap.crap in this events when they didn't in the film despite Optimus's death.]]
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* ''ComicBook/TransformersDeviations'' was pretty much writer Brandon M. Easton shitting on the post ''WesternAnimation/TheTransformersTheMovie'' cast for the one-shot. [[spoiler:Pretty much every Autobot introduced in the movie, bar Blurr and Kup, die; Rodimus Prime dies using the Matrix, even though he survived in the film; and everyone is rude to Hot Rod when they weren't in the film -- and keep in mind Optimus Prime died in the film, and the premise of the comic is Optimus was the one who walked away from the duel alive and Megatron was the one who died, so the other 'Bots have no damn reason to treat Hot Rod like crap.]]
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* ''ComicBook/TransformersDeviations'' was pretty much writer Brandon M. Easton shitting on the post ''WesternAnimation/TheTransformersTheMovie'' post-''WesternAnimation/TheTransformersTheMovie'' cast for throughout the whole one-shot. [[spoiler:Pretty much every Autobot introduced in the movie, bar Blurr and Kup, die; Rodimus Prime dies using the Matrix, even though he survived in the film; and everyone is rude to Hot Rod when they weren't in the film -- and keep in mind Optimus Prime died in the film, and the premise of the comic is Optimus was the one who walked away from the duel alive and Megatron was the one who died, so the other 'Bots have no damn reason to treat Hot Rod like crap.]]
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* ''ComicBook/TransformersDeviations'' was pretty much writer Brandon M. Easton shitting on the post ''WesternAnimation/TheTransformersTheMovie'' cast for the one-shot. [[spoiler:Pretty much every Autobot introduced in the movie, bar Blurr and Kup, die; Rodimus Prime dies using the Matrix, even though he survived in the film; and everyone is rude to Hot Rod when they weren't in the film -- and keep in mind Optimus died in the film, and the premise of the comic is Optimus walked away from his duel with Megatron alive while Megatron died, so the other 'Bots have no damn reason to treat Hot Rod like crap.]]
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* ''ComicBook/TransformersDeviations'' was pretty much writer Brandon M. Easton shitting on the post ''WesternAnimation/TheTransformersTheMovie'' cast for the one-shot. [[spoiler:Pretty much every Autobot introduced in the movie, bar Blurr and Kup, die; Rodimus Prime dies using the Matrix, even though he survived in the film; and everyone is rude to Hot Rod when they weren't in the film -- and keep in mind Optimus Prime died in the film, and the premise of the comic is Optimus was the one who walked away from his the duel with alive and Megatron alive while Megatron was the one who died, so the other 'Bots have no damn reason to treat Hot Rod like crap.]]
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* ''ComicBook/TheAvengers'' (2018) #20 is pretty much an entire issue dedicated to Jason Aaron using [[ComicBook/SheHulk Jennifer Walter/She-Hulk]] to [[TakeThatCritics deliver a meta-mockery of everyone who has criticized his run on her.]] The most infamous highlight has to be the sequence where she notes that [[ComicBook/IncredibleHulk Bruce Banner]] once confessed to envying her, because her Hulk form was far less threatening and more socially acceptable than his own deformed and monstrous body — and she, incensed by it, retorted by complaining to him how her form was less frightening, but she was also the target of constantly being hit on by her allies, lusted after by civilians, exploited by sleazy paparazzi, and groped during her fights with supervillains. The issue literally concludes with her stating that she loves being ugly and scary like Bruce, and she wouldn't go back to her older She-Hulk bodies if she had the choice.
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* ''ComicBook/TheAvengers'' (2018) ''ComicBook/JasonAaronsAvengers'' #20 is pretty much an entire issue dedicated to Jason Aaron using [[ComicBook/SheHulk Jennifer Walter/She-Hulk]] to [[TakeThatCritics deliver a meta-mockery of everyone who has criticized his run on her.]] The most infamous highlight has to be the sequence where she notes that [[ComicBook/IncredibleHulk Bruce Banner]] once confessed to envying her, because her Hulk form was far less threatening and more socially acceptable than his own deformed and monstrous body — and she, incensed by it, retorted by complaining to him how her form was less frightening, but she was also the target of constantly being hit on by her allies, lusted after by civilians, exploited by sleazy paparazzi, and groped during her fights with supervillains. The issue literally concludes with her stating that she loves being ugly and scary like Bruce, and she wouldn't go back to her older She-Hulk bodies if she had the choice.
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* ''ComicBook/TransformersDeviations'' was pretty much writer Brandon M. Easton shitting on the post ''WesternAnimation/TheTransformersTheMovie'' cast for the one-shot. [[spoiler:Pretty much every Autobot introduced in the movie, bar Blurr and Kup, die; Rodimus Prime dies using the Matrix, even though he survived in the film; and everyone is rude to Hot Rod when they weren't in the film -- and keep in mind Optimus died in the film, and the premise of the comic is Optimus walked away from his duel with Megatron alive while Megatron died, so the other 'Bots have no damn reason to treat Hot Rod like crap.]]
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* ''ComicBook/{{Marville}}'' started as an unfunny ShallowParody of superhero comics and [[UnintentionalPeriodPiece then trending pop culture]] before Bill Jemas went into a bizarre and nonsensical exploration on his beliefs concerning God, evolution, human violence, and death.
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** ''Cinema Purgatorio'' is essentially a monthly rant about why classic cinema is awful and evil in horror-comic form.
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** ''Cinema Purgatorio'' ''ComicBook/CinemaPurgatorio'' is essentially a monthly rant about why classic cinema is awful and evil in horror-comic form.
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Grammar
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* The final issue of ''ComicBook/GIJoeARealAmericanHeroMarvel'' is Creator/LarryHama, through the normally mute Snake-Eyes, writing a letter to someone asking if he should join the army that serves as a {{Deconstruction}} of the PatrioticFervor that ''Joe'' was often accused of promoting. He lays out the numerous issues with the military and the horrors of war, but ultimately concluding [[AWorldHalfFull that he had no regrets about serving]]. Hama's own military experience (being an EOD technician in Vietnam) gives the words a lot more power than they might have had being written by someone who didn't serve. To avoid a BrokenAesop, the recipient of the letter doesn't say definitively if he will enlist or not but instead promises to think it over more deeply.
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* The final issue of ''ComicBook/GIJoeARealAmericanHeroMarvel'' is Creator/LarryHama, through the normally mute Snake-Eyes, writing a letter to someone asking if he should join the army that serves as a {{Deconstruction}} of the PatrioticFervor that ''Joe'' was often accused of promoting. He lays out the numerous issues with the military military, the government, and its treatment of veterans, and punctuates them with numerous stories about the horrors of war, but war. In the end, however, Snake-Eyes (and Hama) ultimately concluding concludes [[AWorldHalfFull that he had no regrets about serving]]. Larry Hama's own military experience (being as an EOD technician in Vietnam) Vietnam gives the words a lot more power than they might have had being written by someone who didn't serve. To avoid a BrokenAesop, the recipient of the letter doesn't say definitively if he will enlist or not but instead promises to think it over more deeply.
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* The final issue of ''ComicBook/GIJoeARealAmericanHeroMarvel'' is Creator/LarryHama, through the normally mute Snake-Eyes, writing a letter to someone asking if he should join the army that serves as a {{Deconstruction}} of the PatrioticFervor that ''Joe'' was often accused of promoting. He lays out the numerous issues with the military and the horrors of war, but ultimately concluding [[AWorldHalfFull that he had no regrets about serving]]. Hama's own military experience (being an EOD technician in Vietnam) gives the words a lot more power than they might have had being written by someone who didn't serve. To avoid a BrokenAesop, the recipient of the letter doesn't say definitively if he will enlist or not but instead promises to think it over more deeply.
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more grant morrison pronouns
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* ''ComicBook/TheInvisibles'' was basically created as a way for Creator/GrantMorrison to explain his experiences with extraterrestrial contact and magic.
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* ''ComicBook/TheInvisibles'' was basically created as a way for Creator/GrantMorrison to explain his their experiences with extraterrestrial contact and magic.
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Corrected pronouns for Grant Morrison, who uses they/them
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* Lampshaded by Creator/GrantMorrison when he literally shows up in ''ComicBook/AnimalMan'' to (among other things) mention that he feels his own writing for the book has become too preachy and contrived.
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* Lampshaded by Creator/GrantMorrison when he they literally shows show up in ''ComicBook/AnimalMan'' to (among other things) mention that he feels his they feel their own writing for the book has become too preachy and contrived.
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* One of the reasons [[BunnyEarsLawyer William Moulton Marston]] created Franchise/WonderWoman was to convince everyone to come under "submission to loving authority" and how a "loving matriarchy" would be a superior, peaceful world government. Oh, and [[AuthorAppeal bondage is highly enjoyable]]. Subsequent writers mostly ignore all this.
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* One of the reasons [[BunnyEarsLawyer William Moulton Marston]] Creator/WilliamMoultonMarston created Franchise/WonderWoman was to convince everyone to come under "submission to loving authority" and how a "loving matriarchy" would be a superior, peaceful world government. Oh, and [[AuthorAppeal bondage is highly enjoyable]]. Subsequent writers mostly ignore all this.
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* ''ComicBook/AllAmericaComix'' is Creator/JoeCasey's treatise on how his version of ComicBook/AmericaChavez was new and revolutionary and that ''other'' America Chavez (i.e. the one popularized by Creator/KieronGillen) is a pale imitation.
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* ''Friends Forever Issue 14'' of ''[[ComicBook/MyLittlePonyFriendshipIsMagicIDW My Little Pony: Friendship Is Magic]]'', according to author Jeremy Whitley, was written to address what he believed were UnfortunateImplications from the episode ''Dragon Quest''.
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* ''Friends Forever Issue 14'' of ''[[ComicBook/MyLittlePonyFriendshipIsMagicIDW My Little Pony: Friendship Is Magic]]'', according to author Jeremy Whitley, was written to address what he believed were UnfortunateImplications from the episode ''Dragon Quest''. There are even moments where Mina, the character Jeremy created for the comic, goes as far as to stare at the viewer and [[{{Anvilicious}} bluntly declare his views to the reader]] while Spike effectively just nods and agrees.
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* William Moulton Marston unapologetically created Franchise/WonderWoman because ''"Not even girls want to be girls so long as our feminine archetype lacks force, strength, and power"'' and to convince everyone to come under "submission to loving authority" of a peaceful "loving matriarchy" (as he honestly believed women to be morally superior to men). Oh, and [[AuthorAppeal bondage is highly enjoyable]].
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* William Moulton Marston unapologetically created Franchise/WonderWoman because ''"Not even girls want to be girls so long as our feminine archetype lacks force, strength, and power"'' and to convince everyone to come under "submission to loving authority" of a peaceful "loving matriarchy" (as he honestly believed women to be morally superior to men). Oh, and [[AuthorAppeal bondage is highly enjoyable]].
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* Creator/PeterDavid has a reputation for putting his thoughts in characters' mouths -- and interestingly, this sometimes interferes with what he's really trying to do. [[https://www.peterdavid.net/2004/07/21/out-this-week-captain-marvel-25/ This thread]] on David's final issue of ''ComicBook/CaptainMarvel'' is, at first, full of debate over his use of the character Eulogy to criticize Marvel. But in fact, according to David later in the thread, most of Eulogy's comments were taken directly from ''fan'' criticism the comic had received.
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* "The Truth for Youth" by Creator/TimTodd are comics done featuring [{{Animesque}} Japanese-style]] characters talking about the evils of things like porn, drugs, and evolution.
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* "The Truth for Youth" by Creator/TimTodd are comics done featuring [{{Animesque}} [[{{Animesque}} Japanese-style]] characters talking about the evils of things like porn, drugs, and evolution.
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Cleaning up some subjectivity
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* While it's BestKnownForTheFanservice, ''ComicBook/TarotWitchOfTheBlackRose'' often preaches about how Wicca is more inclusive and tolerant than other religions... and how intolerant those other religions are towards Wiccans.
* "The Truth for Youth" by Creator/TimTodd are comics done in Japanese style artwork. They're like Chick Tracts, but a bit saner. It's pretty odd to read [[{{Animesque}} Japanese-style]] characters talking about the evils of porn. They still aren't that sane, however. For example, this statement about evolution:
* "The Truth for Youth" by Creator/TimTodd are comics done in Japanese style artwork. They're like Chick Tracts, but a bit saner. It's pretty odd to read [[{{Animesque}} Japanese-style]] characters talking about the evils of porn. They still aren't that sane, however. For example, this statement about evolution:
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* While it's BestKnownForTheFanservice, ''ComicBook/TarotWitchOfTheBlackRose'' often preaches about how Wicca is more inclusive and tolerant than other religions... and how intolerant those other religions are towards Wiccans.
* "The Truth for Youth" by Creator/TimTodd are comics donein Japanese style artwork. They're like Chick Tracts, but a bit saner. It's pretty odd to read [[{{Animesque}} featuring [{{Animesque}} Japanese-style]] characters talking about the evils of porn. They still aren't that sane, however. For example, this statement about evolution:things like porn, drugs, and evolution.
* "The Truth for Youth" by Creator/TimTodd are comics done
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* Creator/WarrenEllis has specifically stated that ''ComicBook/{{Transmetropolitan}}'' is basically him venting about his various opinions on politics and consumerism, with the main character being a sort of author surrogate. This is particularly notable in the issue where Spider Jerusalem takes on religion, which doesn't even end properly--the issue concludes with him dressed up as Jesus, tearing up a sort of [[WhatDoYouMeanItsNotSymbolic religious convention in a mall]] (while giving [[AuthorFilibuster a long speech]] about why religion sucks, of course) and getting tackled by security. [[BigLippedAlligatorMoment No mention is made of it afterward]]. Indeed, most of Ellis' comics seem to have characters declaring their sociopolitical views, which always are along the same lines, and close to the author's own opinions.
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* Creator/WarrenEllis has specifically stated that ''ComicBook/{{Transmetropolitan}}'' is basically him venting about his various opinions on politics and consumerism, with the main character being a sort of author surrogate. This is particularly notable in the issue where Spider Jerusalem takes on religion, which doesn't even end properly--the issue concludes with him dressed up as Jesus, tearing up a sort of [[WhatDoYouMeanItsNotSymbolic religious convention in a mall]] mall (while giving [[AuthorFilibuster a long speech]] about why religion sucks, of course) and getting tackled by security. [[BigLippedAlligatorMoment No mention is made of it afterward]].afterward. Indeed, most of Ellis' comics seem to have characters declaring their sociopolitical views, which always are along the same lines, and close to the author's own opinions.
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* The Dutch comic ''Earthling: Vegan Warrior'' -- which essentially attributes every evil in the world to the fact that we don't live in a global {{Veganopia}}, and pits its ComicBook/AnimalMan-{{expy}} DesignatedHero against [[TheWarOnStraw supervillains]] representing such ''[[SarcasmMode horrors]]'' as [[ArsonMurderAndJaywalking war, pollution, and eating meat or wearing leather]] -- is basically what you'd get if ''Webcomic/VeganArtbook'' were a Creator/RobLiefeld project.
to:
* The Dutch comic ''Earthling: Vegan Warrior'' -- which essentially attributes every evil in the world to the fact that we don't live in a global {{Veganopia}}, and pits its ComicBook/AnimalMan-{{expy}} DesignatedHero hero against [[TheWarOnStraw supervillains]] representing things such ''[[SarcasmMode horrors]]'' as [[ArsonMurderAndJaywalking war, pollution, and eating meat meat, or wearing leather]] -- is basically what you'd get if ''Webcomic/VeganArtbook'' were a Creator/RobLiefeld project.leather.
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* ''ComicBook/TheAvengers'' (2018) #20 is pretty much an entire issue dedicated to Jason Aaron using Jennifer to [[TakeThatCritics deliver a meta-mockery of everyone who has criticized his run on her.]] The most infamous highlight has to be the sequence where she notes that [[ComicBook/IncredibleHulk Bruce Banner]] once confessed to envying her, because her Hulk form was far less threatening and more socially acceptable than his own deformed and monstrous body — and she, incensed by it, retorted by complaining to him how her form was less frightening, but she was also the target of constantly being hit on by her allies, lusted after by civilians, exploited by sleazy paparazzi, and groped during her fights with supervillains. The issue literally concludes with her stating that she loves being ugly and scary like Bruce, and she wouldn't go back to her older She-Hulk bodies if she had the choice.
to:
* ''ComicBook/TheAvengers'' (2018) #20 is pretty much an entire issue dedicated to Jason Aaron using [[ComicBook/SheHulk Jennifer Walter/She-Hulk]] to [[TakeThatCritics deliver a meta-mockery of everyone who has criticized his run on her.]] The most infamous highlight has to be the sequence where she notes that [[ComicBook/IncredibleHulk Bruce Banner]] once confessed to envying her, because her Hulk form was far less threatening and more socially acceptable than his own deformed and monstrous body — and she, incensed by it, retorted by complaining to him how her form was less frightening, but she was also the target of constantly being hit on by her allies, lusted after by civilians, exploited by sleazy paparazzi, and groped during her fights with supervillains. The issue literally concludes with her stating that she loves being ugly and scary like Bruce, and she wouldn't go back to her older She-Hulk bodies if she had the choice.
Is there an issue? Send a MessageReason:
None
* ''ComicBook/TheAvengers'' (2018) #20 is pretty much an entire issue dedicated to Jason Aaron using Jennifer to [[TakeThatCritics deliver a meta-mockery of everyone who has criticized his run on her.]] The most infamous highlight has to be the sequence where she notes that [[ComicBook/IncredibleHulk Bruce Banner]] once confessed to envying her, because her Hulk form was far less threatening and more socially acceptable than his own deformed and monstrous body — and she, incensed by it, retorted by complaining to him how her form was less frightening, but she was also the target of constantly being hit on by her allies, lusted after by civilians, exploited by sleazy paparazzi, and groped during her fights with supervillains. The issue literally concludes with her stating that she loves being ugly and scary like Bruce, and she wouldn't go back to her older She-Hulk bodies if she had the choice.
Changed line(s) 33,34 (click to see context) from:
* ComicBook/TheAvengers (2018) #20 is pretty much an entire issue dedicated to Jason Aaron using Jennifer to [[TakeThatCritics deliver a meta-mockery of everyone who has criticized his run on her.]] The most infamous highlight has to be the sequence where she notes that [[ComicBook/IncredibleHulk Bruce Banner]] once confessed to envying her, because her Hulk form was far less threatening and more socially acceptable than his own deformed and monstrous body — and she, incensed by it, retorted by complaining to him how her form was less frightening, but she was also the target of constantly being hit on by her allies, lusted after by civilians, exploited by sleazy paparazzi, and groped during her fights with supervillains. The issue literally concludes with her stating that she loves being ugly and scary like Bruce, and she wouldn't go back to her older She-Hulk bodies if she had the choice.
to:
Is there an issue? Send a MessageReason:
None
Changed line(s) 33 (click to see context) from:
to:
* ComicBook/TheAvengers (2018) #20 is pretty much an entire issue dedicated to Jason Aaron using Jennifer to [[TakeThatCritics deliver a meta-mockery of everyone who has criticized his run on her.]] The most infamous highlight has to be the sequence where she notes that [[ComicBook/IncredibleHulk Bruce Banner]] once confessed to envying her, because her Hulk form was far less threatening and more socially acceptable than his own deformed and monstrous body — and she, incensed by it, retorted by complaining to him how her form was less frightening, but she was also the target of constantly being hit on by her allies, lusted after by civilians, exploited by sleazy paparazzi, and groped during her fights with supervillains. The issue literally concludes with her stating that she loves being ugly and scary like Bruce, and she wouldn't go back to her older She-Hulk bodies if she had the choice.
Is there an issue? Send a MessageReason:
None
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* Lampshaded by Creator/GrantMorrison when he literally shows up in ''ComicBook/AnimalMan'' to (among other things) mention that he feels his own writing for the book has become too preachy and contrived.
* This is a major theme in ''ComicBook/{{Hellblazer}}''. Since the beginning of its publication, writers have been putting their own political and philosophical British ideals in it, and since it follows real time than ComicBookTime, a lot of those ideals are coming from what was happening in the then-contemporary UK. Examples of this include Jamie Delano's negative views of Thatcher's regime and by 2005, includes the War against Terrorism. When Garth Ennis took over writing, he included racism, drugs, and religious fanaticism, which were popular at that time. The most controversial writer, Brian Azzarello, tackled issues such as Neo-Nazism, prison rape, and homosexuality. During Warren Ellis' run, he included American school shootings in a one-shot issue which led to a major controversy. As such, much of Hellblazer's horror often arises from the crises and controversies of its time.
* Dave Sim's ''ComicBook/CerebusTheAardvark'' eventually came to be dominated by Sim's viewpoints on the evils of feminism and his rather unusual take on the Abrahamic religions. An entire story arc was dominated by the title character reinterpreting pretty much the entire Torah.
* Jack Chick's ''ComicBook/ChickTracts'' are literally religious tracts in the form of comics. They contain thin stories to provide a framing story for an illustrated extract from Literature/TheBible and/or rant about how UsefulNotes/ThePope [[UsefulNotes/ConspiracyTheories secretly rules the world]] and ''TabletopGame/DungeonsAndDragons'' is a Satanic indoctrination tool. One tract explains where the idea came from -- Communist China found that Western children loved reading comics, so they decided that easy-to-understand comics would be an excellent medium with which to indoctrinate the people.
* ''ComicBook/TheInvisibles'' was basically created as a way for Creator/GrantMorrison to explain his experiences with extraterrestrial contact and magic.
* ''ComicBook/JLAActOfGod'' is entirely devoted to saying that Batman is right and the only way to fight crime is by being a normal vigilante with no special abilities. And also that superheroes are arrogant because only God should have power, it even goes so far as to have Wonder Woman [[spoiler: convert to Catholicism, in spite of her being an Amazon, who has met Greek gods before.]] Worse when you consider that {{God}} explicitly exists in the DC-verse and clearly knows about and ''approves'' of them, even empowering some and taking a "light touch" approach supporting others.
* David Mack's ''ComicBook/{{Kabuki}}'' started out as action-adventure (though already with some genre savviness and self-reflexivity) and eventually became a meditation on producing independent art (turning the self-reflexivity and self-reference up to 11).
* ''ComicBook/LiberalityForAll'' is basically one long super-conservative author tract which posits the idea that the UN and Democrats want to put terrorists in charge of the United States. And that only a superhero team made up of a Creator/FoxNewsChannel talk show host and two conservative talk-radio hosts/convicted felons -- all with {{Cyborg}} ArtificialLimbs -- can save us all.
* ''Friends Forever Issue 14'' of ''[[ComicBook/MyLittlePonyFriendshipIsMagicIDW My Little Pony: Friendship Is Magic]]'', according to author Jeremy Whitley, was written to address what he believed were UnfortunateImplications from the episode ''Dragon Quest''.
--> "[[https://derpicdn.net/img/view/2015/3/5/842487.png ...because as somebody with a little brown daughter I find that message (from Dragon Quest) to be toxic.]]"
* ''ComicBook/SkyDoll'' by Barbara Canepa and Alessandro Barbucci often veers into this territory, which the overall story could be interpreted as an author tract against all religion in general.
* While it's BestKnownForTheFanservice, ''ComicBook/TarotWitchOfTheBlackRose'' often preaches about how Wicca is more inclusive and tolerant than other religions... and how intolerant those other religions are towards Wiccans.
* "The Truth for Youth" by Creator/TimTodd are comics done in Japanese style artwork. They're like Chick Tracts, but a bit saner. It's pretty odd to read [[{{Animesque}} Japanese-style]] characters talking about the evils of porn. They still aren't that sane, however. For example, this statement about evolution:
--->'''Rashad:''' Did you know that evolution is basically a racist concept? Some evolutionists still teach that white people evolved from "negroes" who evolved from apes -- '''meaning "[[GoalOrientedEvolution white people are more evolved]]!"'''
* One of the reasons [[BunnyEarsLawyer William Moulton Marston]] created Franchise/WonderWoman was to convince everyone to come under "submission to loving authority" and how a "loving matriarchy" would be a superior, peaceful world government. Oh, and [[AuthorAppeal bondage is highly enjoyable]]. Subsequent writers mostly ignore all this.
* In a borderline case, Scott [=McCloud=]'s ''ComicBook/UnderstandingComics'' was an incisive analysis of comics as a medium (though not without its own agendas and prejudices), while the 'sequel,' ''Reinventing Comics'' is much more of a personal manifesto.
* Creator/DwayneMcDuffie would often include his thoughts on race relations in his work. One of the more notable examples would be an issue of ''ComicBook/{{Icon}}'' which talked about the historical importance of the {{Blaxploitation}} superheroes of the 70s.
* Pat Mills was very fond of writing about the evils of Christianity and the glories of Neopaganism in the 80s; ''Sláine'' and ''ComicBook/ABCWarriors'' were particularly prone to simply becoming mouthpieces for his views on religion. However, he's gotten better about it.
* Creator/ReginaldHudlin ''really'' wants you to know that the ComicBook/BlackPanther is the coolest badass alive and that the American government has selfish motives in dealing with African countries.
* Creator/SteveDitko's comics, which attempted to mix superheroic action of a street-level variety with [[AnAesop Aesops]] on various principles derived from Creator/AynRand's UsefulNotes/{{Objectivism}}.
* Creator/WarrenEllis has specifically stated that ''ComicBook/{{Transmetropolitan}}'' is basically him venting about his various opinions on politics and consumerism, with the main character being a sort of author surrogate. This is particularly notable in the issue where Spider Jerusalem takes on religion, which doesn't even end properly--the issue concludes with him dressed up as Jesus, tearing up a sort of [[WhatDoYouMeanItsNotSymbolic religious convention in a mall]] (while giving [[AuthorFilibuster a long speech]] about why religion sucks, of course) and getting tackled by security. [[BigLippedAlligatorMoment No mention is made of it afterward]]. Indeed, most of Ellis' comics seem to have characters declaring their sociopolitical views, which always are along the same lines, and close to the author's own opinions.
* Several times in Creator/WilhelmBusch's stories. Best example may be "Pater Filucius". Gottlieb Michael (the good guy) is generally seen as a stand-in for the good German people, whom the evil Catholic church wants to harm. ''Pater Filucius'' was Busch's contribution to the ''Kulturkampf'', the period of intense conflict between Bismarck's government (supported by the Liberals) on one hand and the Catholic Church and its political arm, the Centre Party after the first Vatican Council declared the Pope to be infallible. Most characters in it are allegorical and have significant names. The German people had long been personified as ''der deutsche Michel'' ("German Mike"), rather like the British one was represented by John Bull, because St. Michael was Germany's patron saint. Father Filucius (from the French ''filou'', "crook") is a Jesuit, Gottlieb Michael's two maiden aunts Petrine and Pauline stand for the established Catholic and Protestant churches (the Pope tracing his authority to St. Peter, while Protestants place greater emphasis on the teachings of St. Paul). In the end, Gottlieb marries Angelica, signifying Wilhelm Busch recommending an "Anglican" solution to the centuries-old Catholic-Protestant divide in Germany.
* Creator/AlanMoore is no stranger to the occasional tract.
** He's openly stated that ''ComicBook/{{Promethea}}'' was created as a forum for his religious views.
** The third volume of ''ComicBook/TheLeagueOfExtraordinaryGentlemen'' can best be summarized as "[[OlderIsBetter Kids! What the devil's wrong with these kids today?]] [[NewMediaAreEvil Kids! Who could guess that they would turn out that way?]] [[NostalgiaFilter Why can't they be like we were, perfect in every way?]] [[TeensAreMonsters What's the matter with kids today?]] [[TakeThat Oh, and their favourite stories are awful as well.]]"
** The way James Bond is presented in 'The Black Dossier' apparently conveys Moore's opinions on 'modern' heroic characters, in comparison to 'classic' examples like Alan Quatermain.
** The foreword for ''ComicBook/VForVendetta'' forges a link between the tyrannical government in the story and Margaret Thatcher's governmental policies.
** ''Cinema Purgatorio'' is essentially a monthly rant about why classic cinema is awful and evil in horror-comic form.
* The Dutch comic ''Earthling: Vegan Warrior'' -- which essentially attributes every evil in the world to the fact that we don't live in a global {{Veganopia}}, and pits its ComicBook/AnimalMan-{{expy}} DesignatedHero against [[TheWarOnStraw supervillains]] representing such ''[[SarcasmMode horrors]]'' as [[ArsonMurderAndJaywalking war, pollution, and eating meat or wearing leather]] -- is basically what you'd get if ''Webcomic/VeganArtbook'' were a Creator/RobLiefeld project.
* ''The Nightly News'' by Creator/JonathanHickman, which prefaces every issue with a WallOfText on the lies and distortions of mass media [[spoiler: is actually a {{Subversion}}; the grassroots LaResistance that fights back only rises due the machinations of an even more ''corrupt'' politician who blames newscasters for costing him a White House run. Hickman's afterword to the comic actually laments how many readers and reviewers ''didn't'' fall for the BaitAndSwitch.]]
* Henry Vogel, writer for ''ComicBook/SouthernKnights'', had another less-known side series called ''X-Thieves'' where almost [[OncePerEpisode Once An Issue]] he'd demonize the IRS as emotionless, implacable puppets of the administration who were even worse crooks than the nominal larcenous heroes. His Taxation is Theft beef even showed up in editorials run in ''Southern Knights'' at least once, as well.
* The infamous original GrandFinale of ''ComicBook/YoungJustice'', "Graduation Day", was essentially three issues of Judd Winick ranting about how kids and teenagers have no place in the superhero business and trying to act like adults will only get them horrifically killed.
----
* This is a major theme in ''ComicBook/{{Hellblazer}}''. Since the beginning of its publication, writers have been putting their own political and philosophical British ideals in it, and since it follows real time than ComicBookTime, a lot of those ideals are coming from what was happening in the then-contemporary UK. Examples of this include Jamie Delano's negative views of Thatcher's regime and by 2005, includes the War against Terrorism. When Garth Ennis took over writing, he included racism, drugs, and religious fanaticism, which were popular at that time. The most controversial writer, Brian Azzarello, tackled issues such as Neo-Nazism, prison rape, and homosexuality. During Warren Ellis' run, he included American school shootings in a one-shot issue which led to a major controversy. As such, much of Hellblazer's horror often arises from the crises and controversies of its time.
* Dave Sim's ''ComicBook/CerebusTheAardvark'' eventually came to be dominated by Sim's viewpoints on the evils of feminism and his rather unusual take on the Abrahamic religions. An entire story arc was dominated by the title character reinterpreting pretty much the entire Torah.
* Jack Chick's ''ComicBook/ChickTracts'' are literally religious tracts in the form of comics. They contain thin stories to provide a framing story for an illustrated extract from Literature/TheBible and/or rant about how UsefulNotes/ThePope [[UsefulNotes/ConspiracyTheories secretly rules the world]] and ''TabletopGame/DungeonsAndDragons'' is a Satanic indoctrination tool. One tract explains where the idea came from -- Communist China found that Western children loved reading comics, so they decided that easy-to-understand comics would be an excellent medium with which to indoctrinate the people.
* ''ComicBook/TheInvisibles'' was basically created as a way for Creator/GrantMorrison to explain his experiences with extraterrestrial contact and magic.
* ''ComicBook/JLAActOfGod'' is entirely devoted to saying that Batman is right and the only way to fight crime is by being a normal vigilante with no special abilities. And also that superheroes are arrogant because only God should have power, it even goes so far as to have Wonder Woman [[spoiler: convert to Catholicism, in spite of her being an Amazon, who has met Greek gods before.]] Worse when you consider that {{God}} explicitly exists in the DC-verse and clearly knows about and ''approves'' of them, even empowering some and taking a "light touch" approach supporting others.
* David Mack's ''ComicBook/{{Kabuki}}'' started out as action-adventure (though already with some genre savviness and self-reflexivity) and eventually became a meditation on producing independent art (turning the self-reflexivity and self-reference up to 11).
* ''ComicBook/LiberalityForAll'' is basically one long super-conservative author tract which posits the idea that the UN and Democrats want to put terrorists in charge of the United States. And that only a superhero team made up of a Creator/FoxNewsChannel talk show host and two conservative talk-radio hosts/convicted felons -- all with {{Cyborg}} ArtificialLimbs -- can save us all.
* ''Friends Forever Issue 14'' of ''[[ComicBook/MyLittlePonyFriendshipIsMagicIDW My Little Pony: Friendship Is Magic]]'', according to author Jeremy Whitley, was written to address what he believed were UnfortunateImplications from the episode ''Dragon Quest''.
--> "[[https://derpicdn.net/img/view/2015/3/5/842487.png ...because as somebody with a little brown daughter I find that message (from Dragon Quest) to be toxic.]]"
* ''ComicBook/SkyDoll'' by Barbara Canepa and Alessandro Barbucci often veers into this territory, which the overall story could be interpreted as an author tract against all religion in general.
* While it's BestKnownForTheFanservice, ''ComicBook/TarotWitchOfTheBlackRose'' often preaches about how Wicca is more inclusive and tolerant than other religions... and how intolerant those other religions are towards Wiccans.
* "The Truth for Youth" by Creator/TimTodd are comics done in Japanese style artwork. They're like Chick Tracts, but a bit saner. It's pretty odd to read [[{{Animesque}} Japanese-style]] characters talking about the evils of porn. They still aren't that sane, however. For example, this statement about evolution:
--->'''Rashad:''' Did you know that evolution is basically a racist concept? Some evolutionists still teach that white people evolved from "negroes" who evolved from apes -- '''meaning "[[GoalOrientedEvolution white people are more evolved]]!"'''
* One of the reasons [[BunnyEarsLawyer William Moulton Marston]] created Franchise/WonderWoman was to convince everyone to come under "submission to loving authority" and how a "loving matriarchy" would be a superior, peaceful world government. Oh, and [[AuthorAppeal bondage is highly enjoyable]]. Subsequent writers mostly ignore all this.
* In a borderline case, Scott [=McCloud=]'s ''ComicBook/UnderstandingComics'' was an incisive analysis of comics as a medium (though not without its own agendas and prejudices), while the 'sequel,' ''Reinventing Comics'' is much more of a personal manifesto.
* Creator/DwayneMcDuffie would often include his thoughts on race relations in his work. One of the more notable examples would be an issue of ''ComicBook/{{Icon}}'' which talked about the historical importance of the {{Blaxploitation}} superheroes of the 70s.
* Pat Mills was very fond of writing about the evils of Christianity and the glories of Neopaganism in the 80s; ''Sláine'' and ''ComicBook/ABCWarriors'' were particularly prone to simply becoming mouthpieces for his views on religion. However, he's gotten better about it.
* Creator/ReginaldHudlin ''really'' wants you to know that the ComicBook/BlackPanther is the coolest badass alive and that the American government has selfish motives in dealing with African countries.
* Creator/SteveDitko's comics, which attempted to mix superheroic action of a street-level variety with [[AnAesop Aesops]] on various principles derived from Creator/AynRand's UsefulNotes/{{Objectivism}}.
* Creator/WarrenEllis has specifically stated that ''ComicBook/{{Transmetropolitan}}'' is basically him venting about his various opinions on politics and consumerism, with the main character being a sort of author surrogate. This is particularly notable in the issue where Spider Jerusalem takes on religion, which doesn't even end properly--the issue concludes with him dressed up as Jesus, tearing up a sort of [[WhatDoYouMeanItsNotSymbolic religious convention in a mall]] (while giving [[AuthorFilibuster a long speech]] about why religion sucks, of course) and getting tackled by security. [[BigLippedAlligatorMoment No mention is made of it afterward]]. Indeed, most of Ellis' comics seem to have characters declaring their sociopolitical views, which always are along the same lines, and close to the author's own opinions.
* Several times in Creator/WilhelmBusch's stories. Best example may be "Pater Filucius". Gottlieb Michael (the good guy) is generally seen as a stand-in for the good German people, whom the evil Catholic church wants to harm. ''Pater Filucius'' was Busch's contribution to the ''Kulturkampf'', the period of intense conflict between Bismarck's government (supported by the Liberals) on one hand and the Catholic Church and its political arm, the Centre Party after the first Vatican Council declared the Pope to be infallible. Most characters in it are allegorical and have significant names. The German people had long been personified as ''der deutsche Michel'' ("German Mike"), rather like the British one was represented by John Bull, because St. Michael was Germany's patron saint. Father Filucius (from the French ''filou'', "crook") is a Jesuit, Gottlieb Michael's two maiden aunts Petrine and Pauline stand for the established Catholic and Protestant churches (the Pope tracing his authority to St. Peter, while Protestants place greater emphasis on the teachings of St. Paul). In the end, Gottlieb marries Angelica, signifying Wilhelm Busch recommending an "Anglican" solution to the centuries-old Catholic-Protestant divide in Germany.
* Creator/AlanMoore is no stranger to the occasional tract.
** He's openly stated that ''ComicBook/{{Promethea}}'' was created as a forum for his religious views.
** The third volume of ''ComicBook/TheLeagueOfExtraordinaryGentlemen'' can best be summarized as "[[OlderIsBetter Kids! What the devil's wrong with these kids today?]] [[NewMediaAreEvil Kids! Who could guess that they would turn out that way?]] [[NostalgiaFilter Why can't they be like we were, perfect in every way?]] [[TeensAreMonsters What's the matter with kids today?]] [[TakeThat Oh, and their favourite stories are awful as well.]]"
** The way James Bond is presented in 'The Black Dossier' apparently conveys Moore's opinions on 'modern' heroic characters, in comparison to 'classic' examples like Alan Quatermain.
** The foreword for ''ComicBook/VForVendetta'' forges a link between the tyrannical government in the story and Margaret Thatcher's governmental policies.
** ''Cinema Purgatorio'' is essentially a monthly rant about why classic cinema is awful and evil in horror-comic form.
* The Dutch comic ''Earthling: Vegan Warrior'' -- which essentially attributes every evil in the world to the fact that we don't live in a global {{Veganopia}}, and pits its ComicBook/AnimalMan-{{expy}} DesignatedHero against [[TheWarOnStraw supervillains]] representing such ''[[SarcasmMode horrors]]'' as [[ArsonMurderAndJaywalking war, pollution, and eating meat or wearing leather]] -- is basically what you'd get if ''Webcomic/VeganArtbook'' were a Creator/RobLiefeld project.
* ''The Nightly News'' by Creator/JonathanHickman, which prefaces every issue with a WallOfText on the lies and distortions of mass media [[spoiler: is actually a {{Subversion}}; the grassroots LaResistance that fights back only rises due the machinations of an even more ''corrupt'' politician who blames newscasters for costing him a White House run. Hickman's afterword to the comic actually laments how many readers and reviewers ''didn't'' fall for the BaitAndSwitch.]]
* Henry Vogel, writer for ''ComicBook/SouthernKnights'', had another less-known side series called ''X-Thieves'' where almost [[OncePerEpisode Once An Issue]] he'd demonize the IRS as emotionless, implacable puppets of the administration who were even worse crooks than the nominal larcenous heroes. His Taxation is Theft beef even showed up in editorials run in ''Southern Knights'' at least once, as well.
* The infamous original GrandFinale of ''ComicBook/YoungJustice'', "Graduation Day", was essentially three issues of Judd Winick ranting about how kids and teenagers have no place in the superhero business and trying to act like adults will only get them horrifically killed.
----
